Tag: Sameer Nair

  • ALT Balaji ropes in Manav Sethi as Chief Marketing Officer

     

     

    ALT Balaji has roped in marketing veteran Manav Sethi as its Chief Marketing Officer. Sethi will be overseeing the company’s entire communications strategy in India and international markets.

     

    Said Sameer Nair, Group CEO, Balaji Telefilms: “Manav is ideally suited to support the vision we’re working towards at ALT Balaji. We are looking forward to harnessing his experience and expertise as we launch, grow and expand our footing. Manav’s role will cover a wide array of activities including Marketing and Communications, and we look forward to his leadership in shaping our journey”

     

    “We are delighted to add such an experienced resource to the ALT Balaji family. Manav not only comes with a vast experience in the field but also will add a new layer and dynamism to the team, we think. I’m sure he will only complement to our venture of creating a solid and valuable brand”, added Nachiket Pantvaidya, CEO, ALT Balaji.

     

    Commented Sethi: “It’s an exciting time in the digital space and to be a part of a company since its launch always adds to the excitement. I’m looking forward to playing a part in this journey towards making ALT Balaji one of India’s leading brands”

     

  • Alt Digital Media appoints Ekalavya Bhattacharya as the Chief Strategy Officer

    By A Correspondent

     

    Ekalavya Bhattacharya

    ALT Digital Media Entertainment Ltd. (ALT Digital), a wholly owned subsidiary of Balaji Telefilms Ltd., announced the appointment of Ekalavya Bhattacharya as the Chief Strategy Officer.ALT Digital reflects the BalajiGroup’s strategic intent to extend their creative expertise to develop on-demand, original, edgy andcontemporary content for global audiences to consume on digital platforms.

     

    Ekalavya will work closely with the leadership team todefine the corporate strategy for ensuring wider acceptability and success of ALT’s digital initiatives.

     

    Ekalavya joins ALT Digital from Viacom18 Media Private Ltd. where he was the AVP and Head – Digital, MTV India. Responsible for expanding the digital footprint of MTV India, Ekalavya’sstint at Viacom 18 saw him develop and execute strategies related to product, content, mobile, technology and marketing amongst other things. Ekalavya brings with him more than a decade of experience in the digital space and is well-versed with the country’s digital landscape. He has previously worked at other reputed digital firms like Zapak.com, Contests2Win.com, WAT Consult and PaGaLGuY.com.

     

    Commenting on his appointment, Sameer Nair, Group Chief Executive Officer, Balaji Telefilms Ltd. said, “Ekalavya comes with very strong pedigree having done some amazing work at MTV in building their digital business. We believe his disruptive attitude and business smarts are a wonderful addition to the eclectic diversity in the fast growing ALT Digital Team.”

     

    Nachiket Pantvaidya, CEO, ALT Digital Media Entertainment Ltd. said,“We welcome Ekalavya to ALT – his experience and diverse skill sets will help us formulate and drive our strategy across our business operations. He will enrich the already strong team at ALT as we prepare to launch our service in India and globally.”

     

  • Balaji Telefilms hands over sales mandate of Box Cricket League to Aidem Ventures

    By A Correspondent

     

    Aidem Ventures has acquired ad sales duties of a celebrity cricket show titled Box Cricket League. This reality show is a joint venture between Balaji Telefilms & Marinating Films.

     

    Box Cricket League is an on-ground property with a unique blend of sports, celebrities & entertainment. It is the only reality show that brings the concept of cricket being played in an indoor format. The top 200 television actors & actresses have been roped in, making it a star-studded battle of equals. Besides the game of cricket, Box Cricket League also promises its viewers with a line-up of dance performances, high-end drama, team-wise strategy sessions, on-field tasks etc.

     

    Sameer Nair

    Confirming the news, Sameer Nair, Group CEO, Balaji Telefilms said, “The networking strength & the rich experience that Aidem has garnered over the years is what sought our attention. We are confident about Aidem’s ability to understand the needs of the brands, living up to the advertisers’ expectation which is vital for our content. Hence, we are looking forward to a prolific business relationship going ahead.”

