Tag: Pankaj Krishna

  • We’re No 1 by OTS, says Republic, quoting Chrome data

    By A Correspondent

     

    Given the recent controversies around ratings etc, the Republic Media Network finds itself with competition out to get at it. Especially on the all-important issue of ratings.

     

    Republic’s contention is that being free-to-air, its reach is phenomenal. And in order to drive that point home, it supplied us with Chrome DM data of over the last four years.

     

    MxMIndia has over recent years not reported on any Chrome DM findings, but given that Republic had a fair point in giving us the data on OTS (Opportunity To See), we examined it.

     

    This is what we got as part of a communique from Republic TV.

    Year Republic Times Now Difference
    Avg. of 2017 61% 65% -4%
    Avg. of 2018 66% 63% 3%
    Avg. of 2019 91% 53% 38%
    Avg. of 2020 86% 60% 26%

    Source: Chrome Live, Mkt- All India Urban, 2017-2020

     

    The Republic TV release added: “As seen the Republic TV OTS in Urban homes has been higher than Times Now since 2019 making it the largest available English brand in Urban Homes in India. Republic TV OTS has been higher than Times NOW since 2018. The distribution and availability of the channel has been extremely high in comparison to any other channel in the genre.  The gap has widened into “Reach” in 2019 and 2020 as the TRAI implemented the New Tariff Order making sure Republic TV’s free to air offering in English increased its footprint across homes through India.  It is very much evident from the chart that the share of news genre got expanded from 2017, post the entry of Republic TV.”

     

    Pankaj Krishna
    Pankaj Krishna

    Said Pankaj Krishna, Founder and CEO, Chrome DM in the communique: “After a point and irrespective of genre, the key differentiator amongst players within the genre boils down to the availability of content. Considering the fact that distribution is still contingent on a 1000+ variables (DPOs/ CNOs) and is one of the biggest cost centres for running a linear TV channel – unless of course it is a hugely appointment led genre, for instance for Hindi GEC. Most of the genres – be it News (Hindi/  English/ Regional), Music, Infotainment, the time spent per viewer limits to less than ten minutes a week and is mostly driven by channel surfing or flirting, if I may call it. A differentiator of 15-20% on distribution between any 2-3 players within a genre would probably be the factor deciding the lead in the consumption / viewership / ratings within the genre. LCN (logical channel number), Placement (where your channel falls), Neighbourhood (the channel that precedes you), the packages that you are on (whether your channel reaches 100% audiences and the penetrations of the packages that your channel is a part of) – all of these factors determine the OTS (Opportunity to See) or the availability of a channel which is the primary key factor in determining the dominance of one over the other.”

    Vikas Khanchandani

    Added Vikas Khanchandani – Group CEO Republic Media Network: “Republic Network has focused and delivered the largest reach platforms in its respective genres. The above data sourced from Chrome DM (also readily available across the industry) is yet another data point that reflects on the growth and leadership that our brand enjoys. There are multiple data points like the engagement of Republic TV on social media which is also highest within its genre reflecting the stickiness of our brand and reflective of high TSV that the brand enjoys. We have similar data points for our humongous consumption on OTT as our brand has very wide availability on connected devices and I am more than confident that we will continue to bring the largest English and Hindi news platforms for consumers and advertisers”.

     

    We chatted with Pankaj Krishna via WhatApp and asked him to validate the data. Our conversation:

    Us: Since I don’t track Chrome data on a regular basis, I would like to know if this data is good to be carried and inferred that Republic TV (English) has better OTS than Times Now. Or has it been sliced in a way that Republic OTS is seen to be better than Times Now when actually the converse is true?

    His answer: The data is fine. Also since Republic is Free to Air…

    Our revert: Thanks. Is there any data like this that could also place Times Now or any other channel ahead?

    Him: Negative – this is Universe data.

    Us, trying our luck: Given that broadcasters are known to slice data so that what is put across is favourable to them?

