Category: Awards

  • Casagrand awards digital media mandate to Kinnect

    By A Correspondent

     

    Kinnect has been awarded the digital media marketing mandate for Casagrand, South India’s real estate company. The agency’s Bengaluru office will handle the account.

     

    Commenting on the account win, Rohan Mehta, CEO – Kinnect said: “Casagrand is an exciting mandate to secure, and we are elated to add this prominent brand to our esteemed clientele. Using tech, creative, and data to complement our strong media strategy, we aim to deliver substantial business outcomes for the brand on digital.”

     

     

  • P&G’s Kainaz Gazder named Jury Head at APAC Effie

    By A Correspondent

     

    Effie Asia Pacific has announced Procter & Gamble’s (P&G) Kainaz Gazder in its third set of Heads of Jury for the 2020 APAC Effie Awards.

     

    Kainaz Gazder

    With nearly 25 years in the FMCG industry, Kainaz Gazder has built a track record in launching new brands, turning around struggling businesses and taking strong businesses to greater heights. Starting out with P&G India in 1996, Gazder has been credited for numerous business-building and award-winning brand campaigns.

     

    Commenting on her appointment, Gazder said: “An Effie award is a global symbol of achievement, representing ideas that build brands. As a brand builder for over 20 years, I am thrilled to help champion the most effective ideas as a Head of Jury for the APAC Effies.”

     

  • Thackeray Jr & WPP CEO at Olive Crown Awards

    By A Correspondent

     

    The 10th Anniversary of the International Advertising Association (IAA) Olive Crown Awards will be held in Mumbai on March 3. Environment, Tourism and Protocol Minister Aditya Thackeray, WPP CEO Mark Read and Headspace founder Andy Puddicombe are scheduled to be present.

     

    Punit Goenka

    Said Punit Goenka President IAA India Chapter: “The Olive Crown Awards are very important because they are the only awards to celebrate creative excellence in communicating sustainability. And we have spared no effort to make the 10th Anniversary of these prestigious awards very special.”

     

     

    Megha Tata

    Added Megha Tata, Chairperson Olive Crown Awards: “This year the response has been very good – both from agencies as well as corporates. The Olive Crown Awards have always been run as a cause, so there were no entry fees charged and the attendance to the awards function is also strictly by invitation.”

     

     

  • Goafest announces jury for Red Abby

    By A Correspondent

     

    The Advertising Club and the Advertising Agencies Association of India (AAAI) announced the names of the jury for ‘The Red Abby’ award which will be presented as a part of Goafest 2020.  ‘The Red Abby’ awards have been instituted to acknowledge the best creative works that address the issue of violence against women in society.

     

    The jury for the Red Abby Awards include some of the foremost leaders from across the FMCG, advertising, media, creative and entertainment industry.

     

    The jury list for ‘The Red Abby’ 2020 (in alphabetical order)

    1. Anupriya Acharya- CEO, Publicis Groupe, South Asia

    2. Babita Baruah, Managing Partner, GTB India

    3. Deepika Warrier, CEO, Nourishco Beverages (a joint venture between Pepsico and Tata Global Beverages)

    4. Lara Balsara Wajifdar, Executive Director at Madison World

    5. Megha Tata, MD- South Asia, Discovery Communications India

    6. Mini Mathur, Acclaimed Actor and Television Host

    7. Raj Nayak, Founder, House of Cheer

    8. Tarun Katial, CEO, Zee5, India

     

    The jury meet is scheduled for March 17 in Mumbai where the jurors will test creativity and impact of the communication campaigns.

     

    Speaking about the judging process, Partho Dasgupta, President- The Advertising Club President said: “Women’s safety is a cause that needs a loud and clear voice. The esteemed jury of ‘The Red Abby’ comes from a diverse background with rich experience in their respective industries. Their collective experience will make the evaluation process robust and fair, while adjudging the works’ impact.”

     

    Speaking about the jury, Sonia Huria, Managing Committee Member of The Advertising Club and Evangelist – ‘The Red Abby’ added: “At the heart of a successful campaign is the impact it made. In case of ‘The Red Abby’ the impact will be basis the effectiveness of the behaviour change messaging of the campaign. With such an esteemed jury for its maiden edition, we are sure that the best-in-class works will find their right place in the Abby Awards Hall of Fame.”

    To nominate communications campaigns focused towards stopping violence against women click here.

     

     

  • INMA unveils Global Media Awards finalists

    By A Correspondent

     

    The International News Media Association (INMA) announced 173 finalists for the 2020 Global Media Awards competition, which rewards innovation and excellence growing audience, brand, and revenue.

