Tag: TAM Media Research

  • Hindi movie genre drops marginally as Max beats Zee Cinema in Week 24: TAM

    The gap between the top two channels has narrowed down further with Sony Max beating Zee Cinema to the top spot by just 4 GRPs, as per analysis done by the S-Group, the strategic consulting arm of TAM Media Research

     

     

    • Total TV as well as Hindi Movie Genre have dropped marginally in Wk 24, 2015 (7th – 13th June) with the share of the genre standing undisturbed at 19%, as compared to last week. A drop in Reach as well as Time Spent on the genre led to its decrease by 7 GRPs.

     

    • UTV Movies, which edged past &Pictures last week, has stuck on to the fourth position by a whisker. Other rankings remain unchanged.

    • The top 3 channels lost viewership during Prime-time, with only Star Gold managing to make up for it by increasing during off-prime, both the changes being minimal.

     

    • The movie channel premiere of ‘Khamoshiyan’ on Sony Max helped Saturday’s viewership. However, it didn’t compensate for the overall decrease.

     

    • Star Gold continues to rely on the Action genre. Last week, South Dubbed titles brought in viewership, while this week Salman Khan’s movies like ‘Jai Ho’, ‘Ready’, and ‘Bodyguard’ helped it sustain.

     

    • Z Cinema increased throughout the weekdays, but lost 7 GRPs during weekend prime-time due to lack of titles with TSV as high as that of ‘Lingaa’ last week. On the other hand, Drama movies came through for the channel and ‘Vivah’ scored a rating of 0.9 to help it gain viewership during rest-of-day-part.

     

    • Saturday did well for UTV Movies due to the premiere of ‘Ek Paheli Leela’ that garnered 4 GRPs. UTV Action, which had dropped last week, regained lost viewership owing to high Time Spent. ‘Journey to the West – Conquering the Demons’, aired during weekday prime-time was the top rated movie for the channel.

     

    • Top 3 movie airings for the week are as shown below:


  • Hindi movie channels more robust in Week 23 vis-a-vis pre-IPL weeks: TAM

    Relative to pre-IPL weeks, the genre finds itself on a stronger footing thanks to the work of high TSV, genre reach having seen a drop from 77% pre-IPL to 76% in Week 23, as per analysis done by the S-Group, the strategic consulting arm of TAM Media Research.

     

     

    :: With IPL completely out of the picture in Wk 23 – 2015 (31st May – 6th June), Hindi Movie Genre went down by 6% as compared to Wk 21.

     

    :: Top 6 channels of the genre have all been on an increasing trend; Movies OK emerging as the star performer being one of the three channels in the Top 6 to have increased their viewer base post-IPL. It breached the 40% Reach mark in Wk 14 (for the second time in 2015) and has stayed above that since then. The other two channels to have grown in terms of Reach are Sony Max and UTV Movies.

     

    :: Movies OK has seen its Reach and TSV growing hand-in-hand with each other over the past 10 weeks. There are a select group of titles that provide high ratings on a consistent basis, like ‘Kick’, ‘Jai Ho’, ‘The Real Jackpot’, ‘Singham’ series; all of these belonging to Action genre.

     

    :: Across editions, IPL hasn’t disturbed the movie genre in a major way. In fact, this year, the genre (comprising of 16 channels, excluding Sony Max) grew during IPL weeks and this growth has continued in Wk 23.

     

     

    :: In Wk 23 – 2015, gap between the genre leader and second ranked channel has dropped to 7 GRPs and the competition is expected to get fiercer in coming weeks. Other rankings remain the same.

     

    :: Z Cinema and Star Gold saw a rise during Prime-Time. Z Cinema got 20 of its 40 Prime-Time GRPs from the premiere and repeat airing of ‘Lingaa’. Star Gold aired Action movies during evening prime-time all seven days of the week and reaped benefits mainly from South Dubbed titles like ‘Jeene Nahi Doonga’ and ‘The Real Jackpot’.

     

    :: Growth of UTV Movies can be attributed to ‘Bhool Bhulaiya’ and ‘Khiladi 786’ during prime-time and ‘ABCD (Any Body Can Dance)’ during rest-of-day-part.

