Tag: Abby Awards

  • Glory days again for Abby: Ajay Kakar

     

    Every award generates controversies, but if there was an award for the award with the maximum number of controversies and murmurs, it would undoubtedly go to the Creative Abby, part of the annual Goafest conference held every summer in Goa. The Abby Awards have lost sheen over the years because of the absence of two key agency networks – the Mullen Lowe Lintas Group and Ogilvy. And then there have been disputes about plagiarism and scam ads winning big. While the processes have been cleansed over the years and there have been attempts to enthuse the naysayers to participate, this year, the Advertising Club and the Goafest Organising Committee have taken a quantum leap to change things. To start  with, they appointed Ajay Kakar, Chief Marketing Officer with Aditya Birla Capital (eka Aditya Birla Financial Services) who has witnessed the Abby in its glory days and also see it dip in equity. More importantly, he is an active marketer, spends a fair bit on advertising, and has led the Ad Club’s Effies Organising Committee which, interestingly, sees the participation of all agencies (save those with global mandates to stay away from all awards, including Cannes Lions). In an exclusive face-to-face interview (as against one over mail or phone), Ajay Kakar speaks to Pradyuman Maheshwari on the decisions he has taken, the thought behind the Master Jury and Jury of Masters, and whether he expects the cleansing will help bring back those who’ve been staying away for a while. Read on….

     

    Life’s been smooth sailing for you. Great job, the very visible Aditya Birla Capital campaign, a steady work-life balance and then you took on possibly the most controversial and thankless task in the country – chairing the Abby Awards Governing Council. Why?

    I have had the opportunity of chairing the Effies for five years. I have been on the Managing Committee of the Advertising Club for many years and I am fortunate for that.

    Having spent many years in advertising, though the last 12 have years I’ve been a client, I have realized that no marketer can be successful without successful partnerships [with advertising professionals]. But for that you have to literally encourage and excite each other. You have to be at each other’s celebrations and each other’s sorrows and that’s possibly been my motivator. I know awards are important because they recognise creativity, they recognise success. They recognise the best among the best. If I am part of the relationship, if I am dependent on this relationship for my success, I must partner this part of the industry.

     

    But while the Effies are a huge success with the Big 2 participating in it, in the Abby, it’s not just Ogilvy and Lowe absent but a large number of agencies don’t enter.

    I must confessthe day I went back home and told my family that I have been honoured with the post of the Chairman of the Awards Governing Council, my son’s first and only reaction was that I was being suicidal. It made me think for a second and I told myself that it’s an after-hours job. It’s demanding and possibly been a thankless job for various reasonsin the memorable past. But there was an opportunity to change things. I must thank VikramSakhuja, the President of the Advertising Club, to get me to do this. He also gave me a very clear and open mandate. His said let’s do whatever needs to be done. Because he agreed with me that in it’s 50th year, the Abbysare remembered more for the past than for the current.

     

    You also did something suicidal for the Ad Club… reduced the number of categories thereby halving the revenues. And there are detractors who are telling us that many more agencies are staying away this year resulting in the Goafest Abby not getting as many entries…

    So we had two options. One is to tinker around with the past. I could subtract a few categories, redefine some and we would have had yet another year which would have more of the same. Actually, last year, was a success and I don’t think there was any perceived gap in Abby 2017. Soone could just do a little more and be home and dry.  But when one sat back and recollected conversations from the past and when I said the common feeling is that the Abby is remembered more for the past than the present. Somewhere the Abbywas lacking the sheen it had in the past. It was not held in the same high esteem it held in the past where the Abby Award had a pride of place in the mantle of ad agencies and CEO of ad agencies. So we decided we won’t stay with status quo.

    I believe an Award is as good as the people who judge it. And therefore in the past there have been observations that this jury member has not won an Award so how can he judge someone else. So that became a starting point for us. What if we had a Jury of Masters. Whetherit’s the Creative Abby. Whether it’s the Media Abby.Or whether it’s the Specialist Abby or the Craft Abby. Can we have a jury of Masters of their Craft. Undisputed masters. So when you win an Abby, you know it’s been judged by the Master Jury. And, god forbid if I lose, I shrug my shoulders and I say that this jury of Masters believes that I shouldn’t win. Then who am I to question?

     

    But you have people from agencies who have not participated in the Abby in the recent past. In the past, jury members have had to have their agencies sending entries. You’ve changed that rule too?

    Yes, so the clear direction was to ensure that the jury members were very credible because they were masters of their craft. People who have themselves earned and won recognition both in India or on the world stage. Therefore we looked at people who could become the benchmark of creativity as far as our industry is concerned. So, like I said, if you look at the Creative Abby and the 15 members of Master Jury on the one hand or if you look at Jury of Masters of the Media Abby or Broadcaster Abby or our Direct Abby. You look at the Digital Abby. You look at jury members that we have for each of these. And I am confident that everyone has only word to say: wow!

     

    But while we have people from Lowe on the Master Jury, which also doesn’t participate, but there’s no one from Ogilvy though former NCD Abhijit Awasthi is in the list.

    I believe that an award is as good as the people who judge it. Therefore, from the very outset, we were clear that we wanted the best of best to judge Abby Awards 2018. Masters of the art. Masters of the craft.

    And from there emerged our ‘Jury of Masters’ strategy. You will see this strategy manifest across all the categories of the Abby Awards 2018, be it Creative, Media, all the Specialist categories and the Craft categories.

