Tag: Goafest 2013

  • Adland bullish on Goafest 2014 with Sundar Swamy incharge

    By A Correspondent

     

    We all know of the mess that Goafest, the annual adfest of India’s advertising and marketing services industry, has been in. The Advertising Agencies Association of India delayed the announcement of the date for reasons best known to it. And there were reservations from many of the top ad agencies on their participation in the Creative Abby.

     

    Already the reputation of Goafest had taken a beating last year with charges of plagiarism and scam advertising impacting the credibility of what’s decidedly the mainstay of the event: the Creative Abby. “Ogilvy not participating in the Abby is like Brazil pulling out from the World Cup Soccer or China from the Olympics,” said one organiser and ad honcho on anonymity.

     

    The last straw in the mess on Goafest was the stepping aside of Nakul Chopra as chairman of the Goafest Organising Committee earlier this week. The many delays in the dates meant that Mr Chopra would have to stay back from work for too long, and that’s something he could ill-afford.

     

    But the appointment of Srinivasan Swamy, better known in the business as Sundar Swamy, is said to be a masterstroke. Said the organiser-cum-honcho we spoke to earlier: “There are few people in the business who you can never say no to. Sundar is one of them.”

     

    A member of the India chapter of International Association of Advertisers cites Mr Swamy’s can-do attitude and a gentle mix of delegation-and-monitoring as the reason why IAA has superactive in the last two years. “There was no brief for the IAA to do what he has done. But Sundar achieved what Ad Club, AAAI and several other clubs and associations ought to be doing.”

     

    Yet, said the honcho, it’s interesting that Mr Swamy has taken on the responsibility when it’s indeed a tall order given that the odds stacked against it.

     

    Mr Swamy’s statement that the 2014 edition will be bigger and brighter may be looked at by many with a “let’s wait and watch”, but the balls have started rolling. The hotel has been tentatively booked, the dates are nearly sealed, and by shifting the proceedings indoors, there is hope that the heat generated around is more by the proceedings than the weather.

     

  • Bas Karo! No more complaints for plagiarism etc after today for Abby-winning ads

    By A Correspondent

     

    Shashi Sinha

    The Goafest Awards Governing Council chair’s job is a thankless one, as every such responsibility  gets to be. But this year, it’s gotten long and laborious with the committee headed by IPG Mediabrands and Lodestar UM CEO Shashi Sinha receiving complaints against winning metals until late Thursday.

     

     

    MxM View:

    Receiving complaints is a democratic prcess, and there should be no bar on entertaining them, but only at the shortlists stage and not after the metals are awarded.

     

    Also, the shortlisted ads must have the entry image/audio/hyperlinked on the Abby website for people to see. It will be great if the entire entry is also available for viewing – include the names of media vehicles used for the ad. The above information may be available for viewing to only registered surfers, if need be. Complaints can then be lodged before the final judging is done. There must be a fair amount of time between the announcement of shortlists and the final judging.

     

    Mr Sinha sent us a request asking us to inform the world that after today (Friday, April 12) evening, the AGC will not take any more complaints for the Creative Abbys . “Enough is enough and we must move on,” he wrote.

     

    Is the number of complaints received this year (post the awards) more than what was received last year, we asked him via mail. “Normally we don’t take complaints after the awards… this year: lots” he wrote back.

     

    Meanwhile, on the disputed BBDO Proximity creatives for DHL Express, 2 golds and 1 silver have been withdrawn. The AGC has also received complaints against ads that won Abbies for a large consumer durables brand as well as those for a branded TV event. Both are being processed currentl.

     

  • Mosaic II: Reliving the Best of Print

     

    By Johnson Napier

     

    Goafest 2013 saw agencies, big and small, make a beeline with their coveted entries at the Zuri White Sands in Goa. The hope was that the absence of the number one agency would lead to high possibility of others winning some metal at the festival. To everyone’s surprise, the number of entries that were submitted at the festival was the maximum ever entered so far.

     

    While the deserving entries across categories were awarded their share of merit at the festival, it was not just the teams from agencies who were rejoicing at the wins. They were joined in spirit and body by clients who were as excited in seeing their brand make an impact in the marketplace.

     

    While clients now acknowledge the uniqueness that the forum offers and make it a point to attend the festival, there is still not enough done from their end in recognizing the efforts put in by the workforce across agencies. Sensing an opportunity, print major Dainik Bhaskar Group showed its appreciation by unveiling the second edition of their much-appreciated work, Mosaic at Goafest.