     

    :: Apart from Sony Max, UTV Action saw a high drop, decreasing during Prime-Time as well as Off-Prime. In Wk 18 ’15, the channel had ventured into the Action/Thriller space by introducing the dubbed version of ‘NCIS Los Angeles’ at 2000 Hrs. However, the slot viewership has more than halved since then.

     

    :: Weekend continues to rule the top rating list with ‘Lingaa’ and ‘Heropanti’ grossing the highest ratings.

     

     

  • Hindi movie channels shrinks a bit in Week 21: TAM

    The Hindi movie genre shrunk a bit in Week 21 of 2015 (May 17 to 23, 2015), as per analysis done by the S-Group, the strategic consulting arm of TAM Media Research

     

     

    :: In Wk 21 – 2015 (17th – 23rd May), Hindi Movie Genre shrunk by 3% as compared to Wk 20. This drop comes in the wake of IPL entering the play-offs week.

     

    :: While genre Reach has remained stable at 78.3%, it was a drop in Time Spent by Viewers by 10 Minutes that led to the decrease.

     

    :: However, this loss was only observed on Sony Max. The other two channels in the top 3, Star Gold and Z Cinema, benefited and crossed the 100 GRP mark, a first for Star Gold in 2015, which also managed to hold on to its second position in the genre.

     

     

    :: Total TV increased marginally and the movie genre obtained a share of 22%.

     

    :: Only &Pictures lost viewership in Wk 21, decreasing by 1 GRP. Other channels in the Top 6 held on to their viewership as well as their genre rankings.

     

    :: With only four days of the week seeing IPL-action, Sony MAX saw a drop during Prime-time as well as Off-Prime. The largest drop was observed on Saturday as it was IPL-free.

     

    :: Z Cinema and Star Gold, on the other hand, saw an increase across day-parts.

     

     

    :: While Star Gold raked in 19 GRPs through two airings of ‘Baby’ on Sunday and Saturday, Z Cinema relied on its consistent performers – ‘Ramaiya Vastavaiya’ and ‘Main Tera Hero’ to bring in 13 GRPs.

     

    :: ‘Baby’ on Star Gold was the highest rated movie of the week on the genre.

     

     

  • Hindi movie channels drop 5% in Week 18: TAM

    A loss in time spent causes the Hindi Movie Genre to drop 5 percent in Week 18 as compared to the previous week, as per S-Group, the strategic consulting arm of TAM Media Research

     

     

    :: Wk 18, 2015 saw Hindi Movie Genre dropping by 5% as compared to the previous week. While overall genre’s sampling remained at similar levels, it was the drop in Time Spent that led to the loss in viewership.

     

    :: This drop was driven by a drop in viewership of Sony MAX, which shed 50 GRPs in Wk 18.

    > Further, Z Cinema and UTV Action both dropped by 8%.
     
    > However, other channels of the genre increased significantly, especially Movies OK and &Pictures.

    > &Pictures gained primarily in Prime-Time, with movies like ‘Ramaiya Vastaviaya’ and ‘Main Tera Hero’ bringing in viewership.
    > On the other hand, Movies OK’s Non Prime-time day-part led to the hike, with ‘Kick’ garnering the second highest rating during Non Prime-Time across channels.
    > UTV Movies gained 20% viewership in its Prime-Time due to ‘Tevar’ which brought in 3.6 GRPs for the channel.
    :: ‘Hum Aapke Hain Kaun’ on Z Cinema was the highest rated movie of the week.


  • So who did the ‘keeda’ on BARC with the MIB?

     

    By Your Editor [updated]

    The issues with the information and broadcasting ministry have been resolved. According to a tweet by BARC CEO Partho Dasgupta, the data will be released at 3pm today.

    Some of those very people who would flock to the Ministry of Information and Broadcasting against TAM are now seeing their prized project BARC (short for Broadcast Audience Research Council) getting outwitted by the MIB.

    MxMIndia has had a simple, one-line view on this: The government must have no role in audience measurement.

    Not many moons ago, some of the private channels – the news channels specifically – would go to the Ministry of Information and Broadcasting asking for it to intervene on a variety of issues.

    At that time, many in the world were against TAM. NDTV took TAM and its parent to court. The allegation was that TAM’s measurement was flawed and there was corruption in the system. Or so it appeared because that’s precisely why some of the channels which the intelligentsia thought were superb didn’t score well on the ratings roster. The story is not dramatically different for some of the elite channels in the BARC regime.

