Category: MARKETING

  • Essilor India launches campaign to help eyewear industry

    By A Correspondent

     

    Said Maarten Geraets, CEO, Essilor South Asia: “The fight against the pandemic -Covid 19 has to be resolved collectively by helping each other. By leveraging this campaign we will promote awareness and by standing firmly behind the government in its effort, we hope to have played our part. We wanted to take this opportunity to thank the sales staff of the optics store who have been a pillar of support everytime and during these challenging times, it’s our time to show them support. We would like to call out a message to all spectacle wearers to care for those who have cared for your eyes”.

     

     

  • Nagarjuna Cement signs Varun Tej as brand ambassador

    By A Correspondent

     

    Nagarjuna Cement has announces it has signed on board Telugu actor Varun Tej Konidela as its brand ambassador. Nagarjuna Cement looks to redesign its communication strategy to a more modern and vibrant approach with this partnership.

     

    Speaking on the association, K. Ravi, Managing Director, NCL Industries Limited said: “We are happy to bring on board a talented actor such as Varun Tej Konidela to be our brand ambassador. His vibrant and relatable personality resonates well with audiences across all demographics, who we aim to connect and engage with through our brand campaign. We look forward to him representing our brand as the face of this upcoming campaign.”

     

    Discussing the association, Naveen Saxena, Founder of Trinity Prime Media Solutions said: ”Nagarjuna Cement is an extremely popular and powerful brand in south India. We are working with them to redesign their entire communication strategy and hence partnering with one of the biggest stars, Varun Tej, played an important role to re-energize the brand. The upcoming campaign will feature great creative work targeted towards a broader target audience.”

     

    Nagarjuna Cement is a power brand and with Varun Tej on board, the brand intends to penetrate into new markets and connect with a wide customer base.

     

     

  • O4S launches digital trade promotion platform ‘Gynger’ for manufacturers

    By A Correspondent

     

    O4S, a leading Enterprise SaaS start-up that enables supply chain visibility through a serialisation solution, is betting big on digitised trade promotions and management (TPM) solutions. The company has launched ‘Gynger’ to enable brands and manufacturers to not only adopt a data-driven approach for planning as well as executing  trade promotions, but improve effectiveness of their trade promotion spends.

     

    Commenting on the launch of Gynger, Divay Kumar, CEO and MD, O4S, said: “With complex supply chains for distribution and their varying levels of maturity, companies across sectors including FMCG, Agriculture, and Pharmaceutical face the challenge of disconnectedness with the retailers and influencers. The wide spread retailers’ network which commands a significant share of product sales, needs stronger and direct engagement, powered by automation. The current approach to trade promotion planning and execution by companies is often based on “gut” & “experience” of the trade marketing team, and the tools to manage and measure promotions are understated. Hence, Gynger offers the right tools to companies for complete control over their TPM schemes to plan, execute, assess, and gather actionable insights on their effectiveness in real-time, enabling mid-way course correction and bringing value to enterprises. The uniqueness of our solution ensures that the entire process is data-driven, eliminates reliance on any middlemen, and adapt to the existing schemes format to reward the champions in order to achieve desired sales result.”

     

     

  • Digital campaign with #AtHomeWithOreo

    By A Correspondent

     

    Biscuit brand Oreo introduced a digital campaign titled #AtHomewithOreo to help consumers spark their innovative plugs and drive creativity with Oreo cookies. Commenting on the campaign, Sudhanshu Nagpal, Associate Director – Marketing (Biscuits), Mondelez India, said: “As concerns around the spread of COVID-19 continue to increase, we realised how the new normal was taking a toll on people’s lives amidst the pandemic gloom and the monotony of the homebound life. With Oreo our goal has always been to bring families closer through playful moments, and the current scenario proved to be fitting to reinvent our strategy while infusing a sense of normalcy and fun with the country’s favourite cookie. #AtHomeWithOreo was yet another attempt to bring people together and support families by breaking them away from the tedium of isolation through an array of engaging activities. As the lockdown continues, we only aim to amplify our connect with the consumers through the campaign and provide them avenues to keep their innovation plug sparking at all times.”

     

    Added Mark Mcdonald – Executive Vice President And Head Of Creative, India, Digitas: “Despite the Covid-19 pandemic and the subsequent lockdown, it’s clear that peoples’ desire to connect, share and innovate, has not dampened. If anything, it’s on the rise.

     

    Said Rajdeepak Das, Chief Creative Officer – South Asia and Managing Director – India, Leo Burnett: “Work From Home has created a major imbalance between work and home. Although we are spending more time at home, we are actually spending less time with our kids because of all the added house work and office work. Children on the other hand feel that since parents are at home they should be spending more time with them playing. With our ‘At Home With Oreo’ campaign we want to encourage parents to consciously take time out and have some playful moments with their kids cooking, creating and playing inside their homes.”