    Him: Correct. This can’t be discrete to cherrypicked data points

    Last one: Frankly, I don’t want to be seen having a bias in favour of any channel? 🙂

    Him: Same here…. I don’t have any inclination to any channel or newsroom or point of view- but beyond a point with proliferation of content, it does become a commodity – where availability plays a bigger role…

  • Ashok Venkatramani takes up consulting assignment with Chrome Data

    By A Correspondent

     

    Ashok Venkatramani

    Former ABP News Network CEO Ashok Venkatramani has taken on a  consulting assignment with Chrome Data Analytics & Media Private Limited. With over 25 years in senior FMCG and media positions, Venkatramani will advise Chrome DM on its varied media distribution monitoring business and the recently introduced consumer research practices.

    “Chrome has witnessed unprecedented growth over the years, and is today an accepted currency for over 600+ TV channels,” said Venkatramani in a statement. “I’m also looking forward to working closely with its bright young Team, as its doing some interesting work in the space of  primary consumer and media research and analytics with a diverse portfolio of clients ,” he added.

    Added Pankaj Krishna, Founder & Managing Director, Chrome Data Analytics & Media said, “I’m delighted to have Ashok on board. As a young company, Ashok’s years of experience make for the perfect fit for us. He has been a driving force in his previous roles at Unilever and ABP, and we’re looking forward to the value he will add with his inputs.”

     

  • Chrome data for English news channels of Week 18

    By A Correspondent
    
    
    Pankaj Krishna

    Last week, MxM India asked Chrome Data, specialists in connectivity research, to give us a report on the availability of Republic TV. We now have the report for Week 18 which ended yesterday (see below).

     

    And this is what Pankaj Krishna, Founder & CEO, Chrome DM said: “As a new launch, Republic has been impressive in managing its distribution deals. With an All India urban OTS of 50%, it has managed to be in the top 5 at the time of launch itself. This shows the groundwork that the Republic team has done in its pre-launch phase. Their breaking of the Lalu story, followed by the coverage of AAP has been a high-decibel affair and has grabbed many viewers’ attention. Being FTA, their availability on free dish and on Hotstar is a smart move.”

     

    OTS is the actual census-based, percentage connectivity of a channel spread across 81 million homes, reported by Chrome Data Analytics & Media, spread across Analog cable, Digital Cable and DTH. The same is updated and reported to 350+ channels on a daily basis in Chrome Track 2.0

     

  • Republic TV availability as on May 3: Chrome DM

    By A Correspondent

     

    MxM India asked Chrome Data, specialists in connectivity research, to give a report on the availability of Republic TV.

     

    Pankaj Krishna

    And this is what Pankaj Krishna, Founder & CEO, Chrome DM said: “Arnab’s comeback is being eagerly awaited by the Industry. Their bold, high-decibel marketing & PR blitz has grabbed all the right eyeballs, and the channel itself has not shied away from making its stand on burning issues known. Be it a Reddit AMA (Ask me Anything), probably a first for a senior editor, or the tongue-in-cheek hoardings, Arnab has made sure that the launch of Republic remains on everybody’s mind.”

     

     

    Specifically on the availability of the channels across the country, Krishna said: “Currently, on an average, an English News Channels has an availability of 45.1% among Urban Homes in India. With its soft launch, Republic has 18.4% Urban India availability (as per Chrome OTS or Opportunity to See, 3rd May 2017). In Mega Cities, Republic is currently available in 32% of the Households.” Pankaj Krishna, Founder & CEO, Chrome DM.”

     

    OTS is the actual census-based, percentage connectivity of a channel spread across 81 million homes, reported by Chrome Data Analytics & Media, spread across Analog cable, Digital Cable and DTH. The same is updated and reported to 350+ channels on a daily basis in Chrome Track 2.0

     

    We will try and bring you a similar report a week or two later.

