Category: Awards

  • Pepper Creative Awards to be held in April 2018

    By A Correspondent

     

    Pepper Creative Awards Trust has announced the 12th edition of the Pepper Creative Awards. The call for entries has been sent to all ad agencies, production houses, printers, and photographers in South India. A panel of eminent creative personalities will evaluate the entries for Pepper 2018.

     

    “We are expecting more than 1,500 entries for the competition which has become a stepping stone for the creative fraternity from this part of the world to take part in other major peer-reviewed national and international competitions,” said K Venugopal, Chairman, Pepper Trust.

     

    Added Prathap Suthan, the Pepper jury chairman and Co-founder & CCO of Bang in the Middle, New Delhi:”The content that’s now getting created from the south, thanks to better tech hardware and easier media platforms, is indicative of the creative quality and power of this region. Advertising and Communication that are born here, ideally should have ideally stepped up both into terms of idea and execution. It ought to be a natural progression and expectation. I am really looking forward to seeing the next stage of our region’s potential at Pepper 2018”.

     

    Apart from him, other jury members for this year’s awards are: KS Chakravarthy, Co-founder & CCO, Tidal 7 Brand & Digital; KV Sridhar, Founder & CCO, Hypercollective, Raj Nair, CEO & CCO, Madison BMB, Meera Sharath Chandra, CEO & CCO, Tigress Tigress and Atul Kattukaran, First December Films Partner and adfilmmaker. The keynote address at the Pepper 2018 awards ceremony will be delivered by adperson-turned-filmmaker R Balki.

     

     

  • Big night for green advertising

     

    The eighth edition of the Olive Crown Awards, the International Advertising Association (IAA) India Chapter’s awards for excellence in communicating sustainability was held in Mumbai on Tuesday, March 6. Isha Foundation, Reliance Foundation, Vodafone-Ogilvy & Ola-Happy McGarryBowen bagged the top awards.

     

    Said Ramesh Narayan, President – IAA India: “The response was heartening with more than 100 per cent increase in the number of entries being received. Entries have come from nine countries in total. The Olive Crown is truly a pan-Asian award now.”

     

     

    The Gold Corporate Social Crusader Award was presented to Reliance Foundation and the Silver to Vodafone. While accepting the award on behalf of foundation chair Nita Ambani, Kaushik Roy spoke of how Jamnagar in Gujarat, once with just 83 trees, today has 2500 acres of man-made green patch. They were proud of being the world’s largest mangrove and started at a time when the government hadn’t mandated CSR. Ogilvy & Mather bagged the prestigious Campaign of the Year for their Vodafone campaign. Shankar Mahadevan and children from his academy entertained the audience with a performance that had people asking for more.

     

    The Corporate Green Crusader award was presented to Isha Foundation for their Rally for Rivers initiative. Reading the citation, Megha Tata mentioned said: “The IAA is privileged to present Isha Foundation the Green Crusader Award for its unique and far-reaching initiatives for a sustainable environment and spreading the seeds for a greener future.”

     

    The highlight of the evening was a conversation of Jaggi Vasudev of the Isha Foundation, better known as Sadhguru, Viacom18 Group CEO Sudhanshu Vats. “This is Bharat – on small issues we may fight but we come together when there is a real problem,” he said on the Rally for Rivers project, adding: “When we get to a certain pace of activity in life, we have a fundamental responsibility to positively impact the life around us.”

    Olive Crown Winners- 2018

  • Kyoorius announces keynotes for fourth edition of Melt

    By A Correspondent

     

    Zee Melt has announced the fourth edition of the event that will take place on May 30 and 31, 2018. The two-day festival will be held at NSCI, Mumbai and feature leading industry persons.

     

    The speakers include:

    :: Chuck Porter: Co-Founder & Chairman, CP&B and author

    :: Fernando Machado: Head of Brand Marketing, Burger King.