    But this is not about the ratings of the English and assorted news channels. It’s about the role of the government in ratings and the tendency of channel-owners to go to Shastri Bhavan for all and sundry requests.

    Indulging the government is like playing with fire. Our government has enough dirt to clean as part of its Swachh Bharat campaign. Leave the dirt of the industry to the stakeholders themselves and to market forces.

    The government must step in only if players go out of hand or there is a cartel leading to unfair trade practices where the public suffers.

    In the case of print, where the players are benefactors of DAVP-issued advertising largesse, it looks away from readership survey imbroglios.

    For now, the industry must find who got someone in the ministry to point out a minor procedural flaw in the way things work. Frankly, with all the contacts that some of the BARC top deck has, this could’ve been taken care of.

    Perhaps they didn’t think much about it, and rightly so. The government has no business to get involved. And not even issue any advisories. There are enough checks and balances, and in a sense until TAM exists, there is no clear monopoly for BARC.

    Meanwhile, TAM has issued a statement: “For TAM Media Research, weekly TV Viewership  data release to the Industry will continue as normal. Pursuant to the interim order issued by the Hon’ble High Court of Delhi on Feb 12, 2014, 1.7(a), 1.7(d), 16.1 & 16.2 of impugned guidelines have been stayed till the disposal of the Writ Petition 494/2014 (Kantar Matter).”

    At the time of writing (10.15am), one learns that the Minister of State has been spoken with and he has promised to intervene. So BARC data will get released by the afternoon.

    So all those souls in media agencies and TV channel offices who came in early to the offices to do the analysis, our commiserations.

    Meanwhile, the BARC folks would do well to find out who did the ‘keeda’ to unearth the licence bogey. And ask its constituents not to flock to the mantrijis for all and sundry. Keep them at bay!

     

  • Hindi movie genre dips a wee bit in Week 17: TAM

    In Week 17 of 2015, the Hindi Movie Genre dropped by 1% as compared to the previous week, as per analysis conducted by S Group, the strategic consulting arm of TAM Media Research.

     

     

    :: In Wk 17 – 2015, Hindi Movie Genre dropped by 1% as compared to the previous week.

    :: Sony MAX maintained its viewership at 306 GRPs in Wk 17, more than 80% of which came from IPL matches.

    :: A further look into the performance of individual channels –

     

     

    > Z Cinema and Star Gold stood at 92 and 83 GRPs respectively, both channels having dropped marginally as compared to last week.

     

    > Movies OK and UTV Movies have remained undisturbed at an overall level.

     

    > At 17%, &Pictures witnessed the highest drop in Wk 17 which was driven by the drop in time spent as compared to last week. The channel lost 7 GRPs during weekend alone.

     

    > UTV Action was the biggest gainer at 11% hike. The channel was able to gain viewership in the IPL-driven day-part of 2100-2359 Hrs, mainly due to the telecast of ‘Avengers’ on Friday.

     

    :: With no premieres on the genre in Wk 17, ‘Happy New Year’ on Z Cinema was the highest rated movie of the week.

  • Zee is ahead of LifeOk in TAM’s Week 17 data for Households & Individuals

    TAM has released data for Week 17 (April 19 to 25) for CS Households and Individuals for HSM and All-India, offering a comparison between Week 17 and of the previous week (April 12-18). Take a look at the data below (and also at the data released by BARC India).

     

     

     

  • IPL8 is more than 40% more popular than IPL7: TAM data

     

    By Our Research Editor

     

    Here’s a confession: this makes news for more reasons than one. First, it’s info about the ongoing eighth edition of the Indian Premier League and how it’s doing in viewership. And, second, it’s data released by TAM.

     

    The status that we have given this news is thanks to the second. Remember, effective April 1, many leading stakeholders of the broadcast sector have unsubscribed from TAM’s TV viewership measurement service. This basically means that while some key television networks like Star, Zee, Network18 and MSM (Sony) have pulled out as also leading media agencies such as GroupM, IPG Mediabrands etc, TAM can continue its business.

     

    Some channels though are continuing to subscribe to TAM data, and TAM says it will continue to be in business.