    In the case of the Creative Abbys, we decided to form a Master Jury that comprises 15 undisputed ‘maharathis’. We reached out to each of them, personally, in their personal capacity, requesting for their passion and time for their ‘first love’: advertising. To be an integral part of the Jury that decides and sets the creative standards for Abby Awards 2018 and the industry at large. While reaching out to these Masters,  we did not have any filters in mind. We did not wish to dilute our ambition to have only the best of best. We did not ask any of them whether their agency will be participating in the awards, or not.

    I believe that we are blessed to have every one of these celebrated masters, on board. They did not take a second before conveying their full support and commitment. Yes, we do have the likes of Amer and Arun, from agencies that have not participated in the past. We do have the likes of Bobby and Raj Deepak Das, from networks that have chosen to be off the awards circuit, globally, for this year. And we do also have the likes of Prasoon, Pops, Abhijeet, Aggie, Paddy, Senthil, Swati and Raj Kamble. I am extremely grateful to each of them who have selflessly agreed to partner and support the charter of Abby Awards 2018, to celebrate creative excellence.

     

    And do you have the blessings of Piyush Pandey?

    Piyush is a passionate well-wisher of the industry and an undying champion of creative excellence. But to know his personal views, who better to ask, than Piyush himself .

     

    Do you think it was easier for you to have achieved this because you are no longer an agency person.That you are a big spending advertiser so people possibly agreed to hear you out and accept the offer or rather couldn’t refuse.

    I have been blessed to know the fraternity in person and it’s a relationship I enjoyed over the years. So I am sure that the door-opener was easy for me as I just had to reach out to them. And they were kind enough to listen. But I think at theendof the day when you look at such senior people and what you requesting is for their time and their name.  I thinkit’s their commitment to the industry. Their commitment to Abby and their love for Abby that they have agreed to participate and give us their time and give us their passion and give us their name.

     

    Creative Gurus are known to have big egos, some with reason. You have selected 15 and there were a few who were not available for whatever reasons. But there a host of others who think they are big, and they possibly are. Do you think you would’ve upset them?

    If we have, my apologies. That’s not the intent and with such a talented industry, there are many to be signed on and many more that you could sign on. So, on one hand, yes, it’s possible that some people may have been missed out inadvertently and as I said my apologies but the intent was that those who wehave on  Board should be aboveboard and that has been our intent.

     

    One of the controversies that has been raging through many years is that there are many scam ads that win awards. In fact there were murmurs that some agencies may stay away this year because last year there were many scam ads winning big awards. How are you grappling with this problem?

    One of the Master Jury members did ask me for my interpretation of the Creative Abby Awards, and asked me to share it with all so that they are all on the same page. My belief is at the Abby Awards 2018 we want to celebrate creativity for brands. That will be our intent and thatis our brief to the Master Jury. Needless to say, they are Mastersof their art and they are the gatekeepers of the creative standards that they want for the Awards 2018. I know it’s in very safe hands this year.

     

    But are you okay with creativity that has just been created for the sake of awards?

    So we have created a definition which prescribes if a piece of work is eligible to be entered and we will go with definition.

     

    One is aware that entries have to signed off by clients, but in the past we have seen that advertisers do accept requests by the agencies to allow scam ads to happen. And clients don’t mind humouring their agencies and creative professionals…

    I will not be in a position to comment on what clients do and what clients don’t do. At the end of the day we have a check and balance and wehave auditors. As long as the work passes throughthat filter we are comfortable.

     

    But the auditors like KPMG or whosever will not know the reality… whether the ad is entered for an award or was it really published/ put up/ aired?

    So you know it’s like a bank which honours your cheque as long as the signature matches what they have on their records. They honour the cheques.  It is not for them to lift the corporate veil as they say to find out ‘did you give that signature voluntarily or not.’

     

    Are you happy with the way the Abbys Award 2018processes havegone thus far?

    Ithink the intent is to create a product which wins acceptance and recognition across the industry. My belief is that the product is good why will a consumer not buy it. This year, we are investing in the product and I think thanks to the Master Jury as far as the creative Abby is concerned and thanks to the jury of Masters as far as all the other categories are concerned. I feel we are very blessed this year and if you look at the juries who are going to set the standard. The members who are going to set the standards each of them is a role model himself.

     

    Bottomline: do you think that with this jury and all the changes that you have brought in, we will see an Ogilvy and Lowe back in the Creative Abby next year?

    I hope so. You have reminded me of a very important endorsement that we already have. We have heard of agencies who have not participated and they are big namesin their own right. But to have their creative captains, to have their creative chiefs delink the decision of their agency to participate in the awards with being associated with the awards as a member of the jury. So to have both the Lowe agencies with us, to have Leo Burnett with us, to have representatives of Publicis who aren’t participating worldwide in any form but they are part of our Master Jury. I think it’s an endorsement and indicator of their own desire to give shape and stature to Abbys.

     

    The key thing for them to come back is that you need to be there for the next three years to ensure that the improvements continue and standards are maintained.

    One step at a time. I think this year is where we have put our best foot forward and we have won immense support from the fraternity. The success of this year will help us build on a successful future year after year.

     

    I remember Balki saying that ideally clients should also be part of the jury because they know what works for brands and have a keen eye on creativity. Is this something that you may look at it in the future?

    Actually, there were many other features that we wanted to introduce. Many facets we wanted to introduce but somewhere we decide to restrain ourselves and said let’s look at first two or three big steps first. Like the creation of a Master Jury for the Creative Abby. The formation of a Jury for Masters for all categories of Abbys. The bringing back the Agency of the Year…

     

    Hmmm. The very controversial Agency of the Year!

    We have the Media Agency of the year.  We have Specialist Agency of the year. We have brought these back because that was anther reality that we have to accept at the end of the Abbys every member of the media carried the name of a winner but their definitions were  oftendifferent therefore the name of the  winner was possibly different.

