Category: NEWS

  • The Good Edge appoints Vinu Lal for Pune

    The Good Edge, a public relations firm, has appointed Vinu Lal, a journalist-turned-entrepreneur, as Director. As part of the agency’s expansion in the western region, Lal will set up the company’s Pune office with a mandate to develop that region.

    Since 2020, Lal has been on a sabbatical with assorted content assignments with London-based Capital.com and Hong Kong-based Insurance Asia News.

    Notes a communique: “As part of the agency’s expansion in the western region, Vinu will set up the company’s Pune office with a mandate to develop that region.”

  • Asianet News M&E is now Asianxt Digital Technologies

    Asianet News Media & Entertainment Pvt. Ltd, a pan-India media-tech player, has announced its rebranding to Asianxt Digital Technologies Pvt. Ltd.

    Other than Asianetnews.com, a multilingual digital news and entertainment hub catering to audiences in eight languages, the company also owns the powerful Asianet News Network, featuring leading news brands such as Asianet News (Malayalam), Asianet Suvarna News (Kannada) and the Kannada Prabha daily. Complementing its news offerings, Asianxt also has in its portfolio IndigoMusic.com, the international music brand with a following in markets like Bengaluru, Goa etc. As part of this change, Asianxt has unveiled a new brand logo and identity.

    Neeraj Kohli
    Neeraj Kohli

    Said Neeraj Kohli, CEO of Asianxt Digital Technologies Pvt. Ltd: ” Our vision is to serve content across audiences, agnostic of any platform, language and geography. With Asianxt, we aim to transcend barriers and offer diverse and engaging content to global consumers. This rebranding is a strategic move towards realizing that vision. We are confident that our renewed focus on technology and digital-first values will resonate with our audiences and stakeholders alike.”

    Rajesh Kalra
    Rajesh Kalra

    Added Rajesh Kalra, Executive Chairman of Asianxt Digital Technologies Pvt. Ltd: “This is a pivotal moment for us as it is a reflection of our commitment to embracing a digital-first future. As Asianxt, we aim to continue to push boundaries and set new standards for journalism. We are excited about the possibilities this transformation opens up for us and our audiences.”

  • Stellantis India strengthens leadership at Jeep

    Kumar Priyesh
    Kumar Priyesh

    Stellantis India announces the appointment of Kumar Priyesh as Brand Director for Jeep.

    Said Aditya Jairaj, CEO and MD Stellantis India: “We are thrilled to welcome Priyesh to the Jeep India team. His rich experience and strategic acumen will play a pivotal role in propelling the Jeep brand to new heights in the Indian market. We eagerly anticipate his leadership and the transformative impact he will bring to fortify Jeep’s presence in the country.”

  • L&K Saatchi & Saatchi appoints Balakrishna Gajelli as ECD

    Balakrishna Gajelli
    Balakrishna Gajelli

    L&K Saatchi & Saatchi, part of Publicis Groupe in India, has appointed Balakrishna Gajelli as Executive Creative Director (ECD). He will be based in the agency’s Mumbai office and report to Kartik Smetacek, Chief Creative Officer at L&K Saatchi & Saatchi. He has worked with FCB Ulka, BBDO India and Leo Burnett India in the past.

    Commenting on his appointment, Smetacek said: “This will be the second time I’m working with Bala. He’s a solid thinker, a talented designer and a trustworthy individual. In recent years, he’s also gained a lot of experience with non-traditional work, working on some on India’s most awarded campaigns. It’s fantastic to have him be part of our team.”

  • Digital AdEx set to double in 2023-24

    The Indian advertising market has experienced an impressive upswing, surpassing expectations and establishing itself as one of the world’s fastest-growing industries. It secured the 8th spot in the  global ad spend, emerging as the fastest-growing market among the Top 10 in 2023. Initially projected to grow at a moderate rate of 8–10% in the fiscal year 2022-23, the digital advertising sector defied expectations. Fueled by Economic Tailwinds in 2023-24, digital ad expenditure is forecasted to more than double, reaching US$ 21 billion by 2027-28.

    Currently, notes the report, India’s advertising sector has shifted digitally with the rise in smartphone and internet users. According to IBEF, this has fuelled a thriving digital ad market, projected to reach US$ 7.9 billion by 2027 with a 12.3% CAGR. While TV and traditional marketing holds their ground, the internet and digital platforms dominate. Social media leads with 30% of ad expenditure (Rs. 8,757 crore or US$ 1.05 billion), followed by online video at 28% (Rs. 8,319 crore or US$ 1 billion). Paid search constitutes 23% (Rs. 6,895 crore or US$ 892.23 million) and display banners make up 16% (Rs. 4,816 crore or US$ 579.2 million).

