Jagran.com Hindi news portal, has concluded the ‘Jagran Green Warrior Challenge’ to celebrate World Nature Conservation Day. The campaign was launched to bring awareness to readers via a community-building initiative about nature conservation and the growing impact of climate change. The online initiative was driven by Jagran Connect, a community engagement platform that engages users through various empowering initiatives.
The 3-day campaign ran from July 26–28 and invited participants to a series of exciting challenges to support nature conservation. The activities brought crucial environmental issues to the forefront by encouraging sustainable practices that can be widely executed for society at large. The campaign received an overwhelming response, reaching a diverse audience and inspiring individuals to reflect on their ecological footprint and thus take action.
Said Rajesh Upadhyay, Editor-in-Chief and Sr. Vice President, Jagran New Media: “With this effective community-building initiative, we inspired a profound sense of responsibility towards issues like climate change, resource depletion, loss of biodiversity, etc. The success of this initiative reaffirms our belief in the power of collective action and motivates us to organize more purposeful campaigns through Jagran Connect. Our readers are the most important to us, and this is our attempt to connect with them through issues that matter the most.”
The campaign highlighted three key aspects: ecological conservation, simple sustainable practices, and plastic pollution. The participants were asked to plant a sapling in their locality and share it on Jagran’s website or social media platforms. To encourage more engagement, they were also invited to share different ideas and practices to save the environment. The campaign came to an end with a successful plastic eradication drive.
WPP and Spotify have announced a new global strategic partnership that will enable WPP to offer its clients early access to Spotify’s ad products, first-party insights and creative ways to reach engaged audiences at scale.
Said Stephan Pretorius, Chief Technology Officer of WPP: “In the fast-evolving media and entertainment landscape, audio streaming has become an integral part of everyday life. At WPP, we recognise the power of audio as a critical component of marketing. The intent of this first-of-its-kind partnership is to integrate Spotify’s insights with the Choreograph platform to create more innovative and relevant ways to connect our clients with their customers.”
Added Brian Berner, Global Head of Advertising Sales, Spotify: “We’ve long partnered with WPP to enable agency planners and buyers to make more informed decisions when planning for digital audio. With our new global partnership, we’re helping WPP clients modernise their strategy and planning. More than 550 million people across 184 markets come to Spotify every month to be entertained, to learn and to discover for nearly 2.5 hours each day. As we continue to drive innovation in audio and the advertising industry at large, partners like WPP are critical to delivering for advertisers, creators and audiences wherever they are.”
Zoo Media, the network of 11 agency brands, has announced the appointment of Vishnu Kanth Gokul BJ as Head of Sales and Partnership.
As Head of Sales and Partnership, Gokul will be responsible for driving growth and fostering partnerships to further expand Zoo Media’s market presence.
In the said role, Gokul will report to Pratik Gupta, Founder and CEO of Zoo Media, who said in a statement: “With Vishnu spearheading the role as Head of Sales and Partnerships, we are keen to leverage his extensive experience and strategic insights in the digital domain, to accelerate Zoo Media’s growth and forge strong alliances that will elevate our position in the industry.”
Havas Worldwide India, the creative arm of Havas India, has appointed Kundan Joshee as Managing Partner and Head – West & South. He joins the agency from Wunderman Thompson. Joshee will be based in Mumbai and will report to Tarun Jha, CEO, Havas Worldwide India. He will work closely with Anupama Ramaswamy, Chief Creative Officer and Anirban Mozumdar, Chief Strategy Officer.
Tarun Jha
Speaking about the appointment, Jha said: “Havas Worldwide India has been witnessing an impressive growth trajectory and the agency has entirely restructured its leadership team to support this rapid expansion. Kundan is a seasoned industry professional, with a great track record of building businesses and managing large outfits. He will be a natural fit in our ambitious senior leadership team of Anupama, Anirban and Jaibeer Ahmad, Managing Partner – North and East. With Jaibeer helming the North and East India markets, Kundan’s addition will help us drive value, optimise revenue, and expand the ever-growing client portfolio of Havas Worldwide India as he takes the reigns of our business in the West and South regions. We all welcome him aboard and look forward to him making a meaningful difference to the brands that we lovingly nurture.”