     

    Are you going to have points being given for shortlist like at Cannes?

    Yes, we will have a clear points system which will help us rate an Agency of the Year based on the metals. It will be a transparent score that is available and so that all speculationsare put to rest. And it will be a transparent and a known currency that will be used to crown the King.

     

     

  • Abby Awards announces jury chairs

    By A Correspondent

     

    After announcing the Master Jury for the Creative Category, the Advertising Club has announced the Jury Chairs for the Media, Broadcaster, Publisher, Branded Content & Entertainment, Specialist and Craft categories of the Abby Awards. Chairing the jury for each of these categories are stalwarts and veterans who have played an instrumental role in leading the respective categories towards new echelons of growth.

     

    The  Jury Chairs  are:

    – Media: Sam Balsara, Chairman, Madison World

    – Public Relations: Madan Bahal, Managing Director, Adfactors PR

    – Direct: Raj Nair, CEO and Chief Creative Officer, Madison BMB

    – Design & Still Craft: Viral Pandya, Co-Founder, Chief Creative Officer, Out of the Box

    – Radio Craft: Ramanuj Shastry, Co-Founder & Director, Infectious

    – Broadcaster: Rohit Gupta, President, Network Sales And International Business, Sony Pictures Networks, India

    – Publisher: Pradeep Dwivedi, CEO, Sakal Media Group

    – Branded Content & Entertainment: Tarun Katial, CEO, BIG FM

    – Digital & Mobile and Digital Craft: Sidharth Rao, CEO & Co-Founder, Webchutney

    – Video Craft: Vinil Mathew, Director, Breathless Films

     

    Said Ajay Kakar, Chairman of the Awards Governing Council: The guiding principle of Abbys 2018 is that an award is as good as the jury that judges it. Having identified and announced the Master Jury for the Creative Abbys, we have extended the ‘Jury of Masters’ principle to all the other categories of Abbys2018. We are delighted to announce the Jury Chairs of the Media, Broadcaster, Publisher, Branded Content & Entertainment, Specialist and Craft Categories. Each of them is a celebrated and iconic veteran of their crafts. And the Jury members of each of these categories will also be celebrated names.”

     

    All work released for the first time between February 1, 2017 and February 15, 2018 will be eligible to enter the award show. The last date to receive entries is February 26, 2018.

     

     

  • Abby Awards announces a Master Jury for creative Abby

    By A Correspondent

     

    The Abby Awards, that recognizes and rewards creative excellence, is poised to set new benchmarks on scale and innovation with the upcoming 2018 edition. The apex industry award has for the first time announced the formation of a Master Jury.

     

    The Master Jury boasts of 15 award winning creative giants who have consented to be the filter for the creative standards of the Creative Abby.

     

    The Master Jury comprises:

    Prasoon Joshi, CEO of McCann Worldgroup India and Chairman (Asia Pacific)
    Agnello Dias, Chairman and Co-Founder, Taproot
    Amer Jaleel, Chairman and Chief Creative Officer, Mullen Lintas
    Arun Iyer, Chairman & Chief Creative Officer at Lowe Lintas
    Alok Nanda – Founder and CEO, Alok Nanda & Co. (Comms.) Pvt. Ltd.
    Abhijit Avasthi, Founder Sideways Consulting’s
    ‎Bobby Pawar, Managing Director, Chief Creative Officer – ‎Publicis Worldwide
    K. V. Sridhar – ‎Founder & Chief Creative Officer, Hyper Collective Creative Technologies
    Nitesh Tiwari, Filmmaker and Ex CCO – Leo Burnett
    Prashant Godbole – Founder, Ideas@work
    Raj Kamble – Founder CCO, Famous innovations
    Raj Deepak Das, Chief Creative Officer – ‎Leo Burnett
    Santosh Padhi, CCO and co-founder, Taproot Dentsu
    Senthil Kumar, Chief Creative Officer, J. Walter Thompson
    Swati Bhattacharya, Chief Creative Officer, FCB Ulka

     

    The Master Jury is entrusted with the task of first, as one body, screening all the entries received, across all the categories and verticals, to identify those worthy of being shortlisted. The same Master Jury will then deliberate on which of the shortlists is worthy of winning an Abby.

     

    Ajay Kakar

    Speaking about the formation of a grand Master Jury for the iconic Abby 2018, Ajay Kakar, Chair of the Awards Governing Council, said: “We want the Abbys to be the gold standard, recognising creative excellence for brands. It is a fact that an award is as good or reputed as the Jury that judges it. So recognising this, we created a Master Jury, for Abby 2018. With the most credible jury that comprises of role models and thought leaders from the industry, who will lead the deliberation process.  The Master Jury will set standards for not only the quality of the work that wins at Abby 2018, but also the standards that will inspire the industry, hereafter.”

     

    He further added: “Adjudged by such a versatile and visionary jury means that only the most creative campaigns will emerge victorious, making the winning of an Abby a career defining moment. We look forward to an inventive, pioneering and inspiring Abby Awards 2018.”

     

    The 2018 edition of ABBY’s will also see the number of categories and sub-categories being rationalized, to ensure relevance and effectiveness. Added Kakar elaborated: “We recognise that digital is not a medium, but a technology that supports communication. Keeping this and such realities at the core, as against the past years, the categories and verticals have been brought down from 15 categories and 8 verticals i.e. 120 to 8 categories and 8 verticals ie 64.”

     

    Another highlight is the reinstating of the Agency of the Year award. This year will see the announcement of the: Creative Agency of the Year, Design Specialist Agency of the Year, Digital Specialist Agency of the Year, Direct Specialist Agency of the Year, PR Specialist Agency of the Year, Branded Content & Entertainment Specialist Agency of the Year, Media Agency of the Year.