     

    Through Mosaic, the Dainik Bhaskar Group lends recognition to and establishes a platform for creative agencies to showcase their best print work. Grander than its previous edition, Mosaic 2012 features 121 print campaigns across 105 brands from 31 top agencies. This number is significantly higher than the first edition where works by 70 brands created by 23 leading creative agencies in India was curated by the Dainik Bhaskar group. In fact, this year is more special as it features additional inclusion of select regional print work and the personal favourites section wherein industry experts offer their insight on what makes a print ad work.

     

    Highlighting the experience witnessed in compiling the second edition, Sanjeev Kotnala, VP – Brand & Marketing, Dainik Bhaskar Group said, “The second edition has more campaigns and brands in it. And yes, this time we do see a decent inclusion of regional – language work too. Also, the favourites have been picked by a mix of seniors from marketing and media.”

     

    Mr Kotnala added, “The entries featured in the book are by invitation only. We have, in consultation with our partner Afaqs, invited large agencies well-known for their creative to submit their work – agencies that have in the past won awards.”

     

    The book features creatives handpicked by creative heads across agencies. While each agency has submitted 5 entries, an exception has been made with DDB Mudra that sent 12 campaigns. Said Mr Kotnala on this decision, “The team looking through the entries found that all the entries submitted by them should be included for their excellence. Dropping any one would have been wrong in this case.”

     

    As was the case with the first edition, the second edition also contains a section – A different point of view – which sees seven industry heads select their favourites among the lot. Manish Vyas of VIP industries, Manisha Lath Gupta of Axis Bank, Santosh Desai of Future Brands, CVL Srinivas of Group M, Lara Balsara of Madison World, Mallikarjundas CR of Starcom Mediavest and Shripad Kulkarni of Allied Media have all presented their favourites from the list.

     

    The book was unveiled on the sidelines of Goafest along with the Dainik Bhaskar-sponsored IAA Debates by media industry captains: Prasoon Joshi, Vikram Sakhuja, Partha Sinha, Monica Tata, Anupriya Acharya, and Srinivasan Swamy. Industry stalwarts like Sam Balsara, Shashi Sinha, Nakul Chopra, Jishnu Sen, Alok Lal, Sanjay Naik, Bobby Pawar and KV Sridhar among others were present too.

     

    On the response that the book has managed to elicit so far, Mr Kotnala said, “The second edition has been appreciated and we had enough people at Goafest coming and asking for it. It is too early, but last year we had more than 8,500 downloads and more than 4,500 copies distributed. We expect the second edition to obviously fare better.”

     

    In fact Mr Kotnala and team are already brainstorming on what the third edition of the book should look like. On his expectations from agencies for the third edition he said, “Agencies qualify themselves for it. And we do not have any preference or bias but hopefully we would see more work being produced in languages.”

     

    And it’s no surprise where the third edition of the book will be launched. Asserted Mr Kotnala, “We shall, like this year, bring out Mosaic III before or during Goafest.”

     

    MxMIndia presents glimpses of some of the creatives shortlisted by experts…

     

     

    Manish Vyas
    Vice President – Marketing, VIP Industries Ltd.

    “A great initiative to bring together some of the best work in the industry. I am sure it will inspire many greater campaigns in the future.”

     

     

     

    Top 5 choices

    Click on the image for larger view

     


     

    Manisha Lath Gupta
    Senior Vice President and Chief Marketing Officer, Axis Bank

    “This book is a great study, as there is so much to learn from this collection of print ads. Many of them inspire marketers to think differently and take more risky decisions on creative.”

     

     

     

    Top 5 choices

    Click on the image for larger view

     


     

    Santosh Desai
    Managing Director and Chief Executive Officer, Future Brands Ltd.

    “Its a good initiative but needs more real work to become truly meaningful.”

     

     

     

    Top 5 choices

    Click on the image for larger view

     


     

    CVL Srinivas
    Chief Executive Officer – South Asia, GroupM

    “Hats off to Dainik Bhaskar for continuing this initiative. This compilation is adequate proof that print as a medium can be as effective as any other.”

     

     

     

    Top 5 choices

    Click on the image for larger view

     

    Lara Balsara
    Executive Director, Madison World

    “Great idea to further the cause of print. Can become a collector’s item.”

     

     

     

     Top 5 choices

    Click on the image for larger view

    Mallikarjunadas CR
    Chief Executive Officer, Starcom MediaVest

     

     

     

     

    Top 3 choices

    Click on the image for larger view

     

    Shripad Kulkarni
    Chief Executive Officer, Percept Media”An excellent initiative which can probably be taken to a higher plane and level to address the serious concern of lack of support to print from ‘creatives’ in a more holistic manner.”

