Category: Awards

  • Wunderman Thompson, Yes Bank & Mathrubhumi win big at Olive Crown Awards

     

    By A Correspondent

     

    Nine years ago, the India chapter of the International Advertising Association instituted the Olive Crown Awards for awarding created in sustainability and saving the environment as a whole.

    It was held as part of the Goafest 2011 edition, but went its independent way the following year. And hasn’t looked back ever since.

    The IAA India chapter has ensured that it raises the bar every year in the organising of the event. From Radio Club to St Regis to a very elegantly done venue at the ITC Grand Central last Thursday, the Olive Crown Awards is now part of the A&M calendar of events held every year.

    From sub-hundred-odd entries in the days of yore to some 230 this year speaks a lot about how much the industry respects the awards. The entries were vying for metals across 14 categories.

    Wunderman Thompson (eka J Walter Thompson) and The Social Street bagged four golds, with the former winning the Gold in Campaign of the Year, and the latter, the Silver.

    Yes Bank was awarded the ‘Green Brand of the year’ for its Yes Bank Natural Capital Awards and Conservation as the Mathrubhumi group was awarded the coveted ‘Corporate Social Crusader of the Year’ award for its various social initiatives.

    Here’s the list of winners of the 9th Olive Crown Awards:

  • 2019 edition of Star Re.Imagine Awards announced

    By A Correspondent

     

    Star India has announced the second edition of the Star Re.Imagine Awards for the best advertising on its television network and Hotstar during IPL2019.

     

    The jury list is impressive: Dave Trott, who has won the D&AD President’s Award, London for Lifetime Achievement in Advertising; R Balki, film-maker, Rama Bijapurkar,  market strategy expert; Swati Bhattacharya – CCO, FCB India and Piyush Pandey, Ogilvy Worldwide creative boss.

     

    Speaking on the announcement, Gautam Thakar, CEO, Star Sports said: “Sports is a great unifier and VIVO IPL’s massive reach and engagement provide the perfect platform for every brand to reach their audience. We are excited to announce the 2nd edition of the Star Re.Imagine Awards to celebrate the creativity of the top marketers in the country.  We have an additional award category this year and have witnessed some amazing storytelling from brands so far. I am excited to welcome our world class jury and look forward to the results.”

     

     

  • What Influences Creativity

     

    By A Correspondent

     

    D&AD has released its annual Industry Report exploring key trends that are shaping the creative industries. The full report can be viewed from the D&AD website: https://www.dandad.org/insight-report

    Researched using 2018 D&AD award-winning work, the report identifies changes and patterns in consumer behaviour, brand and businesses’ responses, and the role of technology as an influencing force and enabling tool for advertisers, communicators and creatives.

    Within the 2019 report, the key trends fall under three themes:

    1. What it means to be human

    2. The impact of increasingly fractured societies

    3. How technology is changing the way we access and share information

    Trends emerging from these themes include how brands and businesses are increasingly participating in mindfulness and mental health, the differing ways advertisers are responding to political, social and environmental issues, and the role of human creativity in leveraging technology as a platform and tool to create ideas that reach and engage audiences with impactful, creative communication.

     

    The trends conclude with opportunity takeaways designed to act as guiding principles and thought starters for people to apply to their own work.

     

    Said Dave Birss, creative consultant and author of the D&AD Insights Report: “Our research identifies the movements and forces that are having the biggest influence on current creative work. It’s not about showing the bandwagons and hip design trends that are sweeping the industry. Instead, it’s looking at what’s happening in the wider environment and showing how these developments are creating opportunities for impactful work. The report showcases great examples of this and talks about the opportunities that are still relatively untapped. As always, changes, threats and new developments in technology offer a world of creative opportunities for those willing to put in the work. We hope that the report inspires creatives to respond to the world around them in imaginative ways to offer powerful solutions that enhance people’s lives in 2019 and beyond.”

     

    Added Paul Drake, Foundation Director at D&AD: “D&AD Pencil-winning work is intrinsically linked to politics, society, and culture, and it is this work on which our benchmark for creative excellence is built. Seismic shifts in how people perceive and express themselves, access and share information, and participate in political and social issues are having a noticeable effect on the creative industries. Not only does the work provide valuable insights into how brands, businesses and consumers are responding, it also informs and shapes the programmes, initiatives, and, ultimately, D&AD’s role as an education provider for the creative community.”