     

     

  • No industry event is as large as Goafest: Raj Nayak

     

    While he’s had the good fortune of trusted industry persons as part of his Advertising Club team, a glitch-free Goafest and more importantly the Abby Awards are feathers in his cap. Raj Nayak shared his thoughts with MxMIndia on Goafest 2017 and says his own role in raising the bar

     

    Your final thoughts on how Goafest andAbby 2017 have been? It’s your secondas President of the Ad Club…

    Last year, we got very good feedback. I wasn’t there due to backache, so as President of Ad Club, this is my first Abby where I’m physically present and seen what’s happening. If you look at numbers, we’ve grown over the previous year, more entries and things like that. That’s a good sign because it shows resilience of the industry and that it’s growing. That’s one good part. If you look at the sessions, the feedback from people also says the sessions this year were fabulous. Exceptions to the rule are one or two sessions that were not too great. The feedback that journalists also gave was that it was very well-curated.

     

    So what has changed?

    Many years ago at Goafestwe used to shy away from paying people to come and speak. We’ve broken that. Now we’re willing to pay for a good speaker, to fly her or him, we are willing to do things. I think that’s been a shift. Knowledge seminars have been excellent and Day 1 was packed, Day 2 was packed as was Day 3 was packed. Ah, the Day 3 morning saw lesser crowds as people were partying till 5 in the morning! I went to my room at 4am because it looked like a night festival! It was buzzing with activity! I think it’s a good thing. We’ve also drifted to a certain extent. That’s to be fixed. For senior management, giving four days is a challenge. I don’t have readymade answers on how to address this, but it’s one area we need to find a way a solution.

     

    Over the years, we’ve seen Goafest growing from a festival of advertising professionals to one for media and entertainment too…

    Yes! It’s a festival. I would like to change the name from Goafest to Goa Festival. It brings so many people together. There is so much of a camaraderie. It’s also a recruiting ground for seeking jobs. I know of my dear friends who conducted business deals in the two-three days. It all depends on how you look at it. Can we put a structure to it to say it can be a place to conduct job interviews and business? The problem is not in visualising or doing things. The problem is in the infrastructure.

     

    One of the things which a lot of people have said is that you have raised the bar after you took charge of Ad Club? But don’t you think you’ve raised it so high that it will be a tough act to follow?

    I don’t think I have. It would be unfair to all my predecessors in the past. It has been built brick-by-brick by them over the years. I’ve come at a later stage when three-fourth of the building is already built and I’ve put the roof and people say, oh, now the house looks complete.

     

    But you’ve put a lot of glitter and finesse on it.

    I think I bring a bit of passion to the table. I think that’s true for every person who’s been there before me and sometimes someone may have had a good or a bad year. And that’s the challenge. That’s what I want the whole industry to know. Next year, someone else will be the president. It’s a not for-profit kind of business. Everybody is giving their time pro bono. It’s an industry event, for god’s sake. If you’re from the industry, be a part of it. Don’t be an armchair critic. Drop in and say: “I will be a part of the committee. This is what is wrong with the Goafest, I want to fix it.” Have the balls to do it and you can quote me on it. Don’t criticise and say: “Oh no, we don’t want to do this.” Because there is no other industry event in the world which is as large as Goafest which is run by industry bodies. You heard Mr Amitabh Kant speaking. He said, “One of the things about the whole presentation. I was so inspired. All these were made by Indians.!” He mentioned Piyush’s and Sunil’s name.

    Your heart was swelling with pride because it was Make in India. Made in India. We have the talent, we have the people. This is an industry event where everything is about Make in India, made by Indians, for Indians… come be a part of it. I’m going to fade away into the sunset, but for the future generation it is important that leaders like us show the path and create something that the future generations should respect. It’s not about your or my ego. We’ll all go into the sunset. But, for the future generation, you have the opportunity to build something that history will remember you for.

     

  • The Advertising Club unveils “#MADEOFABBY” ad campaign

    By A Correspondent

     

    Abby 2017 has unveiled an ad campaign titled #MADEOFABBY for promoting the forthcoming Abby Awards to be held at Goafest in April 2017. The campaign celebrates all iconic brands and campaigns that have been impacted by the award and could be called, #MADEOFABBY.

     

    Conceptualised and created by Scarecrow and mentored by Ad Club President Raj Nayak, Awards Governing Council Chairman Ramesh Narayan and team, the 3D rendering of the images was done by Cocktail Art Co. Forming the premise of the campaign thought has been the retrospective research statistics that showcases the large number of the renowned ABBY metal won by leading creative agencies over a period of 22 years starting from 1994 to 2016: DDB Mudra – 207 metals, McCann 113 metals, Taproot – 67metals, Contract – 183 metals and JWT – 290 metals.

     

    Speaking about the engaging campaign Narayansaid: “Our​ creative ​stars, great creative agencies, clients and even the legendary creative brands of our industry, all have a little bit of ABBY in them.​They have all had a very mutually complimentary relationship. In a sense, they​ are all #MADEOFABBY.  It is this emotion that we have endeavored to tap into. We are sure that this inspiring and emotive campaign will generate a sense of pride and belonging amongst the entire fraternity towards the ABBY’s”.