     

    Vikas Khanchandani

    Vikas Khanchandani, Co-founder & Director, Aidem Ventures added, “Box Cricket League as a concept is exceptional, innovative & untouched in the history of Indian Television. We are not looking at it as a challenge but an exciting task of evangelizing the market about their beneficial association with a unique content like this. Also, Aidem Ventures has been successful in not just selling space but revolutionizing the perception of advertising. I believe Balaji Telefilms’ association with Aidem Ventures will establish an advertising platform of huge success.”

     

    Box Cricket League will air its second season on India’s leading Hindi GEC, Colors & Colors HD from Feb 28th 2016. The show will be telecasted on Saturdays & Sundays, 4.30 – 6.30 pm, with a repeat telecast on Rishtey.

     

  • Ad Club’s Media Review sets its date with members

    By A Correspondent

     

    The Advertising Club’s Media Review has been a hit with the members over the years. It started out with a solo speaker presenting his perspective and the luminaries that did the event as sole presenters included Sam Balsara, Sameer Nair and Subhash Chandraji.

     

    Later the format was tweaked and presented as a panel discussion. Some of the luminaries who were panelists included Nandini Dias, Pratap Bose, Punitha Arumugam, R. Gowthaman, Farokh Balsara etc. This year the event will have three experts presenting for 30 minutes each followed by a QnA session with the audience.

     

    Discovery Communications India has come on board as Presenting Sponsor whereas PepsiCo India Holdings Private Limited will be the Associate Sponsor.

     

  • Mediaah!: How underdog Colors won the great GEC battle

    By Pradyuman Maheshwari

     

    Having tracked the journey of both Television 18 and Viacom from their early days (in India in the case of Viacom), there was much desire to see both groups succeed.

     

    But I thought they were being too ambitious to launch a Hindi GEC in 2008. The market was already very crowded and with the whizkids of broadcasting Peter Mukerjea and Sameer Nair also in the fray, the sentiment then was that it was going to be well-nigh impossible for any new channel to be a success.

     

    I was sure the Network 18 team wouldn’t get it right. They had had success with CNN-IBN but entertainment wasn’t like news. Good content doesn’t necessarily maketh a GEC.

     

    The idea of getting Ashvini Yardi (who had earned her stars as programming head at Zee) was a great one. But could CEO Rajesh Kamat and she be able to match the maharathis and former Star India CEOs Peter and Sameer?

     

    I think what changed my outlook to the channel’s launch was the news that Akshay Kumar was signed to do a Fear Factor. The folks meant business and Akshay was then the reigning king of Bollywood. Plus the team was young, friendlier (than the others) and indulged us in the media.

     

    A week before the launch, most of us had wanted Colors to succeed. Even advertisers and media agencies longed for a worthy alternative to the existing slew of channels. And after the ratings for the first two weeks came in, we were sure the channel was a winner.

     

    Even then there were naysayers telling us that the magic would fade away. Regrettably for them, it didn’t. Soon Colors dethroned Star Plus as the numero uno Hindi GEC.

     

    I remember writing then that it was complacency that had seen Star Plus go down, a comment that didn’t work very well with some people internally and of course the biggies in the business. But a year-odd later, when I spoke to Star India CEO Uday Shankar, he admitted that the channel getting complacent. I asked him just to let people know that my earlier statement was based on some digging in, and not speculation.

     

    **

     

    My first major interaction with Rajesh Kamat happened only when I had this interview on the first anniversary of the channel in Impact magazine. It was an extra-long 6000-word interview. Rajesh had then told me how it helped being an underdog. “It made us focus on our own efforts. Also what happens is when you’ re an underdog, you push yourself to give 200%.” He mentioned how he learnt several tricks of the trade from Sameer Nair, and knowing that the former Star India CEO would’ve tracked the rise and rise of the channels, we invited him to do an appraisal for this fifth anniv package.  The Impact interview isn’t on the Net, but I found a Word version on my Gmail archives. Inbox me if you want a copy.

     

    ***

     

    In many ways, the launch of Colors also marks a little over five years I have spent in the M&E media. I can’t claim the same kind of success that the channel has achieved, but, yes, the ability and desire to try and do stuff that has not been done before is there.

     

    Here’s to many, many more colourful years for Raj Nayak and Team Colors (and the folks at Network/TV 18, Viacom and Viacom 18)!

