Category: ADVERTISING

  • Diageo awards winners of Women’s Empowerment Journalism Awards

    By A Correspondent

     

    Diageo has announced the winners of the Women’s Empowerment (WE) Journalism Awards 2015, recognising exemplary work in women’s empowerment reporting at an Awards Gala Dinner held in Hong Kong recently.

     

    The award recipients of the WE Journalism Awards 2015 included:

     

    • Print Story of the Year: Ruhi Kandhari, Tehelka (India)

    Entry: How Women Pay The Price For Population Control

    • Broadcast Story of the Year: Pearl Maria Forss, Channel NewsAsia (Singapore)

    Entry: Women Fight Back

    • Online Story of the Year: Bec Zajac, Freelance (Australia)

    Entry: Power And Gender: How Schools Are Taking A Lead In The Campaign To End Violence Against Women

    • Photo Story of the Year: Altaf Qadri, Associated Press (India)

    Entry: She Sought Good Life In Delhi, But Found Trash

    • Journalist of the Year: Bec Zajac, Freelance (Australia)
    • Media Title of the Year: Vogue India (India)

     

     

    The WE Journalism Awards was established to recognise and honour outstanding achievements in the reporting on women’s issues as part of Diageo’s ‘Plan W: Empowering Women through Learning’ community initiative. The awards honour the best in journalism across six categories, spanning a range of mediums from print and broadcast to online and photography.

     

    “Journalists are a powerful force whose reporting can compel people to sit up, take notice and create change. Through the Awards, we honour and express our heartfelt gratitude to this brave group of individuals who work tirelessly to uncover stories about prevailing women’s empowerment issues in our society which must be told. Congratulations to all our winners,” said Sam Fischer, President Greater China and Asia, Diageo.

     

    The winners were selected by three luminaries of journalism and social-activism including Monique Villa, CEO of Thomson Reuters Foundation, award-winning independent journalist, Shaili Chopra, and Yan Mei, one of China’s leading media women and Senior Partner at Brunswick Group.

     

    Submissions came from a range of local, regional and international media platforms across 18 participating markets; Australia, Cambodia, China (including Hong Kong), India, Indonesia, Japan, Laos, Lebanon, Malaysia, Nepal, the Philippines, Singapore, South Korea, Sri Lanka, Taiwan, Thailand and Vietnam, over the past year.

     

    Each winning journalist received a cash prize of US$1,000, while the winning media title received a cash prize of US$3,000 to support reporting of a women’s empowerment initiative.

     

  • NPCI hands over creative mandate to J. Walter Thompson

    By A Correspondent

     

    National Payments Corporation of India (NPCI) has awarded its creative mandate to J. Walter Thompson India following a multi-agency pitch. The account will be handled by the agency’s Mumbai office.

     

    The agency will handle all strategic, mainline advertising and digital creative services for the brand.

     

    “National Payments Corporation of India (NPCI) is pleased to be associated with J. Walter Thompson India. NPCI aims to reach out to every Indian with its products & services, we are sure J. Walter Thompson will aid in achieving this massive yet exciting and daunting task,” said A.P Hota, MD & CEO, National Payments Corporation of India while making the announcement.

     

    The mandate is to be the organisation’s strategy and creative partner for their flagship brand RuPay and other products. The agency will be responsible for the entire creative mandate in the ATL and BTL space.

     

    “We are privileged to partner NPCI in its mission to deliver efficient and speedy financial services. NPCI will play a crucial role in writing the new India story and we are delighted to be a part of this journey,” said Rajesh Gangwani, Managing Partner J. Walter Thompson, Mumbai.

     

  • GroupM eyes digital startup Foxymoron

    By Biswarup Gooptu

     

    Global media buying and planning firm GroupM is in advanced talks to acquire Mumbai-based digital media and marketing startup Foxymoron for about Rs 180 crore ($30 million), as it seeks to establish a more dominant India position. The all-cash transaction is at an advanced stage of due diligence, with GroupM, which is a wholly-owned unit of WPP, the world’s largest advertising firm, looking to close the deal over the next few weeks, according to people with direct knowledge of the development.

