Tag: Kyoorius

  • Kyoorius Designyatra kicks off with a focus on digital

    By Abhijeet Amonkar

     

    The three-day Kyoorius Designyatra fest kicked off with much enthusiasm with a 1520-strong creative fraternity in attendance. Day One was dedicated to the second edition of IAA Kyoorius Digiyatra, with six sessions dedicated to creative expression in an increasingly digital world.

     

    The theme of the ninth edition of Designyatra is ‘What If’ and the sessions are being moderated by Patrick Burgoyne, Editor of the UK-based Creative Review magazine.

     

    The day started with Gaston Legorburu, Executive Director and Worldwide Chief Creative Officer, SapientNitro on storytelling and how companies need to create worlds instead of creating ads. “Customers don’t want to be told a story, they want to be a part of the story,” Legorburu said.

     

    Next, Christian Etter, Founder of Etter Studio, explored new avenues of being social online, with his collaborative game ‘Drei’ where players are encouraged to build basic structures, working together. “I’m a big fan of limitation, since it allows you to find new, creative ways around the problem,” he said.

     

    The session that received a standing ovation was conducted by the MIT Media Lab’s Dhairya Dand and Deepak Jagdish. They vowed the audience with their research and explorations in digital technology. “Life ends up like an omelette,” said Dand, matter-of-factly with Jagdish adding: “We live in an ocean of data, and it’s time we tap into it.”

     

    Following lunch was content strategist Elizabeth McGuane who develops ways to structure a company’s story and make digital more human. “Bad content is just a symptom that something else is wrong,” she said.

     

    A common thread throughout the day was storytelling and how brands need to find ways to create meaningful connections with their audiences online. Tim Malbon, Founding Partner of Made by Many, asked several relevant ‘What If” questions while at the same time giving an overview of the current state of digital and what to look forward to in the future.

     

    The concluding session of the day was conducted by Maria Eriksson of Hyper Island who highlighting the four fundamental pillars of digital - people, companies, learning and change. “Every agency in India is struggling to define what a digital agency is. What if I told you that digital has nothing to do with digital,” she asked.

     

    Commenting on the day’s proceedings, Rajesh Kejriwal, Founder and CEO of Kyoorius, said: “IAA Kyoorius Digiyatra has been a great success once again. There were a lot of interesting insights and discussions throughout the day about how to humanize digital, and thinking beyond social media,” he said.  Added Srinivasan K Swamy, President IAA India Chapter & Vice President, Development Asia Pacific region of the International Advertising Association, “Digital is gaining much in importance and at IAA we are committed to the digital media,” he said.

     

  • Curious about Kyoorius?

     

    We were wondering how we should do this curtain-raiser. We’ve already interviewed the Kyoorius Founder and CEO Rajesh Kejriwal. We will bring you daily despatches, but although it’s all about design and creativity, what makes Kyoorius Designyatra (and the IAA Kyoorius Digiyatra) are these numbers. So if you aren’t here this year, do make it next year.

     

    A disclosure: MxMIndia is partnering Kyoorius. But you know we aren’t plugging them only because of that. We partner many other conferences and events which we don’t even cover.

  • We don’t repeat our speakers for 7 years: Rajesh Kejriwal

     

    By Pradyuman Maheshwari

     

    The Kyoorius Designyatra (and IAA Kyoorius Digiyatra) happens in Goa later this week – from September 11 to 14 at the Grand Hyatt Hotel. MxMIndia caught up with Kyoorius Founder and CEO Rajesh Kejriwal on his plans for this year’s edition, the speakers and highlights and how the conference is a serious one and not about fun and entertainment. (*See Disclosure)

     

    For someone who’s a regular at DesignYatra, how will the 2014 edition be different?

    Apart from it being a great conference with a very inspirational and super line of speakers… well, I don’t think it will be very different. It’s not just the difference between 2014 and any other Designyatra, it’s always based around a theme. We sit and work with speakers for almost three months on the theme. Most of the speaker presentations are tweaked to reflect the theme and this year’s theme is “What if?” Last year’s was “create change.”  We also choose speakers based on that. At least 40 percent of our speakers are selected based on the theme.

     

    I don’t believe it. You actually tweak the presentation of speakers?

    We don’t tweak it, we discuss with theme and create it around the theme. We don’t have a hand in what they present, but we talk to them. This is what we expect from you, this is why you are chosen to be a speaker. This is our theme and this is the basis of what we’d like you to present. We also give them timelines. For example, if you take Ivan Chermayeff we have this year. We don’t really want him to come and show all the work he has done for donkey years. He’s an 84-year-old man. Everybody knows all the great logos that he’s done. Everybody has Googled that. We want him to talk about his life experience. What humbled him? What were his challenges? Which of his works challenged this?

     

    All biggies in the business. Do they really listen to you?

    They love it! There are a few speakers who have come back to me saying ‘we’ve attended so many conferences, where we’re just called as speakers, we go, we present, we come back. We like this! This is the first time! You’re interacting with us, talking to us, which means you’re very serious about what you do!’

     

    Don’t they say… who are these third world country guys telling us what to do?

    We don’t tell them ‘this is what we want you to do.’ We tell them, ‘this is the theme and this is the reason we’d like to have you on board’ at the invitation stage itself. Once they agree, we go back to them and say, ‘this is what we’d like you to do, these are the messages we’d like you to convey.’