     

  • Chrome DM launches Subscriber Establishment Survey for broadcasters

    By A Correspondent

     

    Chrome Data Analytics & Media has released the latest round of‘Chrome Subscriber Establishment Survey’or ChromeSES, a Primary Research Survey used by broadcasters to prioritize channel placements across cable networks in India.

     

    With Chrome SES, broadcasters can obtain subscriber count by state/strata; mode of transmission- digital/DTH/analog; MSO; city/headend; SD/HD.

     

    With a field staff strength above 650+ on the ground and data collection units across urban and rural India, Chrome DM has also released the latest numbers on the current phase of digitization.

     

    The Chrome SES update released in February 2017 is a result of ground changes observed in the last quarter of 2016. The report contains a range of findings that would help broadcasters to obtain the latest transmission split insights within a market.

     

    Here is a snapshot of some of the findings:

    1. All India:Only 19 per cent analog connections left in Urban + Rural India as of Dec 2016, compared to 24 per cent in Sep 2016
    2. In Urban India, only 8 per cent of analog remains, largely in TN and AP.
    3. In Rural India, Analog connections make up 31 per cent. In Aug 2016, 37,000+ villages were analog, whereas in Dec, 32,000+ still remained analog.

     

    Speaking at the launch, Pankaj Krishna, Founder and CEO, Chrome DM said, “For Phase 4, the overall size of the market itself is a huge challenge. As the sun sets upon Analog in India, we are monitoring the Transition from Analog to Digital across the Country. In the period between September to December, Madhya Pradesh & the North Eastern states have been the frontrunners, whereas Tamil Nadu & Karnataka have been found to be lagging.”

     

  • Brickworks Media launches Retail Track for brands

     

     

    Brickworks Media, a sister concern of Chrome Data Analytics and Media which focuses on market research and third party audits, has launched Retail Track for brands. Brickworks Media’s latest proprietary tool monitors brands health and provides insights into the efficacy of their retail visibility across 6100+ towns, 1,03,000+ retail stores and 1100+ brands in India.

     

    With Retail Track, brands would be able to access the following insights: Retail Index – visibility index calculated based on collateral; Share of Visibility – comparative analysis of brand visibility (in/out shop; Brand Visibility – in-store visibility of your brand vis-à-vis competition; Compliance Audit- audit on price violations, product availability and promotor recommendation etc; Competition Tracking- tracking of price, availability and recommendation for competition brands.

     

    Speaking at the launch, Pankaj Krishna, Founder and CEO, Brickworks Media said, “Retail Track will assist brands understand the exact measure of their visibility as well as its impact across the country. With the major chunk of markets belonging to the unorganised sector, tracking retail visibility for brands in a scientific, actionable manner can be a challenge. Brickworks Media, with its unmatched infrastructure and pan-India presence helps brands gain insights into the efficacy of their campaigns. Retail Track breaksdown the clutter into a structured landscape for retailers and brands using a mix of technology and manpower to achieve unprecedented market coverage. ”

     

  • Chrome DM launches Interconnexion for broadcasters and distribution service providers

    By A Correspondent

     

    Chrome Data Analytics and Media has launched Chrome Interconnexion, for broadcasters and distribution service providers. Chrome Interconnexion is an unprecedented, exclusive database of distribution interconnections across urban India. It is an online application which has been designed to depict feed tracking for each headend, from the parent headend till the last headend.

     

    Speaking at the launch, Pankaj Krishna, Founder and CEO, Chrome DM said, “The objective of offering such a comprehensive platform to broadcasters is to ensure Transparent Deals in the Broadcaster-MSO Ecosystem. With Chrome Interconnexion, broadcasters will be able to track source feed of Fluctuations and take prompt corrective action. ”

     

    In broadcast distribution (Distribution of a Channel from a Service Provider to Consumer) there are Multi System Operators like Den, Hathway, Siti Cable etc and Local Cable Operators. As a Standard operation procedure an MSO provides same feed (line up of channels) to a lot of local cable operators across various areas of operations.  For example, a Den in Kanpur might be providing its feed to multiple smaller players, who would provide the same feed to viewers.

