Category: TV

  • Ten Sports extends ‘Tour De France’ for another 4 years

    By A Correspondent

     

    Sports content provider Ten Sports has announced that it has acquired broadcast rights for Tour De France till 2016 for the Indian subcontinent. Ten Sports will be the exclusive rights holder in the Indian subcontinent with the exception of rights being shared with the pan-regional broadcaster Eurosport in Sri Lanka.

     

    Commenting on the acquisition, Atul Pande, CEO, Ten Sports said, “We are proud to be associated with an event as esteemed as Tour De France, especially at a time when it is having its 100th edition in 2013. This long-term relationship with Tour De France will bring in much delight to our viewers who crave high-adrenaline bicycle racing.”

     

    The 2013 Tour de France, the 100th edition of the race, is scheduled to start on June 29 in Corsica, in the city of Porto-Vecchio. The island will host the first three stages. Corsica is the only Metropolitan department which the Tour has never passed through and the organizers wanted to combine the 100th edition of the Tour with the Tour’s first ever visit to Corsica.

     

     

  • Zee Cinema plans to add a punch at primetime with South Indian films

    By A Correspondent

     

    Move over SRK, Salman and Akshay. Nagarjuna and co are here with their OTT action and comedy sequences. To make most of the genre, Zee Cinema has launched a two-week-long festival of popular southern blockbusters dubbed in Hindi – ‘South Ka Super Punch’. “Films from the South dubbed in Hindi have always given us a great response. They have their own unique brand of over-the-top action that works extremely well with the male audiences,” says Mohan Gopinath, Business Head – Hindi Movie Cluster, ZEEL when asked why the channel chose dubbed movies for the primetime slot.

     

    Mr Gopinath, adds, “In times when we all lead hectic lives, viewers look to cinema or television as a stress-buster. Cinema from the South with its larger-than-life hero worship and flamboyant brand of action and drama, serve as a beautiful avenue for escapism where people can forget all their stress and have a good laugh. These films have been enormous successes down south and the lead actors are worshipped like demi-Gods. Dubbed versions of south films have always rated extremely well each time we have aired these in the past and there is a strong demand for us to air more such films. Our previous festival of a similar nature ‘Dosa Meets Samosa’ had met with an overwhelming response. We’re confident that the audience will enjoy the new festival too!”

     

    Like the movies to be shown, the channel has also taken an off-beat creative route to promote the festival. Instead of showcasing any of the stars or even visuals from the films being aired as a part of the ‘South Ka Super Punch’ festival, the promo raises a toast to the sheer flashiness and flamboyance of southern cinema and its unique brand of comical action. It features a special rap song that has been composed in-house by the creative team at Zee Cinema, celebrating the magnificent larger-than-life attributes of these films, explains Mr Gopinath.

     

    Similarly to cash in on the current rage of cricket, Zee Cinema has created cricket-centric comic strips, spoofing the most widely discussed developments from the ongoing series and associating them with the festival in a unique manner. These comic strips will be available across various digital platforms.

     

  • Chat live while watching TV

    By A Correspondent

     

    iCouch, an exclusive Live TV chat platform has been developed for the ardent TV viewers and show fans. It is a free mobile application by iDubba. Launching in partnership with Zee Cafe’s ‘Grey’s Anatomy’ Season 7 from May 1, iCouch lets the viewer chat while the program is running and captures the favourite scenes.

     

    iCouch enables the viewer to read and ‘like’ popular chat and get heard by thousands of other fans watching the program. One can find out interesting facts and trivia about a show, invite friends and send them alerts, play contests and win big prizes while making TV viewing experience extremely entertaining and fulfilling.

     

    Rabi Gupta, Co-Founder – iDubba, said, “iCouch is definitely not another news or gossip outlet where we reports things or events, in-fact here the news and gossip makers and breakers are the ardent fans of the TV show. It is a chat forum that has no bar, you are the one building and developing the discussion of your favourite show.