     

    Do you pay your speakers?

    We take care of all their expenses – business class travel, stay, visas. A few of them are also paid.

     

    How many speakers do you have?

    Yesterday we had, 22. Very large number.

     

    22 speakers, business class travel, stay at 5/7-star hotels. That’s a huge amount of money!

    This year our cost is 54.5 lakh! Without the fees.

     

    How many Indian speakers do you have this year?

    Four.

     

    You’ve been very generous (laughs). All resident Indians?

    (laughs) We have been, yes. But, these are Indian speakers who have quite a different take on life. We have two from the US and two from India.

     

    Who are the lucky 2 from India?

    One is Stalin K who runs a company called Video Volunteers. It’s not about advertising but about social impact and how you use that. And then we have Karsh Kale.

     

    Coming back to this question of what’s new and special this year. What’s going to the standout event this year?

    The diversity of the speakers this year is far more than the previous years. We also have a musician this year. We have Silent Studios from London who actually are not graphic designers for advertising people. They use technology, music, design, intersection of all these three-four things put together to create meaningful messages. We don’t repeat our speakers for 7 years. That’s our bottomline.

     

    I’ve always been very curious about Kyoorius. The amount of money a person spends on coming to the Designyatra is huge! If you’re a regular delegate, it could be around Rs 50,000. Or even more. What is it that you offer to the delegate that he or she comes back to you again and again?

    Actually, we have to view it in different perspectives. Today, Designyatra in many ways is no different from Think or Ink Festival. inspiration, great speakers, diversity. You come back charged, you get a lot of learning, personal satisfaction, morale boost, you feel proud to be in the industry you are. It’s not very different from all of these festivals.  The minimum you pay at any conference in India that has a certain stature is Rs 8,000 per day. None of them have this depth of speakers, this huge width of international speakers. If you ask for a comparative chart, we are the cheapest design conference in the world.

     

    You spoke of the Think Festival.  And KDY is happening at the same venue? So have installed CCTV cameras in the elevators?

    That was a very sad thing to have happened. Coming back to your earlier question, I do agree that it’s a fair amount of money that the person spends. It’s a serious conference. That’s one of the reasons people come for it. It’s not about fun and entertainment. It’s serious. It also provides networking opportunities in the evening.

     

    It’s heartening to see people are willing to pay for serious fun.

    Today’s generation is willing to pay. One other thing I’ve sadly noticed is that over a period of time, the more senior ones, come once and then they disappear for two years and then they maybe, come back again. But if I make a chart of the people who’ve regularly come for the last four years, most of them are between 32 and 40 years in age. Oldies come in spurts. Not all, but some of them still come. That could also be because they are more senior. They have more responsibilities. I know some of them don’t come because they have budget constraints and they want to give this chance to the juniors. But some also feel that they’re senior enough to go just once in two-three years.

     

    So how many new people come each year?

    If you remove students and faculty from our delegate list, we have about 1000 delegates from the professional world. I think we always see about 200-250 new ones per year. So this year we’ll have similar to last year at KDY. 1420, that’s the maximum we can allow. We’re already at 1180. (this interview was done last Wednesday, September 3)

     

    Out of these 1420, you have around a 1000 professionals.

    We have about 250 students. We sponsor about 75 faculty members. There are about 75 VIPs, very senior people, associated people or past speakers and 50 fresh speakers.

     

    Are the traditional design company guys, the NID graduates, attracted to Design Yatra or is it the non-NID folks who come to KDY?

    There are a lot of NID guys who are not attracted but there’s also a large bunch of NID guys who are interested. But let’s not be specific to NID. Today, you have a lot of design schools across the country. Most of our regulars, 650-700 from the last four years. These are people who are passionate about design. That’s the difference. We attract creatively passionate people. These people come because this is a place where there passion gets heightened. At any Designyatra, when you walk out of the conference room between 10am and 6pm, except for the breaks. I doubt you’ll find more than 50 people outside, gossiping or at the bar. The bulk of the people are inside, listening. We need that passionate, serious crowd, who use the opportunity to gain something.

     

    How I wish other creative conferences were also similar?! Who are the star speakers?

    All of them are star speakers.

     

    Why is it that you don’t get Indian speakers?

    No specific reason. I think the content focus that these speakers bring, the bold and radical approach they have is something seen very rarely in India. Unless and until I find Indians on par with these speakers, it won’t be fair to bring them in as they will not get the applause once at their session.

     

    Advertising is huge in India and there’s a fair amount of design work happening there. You did have Pops last year. So why not from there?

    We had Pop to talk about a certain story and mixed him with another speaker who also had a similar story. When we have an angle, we call somebody. We’re not about famous, well-known or influential people. There must be a message, something in him or her that must be good for the audience to hear.

     

    The orientation of the Kyoorius Designyatra is on visual communication. But there’s a fair amount of great work being done on product design.

    Dhairya Dand is into product design.

     

    But one of the only criticisms I’ve heard about KDY is your bias is towards visual communication.

