Tag: TV

  • &TV gears up for The Voice on weekends

    By A Correspondent

     

    Internationally acclaimed reality music show The Voice makes its way to India starting next month on &TV. Produced by Endemol and brought to us by Talpa Media, the show is unique in its concept as participants are judged only on the basis of thir voice.

     

    Speaking at the unveiling of the show on Tuesday, Rajesh Iyer, Business Head, &TV said, “This show is our first step towards presenting a high impact weekend property in the reality space. The format of the Voice has been widely accepted worldwide and gained popularity and we expect the same to work in India.”

     

    The show will be judged by some of top talent like Shaan, Sunidhi Chauhan, Mika Singh and Himesh Reshammiya, who will also double up as coaches for participants.

     

    The Voice has a unique format that begins with the Blind Auditions, wherein the coaches have their back faced to the performer, so that they cannot see, but can only hear the performance. If they like what they hear, they can press a red buzzer on their seat that will turn their chair around and see the performer. The performer then automatically goes into that coach’s team. However if more than one coach turns around, then the performer can choose a team. In the next round, that is the Battle Round, the coach will pit two of his/her own team members against each other to perform the same song. One out of these moves ahead, the other moves out. In the final round, the Live, the contestants will be coached by their mentors and a team of professionals. The top contestants will do a final performance and the audience is left to vote for their favourite.

     

    “The format of the show is one of a kind and has never been done before in India. I am excited to be a part of it and look forward to giving a break to at least five to six participants from the show. More than for the channel, the TRPs here are more important for the contestants who wish to make it big,” Himesh Reshammiya said.

     

    Said Deepak Dhar, Managing Director and CEO, Endemol India who are the producers of the show: “This is the first show in India, wherein emphasis is given only to the voice and nothing else. The blind audition is what distinguishes this show from all other reality music shows in India.”

     

    All four coaches are ecstatic to be a part of the show. “The Voice India is here to redefine the music reality space in India, and I am happy to be on board,” Sunidhi Chauhan said. Mika Singh added, “I am thoroughly looking forward to finding a voice that has an exceptional quality, something real and versatile that will make heads turn.” Singer Shaan couldn’t make it to the announcement; however he left a video message, “What clicked for me is that every round on The Voice is very different and innovative. If you want to be on television and on a music show, it has to be The Voice.”

     

    The Voice India goes on air on June 6, 9pm on &TV and will be aired every Saturday and Sunday at 9pm.

     

  • Zee Europe celebrates 20 years with launch of &TV

    By A Correspondent

     

    ZEE Europe celebrated the completion of 20 years of Zee TV in Europe recently with a special gala, where it announced the launch of &TV, a brand new entertainment channel. The celebration was attended by Punit Goenka, MD & CEO, Zee Entertainment Enterprises Limited (ZEEL) and Rajesh Iyer, Business Head, &TV. Actor Shah Rukh Khan also attended the event.

     

    Derived from the conjunction ‘&’, the channel stands for binding people, ideologies and philosophies. The content of the channel is contemporary and contextual, depicting the progressiveness of the viewers. &TV will ‘celebrate the spirit of living’ through its content offering. Shah Rukh Khan hosts the channels’ flagship show India Poochega – Sabse Shaana Kaun. Like the host, the format of the game show challenges conventions, whereby the common man dons the role of the ‘Asker’, as well as that of the ‘Contestant’. While the Askers pose the questions, the Contestants demonstrate their street-smartness to win the coveted prize money.

     

    Commenting on the 20 years celebration, Punit Goenka, MD & CEO, ZEEL, said, “We are proud to be a medium through which Indians living abroad have stayed connected to their roots back home all these years and we will continue to entertain and engage audiences with a unique blend of high-quality and innovative programming”. On the launch of the new channel &TV he said, “&TV will offer a more substantial viewing experience to an audience that is always seeking fresh and relevant content. We are certain that with the launch of &TV, we will capitalize on further such opportunities to build a robust entertainment bouquet and march ahead towards achieving the global ambitions set for the company.”

     

    Neeraj Dhingra, ZEE Europe CEO, said, “Zee TV has been a pioneer in bringing great Asian entertainment to the UK and fostering the cultural ties with India. We are certain that with the launch of the contemporary channel &TV, these ties will strengthen. The channel promises multi-dimensional content and a strong line-up of entertainment and reality shows, and we are beyond excited to have Shah Rukh Khan as the host of our flagship entertainment programme. We are certain that the audience will enjoy seeing a different side of their superstar!”

     

  • Shailesh Kapoor: Hindi GECs: There’s Space For More… &More

    By Shailesh Kapoor

     

    March 2 saw the launch of &TV, the second mainstream GEC from the Zee stable (not counting the highly differentiated Zindagi and the rerun-based Zee Anmol). The first ratings yesterday confirmed that the channel has managed to make its presence felt within its first week. It launched at 42 GRPs, making it one of the best channel launches in the last decade, close on the heels of Colors, Life OK and Imagine.

     

    The ratings universe has widened since 2008. &TV’s 42 GRPs would easily have been 55+ in a pre-LC1 environment, in which other GECs mentioned above launched. Also, the ratings are based on five-and-a-half days of content, which means a natural growth next week is expected anyway. We should see the channel comfortably crossing the 50-mark next week, and with a sizeable reach potential still untapped, it may be looking at the century over the next quarter.