     

    If successful, this will be the latest buyout transaction in the nascent but fast-growing Indian digital, social media and marketing sector. In January, it was reported that global media giant JWT was also scouting for potential acquisitions. Founded in 2008 by Pratik Gupta, Paritosh Ajmera, Suveer Bajaj and Harshil Karia, Foxymoron has emerged as one of India’s leading digital media and marketing agencies, and counts companies such as L’Oreal, Marico and Castrol among its roster of clients.

     

    The startup provides a range of services across the board, including end-to-end digital services, besides design, development and social media services. The potential transaction is part of GroupM’s strategy to establish an even stronger footprint in the country, where it already has a dominant presence.

     

    In 2014, it was reported that WPP, its parent company, has targeted growth from digital and the world’s faster growing markets to as much 45% of total revenue within the next five years. It is yet not clear whether Foxymoron will continue to operate under its own brand name post the acquisition, or whether its employee strength, estimated at about 150, will be completely absorbed by GroupM.

     

    Emails sent to Foxymoron representatives and CVL Srinivas, GroupM South Asia chief executive, did not elicit responses at the time of going to press. India’s online advertising market is poised to exceed Rs 3,500 crore in revenue in 2015, according to a report jointly published by the Internet and Mobile Association of India (IAMAI) and IMRB International, which also states that spends on video ads will grow at a compounded annual rate of 56%, while contributing 12% to the overall market share of digital advertisements.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd.

    All Rights Reserved, Licensed to republish

     

  • DDB Mudra wins creative mandate for Sony MAX and Pepsi IPL 2015

    By A Correspondent

     

    DDB Mudra West has recently won the creative account of Pepsi IPL 2015. The agency handles the creative mandate for Sony MAX further to which it got the Pepsi IPL 2015 account.

     

    In order to rejuvenate the cricket viewers’ interest for Pepsi IPL 2015 and prepare them for a different level of excitement, Sony MAX and DDB Mudra West have crafted a three staged campaign called ‘India Ka Tyohaar.’

     

    India is a land of festivals and cricket is a multicultural religion uniting every Indian. Just like every religion, cricket also has its festival – the Indian Premier League. Based on this thought, the idea for this year’s Pepsi IPL 2015 campaign – India Ka Tyohar talks about the tournament as a festival which not only unites India but also brings together cricket players from across the world, uniting as clubs, battling for the winning cup of Pepsi IPL 2015.

     

    The first phase of the campaign that kick-started on Feb 24, 2015 included teasers showcasing people from various walks of life gearing up for ‘India Ka Tyohaar’. Spun around one of the key messages of Pepsi IPL 2015; erasing differences (social classes, occupation etc.) between people, the three teasers have a fun-filled tonality to them.

     

    The recently released second phase of the campaign is the Pepsi IPL 2015 anthem. Penned by Sonal Dabral and his team at DDB Mudra West, the anthem is composed by the music artist brothers Salim-Suleiman. The anthem will further be followed by three more creatives around the theme of the anthem ‘Isme hai dilon ka pyaar, yeh hai India ka tyohar’.

     

    The TVCs will go on air closer to the tournament’s start and will continue through the event marking the third phase of the campaign. The campaign would be spread across electronic, print and digital mediums.

     

    Neeraj Vyas

    Commenting on giving the creative mandate to DDB Mudra West, Neeraj Vyas, Senior EVP & Business Head, MAX, said, “For Pepsi IPL 2015, we wanted to have a campaign that brings people together in celebrating a much loved sport like cricket. DDB Mudra West has the talent, creativity and expertise to deliver a promising campaign such as ‘India ka Tyohaar’ which invites people to partake in this fun and festivity by putting aside their differences. We believe the agency will help make the Pepsi IPL 2015 a national rage and strengthen the emotional affinity towards the tournament.”