    Depends on who you’ve heard it from. I must tell you that we do bring in speakers who are away from visual communication also. We have guys who have done product designs, installations. In the past we’ve also had Ross Lovegrove. It’s interesting because we’ve been contemplating this since a very long time. We didn’t invite one or two architects this year, but we’re inviting them next year. The fact is that India has an infrastructure problem. We can fit in only 1420 people. They are from the visual communication field. I can have other diverse speakers, even an architect can inspire a visual communication designer. But if I have four architects, it becomes boring. Unless I then start drawing architects into this. Finding the right mix in this discipline is very different. This is why we’re starting another conference which will focus on architects, interiors, furniture and product. We’re going to extend it to architects and interiors from next year. We have a fair bit of expertise in the visual communication area. So we’re sending people from Kyoorius to the Milan Fair, London Design Festival. I don’t really understand the architect’s mind. I need to do a lot of research. From January we’ve been sending people to different conferences, festivals over the world, not related to visual communication to see what excites people and what kind of work they’ve been doing. We’ve been collating stuff.

     

    In terms of mix of people, we saw a fair amount of clients last year. Is it the same this year too?

    256, as of end of day today.

     

    What gets them to come?

    I once asked Karthi Marshan of Kotak this question. He brings his full team to the conference. He says, ‘For me, Designyatra is a pilgrimage. A place where my mind in that field of creativity, I get exposed to so many different things. I get exposed to a lot of people’s thoughts around the world, to what pushes people and I can then apply this to my business when necessary. I feel inspired, very nice listening to them. It’s the overall curated content.

     

    But you don’t get clients who come to speak too? Like Coca-Cola, McDonald’s, P&G?

    It’s a creativity conference. It’s not necessary that we must have only creative people but the plot has to revolve around creativity. This year too, we have a CEO of Moving Brands. Next year, we already have five speakers lined up.

     

    Why do you plan so much in advance?

    Most of the speakers are busy, there are a lot of conferences, advertising sessions happening around the world. These are people who are called to every conference in the world. That is a tedious task. One week away from work, three days preparation prior to that. There’s only that mush time each of them allocate to go to a conference. I’ve been trying to get Michael Bierut for two years now. He’s booked till 2016 because his fundamental rule is only to attend three conferences a year. Can’t spare more of my professional time, he says. I’ll get him in 2016. I have no choice. Basis the radical change we’re planning to have, I’d like to have those people booked in much earlier. It’s easier to do that too. I also think it’s unfair to the 1300 people who come, who plan three months in advance. Spending 50,000 to come. It’s not a small amount. Companies send 50 people to the conference. They spend upwards of Rs 25 lakh. It will be very unfair of me if I didn’t give them what they expect. It’s not possible in just two months.

     

    How many do you have working on the Designyatra?

    Three, full time

     

    You have nobody from the industry advising you?!

    We talk to people, we bounce off ideas. But we don’t have anybody on the committee. It’s Kay and me who are at core, Chaitanya is the third. We’re quick, agile. Fast No politics no egos to be satisfied.

     

    How are the design awards going?

    Very well.

     

    You raised the bar to a great extent with the advertising awards. Now you have to match that.

    I have to match that with the next advertising awards. Not really with these awards. The benchmark we set for advertising awards is the same for design awards. Except may be the awards night. The jury selection, curation, international jury mix, the software used, the process, it’s all the same. The D&AD involvement. The benchmark for advertising was only in the curation of the awards. Advertising is a much larger industry, design is a smaller one.

     

    So, will we have the same fizz and frolic at the awards?

    Not the same, but similar.

     

    The same extra large stage and scale.

    Can’t, because you can’t create that in Goa indoors. There’s no other place in Goa to create that. But, in terms of the graphic, the language, the look, feel, etc, it will be similar. Very unlike last year. I think, I set a bad example for myself last year, that helped me do better in the advertising awards and will help me do better in the design awards.

     

    Any entertainment acts on any of the days?

    No. No. The conference is a serious one where you must have networking in the evening. Also, an awards needs to be serious. You must have an opening show and a party afterwards. Entertainment every half hour or 45 minutes takes away the seriousness and the respect for the winners. We won’t do that.

     

    Are the sponsors happy with it?

    I don’t think entertainment adds to the sponsor’s value. The recall value for any sponsor for our advertising awards or Designyatra is far greater than for any other event in India.

     

    If you see a large television or film awards these days, you do remember the sponsor. For a conference, not just yours but even Goafest, there’s hardly any recall for thee sponsor.

    I’ve spoken to people who’ve come back to me and said, ‘Hey! What a great advertising show you’ve created. I’ve heard about it, brilliant! Colors is so lucky to have caught onto it early.” This is about 10 days back. Then they know Colors being a sponsor. We never have more than five sponsors. This doesn’t include media or event or hospitality partners. That means one title, one, powered by, one main and two associate. We will never take more than one from the same industry. If you have Zee as a sponsor for Designyatra, I will not have any other broadcast channel, not Colors. Max we allow two that too if it’s part of the agreement. Beyond two is something we won’t agree to ourselves. A sponsor must get full value out for the sponsorship.

     

    I’ve seen that Zee and &Pictures are your principal sponsors this year. Is there any integration with the entire event? Something in the conference or an element that will remind people of the association with the conference?

    We’re doing some stuff. It won’t be on stage. We’re very serious about the speakers and content on stage. We do integration in different ways. This year we’re creating something special for & Pictures and Zee. We’ll do something or the other in and around the conference, certainly. But not a direct intervention in the content of the conference.