     

     

    Top 5 choices

    Click on the image for larger view

     

    Text and images published with permission of the Dainik Bhaskar group. The e-book can be downloaded from http://www.bhaskar.com/mosaic/

  • 5 things we’ll want to forget about Goafest

    The controversies didn't seem to dampen spirits at the raindance at Goafest 2013. Photograph by Shailesh Mule/Fotocorp

     

    By Pradyuman Maheshwari

     

    Every Goafest has its share of controversies, and this year’s was no better. Or worser, pardon the use of the word. Now that the event has concluded, here’s a list of the five controversies about the Creative Abby that we’ll want to forget soonest. However, it may make sense for the Awards Governing Council to take measures to avoid an encore.

     

    #1 Big O Missing

    At first it was Ogilvy not participating. The folks have been maxing all these years, and have been producing outstanding work. A Creative Abby without Ogilvy is, as Anil Thakraney writes in Hard Knocks, like the World Cup Cricket without Australia and England.

     

    Well, we didn’t see Ogilvy get back and all the pleading from the Goafest folks couldn’t get them to reverse their decision.

     

    The result: a Creative Abby minus Ogilvy. That didn’t see Lowe get back as it stuck to its stand of boycotting the adfest.

     

    Leo Burnett has been winning a fair bit over the years, and it wasn’t much of a surprise that it won the maximum metals, even though none of them were a Grand Prix.

     

    #2 Scams – JWT withdraws Ford Figo

    Ford’s controversial, gender-inappropriate advertising cost CCO and Managing Partner Bobby Pawar his job a few weeks back. At first it appeared that the ad was just uploaded on ad showcase site adsoftheworld.com.

     

    But, as it emerged, that the creatives were also entered at Goafest and as is the requirement of the Abby, the ads should have been carried in media and must be entered with the clearance of the client. The Ford Motor Company took this very seriously and an as-yet-unnamed marketing department employee who cleared the ad lost his/her job.

     

    #3 Inner Circle member quits

    Much celebrated independent ad agency honcho Sajan Raj Kurup publicy quit the Goafest Awards Governing Council (AGC) and had CreativeLand Asia opt out of the awards. His rationale: “Personally, to me it just doesn’t feel right deep inside my heart to be associated with awards in any way in our country.” His letter to the AGC is reported to have said: “I have decided, with the support of my organisation, not to return to awards in this country till we take up the issues on scams seriously and take stringent steps against these.”

     

    Ahem. Kurup’s resignation was accepted, but his agency’s pullout wasn’t. CreativeLand Asia had 3 silvers and 4 bronzes to its credit.

     

    #4 Radio ga-ga

    Should similar entries of a campaign in a certain category be clubbed together for a metal or should these be put in separately. At the Creative Abby, many juries decide to club them together – esp if there are different renderings of a certain creative idea or theme. But in the collective wisdom of the radio jury, the various entries were retained as separate ones… ensuring the numbers of entries received by certain agencies leapfrogged. Not everyone was amused by this on awards night, but we’ve been told that we shouldn’t read too much into it.

     

    #5 When the client said it didn’t pay for the award

    Although the Creative Abby is a celebration of creativity, the awards are meant only for ads that have been published/aired/put up somewhere. After the shortlists are done, the auditor contacts each and every client to ascertain whether the ad shortlisted was indeed entered by it. Pretty sound procedure this.

     

    Now in the process this year, a certain company from one of the most trusted business conglomerates in the country told the auditor that it hadn’t paid for the entries and the agency did it for the sake of awards. This was enough reason for the authorities to say ta ta to the entries, but soon enough a communication was received from the client saying that it had indeed released the award.

     

    Evidently someone from amongst the ‘authorities’ went to the client asking him/her to send in the clarification. Since we don’t have anyone on record, we wouldn’t name names, but suffice to say that there was some sound-and-fury and lobbying over these developments.

     

    The episode doubtless left some aftertaste, making a wag remark: Namak mein kuch kaala hai! Or should it be dal mein…

  • Metals proved that young team needs to be empowered: K V ‘Pops’ Shridhar

    In the past few weeks, the advertising industry saw a lot of ups and downs. But as the biggest award function – Goafest – of the industry ended, the best was applauded and appreciated. Leo Burnett triumphed at the event with 9 Gold, 34 Silver and 28 Bronze.

     

    MxMIndia’s MEGHNA SHARMA spoke to the agency’s chief creative office for the India subcontinent, KV Shridhar, who donned the angry young man look in a promo for the Goafest asking God to give him the metals, this year..