     

     

    Rajiv Sabnis

    Quoting on the account win, Rajiv Sabnis, President, DDB Mudra West said, “It’s a great feeling to partner the biggest sporting campaign of India- the Pepsi IPL 2015. The focus is back on celebrating the sport, limited overs cricket, and celebrating the enormous fan-following that it has not just in India but around the world. Cricket unifies, it brings joy, it infuses optimism and it even rejuvenates the economy. Cricket has the power to bring Indians together as one nation and one people.  “India ka Tyohaar” is Sony MAX and Sony Six’s initiative to celebrate Pepsi IPL 2015 as the largest, unifying festival of India.”

     

    Sonal Dabral
    Sonal Dabral

    Quoting on the campaign, Sonal Dabral, CCO and Chairman, DDB Mudra Group said, “If Cricket is a religion in India, Pepsi IPL 2015 is its only true festival. Unlike any other sporting event in the world, it’s a microcosm of the passion, fervour and madness that envelops our country whenever cricket is played, uniting hearts and minds in its wake. And unlike any other festival in India, this is one festival that every Indian celebrates. It’s got the colours of Holi, the festivity of Diwali, the brotherhood of Eid and the joy of Christmas. What else can you call it but one amazing ‘India Ka Tyohaar’? It’s been a privilege and an honour to create this big idea for Pepsi IPL 2015. Here’s to Sony! Here’s to India Ka Tyohaar!”

     

  • Publicis acquires Expicient; integrates it under Rosetta

    By A Correspondent

     

    Publicis Groupe has acquired Expicient Inc., a leading global omni-channel services firm with significant expertise in inventory and order management systems (OMS), a capability that clients increasingly need to manage inventory, pricing and offers across channels for today’s connected consumer who moves fluidly across digital and physical stores. Expicient will be integrated into the Publicis.Sapient platform under the Rosetta brand.

     

    “Today’s always-on consumer makes no distinction between devices and channels,” said Publicis.Sapient, CEO Alan Herrick “As a result our retail clients are increasingly looking for us to build systems inventory, supply chain, omni-channel commerce that enable the experience a 2015 consumer demands. Expicient joining Publicis.Sapient allows us to significantly strengthen our client’s ability to integrate offer information, order information, inventory information and pricing information across channels, which is a significant change from a world where the on-line stores and physical stores operated separately.”

     

    Expicient’s industry-leading omni-channel Order Management Systems (OMS) capabilities and strong expertise in managed services, inbound/outbound supply chain, logistics, in-store clienteling applications and strategic technology consulting will strengthen Publicis.Sapient’s marketing, commerce and consulting offerings. In joining the Publicis Sapient platform, Expicient will be led by the Rosetta team and will contribute to Publicis.Sapient’s Global Distributed Delivery model, whereby the platform creates significant shared service capabilities accessible to all its clients.

     

    “Rosetta is perfectly positioned to lead the integration of Expicient and help accelerate the benefit for Publicis.Sapient clients,” said Tom Adamski, CEO Razorfish Global. “Sapient Nitro, Razorfish Global and DigitasLBi are all highly recognized as leaders in omni-channel commerce, and together through the Publicis.Sapient platform we are unmatched. Expicient’s impact on our total business will be significant.”

     

    “The opportunity ahead of us, to create differentiated customer experiences is tremendous. We are living in an unprecedented time of connected consumers and commerce. For Expicient, combining forces with Publicis.Sapient will allow our teams to deliver a full range of marketing and commerce solutions while significantly expanding our global reach,” said Darpan Seth CEO and founder of Expicient. “We’re excited to be a part of Publicis.Sapient and to meaningfully add to global commerce capabilities already recognized as the best in the world.”

     

  • Sonata urges India’s youth to be their original self in new TVC

    By A Correspondent

     

    Sonata has unveiled a new campaign that resonates the brand’s new anthem “Karo, Toh Shaan Se”. It reflects the ever-growing spirit of the aspirational Indian and celebrates their attitude.