     

  • Sameer Nair: Had it not been for the global recession, Colors would’ve been a billion dollar channel!

    One of the finest minds in Indian broadcasting, Sameer Nair was former COO/CEO of Star, and founder-CEO of Imagine (aka NDTV Imagine) that started exactly six months before Colors did and shut down in a little more than five years of its existence. We asked Mr Nair to give us his perspective on the Colors journey and achievements. His views have much meaning because he has worked closely with both CEOs that Colors has had so far – Rajesh Kamat and now Raj Nayak, and knows a lot more than others on what makes for an entertainment channel’s success and failure.

     

    On the launch and growth of the channel:

    When Colors was launched I guess it had the advantage of coming with very little expectations. Both the channels that had launched before it – 9X and Imagine – had come with all the hype and hoopla of their founders’ ‘awesome’ track records and they were expected to deliver the goods. In that context, Colors had a relatively unknown and untested team.

     

    It was the remarkable combo of Haresh Chawla, Rajesh Kamat and Ashvini Yardi who worked together, studied the examples of 9X and Imagine – and decided what to do and more importantly, what not to do. They put serious money behind distribution, marketing, content… they went for broke, so to say. Everything fell into place remarkably. Their combination of shows – Bigg Boss, Fear Factor and Balika Vadhu worked wonders for them.

     

    Now, both Bigg Boss and Fear Factor were on Sony the previous years, but Colors made them bigger, better and brighter. In GECs, you need a soap to make the connect and that happened with Balika. Balika Vadhu was the one show that needed to work and it did.

     

    In a manner of speaking, they did what we had done at Star in 2000 with the KBC-Kyunki-Kahani combination. That’s the way it works: once you find favour with audiences, it sort of multiplies and magnifies itself…a halo effect if you will. And once Colors achieved that, it never looked back. Very quickly it went to 100 rating points and then 200 and a few months later, it actually dislodged Star Plus from its eight-year hegemony.

     

    Nothing succeeds like success. And the ‘awesome threesome’ took full advantage of that. We could see from the outside that they always had their foot on the accelerator. They really went for it and kept on adding to their repertoire. Colors stayed No 1 for a while and continued to spend the money.

     

    Putting the Colors success in perspective:

    In any marketplace, there will always be the established players and then the new entrants who try and gain market-share and mindshare. It’s never easy to dislodge the leader – for television, audience inertia is a huge factor – but the leader also knows that it can’t go on forever. The question was – what would trigger the change?

     

    First 9X and then Imagine failed to rock Star’s boat; but the Colors performance was unique and outstanding. It deserved every success it got. Meanwhile, the market got a lot more competitive. Star Plus responded very quickly I would say, regained its No 1 ranking and now, pretty much has a stranglehold on the whole game. I think Star’s strong comeback was very commendable in the circumstances.

     

    And then the second phase:

    There was a change of guard of sorts. First Rajesh left, then Haresh and then Ashvini, all in quick succession. Around this time Raj Nayak joined as CEO. The company also got larger. In the first phase, it was essentially Colors. Now it became an integral part of the Viacom Group. The successful first phase also resulted in the transaction with Reliance and now we have a bigger, corporatized structure – but still nimble-footed and competitive enough to remain Star’s key challenger.

     

    My favourite Colors show over the last 5 years:

    I have never been a regular viewer of Balika Vadhu. I like a lot of their non-fiction shows. I liked Bigg Boss and Fear Factor. Much earlier we had done a Jhalak variation on Star One as Nach Baliye, so that’s something I watch. Now I look forward to 24. But more than any one particular program, you need to do a lot of exciting programming and then strive-hope-pray for that lucky break. I think Colors did that very, very well and when they saw an opportunity, they didn’t hesitate to grab it.

     

    Anything the channel could’ve done differently in the five years:

    Nothing at all! As they say, why fix it when it ain’t broke! A few  ups and downs will always happen between No 1 and 2 and it was too much to expect that Star, the lord and master of Indian Broadcasting for 8 long years, would take things lying down, roll over and play dead. Star is a much bigger, much wealthier company led by a lot of excellent professionals and it did the right thing by dragging Colors into that expensive fight. I don’t think Colors could’ve done anything differently. The lucky break was striking the right programming mix. A sort of unlucky break was the global recession. I felt bad for them at the time, because their incredible success was not valued enough by the depressed market. Had the Colors success story happened in 2007, it would’ve been a billion dollar company. And then, we would be writing a pretty different story!