     

    What interested me even more was to see if &TV got its initial numbers from other GECs or if it could grow the category. The top six GECs lost only 21 GRPs this week combined, which &TV got exactly half its viewership by growing the category. Its early days yet, but one could safely assume that in a more stable state, at least 30% of &TV’s ratings would be category growth, which could mean that channel would have managed to grow the already dominant Hindi GEC category by 3-5% by the time it crosses the 100 GRP mark.

     

    Yet, there has been persistent talk around there being no space available for one more Hindi GEC. Every time someone comes up with the idea of launching a new Hindi GEC, promoters or investors treat the thought with immense skepticism.

     

    It’s not a surprising response, however. You won’t expect most investors to be core GEC viewers themselves, and from the outside, it would indeed seem that all the GECs are essentially dishing out similar programming. I have voiced my concerns regarding lack of innovation on the GECs over the last two years, but lack of variety has never been an issue. The consumers see genres and sub-genres in what the non-viewers can just pass off as “daily soaps” or “saas-bahu serials”.

     

    Identifying strategic need gaps in the Hindi GEC space can be a tough ask today. But tapping the right genres and creating new sub-genres within them can indeed push the category viewership ahead. The size of investment may also be a deterrent, but for someone with deep pockets, a well-planned GEC business has a far lower risk than, say, a news or a niche channel today.

     

    The rise-and-fall stories of 9X and Imagine have often been used as an example of how a GEC business is high on risk. But there have been the success stories in Colors and Life OK too, the former a lot more significant than the latter. I hope the early success of &TV encourages more GEC launches. Sound business models can ensure good profitability at even 80-120 GRP levels.

     

  • &TV opens with 90612 GVTs

    The numbers are out. &TV has opened at 90162 GVTs in the first week of its launch.

     

    With only five-and-a-half measurable days as per the TAM measurement cyle, newly launched flagship Hindi GEC &TV from the Zee Entertainment stable has opened at 90612 GVTs. The launch happened with roadblocks across the Zee network of channels as well as very visible outdoor and print campaign.

     

    Detailed ratings of the various shows including Shah Rukh Khan’s ‘India Poochega – Sabse Shaana Kaun?’ are awaited

     

  • Zee launches &TV with much fanfare & Shah Rukh

     

    By Our Research Editor

     

    It’s been worth the wait. Industrypersons hoping that an all-new big-bang GEC will rev up the scene were not disappointed. Indian entertainment’s most sought after name – Shah Rukh Khan – was present at the launch.

     

    By the time you read this, you’ve already heard and read enough about what &TV is going to be all about. That it was to be called &TV was known now for around a year. In fact the industry was hoping for a surprise or a twist, but that didn’t happen. That a galaxy of production companies have been retained for some high visibility fictions and non-fictions was also known. In fact the names were there on the television fanzines and Indiantelevision.com even had rather detailed insider info on the launch.

     

    What was not known much in advance were the finer details of the big opening act of the channel – Shah Rukh Khan and a Siddhartha Basu/Big Synergy production ‘India Poochega – Sabse Shaana Kaun?’. Although Khan earned his stripes on the small screen, his recent outings with non-fiction (save the award shows) have been mixed. While Kaun Banega Crorepati was fine, others like ‘Kya Aap Paanchvi Pass Se Tez Hain?’ and ‘Zor Ka Jhatka: Total Wipeout’ failed to attract audiences.

     

    Television industry observers though aren’t too worried. What Shah Rukh Khan has done is draw attention to the channel and will pull viewers to it in the early days. Just as an Akshay Kumar did for Colors, a little less than seven years back. “The good thing is that SRK isn’t one to accept defeats easily and he will keep at it until he succeeds. So you never know!”

     

    The launch proeedings at the Reliance Mediaworks studio at Mumbai’s Film City were very business-like. Before Shah Rukh Khan descended on the stage (literally!), Zee Entertainment Managing Director and CEO Punit Goenka unveiled the logo with a tap on the backdrop. “&TV will offer a more substantial viewing experience to an audience that is always seeking fresh and relevant content. The channel extends our Hindi entertainment portfolio under the ‘&’ bouquet and will add to the consolidation of our leading position in the entertainment industry.”

    Said Rajesh Iyer, Business Head, &TV on what the channel will stand for: “While the spirit of &TV is young, it is deep-rooted in values. We intend to be a power house of entertainment, by tapping into and harnessing the powerful changes in the thinking, mindset and belief sweeping through this country of billions. As a new channel, we will lead with innovation, try new things and new ways to meet the challenges of an increasingly competitive environment. We are thrilled to have Shah Rukh Khan as the host of our flagship non-fiction property and we are certain that the audience will enjoy a different side of their superstar! ”

     

    So will &TV be an attempt to flank parent Zee TV and shave away from rating points from Colors which has been consistently at #2 among the Hindi GECs over the last few months?

     

    “If &TV weans away viewers, it will do that for not just Colors but across all GECs. But rather than that, as we have seen in the past, the genre of Hindi entertainment will grow if &TV works with viewers,” said the analyst quoted earlier. But what is the guarantee of &TV working given that Pal has a dismal outing despite being from the Multi Screen Media/Sony stable and being headed by Anooj Kapoor who turned around the fortunes of Sab TV? “It’s impossible to guarantee anything. In broadcast, as it is in life. Just because a certain channel has failed till date doesn’t it mean it can’t bounce back and others will not do well.”