    What to expect in 2024?

    The dynamic landscape of digital marketing in India demands constant awareness of evolving trends for sustained business growth. Projections indicate that advertising revenue in India is set to hit Rs. 394 billion (US$ 5.42 billion) by 2024. Says Vaasu Gavarasana, COO at RMT (Red Matter Technologies), Mentor & Marketing Coach at T-Hub and IIT Madras: “Anticipate significant shifts in marketing approaches, notably a surge in TV advertising expected to reach Rs. 394 billion (US$ 4.89 billion) in 2024. Outperforming global counterparts, Out-of-Home (OOH) advertising is poised for growth at a remarkable CAGR of 9.9%. The digital industry is gearing up to contribute 38% to India’s overall advertising sector, matching television’s impact. Expect a substantial uptick in spending on social media marketing, fueled by the ascent of short videos and internet advertising”.

    Factors contributing to Digital Marketing and Advertising In 2024, various factors will shape the landscape of digital marketing and advertising. Television is poised to dominate the Indian media market, capturing 40%, closely trailed by print media at 13%, and the burgeoning OTT and gaming industries at 8%. This landscape creates a ripe environment for digital advertisements on these platforms including the advertising-based video on demand (AVoD) segment which is projected to experience significant growth, with a Compound Annual Growth Rate (CAGR) of 24%, reaching a substantial US$ 2.6 billion by 2025.

    As we look ahead, an estimated 600-650 million Indians will actively engage with short-form videos, dedicating 55 to 60 minutes of their day to this content, as reported by IBEF. By 2027, India is poised to become the fourth-largest TV advertising market globally, trailing only behind the United States, Japan, and China. Additionally, mobile internet advertising is set to claim a significant share, constituting 73% of internet advertising income in India by the same year, shaping the ever-changing digital advertising terrain.

    These developments signal a transformative period for digital advertising, impacting businesses across all levels and ushering in a new era of interactive marketing and innovation. The future promises a dynamic landscape, where strategic adaptation to emerging trends will be pivotal for businesses seeking to thrive in this evolving digital marketing environment.

  • Hypothesis partners with Togglehead

    Hypothesis, an AI-enabled influencer marketing platform, has partnered with Togglehead, a digital agency. Hypothesis will bolster Togglehead’s data-driven approach to execute the agency’s marketing campaigns.

    Said Himani Agrawal, Senior Vice President – Product & Analytics at Hypothesis: “We are thrilled to partner with Togglehead, a fast-paced independent agency. By leveraging decades of knowledge gathered from bringing creators and brands together, we are committed to empowering Togglehead with an innovative AI-enhanced tool that focuses on enabling influencer marketing with data driven processes in a super easy to use interface. Hypothesis is a first-of-its-kind platform that tackles the pain point of limited access to verified creator information and the challenge of navigating through ‘the many’ to find ‘the one’. This, along with automated campaign tracking, makes it well positioned to save time and drive efficiencies in the entire influencer marketing journey.”

    Added Aatef Bham, Co-founder & Director – Digital Business at Togglehead: “We are thrilled to announce our strategic partnership with Hypothesis, a cutting-edge AI-powered influencer marketing tool. At Togglehead, we’ve always been committed to staying at the forefront of digital innovation, and this collaboration with Hypothesis exemplifies that dedication.”

  • DigiStreet Media bags mandate of SLCM

    By Our Staff

    Leading aggregate solutions company Sohan Lal Commodity Management has appointed DigiStreet Media as its strategic partner to handle the digital and creative mandate.

    Commenting on the partnership, Charu Goswami, Head of Corporate Communications at SLCM, said: “In an era where digital presence is crucial, we are thrilled to entrust DigiStreet Media with our digital and creative mandate. Their proven track record and innovative approach align with our objectives, and we believe this partnership will elevate our brand in the digital realm.”

    Added Darpan Sharma, CEO & Strategist at DigiStreet Media: “The opportunity to partner with SLCM is truly exciting, and we are eager to play a role in shaping their digital and creative trajectory. Our objective is to leverage the art of compelling storytelling and creative concepts to not just meet but exceed the expectations associated with the digital & creative mandate.”