     

    So, the God has answered your prays?

    (Laughs) Yes. He has and how!

     

    Obviously it’s an amazing feeling, but do share with us a little more about the win?

    There are couple of things which I would like to mention. Firstly, all of our big campaigns like KBC, McDonald’s, Coke Studio etc won, which is very gratifying. Secondly, we won at every vertical which again showcases the vastness of our work. And lastly, there was a lot of criticism when we empowered our young talent. But this has been a testing ground where we have proved out that what can the young brigade do. Nitesh Tiwari and his team has made us very proud.

     

    Were you expecting so many metals?

    Never expecting anything. Ad when you win, the feeling is out of this world. However, it’s always good to be appreciated for your work.

     

    Of all the metals this year, which is the most special for you and why?

    The KBC girl child one. It is very dear to us as it was beyond advertising. I have been fighting for gender equality for years now and I hope this campaign and our win would make others sensitive towards women too.

     

    Last year, the tally was three and this year, it’s nine golds… who would would you attribute this jump to?

    The level of craft has improved and increased a lot. The technology, design and the new-age media has upped the game.

     

    Apart from the controversies and win, what has been the high point of the event, this year?

    If we take a look at the winner’s list, in the top 15 we’ll find a production house, design house which only means that now Goafest is not about Abby alone, but about ‘communication’. All the verticals have come together and are getting encouraged and recognized. This will help the industry in a long way and is a huge step as well as positive thing for the industry.

     

    What is your aim for next year?

    To keep up the good work.

     

    And lastly, how do you think these win will impact you and the agency?

    We are going to put this behind us and relax for a few days. And come back with new energy to bring out good work for our clients.

     

  • Leave marketing behind: Pepsi’s Shiv Singh

     

    Shiv Singh

    By A Correspondent

     

    On the second day of knowledge seminar sessions at Goafest 2013, Shiv Singh, Global Head (Digital) of Pepsi, spoke about “Why no one cares about marketing” and outlined five ideas which he said were important in the current climate.

     

    1 Leave marketing behind

    Expanding on this, he gave the example of Beyonce’s unmarketing campaign, #beyherenow. “It was not just an ad but a new lens into Beyonce,” he said. The ad also launched a new song, Grown Woman, and the visuals and lyrics were anchored in the culture of her past and her future. It was the start of a deep creative collaboration.

     

    2 Think about experiences, not more ads

    In an age when every brand can have a tangible relationship with customers, original programming, owned or shared distribution, and sustained engagement and loyalty are replacing traditional marketing, Mr Singh said. He said digital data should be used to drive new business insights. “The insights you get from social impact how you understand cultures, consumers, brands and products, and how you can predict sales and measure engagement.”

     

    3 Bet on Facebook.

    He said that though Facebook was here to stay, the mere number of likes a brand has on Facebook is meaningless. “Having a lot of likes is like having a large hall with empty chairs. It’s meaningless unless you have people sitting in these chairs,” he said, adding that it is more useful to have a smaller audience that engages.

     

    4 Develop a 365-day culture. When the customer is listening 365 days, the brand should be there too, Mr Singh said. Realtime marketing is the answer, with realtime insights, and response, content studio, co-creation and distribution happening in real time too.

     

    5 Capitalise on the India opportunity. He said advertising needs to look at new forms of creativity. “Commercials are videos. Embrace that notion now,” he said, recommending that agencies should hire as many journalists as they have creative directors.

     

    The Q&A with the audience at the end of Mr Singh’s presentation was moderated by Viral Oza.

     

  • Put customer first: Ray Velez @ Goafest 2013

    By A Correspondent

     

    With the mantra being Digital everywhere one looks, it was not surprising that this theme predominated at the knowledge seminars on Day 1 of Goafest 2013.

     

    The most significant points came from Ray Velez, Chief Technology Officer of Razorfish, who spoke on Transforming Business at the Intersection of Marketing and Technology. Emphasising that technology is transforming the customer experience, he cited a Gartner study which predicted that CMOs will own more of the technology budget than CTOs.

     

    This meant that technology plus media plus creativity made for the new brand experience, he said. Traffic is now two-way, and the hashtag is a way for customers to communicate back to the brand.

     

    He said there are five principles that must be embraced:

    1. Put the customer at the centre.

    2. Think of your brand as a service.

    3. Reject silos.

    4. Act like a startup.

    5. Embrace diversity.

     

    Your organization must be structured around the customer, Mr Velez said. What you get is data based on actual activity, in digital more than anywhere else. Strategy must be based on actual data from customer feedback. Marketing, technology and creativity are no longer discrete activities. If you don’t act like a startup and put the customer first, someone else will.