     

    This, it may be noted is Zee’s third attempt with a second GEC, if one does not put Zindagi in the same bracket.  EL TV and Zee Next started out with much enthusiasm, but did not create an impact and were pulled off. “Those were different days. The attention and budgets being given to &TV with Rajesh Iyer and his team are of a dramatically higher magnitude.” Indeed they are. An IndianTelevision report pegged marketing costs to be in the region of Rs 150 crore. Other trade wags say the entire outlay in the first year to be in the region of upwards of Rs 400 crore.

     

    &TV, MxMIndia learns, will be promoted extensively on the Zee TV network. An extensive 360-degree campaign has been envisaged. The channel’s tagline is Jashn Jeene Ka” which has been rendered by musical duo Sachin-Jigar.

    Other than India Poochega – SabseShaanaKaun?’ which is an adaptation from Who’s Asking, a format owned by Israel based Armoza, the channel also uveiled a host of fiction properties. Starting with, Begusarai, a quintessential quirky land set in the hinterland of Bihar with film-maker Tigmanshu Dhulia designing the first look of this multi-starrer film on TV, being one. There’s a historical thrown in the form of Razia Sultan, there BhabijiG har Par Hai!, a sitcom, and then there’s a soap titled Badii Devrani, which, as the name suggest, will have all the family melodrama built into it.

     

    According to a communiqué handed out to the media, the ampersand or & in &TV, signifies a conjunction of aspirations and rootedness which is synonymous with the spirit of new age India. “Through its content offering, the channel will bring together people and ideologies thus fostering cohesive viewing within Indian households. &TV will showcase a diverse and dynamic mix of relatable fiction, high voltage non-fiction, marquee events and blockbuster movies.”

     

    Does all of this look a bit like what some other channels are about? A rival broadcaster, while insisting on anonymity, says the comparisons with any channel are incorrect. There is a one billion-plus viewing public, and broadcasters are tailoring content to all tastes. “We scoffed at Sab’s programming as too downmarket, but see where it’s reached. Also, look at Life OK. Despite being from the Star India stable, it has carved a unique niche for itself.”

     

    Another senior industryperson told us that it’s all about how one works around the demographics.  “Remember what happened after LC1. With an increase in the number of panels and meters across the country, we could be in for a new beginning in television in India. And this is where an &TV can score.”

     

    &TV is scheduled to launch in March, though no dates are given yet. Interesting World Cup Cricket is going to be on till March 29, but being held in Australia and New Zealand, it won’t impact primetime viewing. The 2015 edition of the Indian Premier League (IPL) is scheduled from April 8 to May 24. Then there are the slew of programming on all of television.

     

    And did we hear that there could be a couple of more Hindi GECs that may launch in the next year? It’s a party that will never end. Like one of our infinitely loooong television dramas.

     

     

     

  • AdoRoi launches response-led media planning

    By A Correspondent

     

    Mumbai-based AdoRoi Marketing Science has introduced two new product offerings – Response Led Media Planning and Ad Insertion-to-Sales tracking.

     

    Amit Nevrekar

    Said Amit Nevrekar, Chief Operating Officer, AdoRoi, “It’s a scientific way to study the effectiveness of the media plan through Response per Spot (RPS) and Cost per Response (CPR)”. Explaining the concept, Mr Neverkar said: “The Ad exposure/ response are identified through unique Ad-Tracking codes for each media vehicles across TV, Print, Radio and Internet.” The response is analysed through a proprietary real time reporting software and Client Dashboard. The main advantage of this methodology is it provides Advertisement Exposure for a particular issue/insertion as against the current Media Vehicle Exposure based on Reach & Frequency model. The responses can further be analysed by media, creative, spot duration, placement, Ad-size, page no etc. The model, according to Mr Nevrekar, is beneficial for brands, which don’t just carry out brand awareness creation exercise but aggressively practise direct marketing for instant conversions through call for action or promotional offers.

     

    In this method, the dealer panel in PAN India Print campaign is replaced by AdoRoi’s unique Ad-Track tele code per media vehicle, thus saving the effort and also cost per sq cm. When any customer calls for an enquiry, his/her call is directly patched with the nearest dealer basis his Geo-position and the dealer database through our patented technology. Each customer enquiry is provided with a promo-code linked to media vehicle which can be tracked against sale. The responses generated per insertion across media vehicles can be analysed on real-time client dashboard. The learnings can be efficiently used for optimizing the media plan for better ROI by maximizing RPS and minimizing CPR.

     

  • Anger Management, a big deal for Comedy Central

    By Johnson Napier

     

    Comedy channel Comedy Central seems to have struck gold by bagging rights to the newest craze on the sitcom block, Anger Management. So impressed was the network with prospects of this new show starring Charlie Sheen, that it went overboard in acquiring rights to the show.

     

    Ferzad Palia, Senior VP and GM – English Entertainment, Viacom 18 Media Pvt Ltd reveals to MxMIndia what would be the implications of this expensive buy and how they expect the sitcom to break some advertising rules in the English entertainment market.

