Author: mxmadmin

  • Calvin John joins CaratLane VP-Marketing

    By A Correspondent

     

    CaratLane.com, the online jewellery retailer has announced the appointment of Calvin John as Vice President – Marketing. Mr John will be responsible primarily for defining marketing strategy and positioning for CaratLane.com. He will oversee the implementation of national marketing campaigns that will drive growth for the brand.

     

    Mr John brings in international experience in consumer-driven sectors like food and beverage and lifestyle retail, having worked in the GCC, SAARC, ASEAN, and Indian markets, he has an in-depth understanding of what drives a customer to make that final purchase.

     

    Before joining CaratLane.com, Mr John worked with leading brands like Titan, UB Group, Hindustan Unilever and Bisleri.

     

    Commenting on his appointment, Mr John said: “I am very excited to join CaratLane.com as it brings clarity and information-driven empowerment to customers to help them make informed choices. This is crucial for a high-value industry like ours where customers, owing to lack of knowledge, are hesitant to go beyond their trusted family jeweller. The strategy going forward will be to increase the credibility and further establish the identity of CaratLane.com as India’s leading online jeweller.”

     

    Speaking on Mr John’s appointment, Mithun Sacheti, Founder and CEO of CaratLane.com said: “Calvin’s varied experience across different sectors will benefit CaratLane.com both from a category and function perspective. His understanding of the Indian jewellery market, coupled with his experience in setting up the entire e-commerce channel for a leading national brand gives him an ‘intra-preneurial’ perspective which is very important for a business model like ours. We are confident that he will take CaratLane.com to newer heights.”

     

     

  • Divya Bhaskar launches City Bhaskar in Surat & Vadodara

    By A Correspondent

     

    City Bhaskar, the broadsheet magazine from Dainik Bhaskar Group addressing the youth segment with news and activities within city has now entered Suratand Vadodara. It addresses the need of positive content presenting the ‘Good Life of the City’ with special focus on city happenings and leisure reading. It provides for the positive outlook and in a way proves to be motivational and aspirational product.

     

    Till now City Bhaskar in Gujarat was available with Divya Bhaskar in Ahmedabad only. The need for such a product in Surat and Vadodara has been felt for some time.

     

    Speaking on the City Bhaskar launch in Surat and Vadodara, Saras Sethi, State Head Gujarat said: “Surat and Vadodara, with their own unique population mix, professional outlook and inclination were considered ripe for a product like City Bhaskar. It takes into account the city highlights, cultural and social milieu, the youth segment needs and is crafted specially for the city.”

     

    Divya Bhaskar, the Gujarati Newspaper of Dainik Bhaskar Group with 11.44 lakh readers (IRS Q1 2012) is the only Gujarati newspaper with more than a million readers in a city.

     

     

  • The Anchor: 6 things to watch out for in the 2012 London Games

    By Ranjona Banerji

     

    I hope everyone interested in having a good laugh has been watching Twenty Twelve on BBC Entertainment, a comedy series which follows “the deliverance committee” involved in making sure the 2012 London Games run smoothly. Everything from bureaucracy to PR to political correctness to politics to jargon to celebrity are satirised brilliantly and it all seems so real.

     

    However, it is also possible that you interested in the Games themselves. In which case, here’s what to watch out for.

     

    1. The Opening ceremony on Friday, that is 1am (Saturday morning technically) for India on ESPN, Star Sports. Directed by Danny Boyle, (yes, he of the Jai Ho and slums are fun fame) it is expected to be a massive extravaganza. He has to compete with the glorious, breathtaking performance put up by the Chinese in Beijing in 2008. I don’t actually quite remember it actually, but it was spectacular. Lots of firework dragons. Or was that the first Lord of the Rings movie? Whatever.

     

    2. The Indian medal chase. This is supposed to be our best chance “ever” (please substitute your own version of an American teenager’s twang here) of winning lots of medals. Boxing, tennis (oh, wait, in India sometimes there’re both the same thing), hockey, badminton, wrestling, shooting… In fact, anything except running and jumping which, of course, are what the Olympics started with in ancient Greece. No one expects us to run and jump, least of all, us.

     

    3. Badminton starts on Saturday (go Saina Nehwal!), which is why badminton players may not be at the Danny Boyle show. Actually, so does boxing, athletics, handball, judo, tennis, volleyball, weightlifting and just about everything else. Football has already started. So maybe no one will be at that opening ceremony, so it’ll be all sparse and minimalist and New Age.