     

    As an example of such proactive responsiveness, Mr Velez cited the case of the Smart Car / Smart USA Twitter reaction to negative comments about the car. The tack taken was Humour the Haters, and for every wisecrack about the car, the company put out well-thought out, informed responses which gained them a great deal of goodwill and appreciation for the wit and good humour with which they had handled the comments.

     

    Mr Velez stressed that the organization must be structured around the customer; and that if it does not put the customer first, someone else will.

     

    Roger Mulchandani, Director of Warc Asia-Pacific, tackling the topic of ‘Seriously Social’, said the traditional way of looking at television and digital as rivals was no longer valid. TV and digital are buddies, he said, as their roles were overlapping and often symbiotic.

     

    Social media is certainly here to stay, he said, but he also highlighted the dangers of over-reliance on it. In any given week, less than 0.5 percent of a brand’s Facebook fans engaged in any actual engagement with the brand that they are fans of. That is how effective Facebook really is, he said, and added that we need to lower our expectations of brands on social media. Social media should be used for reach rather than loyalty, he suggested.

     

    Nick Vale, Global Planning Director of Maxus Worldwide, speaking on “What great work looks like in our changing world”, said that the focus needs to shift from the big idea to the long idea, ie, ideas that are sustainable over time and have staying power. Digital was a great enabler, as it can make ideas now live beyond the screen, he remarked. He added that the focus should be on storytelling across channels, not silo-based thinking.

     

    Each speaker also interacted with the audience in a Q&A session at the end of their talk, and the best two questions in each session won iPads.

     

     

  • Filmmakers need freedom: Dave Alberts @ Goafest 2013

    By A Correspondent

     

    Dave Alberts of Mo Film, speaking on Democratization of Creativity, said that for a filmmaker the most important aspect of democratization is freedom. He said that independence of thought was key to making groundbreaking and memorable films.

     

    He showed examples of films made independently by small and individual filmmakers, and said that technology was increasingly enabling filmmakers. “Any filmmaker can make a film of broadcast quality,” he said, quoting Francis Ford Coppola who had once remarked, “Some little fat girl in Ohio is going to make a beautiful movie with her father’s camcorder.”

     

    “The exciting thing about the internet and technology is that it is giving creative people a stage,” Mr Alberts said, adding that the agency should keep the process simple in order to liberate creatives. This only helps the client, he said, because different films have different roles, and with democratized creative, one can make certain types of films to reach specific targets.

     

    He said Mo Film had always encouraged independent film-makers, said Mr Alberts, and took the opportunity to announce their contest for a Durex film that interested people could bid for.

     

  • Digital dominates discussions @ Goafest 2013

     

    By Vidya Heble

     

    With the mantra being digital everywhere one looks, it was not surprising that this theme predominated the knowledge seminars on first day of Goafest 2013. Thursday’s speakers were part of the Industry Conclave which always precedes the two-day Goafest, the Indian advertising trade’s flagship convention-and-awards event.

     

    The most significant points came from Ray Velez, Chief Technology Officer of Razorfish, who spoke on Transforming Business at the Intersection of Marketing and Technology. Emphasising that technology is transforming the customer experience, he cited a Gartner study which predicted that CMOs will own more of the technology budget than CTOs. This meant that technology plus media plus creativity made for the new brand experience, he said.

     

    Mr Velez stressed that the organization must be structured around the customer; and that if it does not put the customer first, someone else will.

     

    Dave Alberts of Mo Film, speaking on Democratisation of Creativity, said that for a filmmaker the most important aspect of democratization is freedom. He said that independence of thought was key to making groundbreaking and memorable films.

     

    He showed examples of films made independently by small and individual filmmakers, and said that technology was increasingly enabling filmmakers. “Any filmmaker can make a film of broadcast quality,” he said, quoting Francis Ford Coppola who had once remarked, “Some little fat girl in Ohio is going to make a beautiful movie with her father’s camcorder.”

     

    “The exciting thing about the internet and technology is that it is giving creative people a stage,” Mr Alberts said, adding that the agency should keep the process simple in order to liberate creatives. This only helps the client, he said, because different films have different roles, and with democratized creative, one can make certain types of films to reach specific targets.

     

    Nick Vale, Global Planning Director of Maxus Worldwide, speaking on “What great work looks like in our changing world”, said that the focus needs to shift from the big idea to the long idea, that is, ideas that are sustainable over time and have staying power. Digital was a great enabler, as it can make ideas now live beyond the screen, he remarked. He added that the focus should be on storytelling across channels, not silo-based thinking.