    Based on the analysis of over 25,000 pieces of creative work submitted to the 2018 D&AD Awards, the report will be updated again following the 2019 Awards and released alongside the next edition D&AD Annual in September. The D&AD Awards Ceremony will take place on the final day of the three-day D&AD Festival, which returns 21 – 23 May 2019 at The Old Truman Brewery, London. An exhibition of shortlisted and Pencil-winning work will be on display during the Festival.

     

    Here are some excerpts from the report:

    Each year the D&AD Awards gathers over 250 world-leading designers, advertising minds and skilled creatives to cast their eye over 25,000 pieces of work submitted from around the world. But the result of it all isn’t just Yellow Pencils. D&AD captures the discussion, debate and views of these 250 creative minds, and look at what it means for you and the work you produce.

     

    Out of this emerged three themes that provide an influential backdrop to the work produced. They reveal how the most powerful work taps into the needs, desires, frustrations and aspirations of society, and fulfils the basic needs of humans across the world.

     

    We also see the creative opportunities within each one constantly evolving. These are shaped by the political, societal and cultural experiences of humans, and how creatives are responding to them.

     

    This report is not a crystal ball in to the future. Instead it is about identifying key themes that have influenced creative excellence, the impact trends are having on our industry and the powerful opportunities that these themes present for you.

     

    What is Human?

    Defining and normalising what makes us ‘us’. From our exercise and eating habits, to our minds, bodies and souls, we are constantly being shaped by global trends and cultural factors. In recent years, creative work has challenged what it means to be human. We wrote about this last year in our ‘Redefining Humanity’ section. As we augment our brains and bodies with technology, improve our performance and tackle inequality, we’re gradually becoming super-human. The work this year takes another tack. This time we’re focusing on our drive to be the best version of ourselves. We’re looking at creative solutions that reflect a more honest conversation.

     

    Fractured Society

    The world is still in a state of flux.We have political tension, economic disruption and social unrest. In the last report we dug deep into this topic. In the wake of Trump, Brex it, Duterte in the Philippines, Maduro in Venezuela, and many more, we saw brands responding with creative work that either picked aside and shouted an opinion, or kept out of the fray.Sadly, in 2019, these social issues don’t appear to be going away any time soon. Instead, the void between society and politics feels like a growing chasm.Brands are continuing to pick sides and creatively push this agenda to the world.But some of them are also offering escapism to ease the tension and returning to brave, bold and humorous work that offers a little relief and some welcome distraction.

     

     

    Access All Areas

    Digital channels are continuing to change the way people access information. The constant introduction of new channels and the continual evolution of the old ones are opening up opportunities that were never before possible. This is particularly felt in the advertising industry, where capturing people’s shrinking attention spans is still the number one aim.This year, the work our judges saw revealed some new and exciting ways of capturing attention with creative uses of technology; most notably the use of highly-crafted AI approaches.

     

  • IAA India Chapter to launch regional awards in Tamil

    By A Correspondent

     

    Punit Goenka

    The International Advertising Association (IAA) has announced the launch of the IndIAA Regional Awards-Tamil, an extension of their popular IndIAA Awards that honor real work that worked in the marketplace.

     

    Said Punit Goenka, President, IAA India Chapter: “After the very successful launch of the Regional Awards in Telegu last year, we have big plans to grow this space. The Tamil Awards are something we are looking forward to, and no effort will be spared to make it aspirational.”

     

    Pradeep Dwivedi

    Added Pradeep Dwivedi, Chairman, IAA Regional Awards Committee: “Nominations will be invited shortly for the creative awards that would be judged by an all-client jury. Mainstream advertising campaigns launched or current between April 1, 2018 and March 31, 2019 are eligible. The campaign should include at least one film. There is no entry fee.”

     

    The first edition of the IndIAA Tamil Awards will be hosted  in Chennai in May 2019.

     

     

  • Big creative agencies, beware. MTV can do your job, cheaper

     

    At the Creative Abby awards at Goafest 2019, Viacom18 bagged the coveted Creative Company of the Year pipping legacy agency brands in the rankings roster. MxMIndia caught up with Navin Shenoy, Head Marketing of Youth, Music and English Entertainment at Viacom18 to get his views on the win….

     

    MxMIndia: You should be celebrating, instead you are looking very serious?