     

    In the latest television commercial from Sonata, the stage is alive at a concert featuring rapper and musician Badshah while the audience is grooving to his performance. The rapper challenges the crowd to come forward only if they are original. Badshah spots a young man in the crowd and throws the mike out to him, challenging him to come up on stage. Urged by the crowd, the young man jumps up on stage without any hesitation. He surprises Badshah with his impromptu rapping. He tells the rapper he only needs an opportunity to prove he can take on the world.

     

    Sharing her thoughts on the campaign, Shalini Gupta – Head Marketing, Sonata, Titan Company Ltd said, “We have noticed a growing trend in India, of people who are transcending into a generation that shows a new confidence and the willingness to put themselves out there. Brand Sonata has evolved with this generation and we continue our endeavor to offer them stylish timepieces that are a catalyst to their self-expression. The latest campaign featuring Badshah is an effort to reach out to a wider audience who are keen to prove themselves and live life while enjoying every moment to the fullest.”

     

  • Karishma Lintas unveils new campaign for Paper Boat

    By A Correspondent

     

    With the premise of making one revisit their old memories, Paper Boat has launched its first multimedia campaign advocating the same. In sync with its brand philosophy of ‘Drinks and Memories’, the videos have a very distinct narrative. The social media video was launched on Facebook, followed YouTube, last week and is now being supported by a robust TVC campaign.

     

    Literary legend Gulzar has penned the lyrics that is an adaptation of Malgudi days. The campaign has been created by Karishma Lintas.

     

    Speaking about the TVC’s, Rajesh Ramaswamy, Group Creative Director, Karishma Lintas, said: “Even before we pitched for Paper Boat, we were avid followers of their work. Right from their proposition of ‘Drinks and memories’, to their packaging to their range of drinks, we love the brand. Everything about the brand could be described in two words. Original and Simple. The challenge given to us was to create a storyline with same originality and simplicity. To revive memories of childhood is easier said than done. Finally, after four months, we managed to recreate 3 minutes 35 seconds of childhood.”

     

    The film campaign has been visualized in two legs: a theme film for the internet (3 minutes and 35 seconds long), and four short, product-specific films, much like TV commercials that are 30 seconds each in duration. The objective is to communicate Paper Boat’s core brand promise: that of Drinks and Memories.

     

    The theme film is an ode to Memories, harking back to an age of timelessness – that of our collective childhoods. In an age of increasing cynicism and mounting urban angst, this short film documents the tiny sagas of growing up, and aims to remind everyone of childlike joy, magic and wonder.

     

    The four shorter stories explore product-specific memories – memories triggered by the products themselves, a core insight that the brand has built its entire portfolio on. The products chosen were the favorites-by-volumes from the Paper Boat range: Aamras, Aam Panna, Jamun Kala khatta, Jal jeera, and Chilled Rasam. These short films have been released on primetime television, as well as on media channels like YouTube.

     

  • Dish TV promotes new proposition – Joy for the Entire Family

    By A Correspondent

     

    Dish TV has unveiled a new campaign promoting its HD offering. The cricketing season is at an all-time high with the ICC World Cup and most service providers in the category are celebrating the onset of event, promoting the exuberance of an HD experience. The Insight for the new campaign stems on the premise as to whether HD box should be a self-centered or a rational purchase?

     

    DishTV offers consumers 40 HD channels with Dish truHD+ and be it cricket, soaps, adventure, kids, movies or music, entertainment is focused on everyone in the family.

     

    The films revolve around SRK playing the role of an elder brother in the family to Varun Sharma who is tech savvy urban college student in his final year. The insight of a younger brother looking up to his elder brother, in eventuality trying to act smarter and cooler is very nicely captured with light humour through the films. SRK, however with dish truHD+ turns out to be the favorite of the entire family.

     

  • Grey releases another TVC promoting Swachch Bharat initiative

    By A Correspondent

     

    GREY group India has rolled out a new film for the Swachch Bharat Mission. The 60 second film is launched for the Ministry of Information & Broadcasting that is leaving no stone unturned to support Prime Minister Narendra Modi’s dream of a litter and garbage-free India.