Dentsu Creative India has announced the appointment of Manzoor Alam as Executive Creative Director (ECD). He will report into Joy Mohanty, Chief Creative Officer – North.
As per the mandate, Alam will spearhead teams working on brands like Honda Cars, Max Healthcare, Catch Spices, Royal Stag, 100 Pipers, Herbalife, Hamdard, and Carlsberg, to name a few from the agency’s Gurugram office. He will focus on nurturing and developing the agency’s creative talent pool, while also establishing it as a hub for delivering top-tier, innovative, and high-calibre work.
Most recently, Alam served at Lowe Lintas. where he played a significant role in driving creative excellence for various brands. During his tenure, he contributed to the success of Google’s flagship products like Google Search, Google Photos, Google Assistant, Google My Business, and Google Voice.
Speaking on the appointment, Mohanty said: “Manzoor’s exceptional journey showcases a wealth of experience and an extensive portfolio of accomplishments with leading brands such as Google and OLX, as well as numerous start-ups and tech ventures. His unique ability to infuse his ideas with a strong sense of humanity has endeared him to brands across the spectrum. We are thrilled to have him on board and are certain that he will be instrumental in taking our goals of Modern Creativity to new heights.”
Manzoor added, “In today’s ever-evolving consumer landscape, it is important to consider both the ‘when’ and ‘how’ of every idea. This calls for a cohesive and integrated approach to deliver our concepts effectively. Dentsu Creative India’s philosophy of ‘Modern creativity’ synchs well with this emerging trend. The organization’s strong emphasis on digital-first, tech-driven initiatives, and data-backed solutions amplifies the potential for impactful ideas to flourish. This is exactly what has drawn me towards Dentsu Creative India. I am excited and look forward to embarking on this inspiring journey.”
Dentsu Creative India made a remarkable impact from its very inception, taking the world by storm when it was honoured as the ‘Agency of The Year’ at the prestigious Cannes Lions Festival of Creativity in 2022 – a historic first for India. Its outstanding achievements included securing a Titanium award, as well as three Grand Prix, two Gold Lions, and three Silver Lions. Demonstrating its continuous success, Dentsu Creative India has recently added some noteworthy brands to its clientele, further solidifying its position in the industry.
We’re happy to be back with a week, with a question that’s left a large number of people divided. Here goes Dr Bhaskar Das in the August 7 edition of Das ka Dum. Read on…
If you wish to access the archives, please go to the Das Ka Dum tab on the website’s top navigation bar or click here: https://www.mxmindia.com/category/columns/das-ka-dum/
Q. Air-India is rumoured to be mulling dropping the Maharajah as its mascot or perhaps pushing it to the background. What’s your view? Old is Gold or time to look at things afresh?
A. There are empirical evidences of validation of both the approaches, as mentioned by you. The latest example being the change of name of Twitter to X after 17 years without any classical calibration. Will it be a super success? Only the future would prove that.
I agree that the mascot of Air India has been iconic and legendary. But as a brand, the sheen of Air india in all aspects of marketing including business outcome and customer satisfaction has been dwindling in a sustained manner. I am reasonably convinced that with the takeover by the Tata Group, the image dimension would be refurbished in every area of the brand’s business. With changes all around of Air India’s ecosystem, looking at things afresh might be good idea to get rid of legacy negative perceptions of the brand.
DDB Tribal has announced the appointment of Purva Ummat as Group Creative Director. Ummat will report to Iraj Fraz, who heads creative for DDB Tribal.
Prior to this, Ummat was with Dentsu Creative where she played a significant role in launching Nykaa Fashion.
Said Fraz: “DDB Tribal brings together digital-first thinking and classic insight-driven advertising, and Purva is made of the same ilk. The work she has created over the years stands as a testimony to the extraordinary energy she brings to every creative opportunity. As the most senior addition to our creative team, Purva is going to lead some of our key brands.”