     

  • Chrome Data publishes report on OTT rise

    By A Correspondent

     

    Chrome Data Analytics and Media, a leading research and data analytics firm, has released ‘Now Streaming: OTT’, a report around the rise and penetration of OTT players in India.

     

    The report covers key aspects of the evolution of the OTT industry, which primarily gives broadcasters, advertisers and OTT players a deeper insight into their key target markets. The report points out a range of findings that would help one understand the OTT Landscape in deeper detail. Here are some findings:

     

    1) In Urban India, 6% and 24% of the population accesses OTT on a daily and weekly basis, respectively.

    2)  More than 50% of the viewers still prefer TV as the 1st screen for viewing.

    3)  Exclusivity of content helps increase awareness and eyeballs for the Platform.

    4)  User Experience on smartphones plays a vital role in driving penetration. Currently, smartphones hold only 29% penetration.

    5)  On Subscription,

    i. More than 75% of the audience prefers free services with Ads as they are already paying for Internet services.

    ii. Rest of the population is ready to pay for the services with subscription amount varying on the basis of gender, age group and geography.

    6)  The potential of ‘Offline’ mode in India is quite high because of infrastructural issues & high cost of unlimited internet.

    7)  The potential of ‘Offline’ mode varies with gender, age group and geography of the consumer.

    8)  The same Viewer behaves differently over Television & OTT.

    i. Solo Viewing is not the only reason for pushing viewers to OTT.

    9)    OTT players should focus on Regional content as inclination towards Regional content is increasing.

     

    Talking about the growth potential of OTT, Pankaj Krishna, Founder and CEO, Chrome DM said: “The entire internet base which is 464 million today, qualifies for OTT’s growth potential. However, infrastructure enhancement and low-cost unlimited internet plans are the key drivers that will exponentially help in reaching and further increasing the potential base itself.”

     

    According to a communique, Chrome DM has also outlined the consumer profiles in detail, by classifying them into broad segments, listing out characteristics basis genres consumed. The characteristics defined for each of them gives consumer insights that will be of use to OTT players, Broadcasters as well as advertisers.

     

  • Chrome DM unveils Hotel Track for broadcasters

    By A Correspondent

     

    Chrome Data Analytics and Media has launched Hotel Track for Broadcasters and Distribution Service Providers to track their channel availability across premium hotels in India.

     

    Chrome Hotel Track covers 156 Five Star Hotels, as well as 203 Four Star and 257 Three star Hotels spread across India. With the tool, broadcasters can get access to the following insights: channel availability, competition channel availability, neighbourhood insights, total rooms and average room occupancy, OTS Insights for your channel versus competition.

     

    Speaking at the launch, Pankaj Krishna, founder and CEO, Chrome Data Analytics and Media said, “Chrome Hotel Track is a platform for broadcasters to monitor their channel performance in the hotel sector, which makes up for a large chunk of their viewership but goes ignored. Hotel Track will fill that gap.”

     

     

  • Chrome DM unveils Chrome Rate Impact Calculator for broadcasters

    By A Correspondent

     

    Chrome Data Analytics and Media has launched the Chrome Rate Impact Calculator for broadcasters and distribution service providers, to analyse the impact of TRAI’s latest recommendation at a market, network and Channel level vis-à-vis the Broadcaster’s current deals.

     

    Designed to interpret TRAI’s recent Tariff Order, the calculator uses Chrome DM’s proprietary tools to layer the Network-wise/Channel-wise viewership and project the off-take of channels at a household level.

     

    Chrome Data Analytics & Media, being a central industry body, with over 450 broadcasters availing its Distribution Audit Services, aims to simplify the understanding of the impact of the TRAI recommendations on the Net Revenue earned by broadcasters.