    :: Tom Fishburne: Veteran marketer and cartoonist

    :: Tom Goodwin: Executive Vice President and head of innovation, Zenith Media

    :: AnindyaGhose:  Leonard N. Stern School of Business

    :: Mark Shayler: Author, Trainer

    :: Matthew Quint - Director, Center on Global Brand Leadership – Columbia Business School

     

    Speaking about Zee Melt 2018, Rajesh Kejriwal, Founder and CEO, Kyoorius, said: “Zee Melt continues to march forward with its focus on bringing the biggest and the creative minds together on one platform and change the way marketing is perceived. Year after year, we look forward to unfold a highly-energized and knowledge driven convention. Having such notable speakers on-board for the sessions fortifies this objective and we are certain this edition will add immense value to all the attendees.”

     

     

  • Goafest 2018 announces the National Geographic Green Award

    By A Correspondent

     

    For the second year running, National Geographic has collaborated with Goafest as its Green Partner to help make the confluence of nation’s best creative minds conscious about their campaigns, actions and impact on the environment. For the festival’s 13th edition, the channel this year has introduced a new award – The National Geographic Green Award, which recognizes creative work and campaigns on planet conservation.

     

    In line with National Geographic’s commitment towards inspiring people to care about the planet, the award will honour communication campaigns that highlight the efforts to save, reduce or re-use energy, water, plastic, wildlife and the environment in general.

     

    Speaking on this new initiative, Swati Mohan, Business Head, Fox Networks Group India, said: “This is the second year of our partnership with Goafest and we are delighted to introduce The National Geographic Green Award. National Geographic has been educating and inspiring people to care for the planet since 1888 through impactful storytelling. The festival has provided us with a perfect platform to recognize the creative work of agencies who are working in the same direction. This is another step towards our endeavour to inspire people to protect our planet. We are looking forward to see country’s best creative minds, spreading this important message through their work.”

     

    Speaking on the partnership, Ashish Bhasin, Chairman, Goafest, said: “We are delighted that National Geographic is continuing their association with Goafest as ‘Green Partners’ for Goafest 2018. This year keeping in mind the need for growing environmental awareness, a special award category- ‘National Geographic Green Award’ will be launched for the first time by National Geographic at Goafest. Several initiatives, including carpooling, calculating the environmental footprint, effective waste management and many others are planned to ensure that the festival goes green. We request our industry to participate and support this cause. Together, we can at least make a small difference by making Goafest Green”.

     

     

  • Glory days again for Abby: Ajay Kakar

     

    Every award generates controversies, but if there was an award for the award with the maximum number of controversies and murmurs, it would undoubtedly go to the Creative Abby, part of the annual Goafest conference held every summer in Goa. The Abby Awards have lost sheen over the years because of the absence of two key agency networks – the Mullen Lowe Lintas Group and Ogilvy. And then there have been disputes about plagiarism and scam ads winning big. While the processes have been cleansed over the years and there have been attempts to enthuse the naysayers to participate, this year, the Advertising Club and the Goafest Organising Committee have taken a quantum leap to change things. To start  with, they appointed Ajay Kakar, Chief Marketing Officer with Aditya Birla Capital (eka Aditya Birla Financial Services) who has witnessed the Abby in its glory days and also see it dip in equity. More importantly, he is an active marketer, spends a fair bit on advertising, and has led the Ad Club’s Effies Organising Committee which, interestingly, sees the participation of all agencies (save those with global mandates to stay away from all awards, including Cannes Lions). In an exclusive face-to-face interview (as against one over mail or phone), Ajay Kakar speaks to Pradyuman Maheshwari on the decisions he has taken, the thought behind the Master Jury and Jury of Masters, and whether he expects the cleansing will help bring back those who’ve been staying away for a while. Read on….

     

    Life’s been smooth sailing for you. Great job, the very visible Aditya Birla Capital campaign, a steady work-life balance and then you took on possibly the most controversial and thankless task in the country – chairing the Abby Awards Governing Council. Why?

    I have had the opportunity of chairing the Effies for five years. I have been on the Managing Committee of the Advertising Club for many years and I am fortunate for that.

    Having spent many years in advertising, though the last 12 have years I’ve been a client, I have realized that no marketer can be successful without successful partnerships [with advertising professionals]. But for that you have to literally encourage and excite each other. You have to be at each other’s celebrations and each other’s sorrows and that’s possibly been my motivator. I know awards are important because they recognise creativity, they recognise success. They recognise the best among the best. If I am part of the relationship, if I am dependent on this relationship for my success, I must partner this part of the industry.