     

    So you don’t have a person from Zee to speak?

    No. The audience knows that if a sponsor speaks, it’s a bought spot. I think that works in the negative even for the sponsor.

     

    We’ve spoken only about Designyatra. How’s the Digiyatra working for you? Has it worked well for your delegates?

    It’s evolved. See, Designyatra has always been a three-day event for us. In 2012, we decided to focus on digital because everyone was talking about digital. So we said let’s keep one day as digital. We didn’t brand it Digiyatra three. We called it a Digital Day. The next year we decided to split it because digital is going to be the future. That’s the future we all are in and it’s important people learn from that. To brand it separately, we also brought in the International Advertising Association to support it and made it flexible for the audience to just attend Digiyara if they’re from the digital domain, or not come for that and come only for Designyatra. Or you could come for both. This year we have about 1150 people coming for Digiyatra and 1420 people coming for the next two days.

     

    And how many of them are not common?

    There only 50 people coming only for Digiyatra. Digital is now the mainstream. It’s no longer a divide.

     

    This piece  is going to come on Monday. Is there any message for someone who’s not registered and still wants to come in?

    I’d like to say: Please come next year.

     

    * Disclosure: MxMIndia is a media partner of Kyoorius Designyatra (and Digiyatra)

     

  • Speakers for Kyoorius Designyatra, 2014 announced

    By A Correspondent

     

    Kyoorius has announced a lineup of speakers for IAA Kyoorius Digiyatra and Kyoorius Designyatra 2014. It includes a diverse pool of creative minds from India and the globe, which will engage delegates in stimulating discussions both on and off stage.

     

    IAA Kyoorius Digiyatra is an entire day event dedicated to all things digital, and will be held on 11th September. Delegates can expect to hear from the likes of: Dhairya Dand – Designer, Researcher & Artist at MIT Media Lab; Elizabeth McGuane – Content Strategist & User Experience Designer; Fernanda ‘Fefa’ Romano – Chief Creative Officer, Naked Brazil; Gaston Legorburo – Executive Director & Worldwide Chief Creative Officer, SapientNitro; Christian Etter – Founder of Etter Studio; Tim Malbon – Founding partner of Made by Many.

     

    Designyatra, which takes place from 12th to 13th of September, will offer delegates the opportunity to imbibe knowledge and insights from some of the most innovative thinkers and entrepreneurs, share their experiences and have meaningful face-to-face interactions with peers.

     

    Some of the speakers at the event include: Ajaz Ahmed – CEO and founder of AKQA; David Berman – Founder, David Berman Communications; David Law – Founder, Co-Owner, Executive Strategic Creative Director, SomeOne; David Sherwin – Fellow, Frog Design; Ivan Chermayeff – Principal, Chermayeff & Geismar & Haviv; Liam Paton – Co-Founder & Music Director, Silent Studios; Michael Wolff – Founder, Michael Wolff & Company; Morihiko Hasebe – Executive Creative Director, Hakuhodo Inc.; Jonathan Ford – Founding Partner & Chief Creative Officer, Pearlfisher; Mat Heinl – Chief Executive Officer, Moving Brands; Natasha Jen – Partner, Pentagram; Nathan Prince – Co-Founder & Creative Director, Silent Studios; Simon Manchipp – Founder, Co-Owner, Executive Strategic Creative Director, SomeOne; Stalin K – Director & Managing Trustee, Video Volunteers; Todd Rovak – Managing Partner, Fahrenheit 212.

     

    Both Designyatra & Digiyatra will be moderated by Patrick Burgoyne – Editor, Creative Review.

     

    Rajesh Kejriwal

    Rajesh Kejriwal, Founder CEO, Kyoorius said, “Year after year our aim has always been to exceed our own expectations and this year too we have aimed to get the best of the best at Designyatra. Our speakers will discuss their approach to design and share their insight into ideas that are taking the world by storm in design, digital, branding, communication and more.”

     

    This year, Kyoorius Designyatra will be held from 11th to the 13th of September at Grand Hyatt, Goa and will be attended 1300 delegates. The theme is What if?, which will be explored through a variety of formats such as talks, breakout sessions, portfolio reviews and more.

     

  • D&AD-backed Kyoorius Design awards jury session starts in Pune

    By A Correspondent

     

    All roads from Pune lead to the temple town of Pandharpur with the procession of the devout Warkaris. But for the design community in the country, all roads lead to the DSK International Centre off Solapur Road where the judging for the Kyoorius Design Awards is happening. Being held in association with D&AD for the second consecutive year, the jury session of India’s largest design awards starts today. (*See Disclosure)

     

    As many as 468 entries are being judged across nine categories, ranging from Branding & Identity, Design for Communication, Packaging, Space, Books to Writing and Editorial. The tally is up 37% from last year. With this the total creative awards entry count at Kyoorius Awards aggregate 1456 across advertising, digital and design in 2014.
    The Kyoorius Design Awards offer a diverse range of categories that recognize both comprehensive design projects as well as individual components. To this end, the Design Craft jury is dedicated to illustration, typography, graphic design and photography.

     

    A mix of the top international, regional, and Indian creative minds have been invited to ensure that work is compared against industry best practices, while keeping the Indian context in mind.