     

  • Directors discuss Bombay Talkies and 100 years of cinema

    By A Correspondent

     

    The directorial cast of Bombay Talkies made an appearance on the show Etc Bollywood Business with trade expert Komal Nahta. The team shared their experiences about each of their short films in the upcoming Bombay Talkies, which is slated to release today.

     

    The trio – Dibakar Banerjee, Zoya Akhtar, and Karan Johar – talk about the evolution of Bollywood over the past hundred years, the oldest movies that the directors have seen, the longest kiss on celluloid and the journey of each of their careers in Bollywood.

     

    This episode of Bollywood Business will be aired exclusively on Etc on May 3 at 8.30pm with a repeat telecast at 11.30pm on the same night.

     

  • Skyfall, Hobbit on Pix post deal with MGM

    By A Correspondent

     

    English movie channel Sony Pix has partnered with Metro Goldwyn Mayer (MGM) Studios, one of the leading studios of Hollywood. Under this arrangement, Sony Pix will premiere the studio’s new titles on television which includes Skyfall, The Hobbit and in future the remake of Robocop. In addition, the channel will also be home to all the Bond titles and popular movies from their stable such as the Rocky series, Terminator, Species, The Pink Panther and Conan the Destroyer to name a few.

     

    NP Singh
    Saurabh Yagnik

    N. P. Singh, COO Multi Screen Media, said, “We are pleased to announce the deal with MGM and this is another step in providing world class entertainment to our viewers.” Saurabh Yagnik, Business Head, Sony PIX said, “Sony PIX is on a strong growth path and has been consistently operating in the No.1/2 slot in the category. It is aggressively strengthening its library through investment in content. This association with MGM will significantly help the channel to operate in the top 2 slots in the genre.”

     

    The association is strategic and gives the channel access to some of the biggest premieres this year like Skyfall and The Hobbit. Sony Pix will also be airing the entire Bond series exclusively on the channel.

     

  • 1 Minute View: Is it TAM’s fault that aMap shut shop?

    One was hopeful that its advisors would’ve made Doordarshan bosses see reason and not persist with the plea CCI to intervene in the TAM ratings scene.

     

    We aren’t trying to say that all’s well at TAM’s end. Perhaps there is indeed reason for worry given all that is being spoken against it by people from various quarters.

     

    However, to say that TAM is a monopoly and hence not doing its job well is incorrect. For one, there was another vendor in the form of aMap which was doing all that TAM was in TV measurement and it was sad to see it suddenly suspend operations, ostensibly because of poor patronage.

     

    Second, the Nielsen-Kantar jv was mandated jointly by the industry bodies to conduct the measurement exercise and provide data on the basis of that. If it had so desired, the industry bodies could’ve assigned the task to someone else – then and even later.

     

    Surely large advertisers and media agencies representing them who use TAM data for their decision-making would’ve junked the numbers had they found it amiss.

     

    Saying that TAM is a monopoly is hence not only wrong, but also unfair. It’s like in the case IRS and NRS. NRS had stopped releasing its annual report on its own, and therefore it wouldn’t be right to say that IRS was a monopoly (which it was in effect) for many years. And now, given that the two (NRS and IRS) have unified, we are sure there will be someone who may raise the monopoly issue about print measurement.

     

    Back to TAM and the CCI, it was interesting to read TAM CEO L V Krishnan speak out on the issue (see link: http://www.exchange4media.com/50819_now-cci-goes-after-tam-acts-on-dd-complaint.html). So is it true that Doordarshan bosses refused to pay up for rural numbers?

     

    The industry would know that the road to a new measurement mechanism is not an easy one. Look at the time and effort taken to form BARC and now in the process of finalizing the vendor(s).

     

    As for TAM, post the NDTV lawsuit, some measures were taken to cleanse the processes. Since then we have had partial digitization and introduction of data from smaller, LC1 markets. There have been many channels who have been impacted given the state of flux.

     

    Times surely are a-changin’.  In the meantime, it will be interesting to see how the CCI views the entire television measurement scenario.