     

    But while the Effies are a huge success with the Big 2 participating in it, in the Abby, it’s not just Ogilvy and Lowe absent but a large number of agencies don’t enter.

    I must confessthe day I went back home and told my family that I have been honoured with the post of the Chairman of the Awards Governing Council, my son’s first and only reaction was that I was being suicidal. It made me think for a second and I told myself that it’s an after-hours job. It’s demanding and possibly been a thankless job for various reasonsin the memorable past. But there was an opportunity to change things. I must thank VikramSakhuja, the President of the Advertising Club, to get me to do this. He also gave me a very clear and open mandate. His said let’s do whatever needs to be done. Because he agreed with me that in it’s 50th year, the Abbysare remembered more for the past than for the current.

     

    You also did something suicidal for the Ad Club… reduced the number of categories thereby halving the revenues. And there are detractors who are telling us that many more agencies are staying away this year resulting in the Goafest Abby not getting as many entries…

    So we had two options. One is to tinker around with the past. I could subtract a few categories, redefine some and we would have had yet another year which would have more of the same. Actually, last year, was a success and I don’t think there was any perceived gap in Abby 2017. Soone could just do a little more and be home and dry.  But when one sat back and recollected conversations from the past and when I said the common feeling is that the Abby is remembered more for the past than the present. Somewhere the Abbywas lacking the sheen it had in the past. It was not held in the same high esteem it held in the past where the Abby Award had a pride of place in the mantle of ad agencies and CEO of ad agencies. So we decided we won’t stay with status quo.

    I believe an Award is as good as the people who judge it. And therefore in the past there have been observations that this jury member has not won an Award so how can he judge someone else. So that became a starting point for us. What if we had a Jury of Masters. Whetherit’s the Creative Abby. Whether it’s the Media Abby.Or whether it’s the Specialist Abby or the Craft Abby. Can we have a jury of Masters of their Craft. Undisputed masters. So when you win an Abby, you know it’s been judged by the Master Jury. And, god forbid if I lose, I shrug my shoulders and I say that this jury of Masters believes that I shouldn’t win. Then who am I to question?

     

    But you have people from agencies who have not participated in the Abby in the recent past. In the past, jury members have had to have their agencies sending entries. You’ve changed that rule too?

    Yes, so the clear direction was to ensure that the jury members were very credible because they were masters of their craft. People who have themselves earned and won recognition both in India or on the world stage. Therefore we looked at people who could become the benchmark of creativity as far as our industry is concerned. So, like I said, if you look at the Creative Abby and the 15 members of Master Jury on the one hand or if you look at Jury of Masters of the Media Abby or Broadcaster Abby or our Direct Abby. You look at the Digital Abby. You look at jury members that we have for each of these. And I am confident that everyone has only word to say: wow!

     

    But while we have people from Lowe on the Master Jury, which also doesn’t participate, but there’s no one from Ogilvy though former NCD Abhijit Awasthi is in the list.

    I believe that an award is as good as the people who judge it. Therefore, from the very outset, we were clear that we wanted the best of best to judge Abby Awards 2018. Masters of the art. Masters of the craft.

    And from there emerged our ‘Jury of Masters’ strategy. You will see this strategy manifest across all the categories of the Abby Awards 2018, be it Creative, Media, all the Specialist categories and the Craft categories.

    In the case of the Creative Abbys, we decided to form a Master Jury that comprises 15 undisputed ‘maharathis’. We reached out to each of them, personally, in their personal capacity, requesting for their passion and time for their ‘first love’: advertising. To be an integral part of the Jury that decides and sets the creative standards for Abby Awards 2018 and the industry at large. While reaching out to these Masters,  we did not have any filters in mind. We did not wish to dilute our ambition to have only the best of best. We did not ask any of them whether their agency will be participating in the awards, or not.

    I believe that we are blessed to have every one of these celebrated masters, on board. They did not take a second before conveying their full support and commitment. Yes, we do have the likes of Amer and Arun, from agencies that have not participated in the past. We do have the likes of Bobby and Raj Deepak Das, from networks that have chosen to be off the awards circuit, globally, for this year. And we do also have the likes of Prasoon, Pops, Abhijeet, Aggie, Paddy, Senthil, Swati and Raj Kamble. I am extremely grateful to each of them who have selflessly agreed to partner and support the charter of Abby Awards 2018, to celebrate creative excellence.