     

    This year’s competition generated 824 entries from 242 news brands in 44 countries. Finalists hail from Africa, Asia/Pacific, Europe, Latin America, and North America. India has the highest number of finalists with 29, followed by the United States with 27, Norway with 14, and Australia with 12.

     

    In terms of companies, leading the INMA shortlist with finalists are News Corp; Jagran; Schibsted; Bennett, Coleman & Company Ltd.; Russmedia; and Stuff.

     

    About 42 media experts from 20 countries judged the competition in February, focusing on breakthrough results, unique concepts, strong creativity, innovative thinking, and winning synergies across media platforms.

     

    First place winners, regional winners, and the coveted global ‘Best in Show’ will be unveiled on April 28 at the 90th Annual INMA World Congress of News Media  in Paris.

     

    All 824 entries in this year’s Global Media Awards competition are live on INMA.org in the association’s Best Practices archive. Finalists may be viewed publicly, while all other entries are reserved exclusively for INMA members.

     

     

  • Olive Crown awards presented

    By A Correspondent

     

    The India chapter of the International Advertising Association (IAA) conducted the 10th edition of the Olive Crown Awards celebrating excellence in communicating sustainability.

     

    In the Corporate Crusader of the Year category, Reliance Foundation won the Gold and Mathrubhumi Printing & Publishing Company the Silver. The two NGOs – People For Animals Wildlife Hospital & Rescue Centre and Chirag Rural Development Foundation – shared the Gold for their contribution to environment sustainability. Carbon Craft Design and Air Link was awarded the New Age Green Initiative Gold and Silver respectively. Earth Edition Drives bagged with the Digital Gold and FCB Interface with the Green Campaign of the Year-Gold.

     

    Maharashtra minister Aditya Thackeray was Chief Guest on the occasion, but he arrived late. Also present was Mark Read, CEO, WPP who addressed the audience.

     

    Said Punit Goenka, President, International Advertising Association (IAA) – India Chapter and MD & CEO, Zee Entertainment Enterprises: “We at IAA are extremely proud of Olive Crown Awards as an initiative. The overwhelming response received from the industry speaks a lot about the need of such initiatives in today’s era. Apart from being the pioneer in recognizing creative excellence in sustainability, Olive Crown Awards as a property has also led to a mindset change in the approach taken by the marketers and advertising agencies while crafting strategic communication campaigns. I am very glad to note that this initiative has touched the 10 year milestone. I am very proud of the entire team at IAA, for their immense amount of energy and time invested in building this initiative and all the key initiatives which bring about a positive change for the industry and the society at large.”

     

    Added Megha Tata, Chairperson IAA Olive Crown Award: “Today we celebrate a decade of communicating sustainability, a decade where we have brought sustainability to the forefront and on the agenda of both Marketers and Agencies alike. We have seen the conversation shift from doing something green to campaigns and brands vested in sustainability. We have seen this shift and are happy to have identified and led the way to acknowledge these initiatives. We have shown that we are not just custodians of our respective Brands but Custodians of Brand Earth.”

     

    Kaushik Roy, Past President IAA, expressed pride of being President IAA during the conceptualization of the Olive Crown Awards, fondly mentioned that if IAA Olive Crown was a tree it would be big today.

     

    Prasoon Joshi, Chairman of the Central Board of Film Certification and CEO of McCann World group India, reminded us of the fact that while it is a great initiative we must imbibe and live by the values. He recited a poem he had written on Water.

     

  • Pepper Creative Awards invites entries for 14th edition

    By A Correspondent

     

    Pepper Creative Awards Trust has announced the 14th edition of the Pepper Creative Awards. For the first time, entries for the awards can be submitted online through the website www.pepperawards.com. Ad agencies, production houses, printers and photographers in South India can submit entries. The last date for the receipt of entries is March 25, 2020.

     

    The competition will be open to 26 categories, including region specific Agency of the Year Awards and Advertiser of the Year award. There will be awards specifically for Kerala-based agencies in the Jewellery, Real Estate, Textile, Hospitality, Ayurveda and Media sector.

     

    This year’s award jury comprises Prathap Suthan, Co-founder and CCO, Bang In The Middle (Suthan is of course a constant with the Pepper Awards); Raj Kamble, Founder and CCO Famous Innovations; Santhosh Padhi, Founder and CCO, Taproot Dentsu, Mumbai and Burzin Mehta, Group Creative Director, Ogilvy Mumbai, informed K Venugopal, Chairman, Pepper Trust.