     

    Roger Mulchandani, Director of Warc Asia-Pacific, tackling the topic of ‘Seriously Social’, said the traditional way of looking at television and digital as rivals was no longer valid. TV and digital are buddies, he said, as their roles were overlapping and often symbiotic.

     

    Highlighting the dangers of over-reliance on social media, he said that in any given week, less than 0.5 percent of a brand’s Facebook fans engaged in any actual engagement with the brand that they are fans of. That is how effective Facebook really is, he said, and added that we need to lower our expectations of brands on social media. Social media should be used for reach rather than loyalty, he suggested.

     

    Each speaker also interacted with the audience in a Q&A session at the end of their talk, and the best two questions in each session won iPads.

     

    A highlight of the day was the IAA Debate organised on the sidelines of Goafest which saw senior members of the industry debating whether with fragmentation of the media, the role of creative advertising has become more important in brand communication. Vikram Sakhuja and Anupriya Acharya from the Group M fold were against the motion while Prasoon Joshi from McCann Worldgroup India and Partha Sinha of BBH India were for the motion. The debate was won by those against the motion.

     

    The Media Abby and Creative Abby awards in the Digital, Design and Direct categories were awarded in the evening. Saturday is the closing day of the event with some more knowledge session, the rest of the Creative Awards and a rain dance to add to the festive spirit.

     

  • Paradox of choice is the issue: Nitin Paranjpe

    By A Correspondent

     

    It is time to listen, as the Goafest 2013 Conclave’s theme says. Hindustan Unilever MD and CEO Nitin Paranjpe did exactly that in preparation for his keynote speech. He asked his team to go out and ask TV viewers what they felt about advertisements, and to his dismay, he said, he discovered that practically everyone said they found ads an unwelcome intrusion.

     

    Thinking about what is troubling the industry today, Mr Paranjpe said, he had come to realize that the issues facing it are such that merely expecting agencies to fix them is not possible. We have to look at the larger advertising and marketing function, he said. He pointed out that the basic function advertising serves, that is, the human need to stand out, has not changed – the techniques and the medium have changed. The Why remains the same, the How has been transformed, he said.

     

    The consumer today is faced with the paradox of choice, Mr Paranjpe said. Consumers have never had it so good. There are lots of choices, yet there is little to choose between them. Differentiation is tougher, and the pressure makes for desperate attempts to stand out, leading to meaningless differences.

     

    In the days of Doordarshan, he said, there was no choice of channels and communication vehicles were limited to either the Hindi feature film or Chitrahaar, both sure ways of reaching one’s audience. Content was so bad that people waited for ads, he remarked. From that single channel to over 700 channels today, audience fragmentation has meant that it is difficult to reach people. Hence the bombardment of people with messages. Despite this, however, they remember nothing.

     

    People are not interested in seeing our ads, Mr Paranjpe said, and advertisers are getting away with it because consumers do not really have much choice. But once the choice comes, he said, people will not watch ads. The cost of digital video recorders is getting lower, and with a DVR in every home, it is unacceptable that we do nothing about it, he said.

     

    The impact of social media

    Mr Paranjpe said social is transforming word-of-mouth, enabling it to become dramatically more powerful. The proverbial six degrees of separation between individuals has now shrunk to four degrees.

     

    He said the digital revolution calls into question the precept that advertisers are the creators of content. Now, the ability of every individual to create and share content is catastrophic for marketers. In some cases the assumption that the marketer has control over social content is a mistaken one, as social media users take ownership of the content, make up their own minds about it, and it can even backfire on the marketer. He cited the case of the Vodafone #mademesmile hashtag campaign, which resulted in embarrassment when questions of tax evasion were shared using the company’s own hashtag.

     

    Brands cannot control content any more, and in such a scenario how do we brand, how do we market? Mr Paranjpe said marketers need to profoundly rethink branding. “Yesterday was creating a myth around branding. Myths which are not founded on truth cannot survive. Today and tomorrow, branding is about finding the truth and sharing it,” he said.

     

    Winning back the trust of the people is key, he said. “If people trust you, they will buy, recommend, share. Why don’t we do that?”

     

    Touching on consistency, Mr Paranjpe said creativity is remarkably powerful but if it is not consistent, there is no coherence and the brand loses equity. “We underestimate the role, the power of consistency,” he said, adding that there is no disconnect between creativity and the ability to create value. “We only assume that discipline kills creativity.”