     

    Going by the buzz that’s being created, the acquisition of Anger Management seems to be the biggest thing that has happened for Comedy Central. How far did you stretch yourself into acquiring the rights for this sitcom? And, what was unique about the whole experience?

    When we saw the first 2 episodes of Anger Management at a private screening, we knew that this show is set to be the next big thing on television. We were vindicated when the show broke all ratings records over its first few episodes in the US. It did so well that before we knew it, an unprecedented further 90 episodes were ordered! Charlie Sheen is back… and how! Naturally it was a heavily sought after show. So I must admit that we did need to stretch ourselves to make it happen.

     

    How would you justify the huge spends on the acquisition of this sitcom in a market like India’s that’s still waking up to English entertainment?

    You will be surprised that India isn’t waking up to English language content. It already has woken up. And not just the metros, across the top 40 towns and is penetrating deeper at a rapid pace. English is one of the fastest growing languages in India for a variety of reasons. Comedy Central is here to grow the category with a distinctive offering. And as I’ve always mentioned to you, we’re here for the long term, so this fits in perfectly with our ambitions & plans.

     

    Would you be setting new benchmarks where ad rates for Anger Management are concerned?

    Yes. It’s a great opportunity for brands to co-own this franchise with us for a longer term. We’re looking at ‘partnerships’ for this show. Going beyond the traditional ‘spot buy’ format. There are tremendous opportunities that we have to allow brands to integrate themselves through the next few months. The positive response we’ve received over the last 24 hours since the announcement is extremely encouraging, to put it mildly.

     

    What is the English Comedy entertainment market like in India at the moment?

    We’re extremely happy with the response to Comedy Central India over the last 10 months. We’ve grown the English genre, cut through clutter, received recognition and awards for our brand, content, creative & marketing, have over 100 advertisers on our roster, already the most followed English entertainment channel on Twitter, 8 lakh fans on Facebook, etc, etc… And we’ve only just begun! The market is ripe. And hungry for more, as is clearly evident.

     

    What is the content acquisition plan for Comedy Central going forward into 2013?

    Lots of exciting things in store. None that I can reveal currently though.

     

  • CNBC Awaaz honours industry best at Real Estate Awards

    By A Correspondent

     

    CNBC Awaaz in association with RR Kabel hosted the ‘Real Estate Awards 2012’ to recognize commendable merit of visionaries and professionals from the industry. The event, themed as Modern Marvel, was attended by Housing and Poverty Alleviation Minister Ajay Maken, along with notable names from India’s real estate fraternity.

     

    Nominees for the CNBC Awaaz Real Estate Awards were judged based on criteria like standard, quality of project, customer satisfaction and efficiency. This year more than 8,000 projects across 12 cities were evaluated for the awards.

     

    On the occasion of the awards Sanjay Pugalia, Editor-in-chief, CNBC Awaaz said, “We have earned the respect of being one of the transparent and most credible recognitions in the real estate industry. It gives us great pleasure to know that our awards are considered as a benchmark in the industry.”

     

    Awards went out in the following categories:

    Affordable Segment – 100% Complete

    Shipra Estate NCR
    Mid Segment – 100% Complete Brigade Group Bangalore
    Luxury – 100% Complete Lunkad Realty Pune
    Ultra Luxury – 100% Complete Amar Builders Pune
    Affordable Segment – U/c – More than 70% Complete City Corporation Limited Pune
    Affordable Segment – U/c – More than 70% Complete

    Ashiana Housing & Finance ltd.

    NCR
    Mid Segment – U/c – More than 70% Complete Kalpataru Limited MMR
    Luxury – U/c – More than 70% Complete The Advantage Raheja Bangalore
    Ultra Luxury – U/c – More than 70% Complete Queens Court NCR
    Best Commercial Project DLF IT SEZ Chennai
    Best Retail project DLF Emporio NCR
    Most Consumer Friendly Developers Magarpatta Township Pune
    Best Project Execution Mahindra SEZ Chennai
    Best Greenest Project Magarpatta City Pune
    Commercial Greenest Project

    Pritech Park – RGA software System (P) Ltd. and Primal Projects Pvt Ltd

    Bangalore
    Best Integrated Project Magarpatta City Pune
    Best managed projects: Post sales City Corporation Limited Pune
    Most Reliable Builder Sobha Developers Bangalore
    Architect’s choice/Best Design Brigade Gateway
    Best Home loan provider State Bank of India
    Best Real Estate fund HDFC Real Estate PMS
    Best State Government Initiative Rajasthan Govt
    Building world class infrasturcture Jaypee Group
  • Indo-Pak series: Another historic thrash-a-thon?

     

    By A Correspondent

     

    Tensions of other sorts are usually forgotten when India and Pakistan meet on the cricket pitch. This time it is a battle of one-upmanship as the two countries are clashing after a gap of five years.

     

    While the Indo-Pak series of three ODIs and two T20s is a short tour, it is creating enough ripples among cricket-crazy fans. What makes it more enthralling is the fact that India had beaten Pakistan in both formats of the game the last time they landed here during the 2007-08 tour. Of the three Tests that the two played against each other, India won the series 1-0, having drawn the remaining two. As for the ODIs, it was a 3-2 victory in favour of India that did the country proud.

     

    While it was Saurav Ganguly who was at his superlative best in the Test series that enabled India to take the lead, it was the young Yuvraj Singh who shone with the bat in the ODI format, making him earn the prestigious man-of-the-series award.