     

     

  • UNEP, MoEFCC release campaign by Ogilvy

    By A Correspondent

     

    First, UNEP = United Nations Environment Programme and MoEFCC is Ministry of Environment, Forest and Climate Change. Thankfully Ogilvy is not known has OI, though once upon a time we would call it O&M and since it’s now called The Ogilvy Group, we could call it as TOG. But we don’t, so let’s move on. The threesome came up with a campaign titled ‘Super Year For Nature & Biodiversity’ on World Environment Day.

     

    The inaugural session saw the presence of some government biggies and UNEP Goodwill Ambassador Dia Mirza.

     

    Said Sukesh Nayak, Chief Creative Officer India, Ogilvy:  “To address UNEP’s global theme – Super Year for Nature & Biodiversity, we felt the need to highlight India’s endangered species. The rare sightings of these species and the wish to see more of them in their respective habitats inspired us to create the campaign.”

     

     

  • Uber calls on riders to prioritise safety

    By A Correspondent

     

    Uber has launched a new marketing campaign, ‘Safer For Each Other’, to underscore that safety, too, can spread if riders sanitise their hands, wears a mask, and don’t travel when sick, thereby making the entire platform safer for the next rider.

     

    Speaking on the launch, Pavan Vaish, Head of Central Operations, Uber India and South Asia said: ”At Uber, safety of everyone who uses our platform is a priority. The post-lockdown world is different from before, and we have to re-learn and re-adapt. Through #SaferForEachOther campaign, we aim to spread the message that every rider’s indulgence in their personal safety not only makes the driver safer, but also every trip that follows.”

     

     

  • Luminous & 82.5 campaign on World Environment Day

    By A Correspondent

     

    It was World Environment Day on Friday, June 5 and inverter-makers Luminous unveiled a campaign by the Ogilvy group’s 82.5 Communications.

     

    Said Sumanto Chattopadhyay, Chairman and Chief Creative Officer, 82.5: “We thought it apt to use the device of ’reverse poetry’ to spread the message of reversing the damage we have caused to our planet. This message is more relevant than ever this year as we have experienced both the ill-effects of a ‘disturbed nature’ as well as proof of how quickly it regenerates when left in peace.”

     

     

  • Bang In The Middle announces alliance with music agency Songfest India

    By A Correspondent

     

    Ad agency Bang In The Middle has announced a strategic alliance with Mumbai-based music agency Songfest India. The offering is in response to the growing need of brands to reach out to consumers via digital platforms such as TikTok, Helo, Instagram and YouTube, especially in wake of the Covid-19 pandemic.

     

    Said Naresh Gupta, co-founder and chief strategy officer of Bang In The Middle: “We’ve always believed in evolution and advising our clients on the latest in brand building. In the post Covid-era, brands shall gravitate even more towards digital content to connect with their consumers. The association with Songfest shall enable us to provide a new array of music based offerings to new and existing clients and shall enable them to reach out to newer audiences across different digital platforms.”

     

    Added Prathap Suthan, co-founder and chief creative officer, Bang In The Middle: “It is the age of co-creation. Our aim is to collaborate and create innovative music IPs that are not only highly engaging but also seamlessly allow a brand to convey its message to the viewer. Songfest India is a team of young and bright individuals and we’ve been impressed by their ideas and work ethic.”

     

    Said Gaurav Dagaonkar, co-founder and chief executive officer, Songfest India: “We’re excited about this alliance as it shall allow us to leverage Bang In The Middle’s proven expertise in creative storytelling, building brands and crafting hugely successful and memorable campaigns to create strong concepts. Prathap and Naresh are industry stalwarts who keep inspiring us and we look forward to creating some magic together.”

     

    The two agencies have worked on an ad hoc basis before and shall continue servicing their respective clients independently, while developing new ideas for potential clients together. “Work has already begun on a TikTok based campaign for a brand, as well as a series of shot-from-home music videos for another,” added Meghna Mittal, co-founder and chief marketing officer at Songfest India.

     

     

  • It’s Just A Period, says Stayfree to families across India

    By A Correspondent

     

    With nearly two million girls experiencing their first period during the lockdown, a new digital film encourages families to talk more openly about periods and support them in this journey

     

    On the occasion of World Menstrual Hygiene Day on May 28, Stayfree unveiled a new digital video that invites families to change the way they approach the period conversation.

     

    Said Manoj Gadgil, Vice President Marketing, Johnson & Johnson Consumer division: “This World Menstrual Hygiene Day is a reminder to us all that the onus of normalising the first period experience for every young girl lies with all of us. And during pandemics when she doesn’t have access to her teachers for information, families can and must play the most important role in this. Today is just a first step towards creating that awareness and Stayfree® commits to help young girls and their families in this journey.”