     

    Note:  prominent among the unsubscribers of TAM data is GroupM, the media services conglomerate that is owned by WPP which in turn owns Kantar Media, the co-owner of TAM. In fact when we asked two GroupM honchos for their comments on the data via their PR agency, we were told GroupM will not comment on viewership data of TAM or BARC until April 30. (Aside: Is April 29 the date when BARC is launching its viewership data?)

     

    So if TAM is releasing the IPL viewership data, don’t be too surprised if it also releases its weekly channel data soon. And if continues to do so even after April 30 or from whenever BARC is gonna to release its viewership data, don’t be surprised if TAM continues to coexist and confuse things. Sigh.

     

    Remember our story on BARC buying over TAM which we later heard could also be in the form of TAM supplying all its data to BARC and adding it to its own.  We hear the talks happened since the story broke, but it’ll happen is what we understand (folks at Adgully who also ‘scooped’ the story, please note).

     

    So here is an interpretation on the IPL published along side this bit:

    :: 5 matches of IPL 8 were sampled by 105 million unique viewers
    :: Time Spent by Viewers per match was 51 Minutes and 44 Seconds; which is 22% more compared to IPL 7
    :: Avg. TVTs showed a growth of 43% for IPL 8 compared to IPL 7
    :: 5 matches of IPL 8 garnered 4.5% Avg.TVR which was 42% more compared to its previous edition
    :: 39% of the All India Universe tuned to watch IPL 8 matches

     

    All of this should obviously ring the right bells at the offices of Multi Screen Media, the owners of Sony Max and Sony Six (and Kix). The question is will they be able to quote these numbers officially to advertisers? Wink, wink.

     

     

  • TV ad vol grew 12% in 2013, print up 6%

     

    By A Correspondent

     

    Various adspend numbers are already out as has the data come in from FICCI-KPMG.

     

    While there has been a lot of text in various studies, let the hard numbers do the talking. This is courtesy of TAM Media Research whose AdEx India division painstakingly computes data for ad volumes for the television and print sectors, amongst others.

     

    Note: the analysis is based on ad duration in seconds for television and CCMs for print.

     

    So here are the top findings in near-140 characters.

     

    1. The TV Ad Volume grew by 12 percent in 2013 vis-a-vis 10 percent in 2012.

     

    2. In TV ads, the Biscuits and Fairness creams categories are out from the Top 10. Among advertisers on TV: Samsung and Marico out, Bharti Airtel is back and L’oreal is in

     

    3. The Print Ad volume grew 6 percent in 2013 vis-a-vis 9 percent in 2012.

     

    4. In Print ads, the B2C and online shopping category is out. OTC Products range and Cellular Phones and Smartphones are the two new product categories in the Top 10. In the list of advertisers, very interestingly, SBS Biotech the #1 was #9 last year, HUL was #8 last year… it’s #3 now.

     

    5. Last year’s report can be accessed at: http://www.mxmindia.com/2013/02/tam-adex-2012-tv-volumes-up-10-print-up-9/

     

     

     

    Source : TAM AdEx

    Medium : TV & Print

    Period : Jan – Dec 2012 & 2013

    Note: Analysis is based on Ad Volume in Seconds for TV and CCMs for Print

     

  • Recording-breaking ratings for Chennai Express helps Zee create Diwali ‘dhamaka’ in GEC-land

    By A Correspondent

     

    It’s news like these that gladden our hearts. Zee TV which has been yoyo-ing between #2 and #3 slots shot to the numero uno slot on the back of Shah Rukh Khan’s Chennai Express scoring a record 19541 TVTs and the evergreen DID Season 4 premiere netting 6075 TVTs. This has propelled the channel to the No.1 position with 505442 GVTs.

     

    Channel Week 43 GVTs in ‘000s (Week 42 GVTs)
    Zee TV 505442 (409304)
    Star Plus 492849 (517048)
    Colors 423584 (384496)
    Life OK 334635 (316904)
    Sab 331674 (319214)
    Sony 281638 (292327)
    Information: TAM Media Research, TG: CS 4+, Market HSM, Period: Wk 43. Source: Trade

    The blockbuster starring Shah Rukh and Deepika Pudokone, Chennai Express has not only broken all box office collections at its theatrical release but has also broken all movie television premiere records across GECs on Indian Television and become the biggest grosser in terms of ratings, notes a communiqué from the channel. It may be noted that the specific ratings numbers are not sourced from TAM, but from independent and reliable sources.