Myprotein, the leading sports nutrition brand, has announced an Independence Day campaign titled ‘Tareeke Anek, Maksad Ek’.
Speaking about the initiative, Sanya Chhabra, Regional Marketing Manager, Myprotein Emerging Markets said: “Myprotein is thrilled to launch the ‘Tareeke Anek, Maksad Ek’ campaign, where we celebrate the incredible diversity of the fitness community in India. Our vision is to create a global health movement and engage Indians to live healthier and more fulfilled lives. Through this campaign, we aim to inspire and bring together individuals from different backgrounds, united by their passion for fitness and love for their country.”
Milaap, the leading crowdfunding platforms, has launched a video campaign, #MakeKindnessAHabit, to mark the celebration of Friendship’s Day which fell on Sunday, August 6.
Said Anoj Viswanathan, President and Co-Founder, Milaap: “With this initiative, we are reviving the old concept of pen-friends where letters used to be exchanged among children far and beyond, sharing their dreams, hopes and wishes with complete strangers. Cancer warriors, especially children, go through a lot, both physically and emotionally. The letters instantly brightened up the children’s faces and gave them the comfort and assurance that there are family and friends to help them sail through their tough journey to recovery.”
Added Dr Sunil Bhatt, Director and clinical lead of Pediatric Hematology, Oncology and Bone Marrow Transplantation, Narayana Health City, Narayan Hospitals: “We look after children with blood disorders, cancers and transplants. These children are suffering from life-threatening disorders. I am very glad to have both Milaap and Daakroom here today, to engage with us. I am glad that our children had this chance and experience today, and I could see the joy in their faces as they read these letters from unknown children and people.”
Esports firm Global Esports has announced a partnership with Number, a wearable and gaming earbuds brand, as Title Sponsor for the BGMI roster ahead of BGMS Season 2. Global Esports are the defending champions from season one having defeated big teams, such as GodLike, Orangutan, and SouL to lift the grand trophy.
Commenting on the sponsorship, Rushindra Sinha, Co-founder of Global Esports, said: “We are thrilled to onboard Number as our title sponsor for BGMS 2023. Their commitment towards delivering well-designed high-quality products at an affordable price aligns with our vision to deliver at the highest stages and take the Indian gaming industry to the next level.”
Talking about the association, Jigar Mehta, CEO and Founder, Number said “At Number, our objective is to provide gamers with the best-in-class gaming audio accessories so that they may start their journey in esports with the right equipment. Esports is a strongly growing community in India and we strive to support this growth with our new and first-of-its-kind partnership with Global Esports. We are thrilled to partner with a leading organisation such as Global Esports who are also the winners of BGMS 2022. With this partnership, we mark our journey into the esports world and are here to stay, play and win the journey.”
BGMS 2023 was scheduled to kick off on August 4, 2023, with 24 Indian teams participating. It will be broadcast live on Star Sports Network and Rooter at 9.30 PM IST.
Is social media designed to reward people for acting badly?
The answer is clearly yes, given that the reward structure on social media platforms relies on popularity, as indicated by the number of responses – likes and comments – a post receives from other users. Black-box algorithms then further amplify the spread of posts that have attracted attention.
Sharing widely read content, by itself, isn’t a problem. But it becomes a problem when attention-getting, controversial content is prioritized by design. Given the design of social media sites, users form habits to automatically share the most engaging information regardless of its accuracy and potential harm. Offensive statements, attacks on out groups and false news are amplified, and misinformation often spreads further and faster than the truth.
We are two social psychologists and a marketing scholar. Our research, presented at the 2023 Nobel Prize Summit, shows that social media actually has the ability to create user habits to share high-quality content. After a few tweaks to the reward structure of social media platforms, users begin to share information that is accurate and fact-based.
The problem with habit-driven misinformation-sharing is significant. Facebook’s own research shows that being able to share already shared content with a single click drives misinformation. Thirty-eight percent of views of text misinformation and 65% of views of photographic misinformation come from content that has been reshared twice, meaning a share of a share of a share of an original post. The biggest sources of misinformation, such as Steve Bannon’s War Room, exploit social media’s popularity optimization to promote controversy and misinformation beyond their immediate audience.