     

    Going by speculation doing the rounds, for broadcaster ESPN-Star the tournament was a success even before it took off. According to some reports, the channel has managed to sell out maximum inventory at two to three times (totalling more than Rs 1.5 billion) the rate compared to the just concluded India-England series. This augurs well for the network given that it has to pay Rs 322.5 million per match for the five match series.

     

    Sanjay Kailash

    To a query from MxMIndia, Sanjay Kailash, EVP, ESPN Software India Pvt Ltd, said, “We are delighted with the response from advertisers to the India-Pakistan series. India-Pakistan is always extremely sought after and the series therefore was sold at a premium. We have monetised India-Pakistan ODIs at a rate which is double as compared to the historical industry average. Even rates for India-Pakistan T20 are double than the most sought after T20 tournament in the country.”

     

     

     

    Anilkumar Sathiraju

    Sharing his excitement about the series, Anilkumar Sathiraju, AVP & Head, DDB MudraMax, Media, said that on the ratings front he expects the series to be a big hit. “It will be quite good. I am expecting it to be a positive and a good series. Ratings will definitely see a spike as it is India-Pakistan at the end of the day. The fact that a few advertisers are quite gung-ho about it makes it more exciting.”

     

     

     

    Divya Gupta

    Divya Gupta, CEO, Dentsu Media, too had some words of praise for the series irrespective of the fact that India had put up a drab performance in the recent past. She said, “An India-Pakistan series is in a realm of its own; evokes emotions, fervour and fever like none else. It doesn’t matter whatever Team India has achieved /not achieved in the recent past. It is a marquee game, event, media property that viewers and marketers and broadcasters are betting on; and deliver it will.”

     

     

    Anita Nayyar

    Giving a more detailed outlook on the series, Anita Nayyar, CEO, Havas Media India & South Asia, said the fact that the series is taking place after many years is in itself a great pull. “From a viewing perspective three of the five matches are scheduled on holidays which will help the cause of viewing. Also the ODIs start at 8pm-primetime making viewers more available. In fact, most India-Pakistan matches have delivered ratings in the range of 5-6. This series should do similar numbers; however, with TAM data not being available the deliveries will be guess estimates.”

     

    Ms Nayyar’s summation of the series is probably what will matter at the end of this historical sporting tie-up. “Ratings or no ratings, the competition between India and Pakistan has always generated huge interest for both viewers and advertisers, and is considered a safe investment. It is a good way to bid adieu to a tough year and a fine beginning to a new one.”

     

    If the first T20 encounter between the India and Pakistan in Bengaluru last evening (Dec 25) was any indication, the contest on field is going to be tough. While every match going down to the wire may not be good news for weak hearts, it’s sure to see ratings soar. And advertisers and broadcasters happy.

     

    Photograph: Fotocorp

     

  • Innovative programming did the trick for Suvarna post-Kotyadhipathi

    By Tuhina Anand

     

    Kannadada Kotyadhipathi is gearing up for its second avatar on Suvarna, the Kannada General Entertainment Channel from Star Network. The channel plans to launch the show in March of 2013 with the host of its previous year Kannada superstar Puneeth Rajkumar. For the channel, Kotyadhipathi has been a big property which has propelled the channel to be a leader in the prime time category thus giving Udaya (the undisputed leader for long) much to worry.

     

    Post Kotyadhipathi, the channel revamped its prime time offering with new shows. It launched Amrutavarshini at the 9:30 pm  slot which Suvarna puts it as the number 1 show of Karnataka with an average TVR of 6.0 (CS4+, Karnataka market). In the 8:00 pm slot it launched Akashadeepa, Chukki at 10:00 pm and Pancharangi Pom Pom at 10.30 pm and all the shows are slot leaders.

     

    Anup Chandrasekharan – Business Head of Suvarna Channel, said, “For this year we had a conscious strategy to strengthen our fiction offering and the response for our newly launched fiction shows has been exceptional. We have firmly established ourselves as a family entertainment channel.”

     

    He elaborated, “In the year 2012, the channel conquered the key genres including Kannadada Kotyadhipathi which is the leading non-fiction show of the year, Amrutavarshini as the leading fiction show of Karnataka and Hudugaru our premier movie was the highest rated movie of the year.”

     

    While the current season of KBC in Hindi has generated a lukewarm response, there has been no such concern for its Kannada counterpart. The channel has witnessed repeat interest from its advertisers.

     

    Anil Narang – Head Marketing & Strategy, Suvarna, commented, “We are very confident about the success of the show. Hindi is a different market and that cannot be compared to Karnataka. Also we are in the second season of the show unlike Hindi which is in its 6th Season. Moreover, we have not made any changes in the telecast schedule like Hindi where they have made it a weekend show.”

     

    Mr Narang said that for Kotyadhipathi, there is big expectation from both audience and advertisers. In fact this year it is learnt that the client is coming with a premium.

     

    “Having been able to prove its success to both the trade and audience, in its second inning the Kotyadhipathi is seeing interest from all brands associated in its first time to come back,” Chandrasekharan added.

     

    The claim is that post Kotyadhipathi, the market share of the brands associated grew. In fact,  Sunfeast which had limited itself to computer branding is now the title sponsor for season 2.