     

    With the CRIC, the broadcaster will be able to access the following insights:

    – A channel- wise potential subscription revenue, post implementation of TRAI’s new price recommendation.

    – The potential off take of subscribers, split by Channel.

    – The projected carriage fee payable, split by Channel.

    – CPS variance, current vis-à-vis the new price recommendation.

     

    Speaking at the launch, Pankaj Krishna, Founder and CEO, Chrome DM said, “TRAI’s latest tariff order which includes recommendations on the rates applicable for subscription and carriage fee calls for an understanding of its impact on the industry. CRIC has been created to assist broadcasters on the same.

     

  • So why did Turner stop Imagine(ing)?

     

    By Team MxMIndia

     

    Just when the Hindi general entertainment space was getting interesting with the top 3-4 players all coming within sneezing distance of each other in the numbers game, the industry was jolted by news of the closure of Imagine, which given its pedigree, was launched with much fanfare not many moons ago. From shock to sadness and even rage (at least on the social media) admirers and naysayers were seen on an overdrive trying to piece the chain of events that had led to the downfall of the channel that was seeing red for some time now.

     

    This was in stark contrast to the kind of emotions that were flying thick and fast exactly a year ago, when Turner General Entertainment was merged into its parent company Turner Broadcasting System Asia Pacific, Inc. The emotions then were almost similar to what the channel heads were going through when they flagged off the channel more than four years ago, making it one of the most loud and admirable launches of the time. While anticipation and expectations were riding high on the faces of each and every member of the team at launch, the same was the scenario during the merger exercise last year as the company was probably taking a last shot in reviving the fortunes of the network to see themselves battle against the competent lot at the top. But all that was not to be as tribes from the world of media and outside woke up to the news of the channel shutting down yesterday.

     

    Siddharth Jain

    Replying to questions put forth by MxM India (read interview),  Siddharth Jain, Managing Director- South Asia, Turner International India Private Limited put it out right and straight as he said: “This is a carefully considered business decision based on performance of the channel. We invested substantially and put all possible resources behind Imagine TV throughout. As in any other business, the investments were directly linked to reaching a certain performance benchmark. However, in the two years Imagine did not grow or perform as per expectations and as a result, Turner made the carefully-considered decision to cease operations of the channel.”

     

    Mr Jain is probably being modest in quoting that the channel did not perform as per expectations in the past two years, but the writing was on the wall in the first three months of 2011 itself, when the channel failed to get the viewers and advertisers excited with its most expensive property that cost the company in excess of Rs50 crore to produce. ‘Zor ka Jhatka’, hosted by Shah Rukh Khan, failed to get the desired ratings and didn’t do much to push the channel in the top league as was expected. In fact, in an interaction with the media before the show went live, an exuberant Sameer Nair had vouched that the show along with a few others would catapult Imagine among the top 3 in the Hindi GEC space. Wishful as he was, that was not to be. Its failure forced the thinktank at Turner to come up with steps to plug the loopholes, even if it meant changing its course altogether.

     

    Sameer Nair

    Thus in April 2011, Turner announced the merger of Turner General Entertainment into its parent company Turner Broadcasting System Asia Pacific, Inc. This was followed by the formation of a special committee comprising various Turner officials such as Monica Tata and others along with officials from Turner General Entertainment Network including Sameer Nair and Harsh Rohatgi with the intention of charting out a long-term course for the channel. This move was even vindicated by Steve Marcopoto, President, Turner Broadcasting System Asia Pacific (TBSAP), who went on to explain the need for such a proposal, which was to assess its performance and chart a long-term course for Imagine. But just when the merger was announced, Sameer Nair did the unthinkable by announcing his decision to exit the company.

     

    In an interaction with MxMIndia Editor-at-Large Anil Thakraney, Sameer Nair was quite upfront about the reason for his decision to move on: “I was used to operating independently. After Turner took over, one had to integrate into the Turner system. And this made me just a department head. And so I left.”