     

    4. London, the best city in the world. Apart of course from New York, Paris, Shanghai, Hong Kong, Dubai, Delhi, well of course, of course, that’s a joke! If you can’t be there, you can watch it, especially that giant red squirly whirly steel thingie made by that famous Indian artist chappie Anish Kapoor (Indian! We are the greatest!). So wish you were at the West End, Covent Garden, Piccadilly,Oxford Street,Kensington Gardens, Buckingham Palace, Tate Modern, instead of wherever you are.

     

    5. Wimbledon! This one is for me. The Championships are over, but tennis is going back to the green (or re-greened) grass. Twice in one year is remarkable and unique. (I wrote Wimbledon! But I meant Roger Federer! Of course.)

     

    6. There’s a special Olympic sport that has been included just for India. It’s called: Where’s That Kalmadi? You can seek him here, seek him there as the former head honcho of sporty stuff and hmm, other stuff, Suresh Kalmadi, weaves and dodges his way around the Games, avoiding the media, the athletes, the police…

     

  • Ranjona Banerji: Why I love Arnab Goswami. Really!

    By Ranjona Banerji

     

    Kudos must be given to Times Now for its drive to expose the little acts of callousness in India. These are problems which are so commonplace that they are overlooked, not just by the media but by the general public as well, perhaps even by NGOs. The death of a five-day-old baby girl in a Jalandhar hospital because her parents could not pay Rs 200 for a life-support system made it to Arnab Goswami’s News Hour. Just as a reference point, the story is on page 11 of the Mumbai edition of The Times of India – and made it there only because of television.

     

    Goswami dignified the death of the girl by cross-examining the doctors – and rejecting all their excuses. He and his guests discussed the callousness of the system, a Supreme Court ruling that bans taking money for life-support from poor people and asked whether the baby would have been treated differently if it was a boy.

     

    Goswami is right when he says that it is these little problems which have to be solved if our society is to be sensitised.

     

    TV continued with its campaign against crimes against women as all channels highlighted the plight of a woman in Kolkata who struggled to file a rape complaint even though she was bleeding profusely and a girl in Bangalore thrown off a train by molesters.

     

    **

     

    Even TV has realised that the Anna Hazare movement has run out of steam and merrily had discussions on it. I would venture to offer “Team Anna” some advice: if it took up the issues of the “little people” it might find greater resonance than its current policy of going after big sharks. In our everyday lives, it is the callous hospital staff, the indifferent police constable who hurt as the most. Let Team Anna follow the path that Goswami has forged for them.

     

    Sudden thought: Can you imagine what would happen if Arnab Goswami and Aamir Khan joined forces? Wow!

     

    **

     

    Of course, one’s love for television cannot go too far. The discussions on the Assam problem have been largely unsatisfying except perhaps for Karan Thapar’s Last Word on CNNIBN, if only because his guests did not have hysterics and screaming fits. It makes a life a little easier if you can understand what everyone is saying. The Jerry Springer version of TV gets tedious after some time.

     

    **

     

    The completely pointless discussions on Narendra Modi’s “hang me if I’m guilty” interview to Urdu weekly Nai Duniya were the other ear-sore. Modi, who likes to be in the news, manages to provoke some TV air time and create the same amount of sound and fury. The same guests every time on every channel on opposite ends of the political drama saying the same things as last time have become a yawn. The highlight on Thursday was apparently Teesta Setalwad walking out of the discussion on Times Now and walking back. This is hearsay evidence because I never saw it but was informed by people who did and by Twitter.

     

    **

     

    Chaos in the social media universe on Thursday incidentally as GTalk and then Twitter collapsed. How on earth did we manage before Twitter everyone asked when it came back. Indeed.

     

    **

     

    The “Greatest Show on Earth” begins. More on that next week. Happy viewing.