     

     

  • McCann releases new campaign for Dabur

    By A Correspondent

     

    McCann has released a new TV and digital campaign for Dabur that, as a communique notes, “reaffirms its 135-year-old legacy of protecting the health and well-neing of every Indian household.

     

    Said Mohit Malhotra, CEO, Dabur India: “As a brand, Dabur evokes feelings of Trust, Health and Well-Being in the minds of our consumers. This campaign reflects our Ayurvedic and Indian heritage, and our strong sense of pride about ‘Made in India, by Indians, for Indians’. As India now moves forward on the mission to rebuild and emerge from the challenges and uncertainties of COVID-19, Dabur also reaffirms its commitment of being ‘dedicated to the Health and Well-being of every household’.”

     

    Added Prasoon Joshi, Chairman, McCann WorldGroup: “With the legacy and the trust that brand Dabur enjoys, it is best poised to deliver the attributes New India needs on its journey to become a leader of this new era. This sentiment has been expressed in “Mitti se judey hum, Barsoon se saath khadey hum” campaign.”

     

     

  • Max Life appoints Geetanjali Bhatia Nehru to head comms

    By A Correspondent

     

    Max Life Insurance Co Ltd has announced the appointment of Geetanjali Bhatia Nehru as Corporate Vice President and Head – Corporate Communications. She will report to Aalok Bhan, Director and Chief Marketing Officer, Max Life.

     

    Speaking on the appointment, Aalok Bhan, Director and Chief Marketing Officer, Max Life said: “We are happy to welcome Geetanjali to the Max Life family. These are unprecedented times that require innovative ways of communicating with empathy and intent. We believe Geetanjali, with over 18 years of diverse experience will contribute towards narrating our story with creativity and depth. We wish her a successful journey ahead with the Company and look forward to her valuable insights and expertise.”

     

    Before joining Max Life, Nehru worked with Ingersoll Rand as the Head of Corporate Relations.

     

     

  • Clients get the Creative they Deserve

     

    By Sanjeev Kotnala

     

    Each one of us is has a belief system. It defines our actions and reactions. It is based on our experiences, work culture, observations and expectations. It is fluid in the initial part of life and becomes a bit non-negotiable after some time. In fact, we start selectively searching and seeking examples to further reinforcing our beliefs. We slowly develop these biases and refer to them as mindset filters. As humans, we suffer from selective knowledge that we have anyway interpreted through Generalisation, Distortion and Deletion of experiences and information.

     

    It becomes tough to remain open to new ideas and thinking which are not as per our belief system. So, we keep reminding ourselves to remain open to ideas, try to think outside the box, not to be biased and importantly evaluate the idea, not the person.

     

    I too have my belief system, which I strongly endorse. I know, it is not meant to be perfect, but it has worked for me. I am trying to question this statement which is a part of my belief systems and would love hearing your point of view. 

     

    CLIENTS GET THE CREATIVE THEY DESERVE.

    How many times we have heard it agency people saying it. Yes, the client gets the creative they deserve. I have been on the agency side, client-side and now am an independent brand and marketing advisor/consultant, and I have reason to believe that clients get the creative they deserve.

     

    Creative is merely not a function of getting the best talent to work on a sharply defined probortunity or the funds available for development and production. It is more about the freedom the agency enjoys, the culture of ownership and innovation at the client ends and the degree of empowerments within the teams.

     

    I don’t know how many from the younger generation consider the Client-Agency relationship to be like a marriage based on shared values and outlooks, and not on the retainer fee. In an idealistic framework of client-agency relationship, it should promote co-existence, mutual benefits, acceptance and adaptability of thoughts. The agency can and should be able to influences the client’s approach to communication. However, people in the industry know the reality. It has only been deteriorating with time.

     

    Agencies were business partners and advisors. They were like a doctor. They were prescriptive and recommendatory in their approach. The agency participated in the strategic discussion. Now, they rarely get treated like business associate and mostly as a vendor. Exceptions to the rule exist…

     

    Here is a classic Mohammed Khan anecdote. In meeting with a large automobile client, Mohammed Khan re-presented the campaign that was rejected in the last meeting. He was convinced that was the campaign client should run. The client pointed out that the campaign was already rejected it. Then Mohammed Khan said: “you know how to make the best cars, and we don’t tell how to make them, you hired us as an agency, because, we are expert in our field and you should not be telling us how to make a campaign”. Those were the days, and those were the agency people. The situation has changed.

     

    Today, agencies act as a tailor. The customer dictates the type and style of the dress. Many agencies now serve creative options on a menu card and expect the client to evaluate and buy.

     

    Yes, few agencies are still trying to do excellent work on their terms. And these are small set-ups.

     

    Yet, clients are not to be blamed completely. It is also about the level of engagement and involvement the agency has the conviction in their work. The confidence to passionately go for what they believe is right. The filed work to really understand the market, competition and the customer.