     

    Although the idea of keeping surroundings clean has always been alive, there is a need to evoke the feeling of accountability within every citizen to bring the thought of cleanliness into action. Hence, it is required to fight this battle for cleanliness on many fronts. While the first TV spot, also conceptualized by GREY group India, used the idea of ‘slow clapping’ to shame the offenders for not keeping their areas clean, the central idea of the latest film is to get people take ‘ownership’ of public places.

     

    Malvika Mehra

    GREY group’s National Creative Director and EVP, Malvika Mehra said, “If each of us take the responsibility of keeping even just ‘our area’ or ‘apna ilaka’ clean, the dream of a Swachh Bharat can come true, sooner than we imagine. Through this film we have tried to inculcate a ‘pride of ownership’ amongst the citizens of India, so famous landmarks like ‘Chandni Chowk’ automatically become ‘Chandni KA Chowk’, ‘Azad KA Maidan’, ‘Marina KA beach’ and so on and so forth. With the message and hope that ‘if you own it, you will look after it.”

     

    The landmarks shown in the film are from the four cities in India –Mumbai, Delhi, Kolkata and Chennai.

     

  • Hot, happenin’ and most wanted!

     

    By N Shivapriya

     

    Last week, early talks were reported between Google and ad tech firm Inmobi for a possible valuation of over Rs 12,000 crore. Inmobi founder Naveen Tewari later told employees that he was not looking for such a deal. The same day, it was also reported that e-commerce firm Snapdeal was looking to acquire Komli Media, another ad tech firm, for a potential valuation of over Rs 1,800 crore. Flipkart acquired Adiquity earlier this month.

     

    All this comes in the backdrop of a squeeze in the US. After an early flurry in 2013 and the first half of 2014, the number of ad tech initial public offerings have now dried up. But that hasn’t deterred new firms and existing ones from aiming for a slice for huge spends that are on stake as online ad spend continues to grow on the PC and mobile. It could also very soon enter the universe of wearables.

     

    inMobi: Going After Mobiles

    CEO: Naveen Tiwari, Employees: 900

     

    Last month, inMobi said it reached 1 billion unique mobile devices. This is precious real estate in the ad targeting world.

     

    inMobi connects those that want to sell ad space, like content sites, apps or game developers, with those that want to advertise on the mobile platform. Its technology helps to serve the right ad to the right user. For instance, when you are in your newspaper app you could be shown an ad for a bag you were planning to buy earlier on an e-commerce app. This is a simplistic scenario.

     

    inMobi builds audience personas and uses various targeting capabilities such as appographic targeting (based on a user’s app preferences) to determine the right user for the right ad.

     

    When the user engages with the ad by clicking on it, inMobi gets paid. Cost per click or cost per mille (mille referring to a thousand ad impressions) are some commonly used metrics.

     

    In addition to guaranteed engagement, there could other payment metrics such as guaranteed outcomes. For a game ad, the outcome could be a download, for an auto ad, it could a test drive query.

     

    A game developer who is an advertiser can also specify the goal of the campaign to be a certain number of high lifetime value users, who download the game and play it frequently by purchasing features such as lives and coins.

     

    “So as our ad network gets bigger, our knowledge about user behaviour gets better,” says Richard Sullivan, vice president and general manager, who attributes this and analytics and data sciences to better ad targeting and performance.

     

    To improve engagement, inMobi also innovates on how the ad is delivered. Native ads, where the ad looks and feels like the rest of the content on the page, although it is called out as an ad or sponsored content, is one such innovation that’s been found to increase user engagement.

     

    Komli Media: Helping marketers squeeze more value

    CEO: Amar Goel, Employees: 300

     

    It started as an ad network bringing together ad supply and demand for India and South East Asia. Today, Goel says part of its business is a demand-side platform and part of it is an ad network. The company is mostly about helping advertisers and marketers drive value through its offerings, such as the re-marketing demand-side platform, RevX, that is has developed.

     

    RevX is programmatically driven and is used by almost all the leading e-commerce firms in India and South East Asia, Goel says. The platform also integrates with customer relationship management data.

     

    The programmatic capabilities it is building are becoming a larger share of its business. It also executes rich-media campaigns and crossdevice campaigns, which are hard to do programmatically.