     

    The Kyoorius Design Awards jury includes three international and three Indian design gurus. These being: Jury Foreman Michael Johnson – Creative Director & Principal, Johnson Banks, Brendan Mccormick – Creative Director, Fitch, Felix Ng – Creative Director, Anonymous among the international members and Alok Nanda – Founder & CEO, Alok Nanda & Company, Anthony Lopez – CEO & Principal, Lopez Design and Ram Sinam – Co-Founder, Trapeze as the Indian members.

     

    All jury members are gathered at the DSK International Campus in Pune which offers professional courses in animation, game design and industrial design. All voting is private, never by a show of hands. The last day of judging – June 25 – will be open to the media and professionals and students. Visitors will have the opportunity to view the best in Indian design, understand the judging process and watch jury members debate entries.

     

    Rajesh Kejriwal

    Said Rajesh Kejriwal, Founder and CEO of Kyoorius: “Design is at the root of creativity. Over the last 5 years we have seen the role of design change in India – from being a non-essential to a critical tool for business development and growth. We’ve seen significant growth in participation both at the awards and at Designyatra not only from designer and studios but from clients themselves.”

     

    Winners of Blue and Black Elephants will be awarded at Kyoorius Designyatra 2014, the annual creativity and innovation conference held in Goa from September 11 to 13, 2014. In-book winners, also considered nominees for Blue Elephants, will be announced in August. Alongside winners, nominees will be featured in the Kyoorius Design Awards Annual, an annual publication that is distributed to over 5000 corporates in India.

     

    Funds raised from the Kyoorius Awards are funneled back to stimulate the Indian creative industry through programmes such as FYIdays, noted a communiqué, adding: In conjunction with the jury sessions, Kyoorius will host a FYIday with branding guru Michael Johnson on 24th June in Pune at Sumant Moolgaokar Auditorium, and on 26th June in Mumbai at ISDI Parsons Mumbai.

     

    For more information about the Kyoorius Design Awards, visit awards.kyoorius.com

    To learn more about Kyoorius FYIdays, visit kyoorius.com/fyiday

     

    *Disclosure: MxMIndia is a Media Partner of the Kyoorius Design Awards and Designyatra

     

  • Kyoorius boasts of 988 entries, Goafest curiously still mum on numbers

    By A Correspondent

     

    The D&AD-backed Kyoorius Advertising and Digital Awards have received 988 entries across 14 categories from a variety of agencies, studios and clients. At the time of writing, the Goafest committee and the Advertising Club in particular have not revealed the number of entries received or announced the names of the jury heads. Despite various attempts by MxMIndia over the last week, the apex adfest has curiously not revealed the number of entries officially. The aggregate number of entries given to MxMIndia by Goafest committee members was 2700.

     

    According to a report in Business Standard today, the “approximate” number of entries received by the Advertising Club for Creative and Digital are 2000 and an additional 619 are for the Media Abby. The total number of entries received is “estimated to be about 2700”.  On the other hand, while the number for creative and digital is 988 at Kyoorius, the flagship design awards will see around 700 entries, if last year’s tally is an indicator. The last date for receiving entries for design is June 5.

     

    Meanwhile at Kyoorius, Ogilvy (O&M), OgilvyOne, Grey Worldwide, Creativeland Asia, Alok Nanda & Company, Bates, BBDO, BBH, Contract Advertising, DDB Mudra, GroupM, L&K Saatchi & Saatchi, DigitasLBi, DraftFCB Ulka, Happy Creative Services, Hungama Digital Services, Indigo Consulting, Isobar, Linen Lintas, Publicis, RK Swamy BBDO, SapientNitro, Scarecrow, TBWA and Webchutney are amongst nearly 200 entrants nationwide. According to information received although JWT may not have officially participated, over a dozen entries listing JWT as the client have been entered in the Awards by production houses.

     

    Several clients such as Zee, HBO, Hindustan Times, ixigo.com, Merck Serono India, HP, Mynta.com, Piramal, Times Television Network, Times City and Viacom18 have also sent in entries directly. Participation has come from over 20 location in India including Ahmedabad, Bengaluru, Baroda, Bhopal, Chennai, Cochin, Delhi & NCR, Hyderabad, Jaipur, Kolkata, Mumbai, Nagpur and Pune, according to a communiqué.

     

    It may be noted that last week, MxMIndia reported that Leo Burnett India has also entered the Awards. While the information was true at the time of writing, our sources say that the agency withdrew the entries after our report appeared. Leo Burnett also issued a formal statement asserting that it is not entering any awards show this year.

     

    “Our entire process is entirely transparent,” said Rajesh Kejriwal, Founder and CEO, Kyoorius.

    “This holds good for the number of entries received as well as the way each entry was validated. All jury members gather on ground in Mumbai to review, discuss and elect the best of the best over an intensive three-day session. The entire process over the first two days is open to the public, the fraternity and the media.” The third day of judging where the final winners will be discussed will however not be open, Mr Kejriwal informed.

     

    According to the communiqué issued, Sajan Raj Kurup, Founder and Creative Chairman, CreativeLand Asia will also join the Kyoorius creative jury. Mr Raj Kurup joins jury foreman Neil Dawson of Dawson Pickering alongside Sonal Dabral of DDB Mudra, Abhijit Avasthi of O&M, Carlos Anuncibay of Saatchi & Saatchi, Graham Kelly of Isobar, Senthil Kumar of JWT and Woon Siew Hoh of Hakuhodo.