     

    And do you have the blessings of Piyush Pandey?

    Piyush is a passionate well-wisher of the industry and an undying champion of creative excellence. But to know his personal views, who better to ask, than Piyush himself .

     

    Do you think it was easier for you to have achieved this because you are no longer an agency person.That you are a big spending advertiser so people possibly agreed to hear you out and accept the offer or rather couldn’t refuse.

    I have been blessed to know the fraternity in person and it’s a relationship I enjoyed over the years. So I am sure that the door-opener was easy for me as I just had to reach out to them. And they were kind enough to listen. But I think at theendof the day when you look at such senior people and what you requesting is for their time and their name.  I thinkit’s their commitment to the industry. Their commitment to Abby and their love for Abby that they have agreed to participate and give us their time and give us their passion and give us their name.

     

    Creative Gurus are known to have big egos, some with reason. You have selected 15 and there were a few who were not available for whatever reasons. But there a host of others who think they are big, and they possibly are. Do you think you would’ve upset them?

    If we have, my apologies. That’s not the intent and with such a talented industry, there are many to be signed on and many more that you could sign on. So, on one hand, yes, it’s possible that some people may have been missed out inadvertently and as I said my apologies but the intent was that those who wehave on  Board should be aboveboard and that has been our intent.

     

    One of the controversies that has been raging through many years is that there are many scam ads that win awards. In fact there were murmurs that some agencies may stay away this year because last year there were many scam ads winning big awards. How are you grappling with this problem?

    One of the Master Jury members did ask me for my interpretation of the Creative Abby Awards, and asked me to share it with all so that they are all on the same page. My belief is at the Abby Awards 2018 we want to celebrate creativity for brands. That will be our intent and thatis our brief to the Master Jury. Needless to say, they are Mastersof their art and they are the gatekeepers of the creative standards that they want for the Awards 2018. I know it’s in very safe hands this year.

     

    But are you okay with creativity that has just been created for the sake of awards?

    So we have created a definition which prescribes if a piece of work is eligible to be entered and we will go with definition.

     

    One is aware that entries have to signed off by clients, but in the past we have seen that advertisers do accept requests by the agencies to allow scam ads to happen. And clients don’t mind humouring their agencies and creative professionals…

    I will not be in a position to comment on what clients do and what clients don’t do. At the end of the day we have a check and balance and wehave auditors. As long as the work passes throughthat filter we are comfortable.

     

    But the auditors like KPMG or whosever will not know the reality… whether the ad is entered for an award or was it really published/ put up/ aired?

    So you know it’s like a bank which honours your cheque as long as the signature matches what they have on their records. They honour the cheques.  It is not for them to lift the corporate veil as they say to find out ‘did you give that signature voluntarily or not.’

     

    Are you happy with the way the Abbys Award 2018processes havegone thus far?

    Ithink the intent is to create a product which wins acceptance and recognition across the industry. My belief is that the product is good why will a consumer not buy it. This year, we are investing in the product and I think thanks to the Master Jury as far as the creative Abby is concerned and thanks to the jury of Masters as far as all the other categories are concerned. I feel we are very blessed this year and if you look at the juries who are going to set the standard. The members who are going to set the standards each of them is a role model himself.

     

    Bottomline: do you think that with this jury and all the changes that you have brought in, we will see an Ogilvy and Lowe back in the Creative Abby next year?

    I hope so. You have reminded me of a very important endorsement that we already have. We have heard of agencies who have not participated and they are big namesin their own right. But to have their creative captains, to have their creative chiefs delink the decision of their agency to participate in the awards with being associated with the awards as a member of the jury. So to have both the Lowe agencies with us, to have Leo Burnett with us, to have representatives of Publicis who aren’t participating worldwide in any form but they are part of our Master Jury. I think it’s an endorsement and indicator of their own desire to give shape and stature to Abbys.

     

    The key thing for them to come back is that you need to be there for the next three years to ensure that the improvements continue and standards are maintained.

    One step at a time. I think this year is where we have put our best foot forward and we have won immense support from the fraternity. The success of this year will help us build on a successful future year after year.