     

  • Two announcements on Week #2: Get MxM news via BBM/WhatsApp + MxM Mondays

    It’s the second edition of our Friday announcements, and we have not one, but two announcements for you. So does it mean that we’ll have three next Friday, and four the following week, and five thereafter? Well, you know that the last thing you should expect at MxM is predictability. So as you await the unexpected next Friday, here’s more on what our headlines say for this week:

     

    1. Starting August 1, MxMIndia news will also be ‘broadcast’ via the Blackberry Messenger and popular WhatsApp. This is just the beginning… in the months to come, we’ll add more devices (Samsung ChatOn etc). Advertiser messages will be transmitted too, albeit in a stripped down way. Await our mailers starting Monday with the PIN and Mobile number that you should enter to start getting these missives via BBM or WhatsApp.

    2. Remember MxMIndia is a lot, lot more than just account and people movements. We’re about views and analyses and often these may seem uncomfortable for a section of our readers and advertisers. But, wtf, we’re like this only. So, starting Monday, July 30, we bring you MxM Mondays. Every Monday, our team will curate a discussion on critical issues that impact Indian media and marketing. Virtual seminars across every vertical. What’s more, we’ll also invite one or more of our ‘permanent’ columnists/bloggers to comment along side. We will announce the following week’s theme the previous Monday to invite responses from readers.

     

    So, await the first of our MxM Mondays on Monday, July 30. And the theme is:  Ownership of the news media. Should there be a restriction on who should be allowed to own news media?

     

  • Fourtifying media & brands with research

     

    By Meghna Sharma

     

    In today’s world where there are plenty of brands for consumers to choose from, an in-depth knowledge about the target audience is as much as a necessity as breathing for any brand to become successful. Research now plays an increasingly important role in a brand’s lifeline.

     

    Entertainment industry today is growing at a fast pace and with number of options available to the TG, the brands need to know what will make the TG choose them over others.

     

    Ormax Media, a media & entertainment research and consulting firm, entered the industry four years ago (July 28, 2008) with a motto of helping brands understand and retain not only their target groups, but also help them grow in their respective fields.

     

    Clients Speak
    Raj Nayak, CEO, Colors

    Raj Nayak

    Ormax Media has opted for a very focused media research approach, which was a definite need gap for the industry, especially TV. Ormax has managed to capitalise on this opportunity with their innovative and robust tools specifically designed to cater to these needs. At Colors we have always had a research-oriented approach towards content development. In that context, we have been working with Ormax Media since the very beginning (interestingly both Colors and Ormax Media came into existence around the same time!).

     

    It has been a fruitful association so far, and I would believe this to be true for both the parties. While working on some really interesting projects together, there has been a lot of learning that has enabled us to know our viewers even better. An effective promo creative measurement tool, which builds in the crazy timelines of the creative getting ready and it hitting on-air, is something which I feel is still a need gap at this point of time. Keeping in line with their record for building research tools which have catered to the needs of the industry, this is one area where we see tremendous potential for Ormax.

    ____________________________________

     

    Chandramohan Puppala, business head, Saam TV

    Earlier, most of the companies used to rely on gut feelings or follow TAM to get an idea about what their audience wants. However, one couldn’t predict the change in trends or know their TG’s mindsets. It was a big challenge for channels, especially regional channels, to know their viewers. It was an even bigger challenge for regional channels, where Hindi was also the majority language. For instance, in Maharashtra, Hindi is also spoken by people. Also, in smaller markets, no matter how the sampling is done, choices differ from region to region. Hence, when research entered the entertainment industry, it helped channels to have a direct connect with the audience and guided them on how they can change their course to gain the most.

     

    Ormax Media adapts very quickly to what the clients’ want and provide a customized research which enhances their role among their TG.

    ____________________________________

     

    Ashit Kukian, COO and president, Radio City

    Ashit Kukian

    For any industry today, research is an important element. However, it is important for an organization to be very clear about what they want as an end result. The brief we gave to Ormax and their own learnings have made it a win-win situation for both. The inputs we get from research are visible in the results. So, as the industry gets more mature, there is going to be a robust growth in the field of research as well.

    ____________________________________

     

    Jai Lala, principal partner, Mindshare

    Jai Lala

    Since there is no syndicated data available, there can be a lot of fangs to it, especially in the television industry. Take sports broadcasting for instance, there are a lot of ground partners, so it is a complicated process. Hence, research helps us to understand the market and how to maximize from an event. Last year, for IPL we had done a joint research with Ormax Media and it was quite fruitful for us.