     

    Colors five years hence… in 2018:

    I don’t see Colors as a single channel any more. It’s a huge media organization with broadcast and distribution interests. It’s a JV between India’s largest company and US giant Viacom, so obviously it is driven by ambition and great money to back it. It’s difficult to say that in five years from now, Colors will be No 1 or 2 or 3… and I don’t think that’s the correct way to look at things. Colors has made Viacom 18 a major player on India’s broadcasting stage. Of course Viacom 18 is not just Colors just as Star was never just Star Plus; though for a while between 2000-03, it was often perceived that way on the outside.

     

  • So why did Turner stop Imagine(ing)?

     

    By Team MxMIndia

     

    Just when the Hindi general entertainment space was getting interesting with the top 3-4 players all coming within sneezing distance of each other in the numbers game, the industry was jolted by news of the closure of Imagine, which given its pedigree, was launched with much fanfare not many moons ago. From shock to sadness and even rage (at least on the social media) admirers and naysayers were seen on an overdrive trying to piece the chain of events that had led to the downfall of the channel that was seeing red for some time now.

     

    This was in stark contrast to the kind of emotions that were flying thick and fast exactly a year ago, when Turner General Entertainment was merged into its parent company Turner Broadcasting System Asia Pacific, Inc. The emotions then were almost similar to what the channel heads were going through when they flagged off the channel more than four years ago, making it one of the most loud and admirable launches of the time. While anticipation and expectations were riding high on the faces of each and every member of the team at launch, the same was the scenario during the merger exercise last year as the company was probably taking a last shot in reviving the fortunes of the network to see themselves battle against the competent lot at the top. But all that was not to be as tribes from the world of media and outside woke up to the news of the channel shutting down yesterday.

     

    Siddharth Jain

    Replying to questions put forth by MxM India (read interview),  Siddharth Jain, Managing Director- South Asia, Turner International India Private Limited put it out right and straight as he said: “This is a carefully considered business decision based on performance of the channel. We invested substantially and put all possible resources behind Imagine TV throughout. As in any other business, the investments were directly linked to reaching a certain performance benchmark. However, in the two years Imagine did not grow or perform as per expectations and as a result, Turner made the carefully-considered decision to cease operations of the channel.”

     

    Mr Jain is probably being modest in quoting that the channel did not perform as per expectations in the past two years, but the writing was on the wall in the first three months of 2011 itself, when the channel failed to get the viewers and advertisers excited with its most expensive property that cost the company in excess of Rs50 crore to produce. ‘Zor ka Jhatka’, hosted by Shah Rukh Khan, failed to get the desired ratings and didn’t do much to push the channel in the top league as was expected. In fact, in an interaction with the media before the show went live, an exuberant Sameer Nair had vouched that the show along with a few others would catapult Imagine among the top 3 in the Hindi GEC space. Wishful as he was, that was not to be. Its failure forced the thinktank at Turner to come up with steps to plug the loopholes, even if it meant changing its course altogether.

     

    Sameer Nair

    Thus in April 2011, Turner announced the merger of Turner General Entertainment into its parent company Turner Broadcasting System Asia Pacific, Inc. This was followed by the formation of a special committee comprising various Turner officials such as Monica Tata and others along with officials from Turner General Entertainment Network including Sameer Nair and Harsh Rohatgi with the intention of charting out a long-term course for the channel. This move was even vindicated by Steve Marcopoto, President, Turner Broadcasting System Asia Pacific (TBSAP), who went on to explain the need for such a proposal, which was to assess its performance and chart a long-term course for Imagine. But just when the merger was announced, Sameer Nair did the unthinkable by announcing his decision to exit the company.

     

    In an interaction with MxMIndia Editor-at-Large Anil Thakraney, Sameer Nair was quite upfront about the reason for his decision to move on: “I was used to operating independently. After Turner took over, one had to integrate into the Turner system. And this made me just a department head. And so I left.”