How social media algorithms drive misinformation.
Re-targeting rewards
To investigate the effect of a new reward structure, we gave financial rewards to some users for sharing accurate content and not sharing misinformation. These financial rewards simulated the positive social feedback, such as likes, that users typically receive when they share content on platforms. In essence, we created a new reward structure based on accuracy instead of attention.
As on popular social media platforms, participants in our research learned what got rewarded by sharing information and observing the outcome, without being explicitly informed of the rewards beforehand. This means that the intervention did not change the users’ goals, just their online experiences. After the change in reward structure, participants shared significantly more content that was accurate. More remarkably, users continued to share accurate content even after we removed rewards for accuracy in a subsequent round of testing. These results show that users can be given incentives to share accurate information as a matter of habit.
A different group of users received rewards for sharing misinformation and for not sharing accurate content. Surprisingly, their sharing most resembled that of users who shared news as they normally would, without any financial reward. The striking similarity between these groups reveals that social media platforms encourage users to share attention-getting content that engages others at the expense of accuracy and safety.
Engagement and the bottom line
Maintaining high levels of user engagement is crucial for the financial model of social media platforms. Attention-getting content keeps users active on the platforms. This activity provides social media companies with valuable user data for their primary revenue source: targeted advertising.
In practice, social media companies might be concerned that changing user habits could reduce users’ engagement with their platforms. However, our experiments demonstrate that modifying users’ rewards does not reduce overall sharing. Thus, social media companies can build habits to share accurate content without compromising their user base.
Platforms that give incentives for spreading accurate content can foster trust and maintain or potentially increase engagement with social media. In our studies, users expressed concerns about the prevalence of fake content, leading some to reduce their sharing on social platforms. An accuracy-based reward structure could help restore waning user confidence.
Doing right and doing well
Our approach, using the existing rewards on social media to create incentives for accuracy, tackles misinformation spread without significantly disrupting the sites’ business model. This has the additional advantage of altering rewards instead of introducing content restrictions, which are often controversial and costly in financial and human terms.
Implementing our proposed reward system for news sharing carries minimal costs and can be easily integrated into existing platforms. The key idea is to provide users with rewards in the form of social recognition when they share accurate news content. This can be achieved by introducing response buttons to indicate trust and accuracy. By incorporating social recognition for accurate content, algorithms that amplify popular content can leverage crowdsourcing to identify and amplify truthful information.
Both sides of the political aisle now agree that social media has challenges, and our data pinpoints the root of the problem: the design of social media platforms.
Ian Anderson is a PhD student in Social Psychology, USC Dornsife College of Letters, Arts and Sciences; Gizem Ceylan is a Postdoctoral Research Associate, School of Management, Yale University, and Wendy Wood is Provost Professor Emeritus of Psychology and Business, USC Dornsife College of Letters, Arts and Sciences. This article is republished from The Conversation under a Creative Commons license. Read the original article.
Banijay Asia and EndemolShine India have appointed Branquila Brand Ventures as their exclusive Brand & Marketing agency. Branquila will lead and manage Banijay Asia and EndemolShine to oversee Digital Marketing, Corporate Communications, Creative, Trade Marketing and Consumer Marketing.
Commenting on the appointment, Deepak Dhar, Founder & Group CEO of Banijay Asia and EndemolShine India, said: “We’re excited to have Branquila on board, as we now gear up for our next phase of growth collectively. Given Sandeep’s extensive experience in the media and entertainment industry, and his differentiated approach, we’re confident of breaking newer barriers in our brand presence and market influence, both in the industry as well as consumer space.”
Sandeep Dahiya, Founder & CEO of Branquila Brand Ventures, added: “Both Banijay Asia and EndemolShine India are powerhouses in India’s entertainment industry, with some of India’s best and biggest shows in their portfolio. We look forward to working closely with both teams to carve out an effective and creative eco-system of integrated marketing initiatives, across platforms, to further enhance the reach and impact of their exceptional content offerings.”