     

    Navin Shenoy: Me? I am always a serious kind of a guy.

     

    Congratulations on being the Creative Company of the Year at the Abby at Goafest.

    Thank you so much. We are very thrilled at this. We got a fantastic team back at MTV and I think we have been in a period of transition for a while now. And finally, all of this is coming together. It’s working out for us. So, we are really thrilled. The whole team is over the moon.

     

    We have always known MTV to be a frontrunner in terms of creative output. You do think out of the box etc. But to be the creative company of the year at the Abby is dramatic. You have many creative biggies participating – okay, not all of them, and there are digital agencies. As a marketer, can you assess this and put in reference to the rest of the industry?

    Well, I think all the old structures are changing massively in terms of how a marketer should look at the options in terms of partners. I think for us everybody is competition. Advertising agencies are competition, media agencies are competition. We are currently in a place where we are able to provide a full 360-degree solution. We are able to provide creative, we are able to provide inventory and media, we are able to provide customised solutions, we have an insights studio which gives great insights into youth. So, I think there is a lot of hard work that has gone behind pulling this together and I think it’s come at a great time for us. It gives us more impetus to take this forward.

     

    ¥ou have worked across the spectrum in terms of organisations, FMCGs, telcos etc. Since you have got an award like this do you see other organisations also doing the same… get into creative mode?

    Yeah. Sure. I think innovation is now a given. Earlier, it used to be 20% of what possibly organisations used to do. I think unless you’re innovative and creative an organisation is more likely to be built to crash. The earlier paradigms that were built to last are far gone. Most organisation are built to crash if they are not built for innovation or creativity. And I think this is an important lesson for everybody saying that you need to keep re-inventing yourself. It’s unlikely that the same framework will be used for evaluation. What’s going to happen is that media, digital, creative, marketing, all of those technology, all of those are likely to collapse into a single sort of structure. And whichever organisations are best placed to take advantage of that are the ones who are likely to win, and we are hoping to be one of those. Hopefully this award sets us on the path forward.

     

    You have also worked with agencies in the past. Do you think that there is a message here for the traditional agencies? Today, you have won the Creative Abby. Tomorrow, you could be winning the Effies?

    Right. Definitely there is a message for everyone, including us. You would have heard of Accenture buying Droga5. Now, Drog5 is a creative hotshop and Accenture is known for its consulting jobs. Now what’s happening is an Accenture is actually looking at the other end of the spectrum and they have acquired a Droga5 to try and play the whole spectrum. Similarly, we seem to be in a great position now, to be able to play the whole creative to media spectrum. So, the message – rather a lesson – for every other company is that if you end up being unidimensional, you are not innovating, you are not able to provide across the spectrum, it’s likely to be a sign that you are going to struggle in the times to come.

     

    But does this also put pressure on you? Because till now, you were concerned about television and other platforms. Does this now put a new kind of pressure on you – of achieving the impossible on the creative front

    Yeah. It does, but we love this pressure. We think we are doing some great work and hopefully there will be other people who will believe so as well. And we love this pressure and we are going to take this to a whole new level. And I believe in the next 12-24 months MTV is poised to take this up quite a few notches.

     

    Winners at Goafest Abby also go on to enter other awards. Are you looking at trying elsewhere too?

    Of course, we are. Our ambitions are sky high. Recognition is a byproduct. We intend to do world class work that cuts it across the board on all platforms and Cannes would be an important platform. So, like I said in the next 12-24 months we are expecting to do work that is global, that is hitting global standards, that is setting the standards for other brands and in that sense hopefully Cannes will be one of the byproducts.

     

    For the benefit of people who are not aware of things, how large is your creative team?

    Well, we have got an interesting bunch of people there. I think the diversity and the width is what makes us unique. We have got a set of people who are craft-driven, people who are production- and creative- and video- driven. So, that’s one unique perspective that we bring to the table. We have got a set of people who are brand solutions-driven… who are creative but can think, like say, what a classical traditional agency might think? We have got a set of marketers who think for the business and finally, we have got a set of research people who are part-anthropologists, part-media experts, part-youth experts and these are people who bring pure life insights to the table. I think the potent mix is when we bring all four of these together and we put a solution on the table, or we put any output on the table. Whether it’s for brand MTV or whether it’s for a brand who has come to us for a customised solution. I think that is really the X factor that is giving us the edge.