  • Kevin Vaz & Arjun Nohwar appointed Chair & Co-chair of FICCI Media & Ent Committee

    By Our Staff

    Kevin Vaz
    Kevin Vaz
    Arjun Nohwar
    Arjun Nohwar

    The Federation of Indian Chambers of Commerce and Industry (FICCI), announced the appointment of Kevin Vaz, CEO – Broadcast Entertainment, Viacom18 as the Chairman of FICCI Media & Entertainment Committee. It also announced Arjun Nohwar, General Manager for India & South Asia for Warner Bros. Discovery, as Co-Chair.

    Said Leena Jaisani, Deputy Secretary General, FICCI said, “FICCI, as the apex industry association, has consistently led the charge in fostering collaborations with diverse stakeholders within the realms of Indian commerce and government.  In navigating the complexities of this dynamic landscape, FICCI remains steadfast in its commitment to driving meaningful policy discussions and facilitating their effective adoption, thereby shaping a vibrant and progressive future for the media and entertainment sector in India. FICCI is confident that Mr Vaz, with his wealth of experience, will bring fresh perspectives and contribute significantly to the continued growth of the Media & Entertainment industry.”

    Said Vaz:  “The Indian Media and Entertainment industry is at an interesting tipping point in time. While the interplay of technology, content and consumer behaviour is reshaping the very definition of the sector, in India there is a clear headroom for growth across categories and a confluence of interests between multiple players in the ecosystem. At a global stage, the soft power inherent to our industry can act as a leverage multiplier to India’s growing cultural influence. I feel honoured to be given the responsibility to lead this committee and look forward to interacting with stakeholders across the board to further our sector’s footprint.”

    Added Nohwar: “Accepting the mantle of Co-Chair at FICCI’s Media & Entertainment committee is an honour for me and I look forward to engaging with industry leaders, government stakeholders, and policy makers. Together, with a shared commitment, we aspire to build synergies that not only guide our industry towards unparalleled growth but also solidify its standing as a global leader. In this endeavour, I look forward to working closely with Kevin Vaz (Chair) and Sandhya Devanathan (Co-Chair), leveraging our collective expertise to chart a visionary course for the industry. FICCI’s steadfast dedication to fostering collaboration and shaping progressive policies is laudable, and I am particularly excited about the prospect of contributing to the dynamic evolution of the Indian Media & Entertainment landscape.”

  • BeanstalkAsia rolls out ad for HomeSure Tile Ex

    By Our Staff

    BeanstalkAsia, an integrated marketing communications agency, delivered a series of films for HomeSure Tile Ex by Walplast.

    Speaking about the performance of the films, Aniruddha Sinha, Senior Vice President, Marketing, CSR, and Business Head – P2P division, Drychem India Limited, said: “HomeSure Tile Ex Tile Adhesives stands out as a technologically advanced and cost-effective solution in the market. Seeking to communicate the benefits engagingly, BeanstalkAsia delivered a campaign that was humorous and has effectively highlighted the advantages of ‘4 Aces’. Executed primarily through digital and on-ground activation in key cities across the West, North, and Eastern parts of India, the campaign has already achieved impressive results. With 4.5 Mn+ views & nearly 3 Mn+ unique viewers, and 1.4 Mn+ impressions on YouTube, these figures are noteworthy, particularly given our focus on a niche B2B audience comprising architects, builders, contractors, engineers, and Tile applicators. We also achieved a 52% secondary growth by volumes during the first 9 months of FY24.”

    Added Upendra Singh Thakur, Founder Director of BeanstalkAsia: “Tile adhesives typically fall into a low involvement category, with end consumers often showing less engagement in the decision-making process compared to their involvement in selecting tile designs. Targeted towards the B2B audiences, this category presented an opportunity to leverage humour and exaggerate situations to capture audience attention. The campaign is centred around slice-of-life concepts that have high recall with an unexpected twist, encouraging the target audience to ‘expect the unexpected’.”

  • ODN tables e-com content report

    By Our Staff

    ODN, an e-commerce content creator and specialist in ‘Shop-Now Content’ which enables brands and e-commerce platforms to sell successfully online, has come up with an E-commerce Content Analysis report. The report focuses on the content of e-commerce brands across various marketplaces.

    Said Narinder Mahajan, CEO & Co-Founder, ODN, said: “ODN is making a concerted effort to assist retailers and e-commerce platforms in grasping the significance of using proper digital content, images, and videos to boost their sales. This report analyses the important factors to be considered by brands and platforms that will enable their sales growth.”

  • Motorola unveils influencer marketing campaign

    By Our Staff

     

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    A post shared by Motorola India (@motorolain)

    Motorola has launched an influencer marketing campaign to spotlight its Razr 40 Ultra. The ad uses ‘hyper-realistic’ CGI advertising and influencer marketing using Instagram’s Sequence feature.