     

    Expressing concern towards the chain of events that led to the closure of the channel he said, “I am quite shocked and disappointed to hear that they’ve decided to shut the channel down. They (Turner) seemed to be quite gung ho about Imagine, and I thought they were going full steam ahead. There is a lot of investment and a number of jobs at stake.”

     

    Mr Nair’s exit from Imagine was followed by a few other key exits and the network’s failure to find a suitable replacement. Even attempts to vow the audiences by launching a slew of reality and mythological shows didn’t do much for the channel as it still figured in the #6/7 slot amongst its peers in the space.

     

    In fact, even as recently as 2-3 months ago, the channel was going all out with its promotional activities as it announced the launch of new shows. But that too has been brought to a halt as Mr Jain explained: “We cease all business operations of Imagine TV. The closure is a complicated process as we are ensuring fulfillment of all our business commitments to advertisers, distributors, production houses and other partners.”

     

    The news came as a rude shock to producers, some of whom were in the midst of production schedule (see story: Rude Shock for Producers & Performers). Rajan Shahi who had launched ‘Jamuna Paar’ on Imagine just a little over a month ago, refused to comment on it saying “it would be too premature”. Other producers like Siddharth Tewary, the Sagars who had ‘Chandragupta Maurya’ and ‘Dwarkadheesh’ aired during primetime were incommunicado as they grappled with the sudden turn of events.

     

    JD Majethia

    JD Majethia who had launched two shows, ‘Jassuben Jayantilal Ki Joint Family’ and ‘Ek Packet Umeed’ four years ago said: “It’s sad and shocking. It was a channel which with the entry of Vikas Behl at the helm of things looked poised for bigger things, a turnaround but that was not to be. It’s a huge setback for producers and for those who work on a per day basis. A daily show means a minimum of 100 people associated with it in various capacities and with Imagine closing down, it spells doom for them. All that talent and labour goes down the drain. It’s a loss of about Rs200 crores worth of yearly business for Imagine and the industry on the whole.”

     

    Veteran producer Dheeraj Kumar of Creative Eye Productions said: “It was an overnight decision but it could have been done a bit smoothly. I am hopeful that Turner with its huge umbrella of channels would give us a chance of providing content to them. I am optimistic.”

     

    Programming propaganda

    Ever the one to influence viewers and attract the attention of the advertisers too, content was one of the biggest setbacks for the channel, going by the buzz emanating from experts. While the start for the Imagine was glorious, as it did manage to attract sizeable channel share (see chart below) and even break into the 150+ GRP mark at some point, it was an experience that was shortlived. The maximum channel share that the channel attained was 8.5 in H2 2009.

     

    Source: TAM Media Research / TG: CS 4+ yrs / Market: HSM / Period: H1 (Jan-Jun) & H2 (Jul-Dec) 2008, 2009, 2010, 2011 till April 7, 2012

     

    Mohit Joshi
    Divya Radhakrishnan
    Karthik Lakshminarayan
    Pankaj Krishna

    Explaining the implications, Mohit Joshi, Managing Director, MPG said, “The General Entertainment domain is very competitive and each channel is constantly improving content and production. The viewer has many options today and hence has become more ruthless with the channel choice. In spite of a great start, Imagine lost it mid-way. In an attempt to gain viewership and numbers, it resorted to telecasting shows like Rakhi Ka Swayamvar, Rakhi Ka Insaaf and so on. Though these shows could have given a short-term boost in numbers, in the long run, viewers didn’t find the content appealing enough. Also these shows dented the channel image by giving it a ‘sleazy’ tag – which is not acceptable in the GEC domain.”

     

    Divya Radhakrishnan, Founder, Helios Media, said, “GEC is a highly competitive segment and the cost of running a GEC is very high. Imagine had reached a level of stagnation especially in the last six months, however shutting down was not expected.”

     

    Karthik Lakshminarayan, COO, Crest, said: “Imagine had the brand heritage of NDTV and Turner. I think it was sheer bad luck that they eluded that one show which could give them success like Kyunki did for Star, Saat Phere did for Zee, Ballika Vadhu for Colors and Bade Acche Lagte Hain is doing now for Sony. For a GEC to break even it takes 4-5 years so one needs to stay invested for a long period to see the returns, hence the move is a surprise.” In fact, he has a surprising statement to make: “Their overnight decision has caught us unawares and our media plan needs a quick revision. We had spots to go on air on the channel as we talk. I think now those spots are up for grabs and may the best player win.”