     

  • Jaldi 5 with Anuj Poddar: KHMC will be a milestone for Marathi television

    By A Correspondent

     

    In the world of regional television in India, ETV Marathi had made a mark soon after its launch 13 years back. Now with new renewed vigour post business realignments, the channel announced the launch of Kon Hoeel Marathi Crorepati to be hosted by veteran actor Sachin Khedekar as host. The show which will premiere this evening (May 6) has seen a high visibility blitz across Maharashtra. MxMIndia asked Anuj Poddar- EVP Strategy & Business Head Regional Channels, Viacom18 (in partnership with ETV) to talk on various marketing activities planned for KHMC.

     

    01. It wouldn’t be incorrect to say that you’ve virtually taken over the state’s media with the KBC Marathi promotions… can you give us some specifics on the promotional activity…
    TV spots: More than 2000 GRPs covered: Over 150 GRPs
    Number of hoardings: Several hundred hoardings, bus shelters, bus panels and other outdoor media
    Radio spots: 650+

     

    What is the approximate adspend?

    We have achieved visibility and engagement equivalent to a Rs 5cr spend.

     

    02. The promotional spend is comparable to the big bang launches on the Hindi GECs. We have seen a mixed response to the KBCs in various Indian languages… are you confident of KBC Marathi delivering in ratings and revenues?

    Everything that we’re doing on KHMC is to give it the same scale and persona as a Hindi property, but of course for the Marathi audience. The Marathi audience will not feel that this is any lesser or there has been any compromise of any sort. The participation process, the scale of the set, the production values and, of course, the marketing are all designed to convey the stature of this unique and most successful show. We have also extensively studied the format across the Hindi and all regional avatars so far and absorbed all the learnings from those and are confident we have a great version ready for the Marathi audience. We are confident that this will be a milestone for the Marathi television genre – as well as for advertisers who are hungry for something of this scale and quality for their brands to engage with.

     

    03. The response that your announcement saw some phenomenal response on our site (MxMIndia.com) with over a 100 people writing in, wanting to be part of KBC. Could this see a turning point in the various regional language programming will be promoted in future? Do we see ETV Marathi looking at more content which will entail viewer participation?

    Yes, I was most glad to note the response and buzz created by the show when we called for entries. We also have a second round of call-for-entries lined up shortly and with the show now hitting air, I am confident the participation buzz will only grow further. To me, it reflects how all the positive values of this show – knowledge, aspiration and celebration of one’s culture & history – find direct resonance amongst the amazing Marathi population of this country. ETV Marathi will continue to look for ways to deeply engage with Marathi viewers in a meaningful and relevant way.

     

    04. ETV was the first Marathi GEC… interestingly launched less than a month before the first season of KBC took off . We are also seeing some action with the other Marathi GECs. Do you see the entire genre growing in the months to come?

    Any process of evolution and growth witnesses key phases and turning points. ETV’s regional foray over a decade ago is a testimony to its founder’s vision and he helped set the ball rolling. The step-up in competition in the Marathi genre over the last 4-5 years was the next turning point and has led to Phase 2 of this growth. Now, I see us entering the next phase of evolution of the Marathi genre and we will look back at 2013 as the turning point for the start of this phase. And I am glad and hopeful that ETV will have led this turning point.

     

    05. The first season of KBC in Hindi on Star Plus saw some smart strategy from the channel in the form of the saas-bahu serials propelling the channel to numero uno. Are you working on rejigging the rest of your content?

    ETV has already quietly but surely rejigged the content on the channel over the last four months. The channel has a full new content line-up on air with great fiction properties some of which have already become leading-TSV shows, demonstrating their strong content quality. Hence, KHMC was strategically planned to be brought in post the rejigging of other content. The packaging, et al has also been changed. The channel is looking fresher, nicer and is ready to rock…we’re looking forward to an entertaining ride along with our viewers! Ratings will naturally follow…God and TAM willing!

     

  • CNN celebrates 15 years as top news channel in Asia Pacific

    By A Correspondent

     

    CNN retains its position as the number one news and business brand on all platforms, according to new findings from the latest Pan-Asia Pacific Cross-Media survey (PAX). The research reinforces the network’s undisputed regional leadership in TV, mobile and online – making it 15 consecutive years in the top position.