     

    I remember Balki saying that ideally clients should also be part of the jury because they know what works for brands and have a keen eye on creativity. Is this something that you may look at it in the future?

    Actually, there were many other features that we wanted to introduce. Many facets we wanted to introduce but somewhere we decide to restrain ourselves and said let’s look at first two or three big steps first. Like the creation of a Master Jury for the Creative Abby. The formation of a Jury for Masters for all categories of Abbys. The bringing back the Agency of the Year…

     

    Hmmm. The very controversial Agency of the Year!

    We have the Media Agency of the year.  We have Specialist Agency of the year. We have brought these back because that was anther reality that we have to accept at the end of the Abbys every member of the media carried the name of a winner but their definitions were  oftendifferent therefore the name of the  winner was possibly different.

     

    Are you going to have points being given for shortlist like at Cannes?

    Yes, we will have a clear points system which will help us rate an Agency of the Year based on the metals. It will be a transparent score that is available and so that all speculationsare put to rest. And it will be a transparent and a known currency that will be used to crown the King.

     

     

  • 157 finalists shortlisted for APAC Effie Awards

    By A Correspondent

     

    A total of 157 entries have emerged as finalists and will be contending for metals at the 2018 APAC Effie Awards. This year’ss awards are headed by the Awards Chairman, Charles Cadell of McCann Worldgroup, and eight Heads of Jury – David Porter of Unilever, Elaine Chum of Philips, Guan Hin Tay of J. Walter Thompson, Joanna Flint of Google, Rupen Desai of Edelman, Ruth Stubbs of iProspect, Sameer Desai of Mundipharma and Silas Lewis-Meilus of McDonald’s.

     

    Dominating the list this year is McCann Worldgroup with total of 33 finalists. This is followed by Ogilvy and Mather with 28 finalists and BBDO Network with 22 finalists.

     

    Said Cadell: “It is always inspiring to review work from across the Asia Pacific Region. The Jury this year had a challenging task in defining what represents the best of our business. We are proud to unveil the finalists for the 2018 APAC Effies and look forward to congratulating all winners at the awards gala.”

     

     

  • Abby Awards shortlists announced

    By A Correspondent

     

    The Advertising Club has announced shortlists for the 2018 edition of the Abby Awards. The shortlists for the 2018 edition are now live on www.abbyshortlists.com and will be available for review on the website  for a period of seven days, ensuring complete transparency in the judging process, during which time specific feedback and comments are welcome.

     

    Speaking about the shortlists for the Abby Awards 2018, Ajay Kakar, Chairman of the Awards Governing Council said: “This year the Abby boasts of a Jury of Masters, each of who has been a gamechanger and innovator. The jury has deliberated and identified the shortlists. And these are now being put up in the public domain, by category. May the best of best win.”

     

    Presented by the Advertising Club and the Advertising Agencies Association of India, the  awards will take place as part of Goafest which is being held in Goa from April 5 to 8.

  • Living Foodz recognises achievers at the Epicurean Guild Awards 2018

    By A Correspondent

     

    Lifestyle channel Living Foodz organised the second edition of Epicurean Guild Awards that saluted the gamechangers in India’s fine-dining, nightlife and lifestyle entertainment space. Held on March 22 in Mumbai, restaurants and lounges in Mumbai, Delhi, Bengaluru, Kolkata, Chennai, Hyderabad, Jaipur and Goa were recognised.

     

    While speaking about the evening, the channel’s business head Amit Nair said: “At Living Foodz, we have always stood for creating new formats and intellectual properties.The awards were curated by Chef Manu Chandra.

     

  • Kyoorius Awards names its jury for fifth edition

    By A Correspondent

     

    The Kyoorius Creative Awards is back in its fifth edition and entries will be open from March 21 to April 23, 2018 across 20 main categories and 280 sub-categories. The Kyoorius Creative Awards night will be held on June 1, 2018 in Mumbai. The entries will be judged by four juries; two for advertising and one each for digital and media from 14th May – 16th May in Mumbai.