     

    So how large is your team?

    This is a totally a team of around 30 people. We prefer to keep it lean. We are very picky about the people we chose to be in this crack team. But yeah, it’s working for us well. As the business expands, hopefully, we will add more people to the team.

     

    Lean? Thirty people makes to be the size of a smallish agency. Are you open to doing to work for others as well?

    Of course, we are. You know, as I met other people at the Goafest this time, I have been telling them that as I have been hearing them go to production houses with ideas where they have struggled to manage costs. I think one of the things, that is happening is on an average a marketer is getting an ad film for, let’s say, Rs 50-70 lakhs in the ballpark. And I think we can do a very good job of this because we are in an ecosystem. We do it for our own brand and for other brand as brand solutions. So, I have been telling a lot of my friends in creative agencies, all my friends in marketing organisations that they should look at us as an option.

     

    So could well be providing some competition to the existing biggies?

    Absolutely. Why not?

     

     

  • L&K Saatchi & Saatchi bags communications mandate of Emami Cement

    By A Correspondent

     

    Emami Double Bull Cement (EDBC) has appointed L&K Saatchi & Saatchi to handle the integrated communication duties. This business was won after a multi-agency pitch. The agency’s Kolkata office will handle the business.

     

    Vivek Chawla

    Said Vivek Chawla, CEO and Wholetime Director of Emami Double Bull Cement:  “Emami’s legacy of creating world class brands, its commitment to quality and our investment in state of the art technology in our cement plants’ has resulted in EDBC becoming Eastern India’s fastest growing cement brand. We look forward to L&K Saatchi & Saatchi partnering us, to get us to the next level of engagement with our customers, by becoming a preferred brand of choice.”

     

    Anil S Nair

    Added Anil S Nair, CEO & Managing Partner, L&K Saatchi & Saatchi India: “Emami Double Bull Cement is a very cherished win as it signals the beginning of our relationship with the venerable Emami Group. We look forward to taking Emami to market leadership in the Cement category.”

     

     

    Devraj Basu

    Said Devraj Basu, Executive Vice President – North and East, L&K Saatchi & Saatchi India: “The mandate is to empower the consumer to make an informed decision to upgrade to a superior product offering, in a category known for varied promises.”

     

     

  • Nominations open for IndIAA Awards Tamil

    By A Correspondent

     

    The International Advertising Association (IAA) has announced the launch of the IndIAA Regional Awards – Tamil to honour remarkable creative advertising in the Tamil Nadu market.

     

    Nominations are now invited for the IndIAA Awards Regional – Tamil, for mainline advertising campaigns released between April 1, 2018 and March 31, 2019 targeting Tamil Nadu customers, in English (brands from the region only) and Tamil.

     

    There is no entry fee and shortlisted campaigns will be evaluated by a high-profile jury.  The award ceremony will be held in Chennai on June 14, 2019.

     

     

  • Old favourites star ar Kyoorius Awards

     

    By A Correspondent

     

    It was a night when some old favourites came off with flying colours. Ogilvy, which has been winning top honours at the Kyoorius Creative Awards, won 15 Blue Elephants, while Dentsu Webchutney bagged 14 Blue and one Black Elephant. Wunderman Thompson (eka JWT) went home with 11 Blue and one Black Elephant. DDB Mudra bagged 12 Blue Elephants and Famous Innovations won 11 Blue Elephants. The Black Elephant is awarded to work that’s truly exemplary across all disciplines.

     

    Overall 2600 entries were received for the 29 categories. A total of Two Black Elephants, and 302 In-Book Winners were awarded. DDB Mudra Group took home 12 blue elephants. Wunderman Thompson India won 11 blue elephants, and Famous Innovations took home 11 blue elephants. All In-Book winners take home Baby Elephants and are featured in the Kyoorius Awards Annual.

     

    The Kyoorius Creative Awards are organised in association with The One Club of Creativity, organisers of the One Show, the aim of creating a truly neutral and transparent platform to reward the best in Indian advertising, media and digital creativity.

     

    Commenting on the awards, Rajesh Kejriwal, Founder & CEO, Kyoorius said: “We are proud to present the Kyoorius Creative Awards to such talented professionals who have managed to change the way society thinks through their unconventional, out of the box concepts that redefine standards for the advertising industry. We have always positioned ourselves as an organization that rewards and recognises impeccable work that steers public perception. We congratulate all our award recipients and thank the jury for accomplishing the insurmountable task of selecting winners from an exceptional pool of talent.”