     

    Blame customer pull, not distribution!

    There are primarily two ways of impacting Channel Trials – namely Consumer Pull led by content affinity, and Broadcaster Push led by Distribution initiatives, explains Mr Pankaj Krishna, Founder and Managing Director, Chrome Data Analytics & Media (see Analysis: How Imagine lost due to consumer pull, not distribution. “Going by Chrome OTS numbers (Opportunity To See – percentage of households that have access to a channel) – Imagine TV has clearly been in the league of the top GECs with an OTS of 95% across HSM.”

     

    According to Mr Krishna, “consumer pull clubbed with Strategic Distribution Planning has a huge impact on the overall performance of a channel”. “Over the years, Imagine lost out on factors contributing to the former.”

     

    Staff shocked

    It was Terrible Thursday for the staff at Imagine. They had no clue of the closure, even as they had faced yet another week of dismal ratings from TAM. Said Jain on the fate of the staff: “Turner will retain some employees for a transition period and some others are being offered permanent roles within other Turner channels to fill current vacancies. For the other Imagine employees getting impacted, Turner has set up an HR outplacement service which will provide advice on how to write a better CV, interviewing techniques and other job hunting skills. We will also introduce the employees to recruitment consultants, HR professionals from other media organizations and facilitate their new job search. Our focus is to ensure the closure is executed in a fair and appropriate manner for all of them and in full compliance with all legal requirements, employment terms and company policies. We will use our best endeavours to make this as smooth a transition as possible for them.”

     

    There has been much dismay in the brodcast fraternity too. Colors CEO Raj Nayak in fact made a clarion call to the industry via Twitter: “To all my friends in the TV business. Let’s try & accommodate our friends from Imagine wherever we have vacancies in our system.”

     

    Way ahead

    The move does spell a warning for other broadcast majors to sit up and take notice. Let’s not forget examples of a few channels that had to shut shop midway including Star One, Zee Next, 9x and Real for lack of vision and programming blunder.

     

    Ashish Pherwani

    As Ashish Pherwani of E&Y writes in his analysis for MxMIndia (when is it right for a channel to pull the plug): “Over the last decade or so, most unsuccessful channels which have tried ‘overhauls’ and ‘makeovers’ that have failed to achieve their objectives within six to eight months, have eventually shut down their operations.” According to him, for a channel to succeed, “the only asset it has is viewership. Channels which operate without a robust management team, a unique market position, and a defined target audience, won’t be able to garner sustained and loyal viewership. If channel management is able to make these three aspects fit seamlessly together, chances are the channel will succeed as a business, else, it would make business sense to pull the plug!”

     

    Turner may probably pay heed to Pherwani’s suggestions if it ever were to take another swipe at launching a Hindi general enterainment cahnnel  channel. Going by its past track record where it teamed up with Alva Brothers to launch Real and proceeded by acquiring Imagine from NDTV, chances are that the network may already be on the prowl hunting for its next prospect. Until then, the network seems content to bask in the laurels of its sister channels that have been showing good growth in the genres they operate in.

     

    Written by Johnson Napier with inputs from Anil Thakraney, Ashish Pherwani, Pankaj Krishna, Kshama Rao, Tuhina Anand and Robin Thomas

     

  • I am shocked and disappointed: Sameer Nair

    By Anil Thakraney

     

    Sameer Nair, whose baby Imagine channel was, is quite surprised by its sudden demise. Mr Nair founded Imagine in 2007 in partnership with NDTV, and ran it for four years. He quit last year after Turner bought the channel from NDTV.

     

    Speaking to MxMIndia, he said: “I am quite shocked and disappointed to hear that they’ve decided to shut the channel down. They (Turner) seemed to be quite gung ho about Imagine, and I thought they were going full steam ahead. There is a lot of investment and a number of jobs at stake.”