    Conceptualised and executed by Barcode Entertainment, the ‘Flip into the Future’ campaign introduces three CGI ad reels placed in various “iconic” locations.

    Sharing his views, Shivam Ranjan, Marketing Head, Motorola APAC said: “At Motorola, innovation is an integral part of our brand, whether in terms of color, design, technology, or adapting modern marketing tools. Our popular flagship, the motorola razr40 Ultra, is the world’s first smartphone to be launched in the Pantone Color of the year 2024 – Peach Fuzz. This unique proposition required a differentiated and modern marketing approach to reach our target audience effectively. We are pleased to partner with Barcode for our ‘Flip into the Future’ campaign, which used modern CGI advertising and innovative influencer marketing to engage with our audience. We are delighted with the response that the audience has shown to the campaign and look forward to implementing more such unique marketing strategies to take the brand further.”

    Added Ajay Kulkarni, Director Growth – Barcode Entertainment: “The ‘Flip into the Future’ campaign is a manifestation of Barcode Entertainment’s commitment to pushing creative boundaries. By integrating hyper realistic CGI and influencer marketing, we strive to redefine the landscape of advertising, offering an unparalleled experience that resonates with our audience. Co-creating this beautiful campaign with the fusion of influencers and technology, we worked closely with Motorola to translate their vision into reality.  The collaboration between the client and our entire team has resulted in a campaign that truly captures the essence of innovation and creativity.”

  • Amazon Fire TV Streaming Trends Report

    By Our Staff

    Indians spent more hours streaming cricket vs entertainment content during domestic and international cricket tournaments in 2023 as per Amazon Fire TV Streaming Trends Report. Published by Amazon, the annual edition of the report captures aggregated insights on how Indian viewers consumed content on their Fire TV devices in 2023. Data reveals that Maharashtra, Delhi, Andhra Pradesh, Karnataka, and Tamil Nadu streamed more hours of cricket than other states on Fire TV.

    In 2023, Indian households spent around four hours per day streaming their favorite movies, shows, cricket matches, playing games, and listening to music, through Fire TV. A family in Delhi streamed 5.4 hours every day in 2023, the highest by any Indian household through Fire TV.

    Favorites on Fire TV: Sports, Kids’ content, news, and TV shows

    • Besides cricket, Fire TV users also enjoyed streaming F1 races. Viewership for F1 races witnessed a 50% increase from last year
    • Kids’ related apps saw approximately 31% increase in monthly streaming hours per customer. Some of the popular apps include YouTube Kids, ChuChu TV, HappyKids and others
    • Fire TV users also enjoyed playing music on their TV. Last year, one in every three users played music through Amazon Music, Spotify, and other music apps through Fire TV
    • Fire TV users made the most of free (ad-supported) streaming platforms. Apps such as YouTube, miniTV, MX Player, and others saw approximately 23% year-over-year increase in streaming hours

    Users enjoy the convenience of Alexa’s universal voice search on Fire TV

    • Approximately 80% of Fire TV users took Alexa’s help in searching and navigating through their favourite content across 12,000 apps, controlling their Alexa-enabled smart home appliances, setting reminders, etc.
    • Comedy, thriller, and drama were some of the most popular genres of content watched by Fire TV users. Tarak Mehta ka Ulta Chashma was the most voice-searched Indian title, followed by Big Boss, Anupama, Ramayan, and CID to name a few
    • Parents of young kids used Alexa to search and play popular kids’ shows namely Cocomelon, Peppa Pig, and Chhota Bheem through Fire TV

    Indians across 99% of the pin codes have purchased Fire TV devices

    • With thousands of positive reviews and a 4+ rating on Amazon.in, Fire TV Sticks have been bought by Indians across 99% of the pin codes of the country
    • From Kavaratti in Lakshadweep, Port Blair in Andaman and Nicobar, Kamrup in Assam, Papum Pare in Arunachal Pradesh, to Purnia in Bihar – families enjoyed the streaming experience offered by Fire TV
    • Fire TV users enjoyed streaming Prime Video movies and originals
    • Some of the most streamed movie on Prime Video were Pathan, Bawaal, Rocky aur Rani, Jailer, Drishyam 2, Pippa, and Mast Mein Rehne Ka
    • Popular Prime Video original series streamed by Fire TV users were Farzi, Dahaad, Jubilee, and Made In heaven, to name a few