     

  • Final entry deadlines extended: Goafest Abbys to April 23, Kyoorius to April 28

    By A Correspondent

     

    The final deadlines for the Goafest Abbys 2014 and the D&AD-backed Kyoorius Awards have been extended.

     

    The Awards Governing Council of Goafest 2014 has extended the last date for submitting entries in the Creative, Media, Digital, Direct, Design, Promo & Activations, PR, Publishers & Broadcasters Abby categories to Wednesday, April 23, before 5 pm.

     

    The entry forms can be downloaded from www.theadvertisingclub.net. Goafest 2014 will be held from May 29 to 31 at The Grand Hyatt, Bambolim, North Goa.

     

    Meanwhile, the Kyoorius Awards which are bringing in the well-known D&AD Awards to the country, have also extended their final deadlines to April 28. The details for the awards are at http://awards.kyoorius.com. The Kyoorius Advertising Awards will be presented on Thursday, June 12 in Mumbai.

     

  • The Wally We Knew

     

    By Rajesh Kejriwal

     

    Rajesh Kejriwal

    I rarely classify people, even those that i admire and like, as “fine human beings”. Wally, undoubtedly, was one of those fine human beings.

     

    I first met Wally when I Invited him to speak at Kyoorius Designyatra in 2007 and my first impression of him was that he does not suffer fools easily and has a zero tolerance for bull-shitters. So, in the beginning, i decided to handle him with kid gloves – something I have to do with many a speaker who have fragile egos or need attention. But within the first two hours of his presence at Designyatra, – I realised my mistake. Wally had a very warm side to him and really really cared about people. He said that I would do better looking after other speakers and that he would do better meeting young people and in his usual witty style said: let me be with people who admire me. This is one of the many many photos of Wally with youngsters at Designyatra in 2007 - It was amazing to see admiration in the young ones’ faces, and how he treated them with the greatest honour and love. He absolutely loved the currency with his image and took back an entire bundle of them.

     

     

    Avik Chattopadhyay on Wally: Brutally frank, eternally optimistic

     

    Avik Chattopadhyay, Marketing Head, Volkswagen India, was CEO – Indian Operations at Saffron Brand Consultants in 2010-11 and interacted with Wally as a client, employee and a friend

     

    By Avik Chattopadhyay

     

    I met Wally Olins in 1990, not in person, but through his book Corporate Identity.

    Since then I have been an admirer, client, colleague and well-wisher.

    What struck me most about “Sir” are his brutal frankness, brevity in expression and eternal optimism.

     

    Being around and with him, I have seen many who copy Wally Olins… his words, his opinion, his thoughts and even parts of his work. For, many amongst us want to ‘be’ Wally Olins. But Wally Olins was and remained himself.

     

    And that is what I have learnt from him… to stop living others’ lives and be myself. My identity, my truth and my being.

     

    That is what Wally Olins wanted in each of us.

     

    As individuals. As experiences. As brands.

     

    Avik Chattopadhyay is Marketing Head, Volkswagen India. He was CEO – Indian Operations at Saffron Brand Consultants from February 2010 to April 2011 and before he joined Saffron, he interacted with Wally when he worked with Apollo, one of Saffron’s first clients in India

     

    A few months later I got a mail from Wally. He was coming back as a delegate member of the London Mayor’s visit to India. He was in Mumbai over the weekend and asked if I would like to catch up. I met him on a Friday evening and learnt that he was totally free over the weekend.  He commented on how he drove from Mumbai to Kashmir back in the days he used to head what is now O&M India and that he loved the roadside dhaba food. I asked him out to lunch the next day and decided to take him out to Sunny Da Dhaba in Lonavala - That seven-hour journey for lunch, kind of, sealed a friendship that I have very fond memories of and will always cherish. At the end, he thanked me in his classic style – you know this is why I love Indians – who else could take you out for a total of seven-hour lunch –  a four-hour journey time for lunch and three hours over lunch.

     

    It was also that visit when he sealed the deal for Apollo and subsequently came back quite often to India and we met always. In the beginning of 2008, I connected Wally to Bajaj Auto and then he decided to open an office in India and made me a independent director of Saffron India and my journey with Wally began – a journey that has shaped me in many, many ways.

     

    The one very distinct quality about Wally was that he would say what he thought, would not tolerate second-rate thinking, writing or communicating and everyone who was around him would get balled, some of us who were close to him would get balled more frequently.

     

    One of the many things that I took from Wally was about being on time. Though i must admit Wally was always very anal about it – he would want to arrive at the airport a minimum of three hours earlier and if someone dropped him four hours earlier, he would love that person. We went to every meeting with a minimum of 15 minutes to spare and God forbid if the client delayed the meeting for more than 15 minutes. Once a Chairman kept us waiting for almost 70 minutes and I was bearing the brunt of his frustration during that period and trying to explain how this happens in India. At the end, when the Chairman walked in without an iota of feeling sorry for the delay and walked in and just started talking about his company. Wally stood and said – “So far its been a absolute displeasure meeting you and you have five minutes to change my perception about you. If you do, then and if you want, we can meet tomorrow at The Leela at four. The Chairman was dumbfounded but was immensely contrite, apologised profusely and said that he would meet Wally at The Leela.