     

    Expressing concern towards the chain of events that led to the closure of the channel he said, “I am quite shocked and disappointed to hear that they’ve decided to shut the channel down. They (Turner) seemed to be quite gung ho about Imagine, and I thought they were going full steam ahead. There is a lot of investment and a number of jobs at stake.”

     

    Mr Nair’s exit from Imagine was followed by a few other key exits and the network’s failure to find a suitable replacement. Even attempts to vow the audiences by launching a slew of reality and mythological shows didn’t do much for the channel as it still figured in the #6/7 slot amongst its peers in the space.

     

    In fact, even as recently as 2-3 months ago, the channel was going all out with its promotional activities as it announced the launch of new shows. But that too has been brought to a halt as Mr Jain explained: “We cease all business operations of Imagine TV. The closure is a complicated process as we are ensuring fulfillment of all our business commitments to advertisers, distributors, production houses and other partners.”

     

    The news came as a rude shock to producers, some of whom were in the midst of production schedule (see story: Rude Shock for Producers & Performers). Rajan Shahi who had launched ‘Jamuna Paar’ on Imagine just a little over a month ago, refused to comment on it saying “it would be too premature”. Other producers like Siddharth Tewary, the Sagars who had ‘Chandragupta Maurya’ and ‘Dwarkadheesh’ aired during primetime were incommunicado as they grappled with the sudden turn of events.

     

    JD Majethia

    JD Majethia who had launched two shows, ‘Jassuben Jayantilal Ki Joint Family’ and ‘Ek Packet Umeed’ four years ago said: “It’s sad and shocking. It was a channel which with the entry of Vikas Behl at the helm of things looked poised for bigger things, a turnaround but that was not to be. It’s a huge setback for producers and for those who work on a per day basis. A daily show means a minimum of 100 people associated with it in various capacities and with Imagine closing down, it spells doom for them. All that talent and labour goes down the drain. It’s a loss of about Rs200 crores worth of yearly business for Imagine and the industry on the whole.”

     

    Veteran producer Dheeraj Kumar of Creative Eye Productions said: “It was an overnight decision but it could have been done a bit smoothly. I am hopeful that Turner with its huge umbrella of channels would give us a chance of providing content to them. I am optimistic.”

     

    Programming propaganda

    Ever the one to influence viewers and attract the attention of the advertisers too, content was one of the biggest setbacks for the channel, going by the buzz emanating from experts. While the start for the Imagine was glorious, as it did manage to attract sizeable channel share (see chart below) and even break into the 150+ GRP mark at some point, it was an experience that was shortlived. The maximum channel share that the channel attained was 8.5 in H2 2009.

     

    Source: TAM Media Research / TG: CS 4+ yrs / Market: HSM / Period: H1 (Jan-Jun) & H2 (Jul-Dec) 2008, 2009, 2010, 2011 till April 7, 2012

     

    Mohit Joshi
    Divya Radhakrishnan
    Karthik Lakshminarayan
    Pankaj Krishna

    Explaining the implications, Mohit Joshi, Managing Director, MPG said, “The General Entertainment domain is very competitive and each channel is constantly improving content and production. The viewer has many options today and hence has become more ruthless with the channel choice. In spite of a great start, Imagine lost it mid-way. In an attempt to gain viewership and numbers, it resorted to telecasting shows like Rakhi Ka Swayamvar, Rakhi Ka Insaaf and so on. Though these shows could have given a short-term boost in numbers, in the long run, viewers didn’t find the content appealing enough. Also these shows dented the channel image by giving it a ‘sleazy’ tag – which is not acceptable in the GEC domain.”

     

    Divya Radhakrishnan, Founder, Helios Media, said, “GEC is a highly competitive segment and the cost of running a GEC is very high. Imagine had reached a level of stagnation especially in the last six months, however shutting down was not expected.”