     

    Media.net: Money in Targeting at Scale

    CEO: Divyank Turakhia, Employees: 500+

     

    It is positioned as a contextual targeting specialist. Contextual targeting serves ads relevant to the context of the page as opposed to what the user was doing a while ago or a few days back. For instance, a user may have been on makemytrip.com to check out some flights. But if the user is currently reading an article on used cars, then contextual targeting will analyse the content of the page real-time to show ads relevant to it – an ad for a second-hand cars website, for example.

     

    “As of now the user may not be interested in seeing an ad about flights because he is researching cars,” says Turakhia. Most ad tech firms start with one niche and then expand to other areas, he adds.

     

    Media.Net gets a cut from what the advertiser pays the publisher. “Publishers will come to us only if we are able to offer them good rates and advertisers will pay more only if they get the desired results. So our targeting has to be really good,” says Turakhia.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd.

    All Rights Reserved, Licensed to republish

     

    Future of Ad Tech Firms

    Globally, companies spent about $140 billion on digital advertising last year. One or more ad tech firms have a role to play in every one of these dollars spent. Going forward, ad tech will continue to play a crucial role in targeting ad spends precisely at the right consumers.

     

    “The key shift we are seeing is in making marketing personal again,” says Kirthiga Reddy, MD, Facebook India. She compares it to the convenience of a kirana store that can predict what you will buy and also suggest something new you may like, but with the scale of mass media.

     

    Facebook along with Google is leading the charge of ad tech with precise targeting and measurement capabilities in ways that weren’t possible earlier with a number of their products. They are the giants in the field. Every ad tech firm competes with them in some way but also collaborates with them because the size of the pie is so big.

     

    Of the $ 50 billion US digital ad spend, for instance, over 35% is with companies that are not household names like Google, Facebook, Microsoft and AOL, points out Divyank Turakhia, CEO of Media.net, an ad tech firm that runs the contextual ad programme for the Yahoo-Bing network. His firm serves ads on websites that are part of the Yahoo-Bing network.

     

    Ad tech firms – both big and small – are re-writing the rules of advertising, changing how online campaigns are created and priced and setting goals so precise that shopping for customers is no different from say, drawing up a grocery list.

     

    For instance, an advertiser may want to target, say, only South Korean men between the ages of 25 and 40 years and who have a taste for Indian food. The advertiser can also specify the purse: $100,000. After the campaign, the ad tech firm will return measurable results and any remaining dollars as well.

     

    The simplest kind is search targeting, where a person searches for a particular term. Here, the intent of the person and what he or she is looking for is clear. So the ads that come up are related to the search keywords. But a person searching for pizza delivery in Mumbai wouldn’t want to see an ad for a pizza delivery place in New York. This is where geo-targeting comes in, explains Turakhia.

     

    “Similarly, there is demographic targeting based on what your age group is or whether you are male or female. These are conventional ways of targeting that advertisers used for their campaigns. But today there are multiple mechanisms of ad targeting in so many complex forms, which combines all the data signals that are available,” he adds.

     

    A pizza delivery chain based only in New York can set a goal of 20 pizza deliveries for every $100 spent and the ad tech firm will try to get the results by optimising the ads to a suitable audience.

     

    Sophisticated ad buyers such as eBay India place several millions of ad bids a day based on multiple variables and parameters to get the best bang for its advertising buck. “On a daily basis, we place about 40-50 million bids. When you’re working with such large numbers there is no way it can be done manually,” says Shivani Dhanda, head – marketing, eBay India.

     

    It uses a bid management system that evaluates how much to bid for a particular user and if eBay wins the ad impression, the appropriate ad is dynamically put together. For instance, if the user is searching for a keyword ‘mobile phones’, the bid management system will consider various parameters such as if the user visited eBay, which phones he searched for and how likely he is convert before deciding how much to bid. The entire process from placing the bid in a realtime auction to when the ad is dynamically put together takes about 100-150 milliseconds and happens even as the user is entering a url.