     

    There is another anecdote, this time from a copywriter who has won many CAG awards. When a client suggested that the ‘,’ in the copy should be changed to ‘.’. The copywriter refused and said, if the campaign goes, it goes with the ‘,’ otherwise I am happy to present a new campaign tomorrow. That ownership is hard to find nowadays.

     

    Another case. In one meeting, the copywriter presented a Golden Sheaffer pen, to the client. This client was known for taking out a ballpoint pen and start marking copy changes on the layouts. While gifting the pen, the copywriter said, we write copy passionately. We evaluate and think of every word there. We think how the syntax should be and how the consumer thinks. And yet, if you have to do the changes and mark ruthlessly on the layout, it will be appreciated if you use a Sheaffer.

     

    THE COUNTER ARGUMENT.

    Then there is another counter-argument, best reflected by the quote often attributed to Walter Saldhanha of Chaitra and shared by Ambi Parameswaran. “We will recommend what we think is right. But if the client insists on doing bad ads, we will do them. Simply because, if they are going to waste their money, they might as well, waste it through us.” This does make business sense.

     

    In the late nineties, I remember Denis Joseph reacting to a Lintas campaign that the client has rejected. Dennis said, ‘Don’t be disappointed. He is a mere client and must have his reasons to believe this campaign won’t work. Pity he does not know to advertise. So we will first present what we think is best for the brand. And if the client fails to see the truth, we will do what he thinks should be done, but, still, we will do Okay but not a mediocre job.’. 

     

    IT TAKES TIME.

    Remember, relationships take time to build up. Confidence and Trust take much longer. Willingness to support each other’s initiative still much longer. And hence, a longer relationship mostly shows polarised results: absolutely brilliant work or run of the millwork.

    Many times, change of CMO or the agency trigger a shift in approach and the type of work happening on a brand.

     

    Great or Excellent or even Good work happens when the client and agency’s thinking resonates. When both are in it for a long haul. When innovation and experimentation are accepted and encouraged. When people listen to disruptive ideas. And, when Idea is owned collectively. 

     

    HINDU LONG COPY ADS.

    I am not really surprised at long copy ads that Hindu has released in recent past. Each of them is brilliantly written. It makes sense for a Newspaper brand to believe in written words and hence be extremely confident of long copy advertisements. However, it needs much more than mere conviction. Hindu has done it consistently and in recent times. It has also taken a tough stance and amplified a not so popular opinion. Here is the one they released on the world environment day.

     

    TCP- THAILAND AD.

    The other quoted statement and this time from the client-side, ‘Efficient and effective full-page ad is easy, creativity is when you can do it in 60 ccs’. I know it is loaded and can be debated until the cows come home. But there is some truth in it. There are ideas which need space and more, and there are ideas that cost almost nothing. However, opinion remains divided if creativity gets amplified when there are no constraints or when it is severely constrained.

     

    Here is another example of such creativity. And if one is to believe Wunderman Thompson, Thasorn Boonyanate, ECD in Thailand, cut the film after TCP Group (owner of Red Bull & other beverage brands) cancelled one of his most significant campaigns of the year. Okay, let us for a moment believe even that and that could be true. Then Boonyanate posted the film on his personal Facebook account and trust me it is going to be noticed and do a hell lot for TCP. The film is smooth and engaging, it takes a somewhat different route to present what TCP; the client is doing during the crisis listing many initiatives that are going to make you feel good about the brand TCP. And it then ends with ‘I am upset they quit of our advertising campaign, But what matters more is that they don’t quit on the millions of people they serve, so thank you, thank you.’ ( Thank you Campaign India– I saw this first here)

    This may or may not be client supported, but in either situation, it is good to work. 

     

    NEARER HOME- FEVICOL

    Nearer home, saw the Fevicol communication loaded with simplicity. It reaffirmed that to engage the audience, mega-production budgets is not a requirement. Don’t wait for perfection, just be on time.

     

    If the client and agency are on the same wavelength, they hit the target more often.

    I am not sure if this Fevicol film ( Zinda rehna hai aur aagey badna hai) would have been released in pre-COVID days. It may have remained as an in-house scratch production for client presentation. It is raw, and that is the beauty of it. Right now the audience understands and accepts some imperfection, till the idea strikes a chord. 

     

    It also reminds of the Fevicol initiative at the start of the COVID crisis. And the two link. It is easy when the brand remains contextual and speaks to leverage its long-standing promise.

     

    TOP OF THE HOUSE- AMUL

    It is the classic example of Trust and faith between the two parties, the client and the agency. The client totally trusts the agency, so much so that the client sees the OOH creative with the consumers. The creatives are considered approved. They usually are, not sent for client approval. It is not that such working has not resulted in issues and problems. The timely technical glitch with Twitter is an example. Yet, what we hear from the client a simple statement- Amul Girl will speak her mind!