     

    The jury chairpersons are as follows:

    ArunIyer- Chairman & Chief Creative Officer, Lowe Lintas – Advertising

    Santosh Padhi- Chief Creative Officer & Co-Founder, Taproot Denstu– Advertising

    Torie Henderson – CEO, South East Asia & India, Omnicom Media Group Asia Pacific – Media

    KunalJeswani- Chief Executive Officer, Ogilvy & Mather– Digital

     

    The other confirmed jurors include: Bobby Pawar – Chief Creative Officer and Managing Director – South Asia, Publicis Worldwide, India, Deepa Geethakrishnan – National Creative Director (HUL), Lowe Lintas, JuhiKalia – Head of Creative Shop India & Global Brands APAC, Facebook, KainazKarmakar- Chief Creative Officer – Ogilvy Mumbai, Ogilvy & Mather, KartikIyer – CEO, Happy McGarryBowen, Kyoko Yonezawa – Creative Technologist, Dentsu Inc., Neil Cooper – Group Creative Director, Publicis.Sapient, Pradyumna Chauhan –Creative Consultant, PreethiMariappan – VP, Executive Creative Director Emerging Experiences, Publicis Sapient, Satbir Singh – Founder & Chief Creative Officer, Thinkstr, Sidharth Rao – CEO and Co-Founder, DentsuWebchutney, Sumanto Chattopadhyay – Chairman & Chief Creative Officer, Soho Square, Ogilvy Group, India, Swati Bhattacharya – Chief Creative Officer, FCB Ulka and Tista Sen – National Creative Director & Senior Vice President, J. Walter Thompson India.

     

    Speaking about the jury and the fifth edition of the awards, Rajesh Kejriwal, Founder and CEO, Kyoorius said: “The jurors at The Kyoorius Creative Awards, with their innate knowledge and experience, will contribute to this vision of acknowledging the finest original and innovative work. We look forward to hosting an insightful and rewarding event that honours the best in advertising.”

     

     

  • Omnicom awarded digital duties for Tata Motors Passenger Vehicles

    By A Correspondent

     

    Omnicom Media Group has been awarded the digital mandate for Tata Motors Passenger Vehicles, following a competitive market review that lasted over two months. Omnicom Media Group will set up a new bespoke unit, TATA@OMG, to manage the business under its group leadership team in India.

     

    Speaking on the appointment, Vivek Srivatsa, Head – Marketing at Tata Motors, said: “We have been focusing a lot on our digital marketing, keeping in line with the cars we are launching and the intended TG. We were looking for partners who could walk the talk with us and take our digital marketing to the next level. What the OMG team came up with is very disruptive, adding a new dimension to marketing in the current context as well as the future.”

     

    Commenting on the win, Harish Shriyan, CEO of Omnicom Media Group India, added: “We’re extremely proud to add such an iconic brand like Tata to our client roster. We look forward to working with the team on continuing their momentum through sophisticated communications strategies and driving fresh growth for the brand.”

     

    Added Sudhir Nair, Managing Director of Omnicom Media Group India: “A Tata win is always prestigious and special. And it is especially rewarding to work with a legacy brand in a revival mode. The turnaround story of Tata Motors Passenger Vehicles is phenomenal. We are delighted to partner with them at such an interesting moment in their brand story. We look forward to collaborating with the team on creating some industry/category firsts and setting some benchmarks in automotive advertising.”

  • Karvy awards digital mandate to Fruitbowl Digital

    By A Correspondent

     

    Faisal Amin

    Financial service provider Karvy Group has awarded its digital mandate to Fruitbowl Digital. The interactive media agency will be responsible for managing the digital duties of five businesses present under the Karvy Group umbrella namely, Karvy Growth Hub, Karvy Stock Community, Karvy Investment, Karvy’s Wealth League and The Finapolis.

     

    While commenting on their newly established association with Karvy Group, the Faisal Amin, Co-Founder of Fruitbowl Digital said: “Gaining the trust of the consumer is one of the most crucial parts of any business. And it becomes all the more relevant when it comes to finance because we take responsibility of the clients’ money. The challenge now is to engage with consumers through digital media on topics that are often perceived as boring. In order to get the  users hooked on to the content, we plan to create conversations and build relationships, ultimately gaining that much needed trust and developing an environment where the consumer is aware as well as interested.”