     

    The tools that help advertisers do this are also supplied by ad tech firms. eBay, for instance, uses software from Pune-based firm Sokrati, founded by former Amazon executives, to manage its bids, along with an in-house bid management system.

     

    “Display (advertising) has risen from the ashes. Programmatic (real-time bidding) technology allows bidding for each of display unit on a one-to-one basis, recognising who the user trying to access the website is, what the context of the page is, and what the size of the ad unit is,” says Subra Krishnan, vice-president (products) at Vizury, a Bengaluru-headquartered ad tech firm, which has raised $27 million so far from multiple investors and has a presence in China, Japan, Korea and emerging markets such as India.

     

    Players are Evolving

    The industry has become so complex that most firms are reluctant to label themselves as anything more specific than ad tech players as they venture into areas that can add more intelligence and help in more relevant targeting of customers.

     

    Vizury, for instance, is known in India for its ad re-targeting products on the mobile and desktop. But it is now venturing into proprietary data and the kind of work that large software companies typically do with business intelligence software. Its newest offering integrates multiple customer data such as call centre and loyalty programmes to provide better market segmentation and targeting of the customer.

     

    “There are probably 100 different types of ad tech companies. It’s a kind of battlefield where various entities are trying to optimise various parts of the business and yet ultimately, there is the consumer who takes the final call,” says Tamara Gaffney, principal analyst, Adobe Digital Index, which provides research and insights on digital marketing.

     

    Adobe also has offerings in ad tech, which integrate a number of technologies.

     

    “It’s hard to explain but there would be players around targeting, optimisation, analytics… a good analogy would be the financial services industry where are buyers and sellers but many intermediaries,” says Amar Goel, CEO, Komli Media, which started off as an ad network bringing buyers and sellers together but is now building a lot of programmatic (realtime-bidding) technology and leveraging data.

     

    He declined to comment on reports of Snapdeal acquiring Komli. The driver for such ad tech deals, says Anupam Mittal, CEO of People Group and angel investor, is the access that large e-commerce firms like Flipkart and Snapdeal have to customer shopping patterns and behaviour. “These ecommerce firms have billions of page views. They know people’s shopping habits and what they are looking for, so they have some level of context just like Facebook and Google. They also want to acquire good teams that can help to build their own ad proposition to customers,” he says.

     

    Still, many listed ad tech firms have seen their market value fall on Wall Street. “Ultimately, there are two kinds of ad tech: one captures the intent of the user, and Google does that.

     

    The second is when you know so much about the user that you can present the relevant ads. Facebook does that. Everything in between is a promise of something that will be built. Margins are wafer-thin if at all they are there.

     

    Google and Facebook own their audience so their margins are much better because they are not sharing the outgo with the publisher,” adds Mittal (see table).

     

    However, it’s equally true that there are smaller firms building smart capabilities that the likes of Google, Facebook and Twitter are interested in. “The very fact that Google buys companies nearly every year shows that they are getting beaten at their own game,” points out the CEO of an ad tech firm, requesting anonymity.

     

    Google’s mobile ad platform, AdMob, was through an acquisition in 2009. Similarly, Twitter bought MoPub, a startup helping mobile publishers manage their inventory

     

    Consumer is The Sweet Spot

    Fashion e-tailer Myntra, which uses both Vizury and Komli, says it has translated to higher revenues. “Our pain point as an e-commerce player is we create the intent but the average conversion rate (people who buy after visiting the site) is only two out of 100,” says Priyanshu Kumar, digital marketing manager, Myntra.

     

    On January 3, when Myntra held its ‘End of Reason’ sale, it notched up a record Rs 100 crore in eight hours. At least 3% of that revenue could be attributed to the re-marketing campaigns run by Komli and Vizury on that day as they brought back potential customers who had visited the site but dropped off, says Kumar. “They were very aggressive going after the users who had visited our site but not converted,” he says. Myntra saw a conversion rate of 6% on that day as compared to the e-commerce industry average of 0.8% – 2.5%.