     

    But that was Wally but he did it with a flair that was as brutal as it was charming and at the end, everyone still liked him. He is the only person i have met who would literally shame you with his words but win your heart at the same time with his twinkling eyes and witty humour. But when you knew him closely, you also realised that he had great patience in talking to his colleagues, spending immense amount of time explaining to them, guiding them repeatedly and was very caring to ensure that all the people under him grew with learning.

     

    Once we had some free time in Kolkata and he took me to the Victoria Cemetery and spent an hour guiding me, i was very impressed. It was only later that i realised that this was only his second visit and that the first one was almost fifty years back. But that was classic Wally – he had an insatiable curiosity and would absorb anything and everything.

     

    I have known Wally for the last seven years but those who really spent time with him also know that Wally was one person who made you so comfortable personally, became family and made you feel a part of his family. It’s been an honour and i feel blessed that i had the opportunity of being a part of Wally’s journey, of our families being close to each other.

     

    I know we have lost him but we have not lost him as a role model in my lifetime. My wife and children were equally devastated yesterday. He would sit down for hours with my daughter and advise her on her career. In his last visit, he invited her to London and work with him for four months. My daughter was planning to go in July this year. Sadly, Wally won’t be around, but am sure he will continue to advise her, painstaking as he always would, from up there.

     

    Rajesh Kejriwal is Founder and CEO, Kyoorius, a not-for-profit initiative that organises the Designyatra and various Design-related events. He is also Chief Editor and Publisher of Kyoorius magazine. After a successful D&AD-backed Design Awards last year, this year Kyoorius is also hosting the Advertising and Digital awards, backed by D&AD.

     

  • Wally Olins: The joys of eating with your fingers

    This column, originally titled ‘How I Like to Eat’ appeared in Kyoorius magazine in December 2013. Republished with permission from the publisher.

     

    By Wally Olins

     

    The other day I went out to a very smart dinner party in London. There were about twelve people there. The men were all wearing dinner jackets and bow ties and the ladies wore very glamorous, expensive frocks. We all stood about in a rather grand room having drinks, then we drifted into a vast dining room. The shiny mahogany table was decorated with mountains of candles and silver and, when I looked down, I saw a vast mass of cutlery and glass. There were four knives on one side and four forks on the other side of my place setting and two spoons and forks and a knife on top, together with several glasses, all of different sizes and shapes. There were, of course, side plates, dinner plates and plates on top of the dinner plates, all exquisitely decorated – if you like that kind of thing. My table napkin was so large I was nearly choked by it. Water was served; still or sparkling? White wine. Then red wine. Then a different red wine in a different glass. And it went on and on.

     

    Wally with students

    Naturally, as the various courses were served, mostly small bits of hugely decorated pastry stuff, everybody chased the tiny portions around their plate with a small knife that wouldn’t cut and a fork that wouldn’t hold. We all delicately nibbled away, starting with the knife and fork on the outside and gradually moving inside. It went on like that for quite a long time. For ever.

     

    Eventually a meat dish arrived. I just couldn’t properly slice or spear the piece of meat clinging to a fine bone on my dinner plate. It kept on slipping around. Eventually, I surreptitiously picked it up with my fingers, which I hid behind my vast napkin. That’s when I began to think how much nicer food tastes when you eat it like that. There’s something about cutlery and the whole paraphernalia of the way food is served in the west which seems to me to undermine its taste.

     

    Why can’t we eat with our fingers? I so much prefer sitting (not on the floor with knees crossed though) – just sitting, on a chair, at a table, tearing the naans and parathas apart while chomping away at some marvellous tandoori and rice and pilau and biryani and fish curry with lots of sauces on the side. It’s so much tastier and so much more fun. And I’m quite content with the Kingfisher beer that goes with it.

     

    India, for me, in the eating department you win hands down.

     

  • India Shining @ D&AD global awards

    By A Correspondent

     

    Indian craft and creativity was recognised in a big way at this year’s D&AD Awards, with an incredible 25 Awards handed out to Indian entrants, with three of those in contention to win a Yellow Pencil as Nominated* work.

     

    In 2013, India achieved just two In Book Awards with no Nominated entries. Meanwhile, this year’s haul elevates India to a highly respectable 9th in the global table, further consolidating the Indian creative community’s burgeoning reputation on the international stage. While In-Book refers to work that will be included in the 52nd D&AD Annual which will be published in September 2014, Nominations refers to work that will be included in the D&AD Annual and is also being considered by the Jury for the award of a Yellow Pencil. The Yellow Pencil results will be announced at an event in London on 22 May 2014.

     

    Ogilvy & Mather India earned two Nominations in Graphic Design and Crafts for Design for its work with WWF India in addition to a further four In Books within Outdoor Advertising.

     

    At this stage (before the Yellow Pencils are awarded in May), McCann Erickson India is the most awarded agency from India, earning 10 In Book Awards and a Nomination in the White Pencil category for its Share My Dabba campaign for Happy Life Welfare, The Dabbawala Foundation.

     

    D&AD is partnering with Kyoorius to bring the awards with the same standards of judging and creativity. The awards are scheduled to happen on June 12 in Mumbai with the Call for Entries having been issued already.