     

    When asked what in his view may have gone wrong with Imagine, Mr Nair said GECs is a very difficult segment and it needs deep pockets and a determination to go the long haul. And that he thought Turner had the muscle power to go the distance. Talking about his own stint at the channel, he said: “We had some successes and some failures. It was a tough market, we faced economic difficulties. And GECs is a tough space to be in, it’s a very competitive category. We were the first to re-create the Ramayana and we launched ‘Rakhi Ka Swayamwar’, a show like that had never been done before. I think we did some good work.”

     

    And what were the reasons behind his own departure from the channel? Mr Nair’s response is pretty frank. “I was used to operating independently. After Turner took over, one had to integrate into the Turner system. And this made me just a department head. And so I left.”

     

    Mr Nair says he’s currently working on some exciting projects but will reveal details once it all falls into place.

     

  • Rude shock for producers and performers

    By Kshama Rao

     

    Producers woke up to a rude shock on Thursday  to the news of Imagine shutting shop. If IPL wasn’t enough, then the closing down of a TV channel meant further doom for the producers.

     

    JD Majethia

    Turner Broadcasting System Asia Pacific Inc. (Turner) dashed off a letter that to the producers and the media about Imagine being wound up with immediate effect, so much so that shootings had to be abruptly cancelled on Thursday as the TV giant didn’t want the channel to spend on even one day of shooting!

     

    While the industry is still reeling from the news, the worst affected are the producers whose shows were running on the channel. Rajan Shahi, who had launched Jamuna Paar on Imagine just a little over a month ago, refused to comment: “It would be too premature”. Other producers like Siddharth Tewary, the Sagars who had Chandragupta Maurya and Dwarkadheesh running on primetime were incommunicado as they grappled with the sudden turn of events.

     

    JD Majethia had launched two shows, Jassuben Jayantilal Ki Joint Family and Ek Packet Umeed four years ago (on January 21, 2008) when former Star TV honcho Sameer Nair had spearheaded NDTV Imagine amidst much fanfare. He said: “It’s sad and shocking. It was a channel, which with the entry of Vivek Behl at the helm of things, looked poised for bigger things, a turnaround but that was not to be. It’s a huge setback for producers and for those who work on a per day basis. A daily show means a minimum of 100 people associated with it in various capacities and with Imagine closing down, it spells doom for them. All that talent and labour goes down the drain. It’s a loss of about Rs200 crore worth of yearly business for Imagine and the industry on the whole.”

     

    Mr Majethia said that it was the channel’s “unclear philosophy” that did it in. When they started out, the mantra they had adopted was positive, light hearted, happy programming but then Colors launched with its emphasis on “high drama” and Imagine started floundering. The channel lost its focus, couldn’t make shows that could connect with the masses and hence lost the plot. “But as I said, things had begun to look up with the entry of Vivek,” he added.

     

    Another producer, on the condition of anonymity, who had worked for Imagine said it was the haphazard way of doing things and not following a clear brief that cut the Imagine story short.

     

    Veteran producer Dheeraj Kumar of Creative Eye Productions however played down the whole thing. His show Sawaare Sabke Sapne Preeto which was launched a year back was going strong and he said: “Just like how you get surprises in life, this too was a surprise for us. I wouldn’t call it a shock. I guess these things happen. You think, Turner wouldn’t have thought before taking this decision. Yes, it was overnight and could have done a bit smoothly with advance intimation but it’s alright, I have no complaints as we have had a good creative collaboration with them. Personally, I am not worried about my workers because we are a big production company and they would be absorbed in some or the other project. I am hopeful that Turner with its huge umbrella of channels would give us a chance of providing content to them. I am optimistic.”

     

    Aasiya Qazi, an actress who made a debut with Ekta Kapoor’s Bandini which ran for over a year and followed it with Deeya and Tony Singh’s Dharam Patni that was pulled off air in January is “shocked”. “It was the channel that gave me a chance to start in this industry. It gave me two shows, so yes, I am definitely shocked. I don’t know what happened and whoever I have spoken to are equally clueless. I didn’t even know why Dharam Patni was pulled off air abruptly a couple of months back. I feel sad for the artistes and the crew of the new shows like Jamuna Paar that had gone on air a couple of months ago. It’s demoralising for them,” she says.