     

    Speaking about the campaign and its intent Manish Bhatt, Founder Director, Scarecrow Communications Ltd and Member – Managing Committee, The Advertising Club said “Showcasing the glory of ABBY, last year we articulated our differentiator of Indian-ness which insightfully synced with the current sentiment and mood of our country. Moving towards the next echelon, we have leveraged ABBY’s various other uniqueness over and above the Indian-ness of the awards”

     

    Added Nayak: “The ABBY awards have played a central and inspiring role in the personal and professional journey of all advertising professionals. The awards have been the single most decisive platform showcasing the strength and value of the Indian advertising industry to the world. With this moving campaign we have set out to take down memory lane every individual and brand that has been touched by the ABBYs”

     

     

  • Tarun Rai: Having JWT and Contract in Top 3 is the best part

    It’s a hat-trick for you…

    Yes, it’s fantastic, three years in a row. JWT is on top and Contract in comes at No 3. So for me, it is even better news than just being at the top.

     

    Since you’ve have joined JWT things have changed. We’ve heard about you you working in the background to rebuild the agency. Tell us more…

    I have just finished a year myself, last month. It has been a very, very exciting ride. And most people don’t know, but there has been a complete turnaround in business performance. And here, we’re at Goafest and to be able to also do well creatively — and again not just for JWT but also Contract — is extremely heartening for me. The other thing I believe we have won on, are big brands like Unilever and Godrej. And to me there are other many other firsts to this. We have also won the Young Abbys Gold, and to me that is very heartening too. Not only have we won the maximum number of Golds, but also the maximum number of metals. I understand there were 200 shortlists, which itself is a record. So the sense I get is that our work is looking better across the board, and also to have won in various categories, including PR, shows us that we are winning across platforms. So overall, it has been fantastic news to me at Goafest, and it feels great to be here. Over the last one year, I think we have succeeded in turning the agency around. And I think we are poised to have a fantastic 2016.

     

    What is being the No 1 agency at Goafest mean to an agency which has been success and has a rich past?

    It means a lot. To me they’re awards, but awards are a reflection of what’s going on in the agency. They’re a huge pat on the back to all the creative people we have. And as I said, to have both JWT and Contract in the Top 3 is the cherry on the cake. I feel really honoured to have done so well and it is a tremendous tribute to Senthil, Teesta, Ashish of Contract and the entire team.

     

    One of the things that Goafest is known for, apart from the participation of a lot of big as well as small agencies is, notable omissions. Does that take away from your big win?

    I don’t think so. You know it’s up to them to participate or not. From what I was reading in the media, 96 per cent of all agencies have participated. If that four per cent doesn’t want to, well, that’s their decision. So it can’t put a dampener on the victory celebrations.

     

  • Credibility of Abby has been restored: Pratap Bose

    Is there anything to ask, Advertising Club’s Pratap Bose asked us, minutes after announcing the 2015 edition of the Abby Awards. The awards have been controversy-free so far, and save the non-participation of some of the bigger advertising agencies, they could be termed a huge success. In this Q&A, Mr Bose speaks to Pradyuman Maheshwari on how the awards have been this year, and whether the Ad Club will ever be able to bring Ogilvy and Lintas back to participate.

     

    Your broad view of how the Abby Awards have been this year…

    I think on the personal front I am happy because we continued with what we did last year. My objective was to deliver a fair and controversy-free process at Goa, which will ultimately bring back the confidence of most advertisers in the future. Now, whether they come next year, or the year after, I won’t hazard a guess. But I think the credibility of the event, the awards and the awards metals we gave out, have been restored.

     

    Would you say it was scam-free also?

    That’s a debate I can have for three days with you. What is the definition of a scam? We are not the Interpol at the Ad Club. It’s work that has ticked all the boxes in terms of the process. That’s been done and adhered to. It is very difficult to say it is a scam ad. Has it been created just for the awards? If that is the case, it’s been sanctioned, it’s been delivered, the client’s approved it and it’s gone out in the market, on even one release. Can you then call it a scam? I think you should be able to answer that question.

     

    JWT is the No 1 agency in terms of the number of metals (it has won). But then, Since you’ve not had an Ogilvy or Lowe participating in the Abby. Do you think JWT can rightfully say they are the No 1 creative agency in the country?

    We don’t take the position on whether they are No 1 or not. I think they have won the most number of metals in terms of the actual number of awards. In that sense they have been the most successful agency. It would be unfair of me to comment  on whether they are the most creative agency or not. Our job is to deliver an awards event that celebrates creativity. That’s always been the mantra at Goafest. We haven’t gone back to the old days where we declared an ‘Agency of the Year’.

     

    What do think will get an Ogilvy and Lowe to come back?

    I think it’s largely the leadership at the top which takes those calls. It’s not going to be easy. For example, Balki has clearly said I’m not going to enter the creative awards though the Grand Prix winner this year – Linen Lintas – is part of the same group. I don’t know whether he is going to smirk or have a smile on his face (because of this). But I think it’s difficult for anyone else to say whether they would participate or not because at the end of day, it is the boss who needs to decide.

     

    You’ve been leading the Ad Club and the Abby for two years. Must be sad to see these guys not participating. Is it a kind of unfinished agenda?

    Of course, if you had every agency in the country participating without exception, that’s always the best cake you could get. But life is not always about pretty roses.

     

    How do you take it to the next level?

    That’s something we need to get back to the drawing board for, because Goafest is a templated event over three days. It has graduated from two days, to three.

     

    Will Abby continue to be part of Goafest?

    Yes, that is the intention as we go forward.

     

    One of the reported reasons for an Ogilvy to not participate in the Abby is it’s not in Mumbai…

    Well, no one holds any one at ransom. An agency can’t decide where the awards ceremony is going to be held.

     

    You think combining an Abby with an Effie will help bring back Lowe and Ogilvy, both of whom participate in the Effie?

    Both the events are completely different. This is a creative show.