     

    Genre

    Channel

    Date

    Days

    Programme

    TVTs

    Movies

    Sony

    25-Jul-10

    Sun

    3 IDIOTS

    13997

    Star Gold

    12-Nov-11

    Sat

    BODYGUARD

    14766

    Colors

    28-Nov-10

    Sun

    DABANGG

    11818

    Star Gold

    10-Sep-11

    Sat

    SINGHAM

    12798

    Zee TV

    20-Oct-13

    Sun

    CHENNAI EXPRESS

    19541

    SONY MAX

    28-Jul-13

    Sun

    AASHIQUI 2

    10952

    Information: TAM Media Research, TG: CS 4+, Market HSM, Period: Wk 43. Source: Trade

     

  • Let the (ratings) games re-begin!

     

    By A Correspondent

     

    After a brief two-month hiatus, the broadcast industry will be waiting with bated breath to lay their hands on the viewership data that will be released by TAM tomorrow – that is, December 19 2012. The day will be of utmost importance in the broadcasting fraternity as it marks the release of data post the digitization drive that transpired across four major metros and also for the fact that the industry expects new trends to emerge, something that was amiss when the analog world was largely in operation until October 31, 2012.

     

    Just to recap, TAM had stopped issuing ratings to the industry citing deferment. In wake of the phase-wise DAS implementation that was scheduled to take place across the four metros, the custodians of TAM Media Research – Advertisers (ISA), Media Agencies (AAAI) and TV Broadcasters (IBF) – had arrived at a joint consensus on the need to temporarily defer TAM TV Viewing data release for the All India market for a period of 9 Weeks starting Week 41 (October 7, 2012, Sunday) and ending Week 49 (December 8, 2012). This deferred data will now be released on December 19, 2012 along with data for Week 50 (December 9-15, 2012).

     

    LV Krishnan

    At a press conference last week, LV Krishnan, CEO, TAM Media, highlighted the progress that had been made so far post the switch to digitization by the four metros and what were the immediate trends that were showing up in the new universe. What was heartening to note was that most analog homes in Mumbai and Delhi had made the imperative switch to digital with Mumbai recording a 93 per cent conversion rate compared to Delhi that recorded an impressive 97 per cent. On the other hand, Kolkata witnessed only 70 per cent conversion from C&S homes to digital while Chennai recorded more abysmal figure of just 26 per cent homes that had moved on to digital.

     

    Emphasising on the new rating mechanism, Krishnan said that as per the advice of the CIC committee, TAM will not report homes in the DAS area that are not digital. This will lead to the universe also shrinking correspondingly. Thus while analogue data from Mumbai, Delhi and Kolkata will not be released, an exception will be made for Chennai where it will continue to report analogue data given the low conversion rate observed there. Krishnan added here that the Urban Agglomeration or non-municipal corporation areas in Mumbai that consist of Navi Mumbai, Thane, Dombivli, Kalyan etc will continue to release analog data as they would be liable for conversion when the second phase kicks in. Thus, going forward, the data that would be released will be reported at breaks of C&S 4+, NCS (Terrestrial), C&S Digital 4+ and C&S Analogue 4+ (for non-DAS areas).

     

    Among the few trends that were observed as a result of the digitization drive, Krishnan pointed out the move had been a boon for niche genres like English and kids entertainment that witnessed a spike in viewership (time spent) during this phase. He noted that about 60 percent of channels with a pre-DAS share between 0 and 0.5% gain in share had witnessed a 4 percent net share gain post digitization. This was not the case for larger market share channels that witnessed a slight reduction in the net share gain.

     

    In order to facilitate the ever-expanding universe size, TAM has said that it would be increasing its sample size by about 400 peoplemeter boxes in the Mumbai and Delhi markets starting from the first quarter of 2013. It has also decided to add another 250 peoplemeter boxes to centres such as Chennai, Hyderabad, Bangalore and Kolkata.

     

    While all systems are set for the December 19, 2012 release Krishnan stated that with digitization having set in it was important to be cautious when analysing data in this phase like for example taking averages, looking at trends, not cutting data too fine such as a particular half hour on a particular day, ensuring that sample sizes are sufficient etc. Asserting his gameplan for the future, Krishnan said that for Phase 2, TAM seeks to carry-forward the learnings and continue working with the committee to make it conducive and resourceful for the broadcast environment.