     

    Karthik Lakshminarayan, COO, Crest, said: “Imagine had the brand heritage of NDTV and Turner. I think it was sheer bad luck that they eluded that one show which could give them success like Kyunki did for Star, Saat Phere did for Zee, Ballika Vadhu for Colors and Bade Acche Lagte Hain is doing now for Sony. For a GEC to break even it takes 4-5 years so one needs to stay invested for a long period to see the returns, hence the move is a surprise.” In fact, he has a surprising statement to make: “Their overnight decision has caught us unawares and our media plan needs a quick revision. We had spots to go on air on the channel as we talk. I think now those spots are up for grabs and may the best player win.”

     

    Blame customer pull, not distribution!

    There are primarily two ways of impacting Channel Trials – namely Consumer Pull led by content affinity, and Broadcaster Push led by Distribution initiatives, explains Mr Pankaj Krishna, Founder and Managing Director, Chrome Data Analytics & Media (see Analysis: How Imagine lost due to consumer pull, not distribution. “Going by Chrome OTS numbers (Opportunity To See – percentage of households that have access to a channel) – Imagine TV has clearly been in the league of the top GECs with an OTS of 95% across HSM.”

     

    According to Mr Krishna, “consumer pull clubbed with Strategic Distribution Planning has a huge impact on the overall performance of a channel”. “Over the years, Imagine lost out on factors contributing to the former.”

     

    Staff shocked

    It was Terrible Thursday for the staff at Imagine. They had no clue of the closure, even as they had faced yet another week of dismal ratings from TAM. Said Jain on the fate of the staff: “Turner will retain some employees for a transition period and some others are being offered permanent roles within other Turner channels to fill current vacancies. For the other Imagine employees getting impacted, Turner has set up an HR outplacement service which will provide advice on how to write a better CV, interviewing techniques and other job hunting skills. We will also introduce the employees to recruitment consultants, HR professionals from other media organizations and facilitate their new job search. Our focus is to ensure the closure is executed in a fair and appropriate manner for all of them and in full compliance with all legal requirements, employment terms and company policies. We will use our best endeavours to make this as smooth a transition as possible for them.”

     

    There has been much dismay in the brodcast fraternity too. Colors CEO Raj Nayak in fact made a clarion call to the industry via Twitter: “To all my friends in the TV business. Let’s try & accommodate our friends from Imagine wherever we have vacancies in our system.”

     

    Way ahead

    The move does spell a warning for other broadcast majors to sit up and take notice. Let’s not forget examples of a few channels that had to shut shop midway including Star One, Zee Next, 9x and Real for lack of vision and programming blunder.

     

    Ashish Pherwani

    As Ashish Pherwani of E&Y writes in his analysis for MxMIndia (when is it right for a channel to pull the plug): “Over the last decade or so, most unsuccessful channels which have tried ‘overhauls’ and ‘makeovers’ that have failed to achieve their objectives within six to eight months, have eventually shut down their operations.” According to him, for a channel to succeed, “the only asset it has is viewership. Channels which operate without a robust management team, a unique market position, and a defined target audience, won’t be able to garner sustained and loyal viewership. If channel management is able to make these three aspects fit seamlessly together, chances are the channel will succeed as a business, else, it would make business sense to pull the plug!”

     

    Turner may probably pay heed to Pherwani’s suggestions if it ever were to take another swipe at launching a Hindi general enterainment cahnnel  channel. Going by its past track record where it teamed up with Alva Brothers to launch Real and proceeded by acquiring Imagine from NDTV, chances are that the network may already be on the prowl hunting for its next prospect. Until then, the network seems content to bask in the laurels of its sister channels that have been showing good growth in the genres they operate in.

     

    Written by Johnson Napier with inputs from Anil Thakraney, Ashish Pherwani, Pankaj Krishna, Kshama Rao, Tuhina Anand and Robin Thomas