     

    Vishal Karwal, who plays the title role of Dwarkadheesh in the Sagars’ ambitious mythological on Lord Krishna, is both “happy and sad. I was happy because I wanted to come back to Mumbai. I have been shooting inBarodafor the show from Mondays to Fridays and it had begun to get to me. I was in talks with the producers to let me go to Mumbai. I am sad for the workers whose bread and butter depend on these daily shows. They don’t earn more than Rs10-15,000 a month where as for actors like us, we can still survive.”

     

    He terms the sudden development as “unprofessional and devoid of professional ethics. The channel hasn’t been doing well for a while now and even the new channel Life OK overtook it in the numbers game.”

     

    Sources in the industry said the producers whose shows were largely affected won’t comment on this considering their dues are yet to be cleared. Worst hit are the Sagars whose two shows, both mythologicals and lavish productions, Dwarkadheesh and Chandragupta Maurya and others like Shahi who had barely launched a new show with a massive set.

     

    A source said: “One wrong word in the media and they run the risk of not getting their dues. They have already been hit badly so any press statement could jeopardise their equation with the channel.”

     

    So it’s wait and watch for now.

     

    Kshama Rao is a senior journalist tracking the television trade for over 15 years.

  • Mediaah! What did Turner imagine a GEC wud do?

    By Pradyuman Maheshwari

     

    I am as shocked and upset as Sameer Nair about Turner’s closure. Very few in the organisation of the move until Thursday mid-morning when the staff was called for a meeting to be informed of the closure.

     

    Remember, it’s a ceasing of business operations and not a suspension. There could of course be a revival at some day in future, but as of now the chances of that are 0%. Turner isn’t suggesting anything. In fact the staff has either been served notice or accommodated elsewhere in the system – either permanently or temporarily.

     

    But the moot question is: why did Imagine fail? Why did it not garner enough ratings? And was it wise for Turner to buy the channel from NDTV?

     

    In an interview to MxMIndia, managing director for South Asia Siddharth Jain says it was a carefully considered decision to acquire Imagine. If the window it gave the channel to success was so short, guess it was an unwise move. Remember in Sameer Nair, Turner had possibly one of the best brains in Indian broadcast.

     

    And as the former Star India CEO rightly maintained, it needed just one great programme for the channel to come alive. Sadly, that never happened. Zor Ka Jhatka with Shah Rukh Khan was a huge flop draining Turner upwards of Rs 50 crore. The Turner bosses weren’t willing to wait for Sameer Nair to make yet another big attempt to win the ratings game. His wings were clipped and that in many ways was the beginning of the end. In May 2011, Sameer quit and wasn’t replaced.

     

    Mind you, this has been Turner’s second attempt at running a general entertainment channel. While some of its other channels are doing well, Real – a product of its jv with Alva Brothers – was a disaster. Imagine, under NDTV, was promising and that’s essentially because of Sameer Nair and team. Agreed even SAB outpaced it in channel shares, but that’s essentially because of an improper strategy. But SAB’s story is special. In fact had it not been the endless reruns of CID, SAB would’ve been ahead of Sony too!

     

    If this was the decision that they were going to take (and Imagine was indeed going nowhere in terms of ratings), my belief is that the team at Turner did a disservice to its stakeholders. They should’ve pulled the plug the moment Sameer quit last year.

     

    The move has folks in tellyland worried. If a foreign network (hence assumed with deep pockets), like Turner can turn off the tap for them, so can anyone else, they say. Turner has assured the trade that its interests will be taken care of and the signals aren’t off yet, but it does impact many lives. As it does for the employees of Imagine.

     

    We’re sure they’ll get placed soon. But this jhatka was I think a bit too zor ka.

     

    Buzz me if you have a story to tell. Confidentiality assured. There are various ways you can reach me:

    pradyumanm[at]mxmindia.com, BBM 23050B5D, Gtalk pradyumanm@gmail.com, Twitter @pmahesh and of course the mobile: 98338 76278.

     

    Disclaimer: Although he is CEO and Editor-in-Chief of this site, Pradyuman Maheshwari’s views in Mediaah! are not necessarily those of the rest of the team and MxMIndia.com. And decidedly not those of the sales team 🙂