     

    One message to the people who did not participate…

    Goafest is a celebration of work. I would say there is nothing you gain by not participating. And you only stand to gain when you do. We are not ranking agencies over here; that’s the media’s job. But I think it’s for the younger people that work in the agency, to give them a sense of pride, a sense of achievement in their hard work. That’s one of the biggest reasons I would recommend every agency to participate.

     

  • Top creative honchos judge for Goafest Abby Jury

     

     

    The Goafest Creative Abby Judging has been on in Mumbai with Juries being appointed in different verticals. The Jury Chairs were announced to the media by the Goafest Creative Abby Award Governing Council.

     

    Santosh Padhi of Taproot is chairing the Abby Print and Print Craft Jury this year. Bobby Pawar of Publicis returns after a gap of 5 years to head the Abby Film Jury. Ashish Chakravarty of Contract India is Jury Chair of Radio and Radio Craft Abby while Prashant Godbole of ideasatwork is heading the Out of Home and Ambient Abby Jury. Manish Bhatt of Scarecrow is heading the Integrated Abby Jury.

     

    Chairing the Creative Abby Direct Jury this year is Rakhshin Patel of Pi Communications. Prashant Kanyalkar of KA advertising and design is the Jury Chair in Design Vertical of Creative Abby. Carlton D’Silva of Hungama is the Jury Chair for Digital  Abby while Namita Roy Ghose of White Light Moving Picture is heading the Film Craft Abby Jury.

     

    Aneil Deepak of DDB Mudra is the Jury Chair in Brand Activation & Promotion Abby Jury. Anita Kaul Basu of Big Synergy is Jury Chair in Branded Content Abby.

     

    Paresh Chaudhry of Madison PR headed the Public Relations Abby Jury. Avinash Kaul of Network18 led the Broadcasters Abby Jury while Shailesh Amonkar of Sakal is Jury Chair of Publishers Abby.

     

    Pratap Bose,President of Ad Club said, “Our heartfelt thanks to the Jury members who gave their time and passion debating the selection of winners.”

     

    Commented Ajay Chandwani Abby Awards Governing Council Member in charge of Jury appointments and Judging,” We are very fortunate to have the time and cooperation of very high powered juries in each of the verticals. Many of our jury chairs and judges have been judging at major international festivals over the years. An award derives its prestige from the standards set by juries and Abby has indeed retained its leading status in India.”

     

  • All set for the 10th Goafest…

     

    By A Correspondent

     

    It’s that time of the year when advertising, media and marketing professionals head to the sunny climes of Goa for an annual dose of some knowledge, networking and winning awards. It’s also celebration time as this is the tenth edition of Goafest, the annual congregation organised by the Advertising Agencies Association of India and the Advertising Club.

     

    The latter brings to the party the Abby Awards which have been expanded since last year to include various members of the media ecosystem. What started as essentially a Creative Awards show now includes Media, Digital, Print, Film, Film Craft, Out of Home, Ambient Media and Design, Radio, Direct, Branded Content and Entertainment, Brand Activation and Promotion, Print Craft, Integrated Advertising, Public Relations, Broadcaster and Publisher. Awards will be presented category-wise on each day of Goafest – that’s starting today, April 9 through April 11.

     

    Yes, there are naysayers, but they’ve been silenced by the response that the event has generated.  After the inauguration today, the Industry Conclave will start mid-afternoon followed by the Media and Publishers Awards.

     

    Said Nakul Chopra, Chairman of Goafest 2015 organising committee: “It is our endeavour to make Goafest 2015 better and superior. We will bring together the best minds in the field of advertising, communications, marketing industry to discuss, debate, interact, offer thoughts and experiences, share ideas and questions on our industry.”

     

    Meanwhile, Ad Club president Bose is ecstatic about the number of entries he has received this year. While some of the leading agencies like Ogilvy, Lowe Lintas, McCann and Leo Burnett have not sent entries, Bose boasts of a near-35 per cent increase from 2014. “The fact that we followed a rigorous judging process last year brought back the faith in the system which had eroded in the previous Abby.”  The number of entries is up 900 to 3500 with participation from 200 creative and digital agencies. In the Media Abby, the number of entries has grown from 574 to 612 from across 53 agencies. “Agencies you thought weren’t participating are doing so,” Bose smiles. “Some clients have pushed their agencies to participate while many others have entered directly.” Talking of the new categories introduced last year, he said that Public Relations has shaped up well and so has the Broadcaster category.  When asked about efforts being taken to woo back the agencies which have boycotted the awards, he said: “We tried our best to persuade them.” Bose is of the view that agencies don’t gain by staying away. “For the sake of the young professionals who do some splendid work, they must enter.”

     

    At the time of writing, the final numbers of registered delegates at Goafest was not known.

     

    If there were no awards, you wouldn’t even have half the participation in Goa: Nakul Chopra
     

    This is the second year, Publicis’ CEO South Asia Nakul Chopra has helmed the Goafest Organising Committee. In an interview with Pradyuman Maheshwari, Chopra speaks on organising the festival and the controversies about some leading agencies staying away.

     

    Many sleepless nights because of Goafest?

     I never had sleepless nights because of GoaFest.

     

    But must be a thankless job?

    That’s why it must be done. I think you hit the nail on the head. To share an honest personal experience with you,  I got into Goafest actively because I was a vocal critic. I protested 2011 and was chairman of Goafest in 2013. It’s easy to sit and critique others. I’ve done both with a very cynical filter in how I saw things. Except, when you look at it from the perspective of what you said: It’s a thankless job. Somebody spends a lot of time and effort to make something happen and you don’t look at the stuff that worked or you could appreciate. Instead, you catch onto the three things that didn’t work or that personally pissed you off for some reason. It could be just the food or who got the awards…

     

    Last year you didn’t do it because the timing wasn’t right?