    ____________________________________

     

    Atul Phadnis, founder and CEO, What’s On India

    Atul Phadnis

    Ormax Media is spearheaded by people like Shailesh Kapoor who have practical knowledge about channels. So, it gives the organization an uncanny ability to know what the key questions are which need to be answered. This helps them to not only know what a channel wants, but also how the research must be conducted. Also, the organization offers customized and structural services which have helped the industry grow.

     

    As the firm celebrates its four years of existence, MxMIndia spoke to the founders to get an insight on how research has evolved over the years and how the journey has been for Ormax Media so far…

     

    Vispy Doctor

    “Till a few years ago, the phrase ‘consumer knowledge’, which is our prime derivable, wasn’t a common phenomenon. When we went to media clients in the entertainment space, for many of them research was a new thought.  So, we had to explain how it could help them create better products which will help them grow,” recalled Vispy Doctor, founder and managing director, Ormax Media.

     

    Over four years, Ormax Media has worked with 76 leading media and entertainment brands as business partners. In the first year, it focused on television, and GECs in particular. In the second year, the focus was expanded to other television genres as well as radio. In the third year, Bollywood became the priority. And now, at the end of the fourth year, the organization is set to offer unique and relevant offerings.

     

    Shailesh Kapoor

    Elaborating on Ormax’s four years, Shailesh Kapoor, CEO said: “The first four years of Ormax Media have been very eventful and successful. We have received great support from the media & entertainment industry, especially in our endeavour to create unique research products and approach entertainment research in ways that are unconventional and challenging, but also result oriented.”

     

    Growth matters

    The entertainment industry has its pros and cons and one of the biggest ‘cons’ of the industry is that it comes with a fairly low success rate – as low as 15 per cent. Therefore, the organization hopes to help the industry increase its success rate, even if by a small percentage.

     

    “Since we have been able to explain it to our clients, they have appreciated and accepted the concept of research. Hence, our growth has been fairly steep, and I can say that we are growing at a fairly high rate of 75-80 per cent, as we add more and more partners in our kitty,” said Mr Doctor.

     

    According to Mr Kapoor, the television industry has its cyclical changes, but is in a fairly stable state, vis-a-vis what it would have been 5-6 years ago. However, he does add that the definition of “stable” in television is very different from that in packaged goods and other sectors.

     

    As for the film industry, it is in an evolution stage, much like what the TV industry was in the late 90s and early 2000s. And one can see exciting times ahead for Bollywood, especially in research, where it has seen growing acceptance year-on-year.

     

    As far as Radio is concerned, it hinges a lot on the Phase 3 licenses. “Media & entertainment is a growing business, and research will continue to become more and more important as the market matures. We are all set for the challenges ahead,” Mr Kapoor added.

     

    Procedure: Easy or difficult?

    The organization offers a number of research products for various sectors of the entertainment industry. The list includes broadcast television networks, radio networks, film studios, newspapers, media agencies, DTH service providers, digital entertainment companies and production houses.

     

    So, when asked how difficult or easy the research procedure is for each variant, Mr Kapoor explained: “The larger GECs are the easier ones, as they are far more professional and they understand the value of research. Whereas in the more touchy-feely areas like films and creative companies, it becomes a little difficult as it is more about sentiments. However, it is difficult to rate them as it might be easier to work for a GEC, it might be more interesting for a film.”

     

    He added: “As a good service company, it becomes our job to orient ourselves to the client’s needs, but without compromising on the research rigor and correctness. That’s the balance that may be easy or tough. But it’s a part of our job.”

     

    A correct sample size plays is essential for any research to become successful and come out with results which will benefit the researcher. So how does the organization choose its sample?

     

    “For every client, the TG might different so we have to be careful about what attributes are they looking for in a sample size. For example, for a serial, it might be cultural overtones. So, how that serial is perceived in a city like Mumbai will be very different from how it is perceived in a small town like Indore. And if we are able to find this difference and collate preferences, it will help the channels,” explained Mr Doctor.

     

    Expansion plans

    The organization’s focus is to consolidate through new clients and repeat business. It now has 21 products for various sectors and plans to entirely focus on these products and getting them to become bigger and better in their own right. Also, it plans to target media agencies and advertisers through products like Celebritix, which was launched on July 25.

     

    “I’m often told that whichever channel you go to, Ormax gets mentioned in conversations consistently. We have a young team which made this happen. Four years ago, I would have bargained for much lesser. But again, this is only the start, and we know that we can achieve a lot more than what we have so far…” said Mr Kapoor.