     

  • WARC announces winners of ‘Effective Use of Brand Purpose’ award

    By A Correspondent

     

    Campaigns for premium vodka Absolut, fast-food restaurant KFC, museum Louvre Abu Dhabi, antiperspirant Rexona and feminine care brand Stayfree are among the winners of the Effective Use of Brand Purpose category of this year’s WARC Awards, a global search for next-generation marketing effectiveness.

     

    Thirteen campaigns from around the world – one Grand Prix, four Golds, three Silvers and five Bronzes – have been selected as winners in the category, which rewards marketing initiatives that have successfully embraced a brand purpose and achieved commercial success as well as a benefit for a wider community. Three special awards, recognising specific areas of excellence, have also been given.

     

    Mindshare India won a Gold and the Evaluation Award with a campaign for Lifebuoy from Hindustan Unilever. ‘The Adaptive Data Lighthouse’ campaign targeted the people most at risk of infections preventable by good hand hygiene to increase sales in rural

     

    A campaign by FP7 McCann Dubai for Babyshop has won the Grand Prix and the Smart Spender Award. In ‘Al Umobuwah – Putting ‘Mum’ into ‘Parenthood’, the children’s retailer used a multichannel approach and created a new Arabic word that embraced the concepts of both motherhood and fatherhood (the Arabic word for parenthood translates only to fatherhood) in order to drive brand meaning – and sales – in the Middle East.

     

    Commenting on the Grand Prix winner, judge Nazia du Bois, Founder, Principal Consultant, rice bowl, said: “Inserting a word into what’s essentially a hermetically sealed language is remarkable, especially given the 50k budget.”

     

     

  • APIS India awards media mandate to Dentsu X

    By A Correspondent

     

    Pankaj Mishra

    Food product company Apis India has awarded its media mandate to Dentsu X India. Speaking on the association, Pankaj Mishra, CEO, APIS India said: “The Dentsu X team has impressed us with their consumer and market insights, their appreciation of consumer connect and driving experiences. We are very happy to announce our association with Dentsu X.”

     

     

    Divya Karani

    Commenting on the appointment, Divya Karani, CEO, Dentsu X said: “This is a testimony to the value Dentsu X brings to the business. When clients who have experienced our work, reach out to award us new business, it is very gratifying. In a year when we have clinched large new business wins, awards and accolades from the industry, this is the cherry on the cake.”

     

     

  • Winners of RedInk Awards for Excellence in Journalism announced

    By A Correspondent

     

    Senior journalist Rachna Khaira has bagged the RedInk Award for ‘Journalist of the Year’ for her expose last year in The Tribune on the functioning of the Unique Identification Authority of Indian (UIDAI) and its Aadhar data cache.

     

    Also, the Mumbai Press Club, which has instituted the RedInk Awards for Excellence in Journalism, will present the Lifetime Achievement Award this year jointly to two retired senior journalists – Dinu Ranadive, 94, who retired from the Maharashtra Times, and photojournalist Sebastian D’Souza, who served as Photo Editor of Mumbai Mirror.

     

    The RedInk ‘Star Mumbai Reporter’ Award will be awarded to Mid-Day reporter Ranjit Jadhav, who reported on the environmental damage caused to the city by aggressive development activity (specifically in the Aarey (Milk) Colony).

     

    The winners of the RedInk Awards for the other 12 competitive categories, which include Politics, Human Rights, Crime & Investigation, Business & Economy, etc will be announced and presented at the awards on Friday, June 28 at the NCPA in Mumbai.

     

     

  • Lemon wins big metal haul at Flame Awards

    By A Correspondent

     

    We normally do not report on events held in India that we are not invited to. But we are making an exception for this award winner because it’s from our friendly neighbor Nepal. So Kathmandu-based activations agency Lemon bagged 4 Golds, 3 Silvers and 3 Bronze awards across various categories at the Rural Marketing Association of India’s Flame Awards held in Mumbai earlier this week.

     

    Said Ujjwal Shakya, MD of Lemon: “This is a great win for not just Lemon but for Nepalese advertising. It’s a great team effort by us and the client together.”