     

    The show has been the number one show in Karnataka and has generated revenues in excess of Rs 35-40 crore. The plan for this year is to have revenue generated in the vicinity of Rs 40-45 crore.

     

    The numbers shared by Suvarna points that 11.3 million people has consumed the show making it biggest in Karnataka. Chandrasekharan, said, “Kannadada Kotyadhipathi had made Suvarna the No.1 channel in Week day Prime time, this show also led to increase in sampling of Amrutavarshini which we launched immediately after KK at 21:30. KK  brought in new viewers not only to Suvarna but also to Kannada General Entertainment. We are very happy with the response for season 1 and the on ground buzz for season 2 is exceptional.”

     

    For this year again the premise will be that the show will continue to change peoples’ lives. The channel will bank on emotional connect just like last year but the change this year will be that each week the focus will be on one district of Karnataka showcasing its rich culture and tradition. The tagline for this season of Kotyadhipathi is “Questions that can change your life”

     

    Here’s a look at Kotyadhipathi Season 1 numbers

     

    • On an average has been the No# 1 show of Karnataka since its launch
    • Has an average TVR of 5.5 (CS 4+, Karnataka Market)
    • Has a cume reach of 11.3 million people
    • 81% of the Karnataka Television audience has seen the show
    • Has a slot share of 43%
    • Maximum weekly avg rating is 7.1 (CS 4+, Karnataka Market)

     

    The auditions this year has seen more than 50 percent increase than the last year for calls for registrations. The show which will run for 20 weeks will see spend close to 4-5 crore on marketing.
    While KBC may have not done much for other regional channels but surely it has helped Suvarna. Their smart and consistent programming strategy has helped the channel continue the rise in numbers post KBC thus able to sustain the high wave. Udaya TV which has been traditionally leader has seen much change in in numbers especially during KBC period. With KBC 2, Suvarna hopes to further consolidate its position and if the focus on programming continues especially because of Star Network’s strength the numbers will become more consistent and Suvarna can be ahead of Udaya TV. But content is the key to this success.

     

    Expert Talk

    Karthik Lakshminarayan

    Karthik Lakshminarayan, COO, Crest- Madison Media
    Suvarna is the leading channel in Karnataka and is propelled by KBC alone. The channel did well in terms of numbers during the time of KBC (see data).

    Their programming strategy is sound as of date and if executed well should see them emerge as clear leaders. The channel has taken the step in trying different things and this approach of being different while being risky is a sign of a leader and it should help differentiate them from the others.

     

     

     

     

     

     

     

     

    Anilkumar Sathiraju

    Anilkumar Sathiraju, AVP and Head South, DDB Mudra Group

    Suvarna has been doing well over the last few months. Yes KBC has done the trick for them, not only that, few serials are also doing quite well. Among female audiences for one of our brands, Suvarna ranks at No.2 which is good. With better programming am sure Suvarna will reach the number one position.

     

  • Aaj Tak launches on Cogeco Cable, Canada

    By A Correspondent

     

    Hindi news channel Aaj Tak, part of the TV Today network, has launched on Cogeco Cable Inc, a major Canadian cable telecommunications company that is supposed to be the second largest cable system operator in Ontario and Quebec in terms of Basic Cable service customers served.

     

    With this launch, Aaj Tak will now be accessible to viewers in Ontario, expanding Aaj Tak’s presence in the Ontario market. The channels will be sold in the following package- ATN + Zee Cinema + Big Magic + Aaj Tak + Headlines Today for $25 per month.

     

    Commenting on the launch, Ashish Bagga, CEO, India Today Group said, “It is a step in our endeavour to expand our presence in key markets across the globe. We want to be easily accessible to all our viewers worldwide at economical prices. Moreover, Cogeco is a perfect choice for broadcasting Aaj Tak in Ontario. Cogeco is a very capable group and they are doing an excellent work in Cable communications industry. We are hopeful this launch will strengthen and benefit both Aaj Tak and Cogeco.”

     

    Slava Levin CEO of Ethnic Channels Group, TV Today’s exclusive partner in Canada said, “Aaj Tak is one of India’s leading TV brands. This launch will help more viewers connect with the brand.”

     

  • Is our TV measurement future-ready?

     

    By Bipin Mundhwa and Amit Nevrekar

     

    TV audience measurement through the ‘peoplemeter’ is accepted as the most appropriate technique among others for measuring TV audiences. However, the capability of the peoplemeter (an electronic device) is completely dependent upon external factors such as continuous human intervention (Manual Inputs). Viewers need to press their respective button on the peoplemeter remote (as assigned to them) to let the system capture the data on who is viewing what. Which means it is safe to say that it does not automatically capture the viewers and their viewing patterns. It requires the viewer to keep in mind that they have to press the respective button every time they leave the room and enter the room.

     

    In an age, where people forget to turn off the switches while not occupying the room or even turn off the water taps after use, do you think people will remember religiously to switch on and off their respective people-meter remote button every time they enter and leave the room?

     

    There are high chances that the viewer may get interrupted by something and leave the TV room or for a while take an exit to do some other household activities without pressing the exit button. In such situations, the people-meter does not stop capturing the viewership of the audience, even though he/she is no longer viewing. What could be more erroneous than this?