     

  • MxM Buzzer # 2 | The Olympics Special

    Here’s the second instalment of our near-new media quiz that will happen every Friday on MxMIndia.

    Our quizmaster is Sorbojeet Chatterjee, Vice President – Marketing at Neo Sports.

    To enter this quiz, simply email the answers with your personal details (Name, email id and telephone number) and a one-word descriptor for Goafest at editor@mxmindia.comwith Buzzer#2 in the subject. Standard contest rules apply (see box below).

    There will be 2 prizes every week: First Prize: Rs 1001, Second Prize: Rs 501.

    If there’s a tie, the best descriptor for Goafest will get the prize (note: tie-breaker question will change every week).
    Last date for sending entries: Wednesday, August 1.

     

     

  • Nithya Ravi: Group Manager, DDB Mudra

    (Experience: 4 years)

    Born a Tamil Brahmin, Nithya grew up largely in New Delhi, though she moved around a fair bit in her early years owing chiefly to her dad’s job at a bank. The multiple cultures she was exposed to fostered her curiosity in understanding people and cultures. While still in school, she discovered an interest in media and went on to do her BA (Hons) Journalism from Lady Shri Ram College for Women in Delhi. While at college, she was exposed to the various facets of the media industry and not just journalism. “In those three years, I was able to explore both the content creation and business sides of the media and entertainment industry in India and decided to do my MBA in Communications management from MICA. After graduating from MICA in 2008, I moved to Mumbai and joined Mudra Communications, and am now part of the DDB Mudramax media team,” avers Nithya Ravi.

     

    While doing her MBA in communications management at MICA, Nithya was drawn more towards media than advertising. The whole process of planning based on knowledge and data was what excited her. In fact, analytics and strategy continue to be her key area of interest and the part of work that she enjoys the most. Working on a couple of industry projects in her second year and her internship at JWT only strengthened her decision. Having joined DDB Mudramax straight out of MICA, the last four years have been interesting and a wonderful learning experience for Nithya.

     

    “Having worked in the industry for four years, I find that my early familiarity with different parts of the country continues to play a key role as we strive to find more creative and localised media solutions for clients and also continues to define my personality and my interests and hobbies,” she says.

     

  • Anil Thakraney: TV media is out of sync

    By Anil Thakraney

     

    TV media is out of sync

    So then why did Rahul baba get egg on the face in Uttar Pradesh? There are many reasons being flung around, and they’ve been discussed to death on the various news channels. Do allow me to add my two-bits: the single biggest reason is that Rahul baba’s suave appeal works only in the urban areas of India, particularly in New Delhi. For the small townies, he means NOTHING. They don’t connect with his jet-setting lifestyle, the voters know he’s a fly-by-night dude. That, even if they voted for his party, Rahul baba will not be seen again till the time of the next elections.

     

    If this is the case, and at least I think it is, then we have to question the excessive coverage our chap got in the TV news media all through the UP elections. If I recall correctly, on one show, BJP’s Ram Shankar Prasad accused a television anchor of being unfairly biased towards Rahul baba. He was right, of course. Compare the footage winner Akhilesh Yadav got with the Gandhi scion’s coverage right before the elections, and you will be stunned by the skew.

     

    And this totally lopsided coverage happens because the news channel editors and their crew happen to be from India’s urban areas. And their mindset is therefore very urbane. They don’t get India’s small towns and villages, and just because they find Rahul baba to be a charismatic figure, it gets wrongly assumed that the rest of India does too. Well, that’s obviously not the case, as we just witnessed in UP (and in Bihar in the recent past). Media’s darling was shown the door.

     

    The Rahul baba saga is actually a pointer to a large problem with our television news media. There is just too much attention given to the urban Indian middle class and their issues. To the cost of the rest of India. A girl who gets molested at Bandra station will become a sensational story. But a girl gang raped in Latur will get an apologetic mention. A small fire in a building in Bangalore will send TV anchors into a tizzy. But an entire colony burning down in Ranibennur will be covered reluctantly.

     

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=qkaZdjfyht8[/youtube]

    And this is why television studio views and discussions have little relevance to ‘non-shining’ India. No amount of frothing and fuming in the news rooms will make any difference to vote swings. By the way, even as I write this, all the news channels are very worried about Rahul baba’s future. Lagey raho!

