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Tag: Contract Advertising

  • Firstpost.com has come up with its first ever campaign on television. The new TVC braces the viewer to the reality that newspapers and the planet are under siege.

    Contract creates a cliche-free TVC for FirstPost

    By A Correspondent

     

    Firstpost.com, a digital newsroom and an advocate of ‘participation’ accompanying the breaking news process has debuted a new campaign with a television commercial which is set to change the way the world perceives news, or rather newspapers.

     

    While habits suggest people are moving to the internet more often to seek news, the perception of reading news is still dominated by ‘the morning newspaper’, which does provide news, but effectively a day late.

     

    The new campaign for Firstpost.com, devised by Contract Advertising, depicts what Firstpost is set out to achieve was simply to reach out to a larger audience. In the one year of its existence, digital natives had already taken a liking to this newsroom on the web and spurred the level of participation by actively engaging with Firstpost on a regular basis. However, the challenge was to take Firstpost to internet users who still thought of the ‘morning newspaper’, whenever they thought of ‘news’. The objective was to get people turn to Firstpost.com for their dose of news and opinion on the web or any mobile medium for that matter.

     

    Explaining Firstpost’s commitment to digital journalism, Durga Raghunath, VP Products and Exec News Producer, Firstpost said: “The news has moved beyond a static newspaper. The idea was to make readers entirely rethink their view of news as-it-happens. Therefore, the lines around reading news a day late. Contract, of course, has taken this spirit and made a stunning ad, whose concept is adorable.”

     

    While Firstpost.com has its dedicated following, the task was to migrate newspaper readers to Firstpost, explained Ravi Deshpande, Chief Creative Officer, Contract Advertising: “We wanted to get regular newspaper readers interested in the Firstpost. And we needed to do that in the most persuasive and effective way since reading a newspaper first thing in the morning is a hard habit to beat.We also wanted to avoid cliches such as our reporting is better or unbiased etc when we planned the communication. We focus on the fact that you not only help protect our only planet  when you consume news in digital platform but you also help yourself get the news as it happens. You don’t really have to wait for 24 hours to learn about the news”.

     

    Mapping out the approach, he said: “We were pretty sure that once they were there, the product itself would hook them. After all, Firstpost is a truly international news product from Indiathat has not been an offshoot of a traditional newspaper attempting to replicate itself online.

     

    Right from the word go, it has been designed to cater to the needs of people on the move. It enables a dialogue, not a monologue. Challenging newspapers would have to be done at a poetic level. Thus, the direction we’ve taken in the film is to display the terrible loss of trees that the planet goes through. We wanted to cue how people could read news fast on Firstpost.com without hurting the planet. While personally I feel reading a newspaper in the morning is rather romantic, the shift to digital is inevitable.”

     

    On aspects of execution he added “We wanted the execution of the film to serve up total honesty, total reality… that’s why we showed nothing fictional when it came to the process of deforestation, whereby trees get cut, transformed into pulp and ultimately into newspapers that serve up news that’s already a day old. The music we chose was an authentic country/folk song, that helped us present irony in an entertaining way, it kept the drama going till the commercial makes its statement about exhorting you to move to the digital platform.”

     

    TVC Credits
    Chief Creative Officer: Ravi Deshpande
    Creative Director: Ravi Deshpande
    Copywriter: Ravi Deshpande & Sahar
    Art Director: Ravi Deshpande & Salil Sojwal
    Account Management: Arjun Sengupta ,Anish and Namrata
    Production House: Day Dreamers
    Director: Bosco
    Producer: Deepti & Kautul
    Agency producer: Ketaki Guhagarkar

     

     

  • There were a record 300 entries, a 50 per cent jump over last year. The number of participating agencies doubled to 33 agencies

    Jury meets to select winners of the 9th Mirchi KAAN Awards

    By A Correspondent

     

    The ninth edition of the Mirchi Kaan Awards had an unprecedented response when the Ad gurus met to select the best radio ads of 2011. There were a record 300 entries, a 50 per cent jump over last year. The number of participating agencies doubled to 33 agencies. And the number of entries for the Best Use of Radio as a Medium saw a tripling of entries to a record 31. Entries were spread across 15 categories, ranging from food to cosmetics.

     

    The winners will be felicitated at a gala event hosted by Cyrus Broacha on April 17 at Comedy Store, Phoenix Mills. The Mirchi KAAN Awards was introduced in 2004 to celebrate creativity in the challenging and evolving field of radio advertising. Over the years it has recognised and honoured ground-breaking and original radio campaigns.

     

    Speaking about the ninth Mirchi KAAN Awards, GG Jayanta, National Marketing Head, Radio Mirchi, said: “Every year the stakes get higher. In our 9th edition, the entries and the number of participating agencies have doubled. This is a testament to the prestige that winning a KAAN award gives. I thank the jury for having taken the time out of their busy schedule and selecting the winning entries.”

     

    The eminent jury included stalwarts like Pratap Suthan, Priti Nair, Amit Akali, Malvika Mehra, Manohar Nayak, Josy Paul, Rekha Nigam, Deepa Krishnan, Ramanuj Shastry, Tista Sen, Sonal Dabral and Ravi Deshpande.

     

    Sharing his thoughts about the quality of entries received this year, Josy Paul, Chairman and National Creative Director- BBDO India, said:  “Radio is a very personal and one to one medium. Hence good execution is of utmost importance. There has been resurgence in lot of fresh ideas this year which has lead to more freshness in programming.”

     

    Sonal Dabral, Chairman and Chief Creative Officer, DDB Mudra Group, said: “I am on the Mirchi KAAN Jury for the very first time this year and I am quite excited to be a part of this process. Radio as a medium has a lot of potential. Unlike earlier, a lot of brands have now started including and demanding for Radio advertisements to be included in the overall marketing campaign.”

     

    Ravi Deshpande, Chairman and Chief Creative Officer, Contract Advertising, said: “Advertising is always evolving, and especially radio advertising has seen tremendous amount of growth. Interesting trends of conversations are always happening and it’s nice to see them getting adapted to the medium of radio”.

     

    Ramanuj Shastry, Chief Creative Officer, Saatchi & Saatchi, said: “It’s fun to be a part of the Mirchi KAAN Awards. New writers are coming in, innovative projects are being showcased. As a jury member it is a pleasant experience to watch this fantastic trend”.

     

    Amit Akali, National Creative Director, Grey Worldwide, said: “The Tony Hertz workshop for these aspirants as a run-up to the main KAAN Awards is a commendable initiative by Radio Mirchi. The workshop will help the listeners to learn the nuances of radio advertising and improve the quality”.

     

    This year the theme of the Mirchi KAAN Awards’ ‘Listen, Learn, Shine’ focuses solely on the quality of work in the developing industry of radio advertising. Celebrated and renowned ad guru, Tony Hertz, will conduct a seminar on the art and craft of radio advertising for the aspirants from various ad agencies on April 17 as a build up to the Awards night. ET Now is the television partner and Afaqs.com is the digital partner of the ninth Mirchi KAAN Awards.