    Last year, the timing had to be changed, so, I thought it better if somebody else did it. This year, the AAAI President didn’t give me a choice. I think we all have to, turn by turn, take the responsibility. Either the association decides they don’t want to do it, so, they should parcel it off to some third party to do it. But, if the two associations want to continue to do it, somebody has got to take responsibility.

     

    Obviously, you run a network of agencies. Goafest is also more than a full-time job for a couple of months. It must be taking away from your time here at Publicis.

    It takes away from time at Publicis and at home. It does. I’m fortunate that we have a very strong team at Publicis. We have also a good team helping out with Goafest… many people pitching in to take on different responsibilities.

     

    You’ve done Goafest in the past, so you obviously know…

    But the grammar has changed from an organisation and logistics standpoint. There was the Beach GoaFest which was the first three or four years. Then there was the GoaFest at Zuri. When you do it on the same format with similar vendors, by Year 3, things become much simpler. You’ve learnt from the mistakes, you know what can go wrong. Last year was the first year at Grand Hyaat. Many of the things worked for us. From a sheer organisation standpoint, it wasn’t that well-organised, perhaps.

     

    What about the festival format? The general perception is Goafest is more about the beer than the knowledge or conclave or the people speaking…

     This is a little bit of an unfair pseudo comment to make. Firstly, is it fair to say Cannes Lions is more a corporate junket than it’s about people learning? If I’m not mistaken, there are maybe 8 to 10,000 delegates who register for Cannes. There isn’t even a room large enough to hold more than 1,500 of them and in most cases the rooms aren’t full. If you start seeing something in a uni-dimensional sense, are people studiously sitting in the knowledge seminars and listening? I don’t think that’s the only form of learning.  Second, Goafest, unlike really any other festival of its kind in the world, has an inverted participation where as much as 60 per cent or more people who attend are under-30. There are more people sitting in the room to listen and learn in Goafest than there are in any other such festival anywhere else in the world. Young people have something which is part of their nature. If you make Goafest an attendance-oriented class, the young people won’t come. They will learn in an atmosphere of fun and frolic. It’s an over-exaggerated view of the Goafest that it’s just about the booze and the beer. It’s not!

     

    Without getting into speakers are there one or two standout things this year that one could look forward to?

    I think Goafest is beyond that phase of being about one standout thing. We’ve consistently invested behind building some properties. And we amend or change or junk some of them basis the feedback we get. Last year was the first year we had three award nights and we are continuing with that.

     

    How critical is the Abby to Goafest? Last year, I remember, there was a statement made that the Goafest is not all about awards.

    It’s not all about awards, but it’s been around the awards as well. Goafest is not an awards fest, in which case it might as well have been in Mumbai. But it’s not fair to say, Goafest is more about the festival than it is about the awards either. I think it’s a balance of both. The celebration is more about the awards. The participation is more about the festival. At its peak, we have had more than 3000 people… Three thousand people don’t win awards.

     

    Ogilvy and Lowe have no issues participating in the Effie Awards. Obviously, there’s something wrong with the creative Abby  that stops them from coming there.

    I don’t think that would be a fair thing to say about the Creative Abby. There have always been some agencies, different ones in different years including Pubicis in one year that may have felt upset or slighted by something that happened and that’s understandable. In the case of the Effie, the points here are part of the global Effie agency rankings.

     

    If you had no Abby, you’d have Ogilvy and Lowe as part of fest?

    If that’s true, they can still send people to the Goafest. There’s no restriction on your coming and participating in the festival part if you’re not participating in the awards part. If there were no awards, you wouldn’t even have half the participation in Goa.

     

     

     

  • Stage set for Goafest 2013 @ Zuri

     

    By Johnson Napier

     

    Most flights headed towards the sunny state of Goa in the morning of April 4 are sure to be filled with execs and honchos from the ad and media world. Camaraderie, bonhomie and banter are travelling companions, as conversations surrounding Goafest take precedence.

     

    The eighth edition of Goafest 2013 will kick off with an Advertising Conclave at the Zuri White Sands post noon on April 4. This year the theme of the Goafest Advertising Conclave is ‘Time to Listen’. The Conclave will highlight the shortcomings of media and creative agencies, as perceived by major advertisers. Much like the last few years, the Conclave, sponsored by Discovery Channel, will see over 200 industry leaders drawn from Marketing, Advertising and Media.

     

    The Conclave will have some of India’s biggest marketers identify the areas that both creative and media agencies need to focus on, and make suggestions to get served better.

     

    Srinivasan Swamy

    Srinivasan Swamy, Chairman of the Goafest Advertising Conclave, who has chaired it in the past few years as well, said, “Our Conclaves always focus on issues of relevance to us. In the past we have talked about how to grow the advertising industry, or on the changing agency structure or how advertising is more than creative and media etc. In the same vein, this year we will get advertisers to tell us how we can be more relevant to their needs. The theme ‘Time to Listen’ captures this essence.”

     

    Nitin Paranjpe, MD and CEO Hindustan Unilever, will deliver the keynote address, and other industry stalwarts will share experiences and insights. Other big names include Harit Nagpal, MD and CEO Tata Sky, Arundhati Bhattacharya, MD SBI Capital Marketers and Arunabh Das Sharma, President, Bennett Coleman & Co. Sunil Alagh, Founder and Chairman of SKA Advisors and former MD of Britannia, will moderate a lively panel discussion.