     

    ***

     

    PS: Wow! Pakistan TV sounds like great fun. “Gadhe! Bewakoof! Stupid! Sharaabi!” All this on live television. Makes our Arnab’s chat show appear heavenly in comparison. Hello, we have a thing or two to learn from our esteemed neighbour.

     

  • India wins 4 gold and 3 silvers at Appies 2012

    By A Correspondent

     

    India has done extremely well at the recently concluded Appies, winning four gold medals out of 10, 3 silver out of 5 and 2 Best Presenter Awards – Dhiren Amin, Group Planning Director, McCann Worldgroup India and Yousuf Rangoonwala, Brand Partner (Planning), BBH India Pvt Ltd win the Best Presenter Awards. (The complete list of winners is given at the end)

     

    APPIES 2012 announced the 10 Gold Medals and 5 Silver Medals winners as the two-day festival of the best marketing ideas in Asia-Pacific concluded in Singapore. The judges and assessors’ panel comprising top marketers in the region selected the winners from 100 shortlisted entries showcasing 48 global brands submitted this year. APPIES 2012 also handed out 5 Best Presenter Awards for the most compelling presentations and coherence of content.

     

    Leanne Cutts, VP, Marketing for Kraft Foods Asia who presided as the Chief Judge at the APPIES said: “We were delighted by the representation of the different agencies from different places at the APPIES this year. The campaigns made us laugh and made us cry… We had a lot of fun. However, the ideas that really impressed us were those that spoke to both the head and the heart.”

     

    “APPIES 2012 has been an extremely pleasant experience due to the diversity of thinking, of ideas and the ways they are brought to life. For me, the APPIES is all about connections – not only to the campaigns that speak to you but also meeting up with peers from across the region. I loved seeing all the liquid and linked ideas that were presented over the two days and it was eye-opening to see how multiple platforms were used effectively,” said Jaideep Kibe, Coca-Cola Sparkling Category Director, The Cola-Cola Export Corporation, Philippines, who also won the the Gold Medal for the OFW Project Campaign and the Best Presenter Award.

     

    Organised by the Institute of Advertising Singapore (IAS), APPIES 2012 is supported by SingTel, MEC, Asia Pacific Breweries (APB) and Singapore Press Holdings (SPH). Top regional marketers attended the two-day event which also featured special keynote sessions, panel discussions and exclusive talks.

     

    The list of gold medal winners are:

    1. Campaign: Pass it on

    Category: Pro-Bono/Government/Cultural

    Advertiser: Sri Lanka Eye Donation Society

    Country: Sri Lanka

    Agency: Leo Burnett Solutions Inc., Sri Lanka

     

    2. Campaign: Saffola Oats, ‘Do More with Oats’

    Category: Food & Beverage

    Advertiser: Marico India

    Country: India

    Agency: McCann Worldgroup, India

     

    3. Campaign: Student Suicide Prevention Drive

    Category: Pro-Bono/Government/Cultural

    Advertiser: Maitri Foundation, Mumbai,

    Country: India

    Agency: McCann Worldgroup, India

     

    4. Campaign: The Web Is What You Make Of It

    Category: Consumer Services

    Advertiser: Google

    Country: Singapore

    Agency: BBH Asia Pacific, Singapore

     

    5. Campaign: Curious Holiday Inn-cidents

    Category: Consumer Services

    Advertiser: IHG (Holiday Inn)

    Country: China

    Agency: Ogilvy & Mather Shanghai, China

     

    6. Campaign: Idea 3G

    Category: Consumer Services

    Advertiser: Idea Telecom

    Country: India

    Agency: Lowe Lintas & Partners, India

     

    7. Campaign: Ong & Raj

    Category: Pro-Bono/Government/Cultural

    Advertiser: Health Promotion Board

    Country: Singapore

    Agency: DDB Worldgroup, Singapore

     

    8. Campaign: The OFW Project

    Category: Food & Beverage

    Advertiser: The Coca-Cola Export Corporation

    Country: Philippines

    Agency: The Coca-Cola Export Corporation

     

    9. Campaign: Shave Sutra – Or, How To Turn A Mundane Solitary Chore Into Pleasurable Duet

    Category: Non-Food FMCG

    Advertiser: P&G India

    Country: India

    Agency: BBDO India

     