     

    Tim Lindsay

    Said D&AD CEO Tim Lindsay: “Entries to D&AD have gone up over 10% this year, which is a reflection of D&AD’s increasing popularity in maturing creative markets like Brazil and China. The main theme we’re seeing this year is one of convergence: the lines between categories are becoming more and more blurred, which means ideas have to be smarter and the execution more pristine than ever. We’ve also seen a massive increase in smaller design studios entering – which I hope indicates the creative industries are in rude health at every level.”

     

    In total, 683 awards were handed out at the 2014 awards, up on the figure of 614 from the previous year. Globally at this stage (before the Yellow Pencils are awarded on May 22), Grey London has racked up the highest number of Awards with 19 (2 Nominations and 17 In Books).

     

    There has been a crop of Awards for Ogilvy&Mather Paris’s ‘Smarter People for Smarter Cities’, which took 13; Grey London’s ‘The Sunday Times Rich List’, which took 11 and Ogilvy & Mather Brazil’s ‘Real Beauty Sketches’, which took six.

     

    As a non-profit, all of D&AD’s surpluses go straight into programmes that develop the next generation of creative talent while campaigning for the creative industries to help solve the world’s toughest social and environmental issues. As has been reported earlier, the surpluses from the D&AD Award’s Indian avatar, will also be ploughed back to help the fraternity.

     

  • It’s here. Kyoorius Ad Awards on June 12

     

    By A Correspondent

     

    Kyoorius, a not-for-profit initiative by Transasia Fine Papers and D&AD have unveiled details of the Kyoorius Advertising Awards to be held on June 12 in Mumbai.

     

    Rajesh Kejriwal

    Announcing this to the media and later a select group of industry captains, Rajesh Kejriwal, Founder CEO, Kyoorius and Tim Lindsay, CEO, D&AD underscored the emphasis to ‘merit’ at the inaugural edition. “We will only award work that is worthy of the award. No matter how big the brand, or how small the names behind it and how wide the media reach is or the number of re-tweets, the ultimate goal is to create outstanding work that works,” said Kejriwal. The Kyoorius Awards will have no winning tier structure - no gold, silver or bronze, and it is the jury’s prerogative to award one or multiple entries in any one category, whereas none in another, if entries are not up to the mark. The Award to be given away to each winner is called the ‘Blue Elephant’ while the ‘Best of Show’ will be the ‘Black Elephant’.

     

     

    Tim Lindsay

    According to Lindsay, who has had experience of overseeing the Indian operations of Lowe when he worked with the agency network, D&AD has big plans for India. “We have expanded the awards to include advertising and digital alongside the existing design and student categories. Moreover, our’s is a not-for-profit initiative and through the Kyoorius Awards, we will plough back all our profits to the industry and the talent here,” he said.

     

    For the advertising awards, international jury members include Rosie Arnold – Deputy Executive Creative Director, BBH, as Jury Foreman, accompanied by Graham Kelly – Regional Executive Creative Director, Isobar, and Woon Siew Hoh – Regional Executive Creative Director, Hakuhudo. From India, jury members include Abhijit Avasthi – Executive Creative Director, Ogilvy & Mather, Agnello Dias – Chairman & Co-Founder, Taproot India, Senthil Kumar – National Creative Director, JWT, and Sonal Dabral – Chairman & Chief Creative Officer, DBB Mudra Group with more to be added soon.

     

    The entries will be accepted from March 20 onwards and the deadline for entries is April 21 with April 28 being the last date for postal entries. While the first round of judging will be done online, the entiry jury will assemble in Delhi in May 2014 over three or more days to select the winners from the shortlists.

     

    Meanwhile, the Abby Awards which will be held from May 29-31 has not yet announced its jury presidents or call for entries.

     

     

     

  • Abhijit Avasthi: As of today, Ogilvy not participating in Abby. But if Ad Club accepts its demands, it could…

    By A Correspondent

     

    Abhijit Avasthi

    Even as the Advertising Club, the Advertising Agencies Association of India and the Goafest committee finalise the dates of Goafest 2014, there’s no confirmation on whether Ogilvy & Mather will participate in this year’s Creative Abby.

     

    At its inhouse Envies awards, National Creative Director Abhijit ‘Kinu’ Avasthi , had told MxMIndia: “There are certain changes that we are looking for at the Abbys and till the time they do not happen, we definitely would not be thinking about it.” And should the changes happen? “We will think about it then.”

     

    So when we called Mr Avasthi for his reactions of the D&AD-backed Kyoorius Advertising Awards yesterday and asked him on the Abby participation, he said matter-of-factly: “No, not as of now. However, if they accept our conditions and change their stand, we may consider.”

     

    Last year, while confirming the news on not participating in the Abby, Mr Avasthi had told us: “We felt that they were not energizing our people as they used to earlier.”

     

    And when asked if Ogilvy will participate at the Kyoorius Awards, Mr Avasthi said: “We’ll want to hear a little more. I don’t know much about it.”

     

    An industry and Abby observer told us that by deciding to hold the awards in Mumbai and having very few judges, the Kyoorius hosts meet two of the main demands of Ogilvy. In addition, Mr Avasthi & Co are said to be peeved about too many unimportant categories and a skew towards domains where there is not much creative work done through the year.

     

    Watch this space for more.