     

     

  • RedInk Awards extends deadline to March 31, 2020

    By A Correspondent

     

    The RedInk Awards has extended the last date for entries to 31st March 2020. Mumbai Press Club has also taken into consideration the Covid-19 outbreak for this further extension.

     

    Journalists with a great broadcast, web or print story are invited to send in their work early in order to be well in time. For the first time in its nine years, the RedInk Awards have been opened up to foreign correspondents writing on India.

     

    To identify the best stories, and raise the bar for the selection process, the Mumbai Press Club has made a special appeal to editors of print and broadcast networks to identify, and nominate their best stories in Calendar 2019.

     

    In all, there are 12 categories of awards covering written and broadcast stories published in Calendar 2019 in the print, web and television medium.

     

     

  • Goafest 2020 and Abby 2020 won’t happen this year

    By A Correspondent

     

    The Advertising Agencies Association of India (AAAI) and The Advertising Club have announced that both Goafest and Abby Awards 2020 will be deferred for the year. This comes in the face of the prevailing global and national crisis.

     

    Notes a communique: “The Abby Awards saw some of the greatest works being submitted this year and inspite of a muted economic scenario and a global health pandemic the number of entries were at almost at par to that of last year. Such large participation numbers for the Abby awards are a testament to its covetous stature in the industry.”

     

     

  • Warc unveils lessons from world’s most awarded brands

    By A Correspondent

     

    WARC has released ‘Lessons from the World’s Most Awarded Brands’, a report based on an analysis of the recently released three WARC rankings – Creative 100, Media 100 and Effective 100.

     

    The study looks at the strategies and approaches of some of the brands placed highly in the 2020 WARC Rankings, an independent benchmark of the world’s most awarded campaigns and companies based on their performance at the industry’s most important global and regional award shows of 2019.

     

    Said David Tiltman, VP Content, WARC: “To learn from the best, we’ve interviewed the teams behind some of the highly ranked work to see how it came about, and what they learned from it. At a time when marketing budgets are coming under pressure as the threat of recession looms, these are some of the ways marketers can make sure their brands stay relevant.”

     

    WARC has found nine common marketing themes used by highly successful brands:

     

    1. They are marketers, not just communicators

    While a lot of the work featured in the rankings is communications, the stories behind that work reveal marketers working across the classic 4Ps spectrum – product, price, place, and promotion.

     

    IKEA identified a product opportunity to appeal to a new audience and ensured distribution through 3D printing. NRMA Insurance took marketing communications budget and effectively reinvested it in cashback to its customers via its Safety Hub. There is also a growing interest in the breadth of the customer experience, and how to align all interactions with a brand – McDonald’s talks about “feelgood moments” that span ads to packaging to design.

     

    2. They know how they’re contributing

    A consistent theme through the interviews in the report is that marketers know how their work contributes at a business level. Meaning brand metrics are joined up to commercial objectives. For retailers that link might be very direct – as Colin Mitchell, CMO of McDonald’s points out, they receive sales data very quickly and can see what is working. For others it requires more work. Samsung and its agency Starcom, use search data as a leading indicator of business impact.

     

    3. They have one eye on the long term

    Long-term marketing investment versus short-term is a very live debate at present. This might involve splitting budgets between distinct ‘brand’ and ‘activation’ work. It also involves the nurturing of ‘distinctive brand assets’ over time, which demands consistency as well as creativity.

     

    Volkswagen balances brand investment like the ‘Road Tales’ project with very sales-focused work. Meanwhile, Fernando Machado, CMO of Burger King is criticised by some for a ‘stunt’ approach. But as he points out in the report, that is only one element of his marketing plan as he balances high-impact brand activity with everyday executions designed to drive footfall.

     

    4. They know creativity is key – but only when applied in a business context

    Creativity is a key element as brands seek distinctive and innovative products and communications. Whilst creativity drives distinctiveness, and in some cases delivers a cultural impact, it means nothing if it isn’t achieving broader commercial objectives.

     

    An example is Burger King’s Whopper Detour: fantastically creative, but with a real business purpose underlying it – to drive downloads and orders through an app.

     

    5. They tolerate risk

    The decision to do something different – for example, to run a campaign that does not play by category rules, or to divert budget into an untested proposition – can seem risky. But the rewards are potentially much higher. The marketers in this report understand that trade-off. Indeed, some of the brands in the report – even big ones like Samsung and Burger King – take a ‘challenger’ approach. They deliberately flout category rules and use attention grabbing tactics that court controversy to position themselves against a bigger competitor.