    10. Campaign: The Royal Project

    Category: Consumer Services

    Advertiser: Sizzler (Minor Food Group)

    Country: Thailand

    Agency: Y&R Thailand

     

    The 5 Silver Medals went to the following campaigns:

    1. Campaign: Parachute Ajurvedic – Recommended by Sufferers

    Advertiser: Marico India

    Country: India

    Agency: BBH India

     

    2. Campaign: Tiger Blue Xmas

    Category: Food & Beverage

    Advertiser: Vietnam Brewery Limited

    Country: Vietnam

    Agency: Leo Burnett Vietnam

     

    3. Campaign:  Tide Collars

    Category: Non-Food FMCG

    Advertiser: P&G International Operations Pte. Ltd., Singapore

    Country: India

    Agency: Leo Burnett, Mumbai, India

     

    4. Campaign: New House? Or New Furniture?

    Category: Consumer Services

    Advertiser: DFI Home Furnishings Taiwan Limited

    Country: Taipei

    Agency: Ogilvy & Mather Advertising, Taipei, Taiwan

     

    5. Campaign: Meetha at home!

    Category: Food & Beverage

    Advertiser: Cadbury India

    Country: India

    Agency: Presenter: Ogilvy & Mather, India

     

    The 5 presenters clinching the Best Presenter Awards were:

    1. Kittipong Veerataecha: Chief Strategy & Innovation Officer, Y&R Thailand

    2. Jaideep Kibe: Coca-Cola Sparkling Category Director, The Coca-Cola Export Corporation, Philippines

    3. Luke Nathans: Regional Development Director, APAC, iris Worldwide, Singapore

    4. Dhiren Amin: Group Planning Director, McCann Worldgroup India

    5. Yousuf Rangoonwala: Brand Partner (Planning), BBH India Pvt Ltd

     

  • Reviewing the Reviews: Super un-cool sex gags in KSKHH

    Kya Super Kool Hain Hum

    Directed by Sachin Yardi

    Produced by Ekta Kapoor, Shobha Kapoor

    Story by Sachin Yardi

    Starring: Tusshar Kapoor, Ritesh Deshmukh, Neha Sharma, Sarah Jane Dias, Anupam Kher

     

    This is not the kind of film that critics would recommend anyway, but most of them have said that Sachin Yardi’s smutfest’s content is not what they mind so much as the bad quality of the sex gags.

     

    Kya Super Kool Hain Hum is a sequel to the Kya Kool Hain Hum, which had reportedly done well enough for producer Ektaa Kaoor to attempt a sequel.

     

    Most critics went for 1 or 2 stars if they were feeling generous, except, of course, TOI’s standard 3 and Taran Adarsh’s 3.5.

     

    Wrote Raja Sen of rediff.com: “There’s nothing wrong with bawdy sex comedies. The burlesque entertainer has been a part of storytelling from its very origins, from sultans being soothed by tellers of tall tales to cavemen sniggering at sideward-8s on their stick figures. It’s a grand, colourful, enjoyable tradition, and making something you can nudge, nudge, wink, wink at is as fine an ambition as any. Except – and herein lies the lack of rub – there’s really no point to a sexless sex comedy.”

     

    Aniruddha Guha of DNA commented: “Director Sachin Yardi’s KSKHH revels in its ability to present one stereotype after another in a long orgy of sex jokes, private parts’ references and general stupidity. It’s funny initially, and you feel like you may be in for a laugh riot. But KSKHH is like a party that starts to get boring in the first hour, one you keep looking for ways to get out of. And if you do stay till the end, a headache-inducing hangover is a certainty.”

     

    Saibal Chatterjee of NDTV grit his teeth and wrote: “Some films are aimed at the eye, some at the head, and still others at the heart. It takes an outrageous degree of audacity to fix the focus of an entire two-hour-plus movie a few inches above the solar plexus, or thereabouts. But for all its unabashed flirtation with tawdry humour, Kyaa Super Kool Hain Hum is about as scintillating as the drone of a dying bumble-bee. A bunch of bawdy blokes who have clearly taken leave of their brains and turned into sex-obsessed ‘loin’ kings run amok with a license to spill in this defiantly tasteless caper movie. Even the dogs aren’t spared.”