     

    The most reliable data about users online is first-party data, which is collected by the site you are browsing, says Gaffney. Second-party data is obtained from exchanges which, in turn, get the information from participating sites that sell their information to the exchange for a fee.

     

    Such success stories are also helping ad tech win new following among companies in manufacturing, consumer and other industries in India. “Three years back, only internet companies were the most visible users of our ad offerings. But since then we have seen traditional industries like auto, FMCG and the government take it up signficantly,” says Nitin Bawankule, industry director (Ecommerce, Local, Technology), Google India.

     

    Ford India has hiked its digital ad spends from 5% of its ad budget to 15%-20% in less than four years, says Anurag Mehrotra, director (marketing, sales and service). Tushar Vyas, head digital (South Asia) at advertising agency, GroupM, says digital ad spends are growing three times faster than the overall ad growth.

     

    The mobile is the next frontier in advertising with its ability to identify the user location as well as predict user behaviour based on the device being used.

     

    This could be the next level of evolution for ad tech firms. With the mobile, for instance, advertising technology can even find out if the user is standing or sitting, says an ad tech executive.

     

    “If the advertising landscape is complex, the mobile landscape will make it more so. When you combine the advertising technology landscape with the mobile technology landscape, you could end up with this almost supernova of advertising targeting and data collection opportunity,” says Gaffney. The launch of Apple’s smartwatch and other smartwatches could take that to another level. Ad tech is here to stay and grow.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd.

    All Rights Reserved, Licensed to republish

     

  • Ravi Rao appointed Chief Client Officer, Mindshare MENA

    By A Correspondent

     

    Ravi Rao

    Mindshare has announced the new role of Ravi Rao, Leader (emeritus) of Mindshare, South Asia. He will be taking over as Chief Client Officer, Mindshare MENA effective May 1st, 2015 and will be based at the Dubai office.

     

    In his vast experience in the media industry, Ravi Rao joined Mindshare, South Asia in 2008 and took over as Leader for the market in 2012. Under his guidance, Mindshare remains the largest media and marketing agency in India. Asserting his familiarity with the MENA market, Ravi was earlier a part of JWT Dubai and the Mindshare MENA team during its inception in 1999. He also worked with OMD in the course of his time in Dubai.

     

    Ravi Rao is the Chairman of the Media Research Users Council (MRUC) and has represented Mindshare and GroupM on several industry platforms.

     

    On his move to Mindshare, MENA, Ravi Rao said, “I am excited to take this new role within the Mindshare family. The market has exhibited good growth over the past few years and I look forward to strengthening our position in the MENA region.”

     

    CVL Srinivas

    CVL Srinivas, CEO, GroupM South Asia, commenting on this transition, “Ravi helped consolidate Mindshare’s position in the market over the past few years. He has led the transformation efforts of the agency in the recent past. This has helped Mindshare create cutting edge products for its clients, grow its digital business and retain its leadership position. He has made a significant contribution to our network and the industry at large. We are confident that Ravi will continue to play a stellar role in building the Mindshare network and we wish him well in his new role.”

     

  • Adfest announces speaker line-up

    By A Correspondent

     

    ADFEST has unveiled its line-up of Speaker Sessions for 2015, and this year’s program features some of the world’s great creatives such as R/GA’s Global Chief Creative Officer, Nick Law; AKQA’s Chief Creative Officer Rei Inamoto; Design Army’s Co-Founder & Chief Creative Officer Pum Lefebure; and Hollywood actor/producer Paul J. Alessi.

     

    A few sessions include ‘How to make a brand bad-ass’ by R/GA’s Global Chief Creative Officer, Nick Law; The Gunn report 2014; Circle of trust by brand strategist Sidharth Loyal; We will fix it in post by Juice., Warsaw & Wroclaw; Bad is bad by Chung Su Ko of Cheil Worldwide; ROI of the bad: do shocking ads really work? By Hando Sinisalu, CEO of Tallinn, Estonia; Be bad – a technologist’s guide to breaking creative rules by Proximity Singapore; and Young Lotus 2015 Fresh Blood among others.