     

    Jaldi 5 with Bipin Mundhwa & Amit Nevrekar: No one influenced us to write book
    Bipin Mundhwa

    01. It’s interesting that your book is published around the time when TAM is being needled by many stakeholders. In fact it’s also being sued. Is it just a coincidence or planned… given that you’ve highlighted the T, A and M in your book title ‘The Advertising Mess’?

    Frankly speaking, we had planned the date for our book launch much before the announcement of non-reporting of viewership data by TAM. The main objective of our book was to provide the necessary practical literature on The Audience Measurement systems in India. Over the years, we have seen different methodologies for the same medium in the same period resulting in different findings and thereby creating a Mess in media buying and planning.

     

    Amit Nevrekar

    02. Having worked with TAM as also with other media organizations, why is it that you didn’t raise some of the issues earlier?

    Working with TAM was always a pleasure. And we constantly discussed many improvements as part of our professional duty.

     

    There may be people who may say that you have written this at the behest of someone wanting to take on TAM?

    Firstly, we have not condemned a particular organization or criticized upfront. The book is about ‘bridging the gap for accountable MarCom’, where we have presented the ‘Bridge’ model which provides a unified B-Score across mediums in a single metric based on engagement levels, rather than inflated exposures. No one can influence us for taking such a mammoth effort whilst working, especially in a media agency, media house with hectic working hours. It’s only our self-inspiration and passion for our industry.

     

    03. Given that there will always be television channels who feel aggrieved by any ratings, there will be people who will raise objections against any measurement system?

    Every media professional subscribing to the respective measurement system’s data has the right to raise questions to understand and utilize the data in most logical and appropriate manner.

     

    04. You’ve touched upon corruption. And you say that with digitization, it could only increase?

    Yes, we have identified some loopholes in the system which can simplify corruption post digitization and needs to be addressed for robust data representation.

     

    05. One of the primary motives of the book is to talk about the ‘Bridge’ model that both you have developed. Have you had any discussions with BARC about it?

    The bridge model is purely developed by us. We haven’t had any discussions with BARC as an organization but we certainly had series of discussions with members of BARC, MRUC and other media veterans of the industry.

     

    In the current peoplemeter, if the TV is ON but none of the panel members have logged in the system (that is, pressed the peoplemeter button), then the peoplemeter would prompt for an input to register the viewing occasion for the respective panel member.

     

    But what if the panel member has logged in the system and is not present in the room. Is there any kind of validation thought about?

     

    However, today’s technological advancement allows us to make every impossible thing ‘possible’. There are Pyroelectric (“Passive”) InfraRed sensors that can detect whether a human has moved in or out of the sensors range. And undoubtedly, these are very inexpensive chips.

     

    Another such technology is used by Microsoft in their Xbox 360 game console, ‘Kinect”, which is a motion sensing input device capable of facial recognition along with full-body 3D motion capture. Which means if incorporated in the peoplemeter, will not only sense the individuals present in the room, but also identify if they are viewing the TV along with their engagement through facial expressions.

     

    Also, a very interesting point crops up, which ideally should have been raised by MarCom professionals. Bear with us as we elaborate.

     

    With the new Digital Video Recorder now commonly available along with most of the DTH providers, individuals have now got into the habit of not watching programmes live, but recording their programmes of choice and watching at their convenience.

     

    For example, if a working individual chooses to record a programme which was telecast from 4 – 5 pm, reaches home at 8 pm, and watches this recorded programme from 9 – 10 pm.

     

    ANOTHER PROGRAMME BEING TELECAST FROM 9 – 10 PM ON SOME OTHER CHANNEL IS ALSO RECORDED BY HIM AT THE SAME TIME TO VIEW AT A FUTURE TIME OF HIS CONVENIENCE.

     

    The critical point we are making is, most people with DVR facility have now got into the habit of recording almost all programmes they wish to view, and while viewing the recorded programmes, most of them would forward and skip all the ads.

     

    The question is, at 9 pm in the case of the above example, what will the peoplemeter capture as viewership?

     

    Will it capture the 4 – 5 pm show which is being watched between 9 – 10 pm or will it capture the 9 – 10 pm show which is being recorded for future viewing at the same time?

     

    And will the peoplemeter be able to gauge whether the ads have been skipped by the viewer while watching the recorded programme, which is bound to happen in most cases?

     

    BECAUSE THE 10-MIN AD BREAK CAN BE FORWARDED AND SKIPPED IN A MATTER OF FEW SECONDS..

     

    Thus this DVR facility has the potential of making the peoplemeter defunct and useless.

     

    Definitely, the currencies such as TAM should be keeping up with these advances in technology. We are very sure they have an answer for the questions we have raised above.

     

    BUT, we are also sure the industry and MarCom professionals would love to see a practical demonstration, if they claim that the people-meter can take care of these issues. Speaking is so much easier than doing.

     

    According to research paper published by Andrew Green (2010), the people-meter is only capable of capturing what is being displayed on the TV screen and not the actual behaviour of viewers.

     

    Very interestingly, TV broadcasting would be going digital in coming days. It has already gone digital in the four metro cities of India as on November 2012.

     

    In future, there could be options of pay v/s free channels, where the pay channel will have only programme content and no advertisements, similar to the current HD channels.

     

    DVR (Digital Video Recording) technology is also expected to dominate in the near future, which means there would be more flexible and enhanced TV viewership. This would also include storing of favourite TV programmes by viewers who would watch them at their convenience while skipping the commercial breaks.