     

     

  • Time to celebrate the all-new Abby

     

    By Pradyuman Maheshwari

     

    Pradyuman Maheshwari

    A few years back, on the sidelines of its internal Envies Awards, Piyush Pandey had told the media that he found that some members of his agency did not have any respect for the Abby Awards won by them and found the metals strewn all over. Not his exact words, but this is what he meant to say.

     

    For long, former Lowe Lintas has rubbished the Creative Abby and was the first amongst the big boys who stayed away from the Abby.

     

    Interestingly, both Ogilvy and Lowe are active participants of the Effies, though in the last edition, the MullenLowe Lintas group stayed away reportedly not because of any angst against the organisers. Bottomline: both agencies have nothing against the Advertising Club, but they don’t really much for the Creative Abby.

     

    Juniors in the agencies have often cribbed that they don’t have Creative Abby metal honours to sport on their CVs, but the attraction of international awards and participation in the Effies has been some consolation for the rank-and-file. Ogilvy of course has been participating and is an active supporter of the Kyoorius Creative Awards.

     

    To be fair to Ogilvy and Lowe, the Abby Awards (and the organisers) deserve some credit for letting the rep of the awards slip a few years back. It required the gentle aggression of Shashi Sinha to start the cleaning up, followed by Pratap Bose and later Ramesh Narayan to ensure that things were brought in order.

     

    But I am delighted to note that in the 2018 edition, the Ad Club and Goafest thinktank have taken some dramatic measures to cleanse the system.

     

    So the countless categories that were added to the list over the years have been dropped. This has resulted in a significant loss of revenue to the organisers, but it also ensures that the awards are rationalised.

     

    Ad Club this year persuaded Ajay Kakar to take charge of the Awards Governing Council. Kakar, who has spent the bulk of his working years on the agency side of the business but now CMO of the high-spending Aditya Birla Capital,has been a closer watcher of what has worked and what hasn’t for the Creative Abby. He has also been head of the Effie Awards as well as some international juries so is clued into the ways in which jury processes ought to happen.

     

    So this year, he unveiled a masterstroke in the form of the Masterjury where he called upon 15 creative hotshots to lead the judging process end-to-end. Including the initial sifting to the final judging. Also, the earlier pre-requisite that only representatives of agencies participating was done away with.

     

    I understand from the grapevine that not all were happy with the constitution of the jury. There were some who felt that there shouldn’t have been two biggies from one agency. And then there was a sentiment that the emphasis was on big name creative biggies. What about those who’ve been doing great work, winning awards, but belong to smaller agencies.

    And last and most importantly: there is no Piyush Pandey in the Masterjury. There’s no Sonal Dabral either… in fact there’s no one from Ogilvy. The official reason given is that Pandey and Dabral weren’t available, but there are some other theories doing the rounds. That Kakar wanted the Masterjury to be a ‘Jury of Equals’ with no chairperson or jury chair, and there was one view that Pandey should be given the honour, given that he is unarguably the most celebrated Indian creative adguru.

     

    Some seniors in the system told me that the awards process has Pandey’s blessings, and takes care of many of his peeves against the Abby. If he and others find it clean and well-run, they’ll be back next year.

     

    Let’s hope they do. I am all for multiple advertising awards. For instance, MxMIndia (and I) backed the Kyoorius awards very actively in the first few years. It’s not that I don’t back it now, but then Kyoorius is now established and doesn’t need any evangelising. Rajesh Kejriwal is an integral part of the A&M industry and he was even a member of the Abby Publishers’ jury. The exchange4media group also runs a score of advertising awards, and the participation in them underscores the fact that the industry finds them credible and has lapped them up. The Ad Clubs of Bengaluru, Kolkata and Delhi have their own awards, and they get a healthy set of entries too. There’s the Pepper Awards in Kochi. I don’t know if it’s still affiliated to the Kochi Ad Club or it’s an independent trust. There was some exchange of angst there, but I am told things were sorted out after the intervention of some local gods.

     

    Back to Abby Awards 2018. I am going to be there yet again from April 5 to 8 and will watch them closely. I will also of course listen to all the conversations before and after and during the awards ceremonies. The Ad Club and Goafest office bearers aren’t in it for the money. In fact, they spend a sizeable sum in carrying out the responsibilities. In many ways, it’s a thankless task.

     

    I think the industry owes it to itself to give the Abby Awards a good chance.