     

    Giving purpose and meaning to advertising

    The context around us today, Mr Paranjpe said, is that trust and confidence in business is at its lowest. Business cannot survive if we don’t address this. Events such as Occupy Wall Street will bring down brands, companies, governments if we don’t act responsibly.

     

    Consumers today are more aware and concerned about big issues, but feel helpless to do anything about them. There are challenges and opportunities for brands here, Mr Paranjpe said, as a brand is basically a product to buy and an idea to buy into. Smaller brands are doing this, and big brands have to follow suit. It is possible to run a commercial enterprise while doing good, he said, and consumers who feel for the cause will gravitate to the brand which empowers them to do something about it.

     

    The situation today is that people are cynical about brands, and about advertising and marketing. Brands have an opportunity to change this, he concluded.

     

    Photograph: Shailesh Mule/Fotocorp

     

  • Young also want some gyaan @ Goafest: Ambi Parmeswaran

    By A Correspondent

     

    Goafest, the annual advertising festival held in April every year, is a two-day festival of ad professionals preceded by a Conclave of senior media professionals.

     

    This year, Dr M G Parmeswaran, executive director and CEO of ad agency Draftfcb+Ulka, is convenor of the knowledge seminars on the two days of Goafest (April 5 and 6).

     

    Ambi, as Dr Parmeswaran, is known in the fraternity, took a few questions on the eve of the eighth edition of Goafest.

     

    Being the convenor of the conference leg of an event like Goafest must be tough… how do you get folks to sit in for all the ‘gyaan’ when they’ve actually come to have a drink and make merry?

    Over the years, we have noticed that the young are finding the seminar hangar not just a place to cool down but also for a bit of gyaan. We dramatically changed the format last year into to eight keynote speeches followed by Q&A moderated by a senior industry professional. We have also introduced a special prize for the best audience question. So instead of a panel of five people rambling on, we have one person on stage trying to engage the audience. Instead of people hesitating to ask questions, we have introduced the ‘slip’ system to curate the questions. All this added to better turn out last year. This year we are trying to bring in a couple of speakers from non-advertising domain. I am sure that will help lift the audience turn out.

     

    So what’s been your magic formula for this year?

    No magic formula, just understanding what worked last year and trying to improve on that. This year’s line-up is, in my opinion the best we have had of late. It covers a diverse spectrum. Yes, there are some last-minute snafus, and this is bound to happen when we are running the Goafest seminars on a shoestring budget. Overall the line-up is great, hope the audience think that way too.

     

    What’s been your thinking behind inviting the various speakers – from across all spectrums – true-blue adpersons to a Swami to a tech guy to a film-maker. Expect the unexpected?

    We first did a listing of areas we want to be covered -  Creative, Strategy, Media, Digital. Once those boxes were ticked, we said let us look beyond this. We reached out to over 35 thought leaders from sociology, psychology etc. And finally decided to have it all by doing the unexpected. Swami Sukhbodananda was a speaker at the Delhi AdAsia two years ago. He was the only speaker to get a standing ovation in the entire conference. Our young professionals have not heard him, so we reached out to him and Swamiji graciously agreed. The other unexpected speaker is the Bollywood director making waves, Abhishek Kapoor of Kai Po Che fame. He has a very interesting personal story to share. Should be time well spent for the young and old in advertising.

     

    Given that scam ads have been a discussion point in the industry, and since the key stakeholders are out there in full strength, wouldn’t an open house on the issue have been a good idea? Or is that out of the purview of what’s essentially a knowledge-sharing conference?

    My agenda is to deliver a Seminar that covers a wide spectrum of topics for young and old. Your idea is a good one. May be the Abby stage should be used to have this debate, but then again that is the wrong forum.

     

    By Arrangement with MxMIndia.com

     

  • It’s time to listen:speakers @ Conclave

    LtoR Nitin Paranjpe, Arunabh Das Sharma, Sunil Alagh, Suresh Bandi, RS Sodhi, Arundhati, Bhattacharya, Harit Nagpal

    By A Correspondent

     

    The word Conclave suggests a serious discussion on matters of importance. While the Goafest 2013 Conclave has every intention of achieving this aim, and eventually does achieve it, one cannot put a number of intelligent, good-humoured people into the same room, ask them to speak, and then not expect at least a few chuckles.

     

    To be fair, Conclave President Srinivasan Swamy struck a serious note when he outlined the topics the Conclave has tackled over the years, from recession, growth, change and dearth of ideas. This year, with the feeling again being that it is time to grow, the Conclave’s theme is ‘Time to Listen’, as it expects to have seniors tell the advertising fraternity what is wrong in the profession and how best to address it, he said.