     

    There is also an increasing trend of VOD (Video on Demand) in direct-to-home households. Would this mean lower viewership for repeat telecast of TV content? Because as the name suggests, VOD is TV content that can be viewed at anytime as per the convenience of the individual viewer. More sob stories for MarCom due to digitization.

     

    The new-age television viewership will include CAS (set top box), as well as others like DTH, DVR, IPTV/VOD, internet TV, TV programmes via YouTube and mobile TV. Conventional wisdom says that subscribers of these technologies will have vastly differing lifestyle habits. As we say, “necessity is the mother of all invention”. For the first time, the audience will be in the driver’s seat for choosing their option of technology of reception. So is the case with TV channels that they wish to subscribe to.

     

    Now, looking at the traditional TV measurement system, the viewership base will be determined by subscription packages, as now the option of choosing a specific channel is available to the viewer. In the recently phased-out analogue system in 4 metros, for a fixed monthly subscription fee, subscribers got access to ALL TV channels.

     

    This means the sampling frame for estimating TV viewership is based on the audience pool that recently had access to all the channels for a fixed subscription fee.

     

    Whereas, the new technology of digitalized reception will make the subscriber’s pool asymmetric for sampling. There are bright chances that the universe (the channels which an individual subscribes to), will fluctuate depending on basis of favourite channel/popular programmes/sports seasons or a new series, as people may change their channel subscription from time to time.

     

    For example, let’s consider a household which has recently switched to the DTH system from the old analogue system. Now this particular household has not subscribed to a particular GEC channel because they felt it was not worth paying an extra fee as they were casual viewers of only one programme on this channel, as against other GEC channels where they watched multiple programmes.

     

    Now after a couple of months, this household again decides to subscribe to that GEC channel they had abandoned because of a new programme of interest to them, along with a sports-pack for the upcoming IPL cricket season. Post the IPL season, they again unsubscribe the sports-pack.

     

    This means the channel’s universe has now changed beyond recognition. This will keep happening as now it will be directly related to pay for what you watch.

     

    In such situation of switching subscription plan from analogue to digital, peoplemeter may capture the audience movement from analogue to digital. However, within digital, the viewership for channels may fluctuate significantly (as these are sample surveys, where 1 panel member’s viewership is extrapolated to around 20,000 audience or more). This could result into vague and half-hearted understanding of channel viewership as practitioners would not know the reason for volatility in channel viewership i.e. Subscribed but NOT viewing OR Channel NOT subscribed.

     

    Until now in analogue mode, the same set of channels that a household with a people-meter had was also the same set of channels that all other households had, so the household with the people-meter was representative of all other households in the universe, at least as far as availability and access to channels went.

     

    But now, with households free to choose and reject individual channels, it is not necessary that a household which has a peoplemeter will have similar channels as other households in the universe.

     

    In fact there could be thousands of permutations and combinations of households with different sets of channels. So how would one judge whether the peoplemeters households are truly representative of the universe.

     

    Now with due respect to the existing people-meter technology for capturing TV viewership data, can we ask ourselves how geared up are we to take on the future challenges of capturing TV viewership data in light of the above mentioned technological advancement.

     

    The story does not end here. The real challenge is still to be explained by us. TV as a medium was largely an ‘at-home’ medium. However, TV as a medium is now becoming highly portable. How are we going to measure the audience on portable TV?

     

    For example, most of the working population may watch IPL out-of-home such as at office, at a common friend’s place, on their laptop, etc. On weekends they would also go to restaurants and pubs to watch the game in a social gathering and cheer for their favourite team. Their receptivity to the programme may be higher but it does not get covered as the people-meter is not capturing out-of-home viewership.

     

    This may influence viewership of popular sports seasons and they may get under-reported as compared to actual viewing figures.

     

    According to Horrell (2008), IPTV (Internet Protocol Television) could offer some encouraging answers to audience measurement such as real-time audience measurement through return-path-data technology from TV owning households itself. Moreover, it allows broadcasters to divide audiences based on socio-economic class, geographies and basic demographics. This would enable advertisers and media planners to showcase lifestyle, socio-economic class and geographic location based Ad streaming. One can avail the technology now as this is reality.

     

    One of the sophisticated devices according to Pellegrini, Pasquale and Purdye, Ken (2004), for measuring out-of-home TV viewership is Arbitron’s Portable People-Meter for capturing passive viewership data based on encoded audio signals, embedded in the TV programmes being watched. This pager-like device would have to be carried by selected individuals to enable this device to capture the encoded audio signals. However, it could prove to be misleading if the audio signals are being captured in the vicinity but the individual is actually not watching it. For example, in a coffee shop, the PPM may record TV viewership for an individual but the selected individual is engrossed elsewhere.

     

    What does all this mean for advertisers? How will they optimize their media investment?

     

    In totality, TV as a medium which even today is highly fragmented with 700+ channels will have very tough and challenging days ahead as far as measurement goes.

     

    ‘The Future is now, but Measurement is Yesterday’

     

    Extracted with permission from

    The Advertising Mess

    By Bipin Mundhwa and Amit Nevrekar

    Published by Sci-MO

    Price Rs 249, 139 pages

    www.theadvertisingmess.com