     

    6. They execute flawlessly – even if it takes time

    The scale of some of the work in the WARC Rankings is breathtaking. ‘Whopper Detour’ took a year to come to market due to the technical and legal complexities. Carrefour’s ‘Black Supermarket’ also took a year as the marketing team convinced colleagues, lawyers and lobbyists it should deliberately flout the law to gain an advantage. IKEA’s ThisAbles project took even longer. A genuinely great idea is worth the wait if that’s what it takes to land it seamlessly.

     

    7. Their purpose is focused

    Purpose has become synonymous with ‘save the world’ communications that have little alignment with a brand’s actual objectives or its impact in the world. In this report, a lot of the marketers use the word ‘purpose’ – but that purpose is usually focused on their customers and their pain points. In other words, they know why their brand exists and how it ought to behave.

     

    IKEA’s approach to developing add-ons for the disabled community is a textbook example of spotting a new way to serve a specific group, and Volkswagen’s ‘Road Tales’ was built on the simple need to entertain children during a car journey.

     

    8. They look for the human stories in data

    While a lot of modern marketing revolves around data-driven ideas and tech innovation, successful brands have the ability to spot human stories or ‘small data’ and turn that information into a source of creativity and competitive advantage.

     

    Much of the success of KFC’s work in China is built around Chinese gaming and e-sports. This in turn was built on the observation that KFC’s meals can be eaten with one hand, leaving the other hand free to hold a controller. Volvo’s EVA initiative was all about data; but what made it powerful was the message that crash test data had become a gender issue.

     

    9. They build an ecosystem of trusted partners

    Most marketers work with external partners, but much of the work in this report springs from relationships that go beyond supplier and contractor. Some projects involve broader ecosystems, as clients and agencies bring in specialist support. A common thread: it’s not just about hiring the right people – it’s about sharing data, giving them access across the organisation, and setting them briefs that will bring out the best from them.

     

    Joe Stubbs, Vice President of Global Brand, Interbrand, who provides expert commentary in the report, comments: “Becoming a successful brand is not as easy as having great products and services. Becoming a successful brand is about having the courage to continuously make bold and iconic moves that will drive exceptional results.”

     

     

  • Harper Collins India’s ‘Parcel’ gets a selection at Dada Saheb Phalke Film Festival

    By A Correspondent

     

    The 10th Dada Saheb Phalke Film Festival 2020 has announced that HarperCollins India’s short film Parcel is part of the Official Selection. The film has incidentally also been shortlisted for the One Show Awards 2020.

     

    Parcel, produced by HarperCollins in association with Taproot Dentsu is an ode to the art of storytelling. It is a short film celebrating the wonderful power of the narrative. This short tale chronicles its scheme with such detail that it keeps one hooked until the very end.

     

    Added Akriti Tyagi, Marketing Head, HarperCollins India: “Who doesn’t love awards and accolades! Especially when they pour in for something as special as Parcel – our homage to the crime genre. At HarperCollins India, we aim to reinforce the power of a good story and establish new ways of storytelling for an audience that is now consuming stories in all its forms – words, audio and moving images. We hope it wins all the recognition it deserves and reaches many more audiences!”

     

    Added Titus Upputuru, Creative Head, Taproot Dentsu: “This is the highest honour in films in India. And to think that it’s come at a time like this makes me appreciate it that much more. When I began writing the screenplay, I was really excited because of the possibilities that were going on in Ved’s mind. Making the film was quite challenging as it dabbled with the genre of mystery and suspense. Ananth [Padmanabhan, CEO, HarperCollins India] had amazing faith in us. The team at Atrangi Ideas gave wonderful support. The cast and crew worked very hard and this accolade belongs to every one of them.”

     

     

  • Anant Goenka bags IAA 2020 Young Leader Compass Award

    By A Correspondent

     

    The International Advertising Association (IAA) has named Anant Goenka Executive Director- The Indian Express Group, and Mancom Member IAA India Chapter as ecipient of its 2020 “Young Leader Compass Award”.

     

    Says Punit Goenka, President of the IAA India Chapter: “It is a matter of pride for us in the India Chapter and in the Marcom industry in India that our member has been selected for this signal honor. I wish Anant all the best”.

     

    The award was to be presented at the IAA World Congress St.Petersburg, but since that has been postponed, the presentation details will be communicated soon.