     

    MxMIndia spoke to a few members from the broadcast fraternity to see if not having data for two months made any difference to their survival and what would be their expectations from the new ratings that get released from December 19, 2012.

     

    Ajay Bhalwankar, Head- Content – Hindi GECs, ZEE

    “There is a myth about every Wednesday morning being a scary one….You won’t find us running helter-skelter every Wednesday. Ratings tell you what has been liked and what has not been liked but not what has to be done! So they are just a reference point. We have an internal meter which we follow to check whether our shows are creating magic or not. Initiatives on digital and social media brought us closer to our audiences. This internal judgement is important. I started my career in the ’90s and we had no ratings then for nearly eight years. So, ratings do not bother me.”

     

    Anand Chakravarthy, Business Head, BIG CBS Networks

    “Our issue with TAM has always been that the English entertainment genre has never been well represented. The fact is that the English entertainment speaking audiences are never fairly represented in the sample, due to which the data released is not quite comprehensive. As a network, we have never depended on numbers to sell; we’ve always talked about the quality of content and the quality of our offering which has been our strength. In fact we have always maintained that TAM data is not a yardstick for niche channels like the English entertainment channels because the sample size of TAM does not represent this audience well.

     

    Even with digitization happening, the question, is how well will the new sample represent households that watch English entertainment channels? There could be some amount of movement of market shares between genres as we know that some parts of metros are still not disconnected completely. Therefore the universe size may reduce in some markets that will lead to change in ratings from the larger genres to possibly the smaller genres. But the fundamental issue, does the TAM ratings represent the English entertainment genre well enough and does it have the right sample size and profile of people, the answer to that is no. It will continue to be a problem unless it is addressed very clearly and head-on. That’s an issue that needs to be addressed very quickly. We are working with TAM to see how we can better evolve the system so that the English entertainment space is represented well enough.”

     

    Nina Elavia Jaipuria, EVP & Biz Head – Sonic & Nickelodeon India

    “What happened was for the good of the industry because it was required that everybody come to a consensus and see that the data is sanitised thanks to the changing environment and that it would give us a better understanding of phase 2. So while life was disrupted for about 8 weeks, it was all for a good cause. But having said that, I also believe that TAM is the only currency that exists in this industry and therefore we did miss its release to some extent. But it was a minor hurdle and nothing major so as to change our lives drastically.

     

    As for the release of data once again from tomorrow, we have to see what the new TAM has in store for the industry. They must be having their hands full as of now but then there is a committee which is looking to sanitize data that gets released. With the digitization numbers already pouring in, we are eager to see the kind of trends that the kids entertainment genre has managed to throw up. I see content and marketing playing important roles as they will drive viewership to the genre. So I would wait to see what TAM has to offer and take that lesson to phase 2 of digitization. I am sure that TAM will keep themselves abreast of the sample size and formation based on the manner in which digitization gains acceptance. So the universe will also move accordingly and I am sure that TAM would have taken into account that factor. Whether it is SEC fragmentation or it is the universe movement, TAM surely would have taken all these things into account. Also, digitization will only help the industry in terms of it becoming more transparent and more measurable and the fact that the niche genres will have a better chance to survive.

     

    Also, it will become an environment where the reliance on ad-sales will witness a drop. It will not vanish completely but we will see more reliance on subscription, which will be a good thing. All this won’t happen overnight as only 4 metros have been included in phase 1, which will move to 38 other cities in phase 2 that will take another 4-6 months. But in the end the country will be digitized for good.

     

    From a qualitative perspective, we would like to see different slicing of data especially from a demographic and psychographic perspective in the kids’ genre. Traditionally we have been doing 4-14 yrs which is sliced 4-9 and 10-14 yrs and the more we look at kids today and the fact that they are becoming more dynamic today, there is a need to relook at the slicing by TAM.

     

    Ajay Trigunayat, CEO, English Entertainment Channels, Times Television Network

    We are of the view that it’s difficult to capture rapid macro-transitional changes:

     

    1. Analog >> Digital migration

    2. Panel Updation

    3. Change in SEC definition

     

    We certainly understand it’s a challenge to condense this transitional period but we are hopeful TAM will accurately reflect these changes soon.