     

    Advertising Agencies Association of India President Arvind Sharma introduced keynote speaker Nitin Paranjpe, MD and CEO of Hindustan Unilever, who, he said, is a strong proponent of the idea that businesses can survive only if they seriously serve society. Most of his leadership of HUL, Mr Sharma said, has been in tough times, and he is a client who truly believes in advertising and marketing.

     

    After Mr Paranjpe’s thought-provoking address, Gujarat Cooperative Milk Marketing Federation managing director R S Sodhi introduced a dose of levity with his presentation revolving around the engaging Amul moppet. Having worked with Amul creator Verghese Kurien, he said, had been immensely valuable as Dr Kurien understood the importance of advertising in an era when no Indian company was being advertised.

     

    Highlighting the learnings he had gleaned from Dr Kurien, Mr Sodhi said that stability in the core team was very important, both in client and agency. Da Cunha Associates had been the custodian of the brand (Amul) from the start, and stability had paid the brand rich dividends.  The core brand identity had remained the same since 1956, and there had been consistency in execution as well, which was a consequence of the complete trust there was between client and agency. In fact, Mr Sodhi said, the client sees the Amul creative only when the public sees it – that is the degree of the trust between them.

     

    Mr Sodhi added that advertising should sell the product, not the creator of the product. “Why is creative created? It is to sell the product,” he said.

     

    Summarising other learnings from Amul over the years, he said the agency needs to not only listen to the client, but also understand them. Raising a hearty laugh from the audience while concluding, Mr Sodhi recommended that advertising awards should be done away with. “The advertising fraternity are creating the awards and also giving them. It is the clients and the consumers who should be giving these awards,” he quipped.

     

    Arundhati Bhattacharya, MD, SBI Capital Markets, spoke about the agency-client partnership which, she said, has to be equal. In public sector units this partnership tends to be amorphous specially since people tend to be transferred and the agency may end up dealing with a few different individuals on one account. In such cases, she said, maintaining consistency becomes difficult and the agency should make it a point to partner the organization, not the person they deal with.

     

    For PSUs, Ms Bhattacharya said, it was often observed that agencies do not recommend new media and instead focus on traditional print. Agencies need to tailor media to the client’s needs, she said, and should understand the corporate personality and ethos. Often, she added, agency people tend to get overawed by the client to such an extent that they allow the client to dictate the ad content. Moreover, agencies need to do primary research, without which they will not have the big idea and the differentiation.

     

    Concluding, Ms Bhattacharya emphasized the importance of keeping things simple, giving the example of the classic Jenson and Nicholson paints advertisement, which used varying visuals and the slogan, “Whenever you see colour, think of us.”

     

    Asking the key question, “What do clients want?”, Suresh Bandi, Deputy Managing Director, Panasonic India, said the answer is Value. Value can be subjective, he said, but in general value came in the form of results, process quality, access costs and fees. Clients do not want creativity for the sake of creativity, he said. They appreciate creativity but there is a commercial objective. On process quality, he said agencies can be disorganised but there should be a method in the madness. Moreover, agency personnel must be accessible to the client – the greater the effort the client has to make to reach the agency, the lesser the value for the client. Also, he said, higher fees mean less value for clients, as they need to reduce expenses. When clients get value, it ensures their loyalty, commitment and satisfaction, he added.

     

    Later, Arunabh Das Sharma, President, Revenue, Bennett Coleman and Co, said five trends that bother him are: Seeing the world through a 30-second TVC, separation of creative, media and account planning, the demise of planning, decline in the quality of client-facing talent, and overused excuses which leave clients frustrated.

     

    Limiting advertising to the lens of a 30-second commercial meant both, the death of imagination and a lack of quality work, Mr Das Sharma said. He added that the decline in planning had led to lack of marketing insights, lack of imagination and consumer insights, and to media planning being subservient to media buyers.

     

    Harit Nagpal, MD and CEO, Tata Sky, made a short and entertaining presentation on what he feels are issues that need to be addressed. Role clarity in agency-client expectations is needed, he said; Digital video recording is changing how people are watching TV, and brands must be conscious of inputs from this section; Digital is changing consumer behaviour and feedback paradigms; complexity in medium and technology means that things are no longer as they were, and both agency and client have to move with the changes; Clients have to be selective and hire professionals and specialists; and agencies have to take a stand, confront and contradict the client if required, and for that they need to hire strong people to meet with clients. Sunil Alagh, founder and CEO, SKA Advisors led the final panel with a Q&A of the speakers of the day.

     

    Photograph: Shailesh Mule/Fotocorp