     

    Rajeev Masand rightly called it a cringe worthy: “If I had a penny for every time I laughed during ‘Kyaa Super Kool Hain Hum’, I’d be able to afford an Asprin, I so badly needed at the end of this roughly two-and-a-half-hour cringe-fest. The problem with this film isn’t that it’s so unapologetically vulgar, but that it’s just not very funny. And that’s a shame, because leading men Tusshar Kapoor and Ritesh Deshmukh have a winning chemistry and sharp comic timing…now if only they were required to do a little more than stripping down to their boxers and repeatedly making crude gay jokes.”

     

    Anupama Chopra slammed the lack of a plot: “I enjoy vulgarity, cheap lines and jokes with double meanings as much as the next person, but really, is this the best we can do? Writer-director Sachin Yardi is too lazy to create a plot, so the film is just a series of gags that allow him to bung in as many puerile sexual innuendos as possible. Kyaa Super Kool Hain Hum becomes a drag within the first twenty minutes and then continues for another two hours or so. Before you are done, you will have to suffer Chunky Pandey in a hideous wig, playing a fake godman named Baba 3G, and Tusshar Kapoor in drag wearing eyeliner, lipstick and a gown with a plunging neckline. Yes, that’s seriously scary. Only the brave need venture in.”

     

    Madhureeta Mukherjee of the TOI quipped: “Director, Sachin Yardi’s film will appeal to an audience who trips over ‘hard-core’ sex comedies. There are scenes that ‘vibrate’ with humour, and squeeze ample laughs (some forced), but it’s mostly a bleak story-line with random scenes which are padded with pun-fulls of adult humour, sexual innuendo, and expletive one-liners. For a sex-comedy, the film is a tad long (size really matters, can’t help it!) and songs like ‘Dil Garden Garden Ho Gaya’ slow the pace. If you were sex (comedy) starved after Kyaa Kool Hai Hum, this sequel force-feeds you a double dose. This one’s for teens who get a ‘boner’ out of bad jokes, but it may get a rise out of some adults too. Watch at your own ‘risque’.”

     

    Taran Adarsh raved: “On the whole, Kyaa Super Kool Hain Hum is sure to get the affirmation nod by its target audience – the youth. Despite the sexual tone, adult jokes, impish humor, the movie, at no juncture, gets offensive, distasteful or objectionable. In fact, it’s one big joyride from commencement to conclusion. This one is for the masses, for youngsters, for those who loved part one and enjoyed its crazy hilarity. Kyaa Super Kool Hain Hum offers entertainment, entertainment and only entertainment in large doses!”

     

    Sudhish Kamath of The Hindu nailed it, “The problem is of excess and repetition.  What’s the point of making a sequel if the idea is just to put the same jokes back in? Poppat is back with his tooths (suits). If the first one was let down by its length and lack of plot, here it’s just the lack of plot. The only movement or the ups and downs here are in the innuendo and physical comedy involving a pug who lives a Vicky Donor life. The pug performs every time its owner (Riteish) turns on the music. If you find that funny, go for it.”

     

  • AFAA’s programme to turn young talent into achievers

    By A Correspondent

     

    The Asian Federation of Advertising Associations (AFAA) is launching its first-ever Fast Track Professional Excellence Programme, which aims to re-orient young professionals build on their basic skills in marketing and advertising.

     

    The Advertising Council of India (ACI), whose members include Indian Society of Advertisers (ISA), Advertising Club Bombay, Advertising Agencies Association of India (AAAI), Indian Broadcasters Foundation (IBF), India Chapter of the International Advertising Association (IAA) and Standing Committee on Advertising (STACA), will be sponsoring four young professionals on an all-expenses-paid trip to Malaysia where the inaugural programme will take place between September 3 and 7, 2012.

     

    Janet Lee, a veteran in the advertising and professional training industries, will conduct the intensive five-day residential programme.

     

    “This holistic training programme is aimed at identifying young talent and converting them into potential leaders. I believe they would emerge from this program far more productive and happier. They will receive a truly international experience with exposure to industry leaders.” explained AFAA Chairman Pradeep Guha.

     

    To participate, young professionals (below 35 years of age) with a valid passport, and at least five years’ experience need to send a brief note, not more than 75 words on what they feel is wrong with their industry and more important what they could do to solve it, along with particulars of themselves to acifastrack@gmail.com.

     

    Short-listed candidates would be interviewed by an ACI panel and four professional will be chosen.