     

    Nitin Paranjpe

    The real deal of the festival will kick off from April 5, with seminars and keynote addresses that begin at 2pm in the afternoon. Roger Mulchandani of WARC is to kick off the afternoon session with an address on ‘Seriously Social’. He will be followed by Ray Velez of Razorfish who will talk on ‘Transfroming Business at the intersection of Marketing & Technology’. Graham Fink of O&M is to speak next, followed by David Alberts of Mo Films. The Media Abbys followed by the awards gala will conclude the evening.

     

    Day 2 of the creative festival will see a rather unconventional start to proceedings as Swami Sukhabodhananda, Founder Chairman of Prasanna Trust will speak on ‘Uncertainty is also a part of life.’ This will be followed by a keynote by Mark Tutssel and Tom Bernardin of Leo Burnett. Following next is Shiv Singh of Pepsi who will talk on ‘No one cares about marketing. Do what matters’, and Nick Vale of Maxus Worldwide speaking about ‘What does great work look like in our changing world’. Director Abhishek Kapoor is expected to add a dash of Bollywood as he will speak on ‘Do what your heart says’. Amir Kassaei of DDB Worldwide will follow next with the topic ‘New creative revolution.’ The Creative Abby awards will bring the day to a close.

     

    MG Parameswaran

    Goafest 2013 Knowledge Seminars Chairman M G Parameswaran said, “We have lined up a great list of speakers this year. We have Graham coming from China, the hottest consumer market in the world today. We also have two speakers from very different domain, and you can’t get any more different than this. Swamiji was the only speaker at AdAsia 2011 to get a standing ovation. I am sure he will bring a lot of new thought to the seminars. And who said ad awards cannot get a bit of stardust. Abhishek who delivered a super hit last month is sure to deliver a super hit talk in Goa!”

     

    Also, last year Goafest saw the introduction of Marketing Wizards, an initiative whereby young client delegates could not only avail of the special under 30 delegate fees, but were also provided free accommodation – over 70 delegates from client organizations availed of this offer. This year Goafest is targeting a base of 150. In addition, Goafest will continue to have strong participation from senior clients in the Knowledge seminars as was the case in 2012. “Clients are our equal partners in creating ideas – we naturally strive to have their equal participation in Goafest both as speakers and delegates. This year we aim to attract participation from over 75 client organizations and hopefully over 250 people,” said Nakul Chopra.

     

    Nakul Chopra

    One of the biggest things to have happened or rather not happened is the participation of Ogilvy. This has paved the way for other creative agencies to prove their mettle at the grand stage. Despite the absence of Ogilvy, the organisers are claiming to have received a participation of over 4,200 entries. This will definitely prove to be a good year for some unknown stars who could prove their strengths here.

     

    Says KS Chakravarthy, NCD, Draftfcb Ulka, “It’s an open field this year as there is no frontrunner or contender this year. All of the campaigns so far are good and deserve an equal chance of winning. There has been a good amount of work done by various agencies and it would be great to see it together. Also, to hear what the speakers have to share with others is always an interesting part of the event.”

     

    Naresh Gupta

    According to Naresh Gupta, managing partner, Bang In The Middle, “This year hasn’t seen one landmark campaign that is the favourite. I would like to see a lot of challenger brands’ work to win. I would like to see more real work. Work that is mainstream. Work that the brands did to solve a marketing problem. I would also like to see greater integration of real and digital world.”

     

     

     

     

    Vivek Srivastava

    Adding his perspective, Vivek Srivastava, Jt MD, Innocean Worldwide said, “It’s a platform to interact and observe. There should be some interesting seminars. The Goafest committee has worked rather hard to get an interesting line up of speakers. And the Industry Conclave is being done in a manner which makes the business leaders deliberate and argue about issues that are affecting our businesses in the immediate term. I am surely looking forward to these. Our agency Innocean has had some shortlists. I would be happy to see those win for sure. In my view campaigns that genuinely impact consumer behaviour, make an impact on the brands’ future and ensure their relevance in this dynamic are the ones that deserve to win.”

     

  • Goafest 2012: Jury chairpersons announced for Creative Abby and Media Abby shortlists

    The Awards Governing Council of the Abby Awards at Goafest has announced its team of Jury Chairpersons for the Creative Abbies this year. This year, Goafest has received more than 4,250 entries for the Creative Abby awards. The judging process will commence in Mumbai from Saturday, March 24, 2012.

     

    The jury chairpersons for various categories include Agnello Dias, Chairman & Co-Founder TapRoot India for Integrated Advertising, Ravi Deshpande, National Creative Director, Contract Advertising for Films, KV Sridhar (Pops) National Creative Director, Leo Burnett for Print, Sonal Dabral, Chairman and Chief Creative Officer, DDB Mudra for Outdoor Advertising, Abhjit Avasthi, National Creative Director, Ogilvy & Mather for Radio Advertising, KS Chakravarthy (Chax), National Creative Director, Draft FCB Ulka for Digital Advertising, Senthil Kumar, Executive Creative Director, JWT India and Chairman, JWT India Creative Council for Film Craft, Alok Nanda, Director Alok Nanda Communications for Design and Ashish Khazanchi, National Creative Director, Publicis Worldwide for Direct Advertising.

     

    Commenting on the Jury, Shashi Sinha, Chairman of the Awards Governing Council, said, “We are delighted to have such a remarkable line-up of Jury Chairpersons this year. All of them are creative stalwarts and I am pleased that they will be judging the Creative Abbies this year. The judging process will be transparent and fair. KPMG will be monitoring the judging procedure again this time.”

     

    This year, for the first time, Goafest is introducing Grand Prix Abbies for nine verticals.

     

    The shortlists for Media Abbies has also been announced. Goafest 2012 will be held at the Zuri White Sands in South Goa on April 20-21, 2012.

     

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