     

    A release from CNN said the latest PAX results for the period Q1 to Q4 2012 show that CNN is the clear frontrunner among international news and business channels across all metrics. CNN also continues to deliver its brand of quality, engaging and trustworthy news content to an affluent and discerning demographic across Asia Pacific. Highlights of the research include:

     

    The CNN brand reaches 30 percent of PAX respondents across all platforms#, with an even stronger connection with hard-to-reach target groups, such as top management (43 percent monthly reach). The total brand reach is also 43 percent greater than the next largest international news brand (BBC), and 2.4 times more than the third placed news and business brand (CNBC).

     

    Each week, CNN reaches 55 percent more international travellers than the next placed news and business channel.

     

    Within the business community, far more corporate investors watch CNN than any other international news and business channel. CNN alone reaches 79 percent more of these investors each week than the combined audience of the international business/financial news channels.

     

    As a TV news brand, CNN has two-thirds (68 percent) more daily and 57 percent more weekly viewers than any other international news or business channel. Across a month, CNN’s leadership remains strong, with 46 percent more viewers than the next placed TV news brand (BBC World News), and more than twice as many viewers as CNBC.

     

    Duncan Morris, Vice President of Research at Turner International Asia Pacific, said, “What makes these results particularly striking is that CNN has the largest audience base in news, no matter how you look at the data – by platform, target group or reach metric. Since the first PAX results were announced in 1997, CNN has demonstrated that it is consistently successful in delivering quantity, as well as quality, in audience terms.”

     

    The Ipsos PAX survey measures media consumption among the top 22 percent of society in socio-economic terms across 11 Asia Pacific markets: Australia (Sydney, Melbourne), Bangkok, Hong Kong, India (Delhi, Mumbai, Bengaluru) Jakarta, Kuala Lumpur, Manila, Seoul, Singapore, Taipei and Tokyo.

     

  • 1 Minute View: Now DD quotes TAM data to claim supremacy

    Hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe haha hehe hehe hehe.

     

    Sorry about this, but we went rolling and tumbling around with laughter on reading this report: http://www.hindustantimes.com/India-news/NewDelhi/DD-news-tops-viewership-ratings/Article1-1055943.aspx

     

    And don’t miss the person who is gloating about the numbers: mantriji himself. Yes, this is what I&B minister Manish Tewari told HT’s Zia Haq: “What these ratings indicate is the rapidly changing perception of viewers about the kind of television they like to watch and is perhaps an occasion to  introspect for those who have made sensationalism their staple.”

     

    The minister may have his reasons for damning TAM in the past, but the fact that he has used the same damned data to claim the supremacy of DD News indicates that he too believes in the fact that TAM ratings are the only recognized currency in the market and you can’t wish it away.

     

    However, having said that a lot needs to be done by TAM to make the ratings process more robust and repose the faith in broadcasters and advertisers that all’s well and above board.

     

    Meanwhile, you don’t need to pinch yourself. It’s true, the minister really used TAM data to back Doordarshan. Hehe.

     

  • Sudheer KG promoted to VP & Head Programming @ History TV18

    By A Correspondent

     

    A+E Networks|TV18 has elevated Sudheer KG as VP and Head Programming of its factual entertainment channel, History TV18, with immediate effect.

     

    In his new role, Mr Sudheer will oversee and drive the programming strategy for the channel and will endeavour to create a superlative advantage for History TV18 in the highly competitive factual genre television space.

     

  • ETV Bangla ropes in Mithun Chakraborty as host for Bigg Boss

    By A Correspondent

     

    The grandmaster is in the house. After a successful season of Jhalak Dikhhla Jaa Bangla, ETV Bangla is now gearing up to entertain viewers with the reality TV show, Bigg Boss. While Bigg Boss will now speak in Bengali, the affable and effervescent Mithun Chakraborty will be seen hosting the show in an all-new avatar.

     

    Produced by Endemol India, Bigg Boss is slated to go on air on ETV Bangla in the month of June.

     

    Talking about his new role, Mr Chakraborty said, “Bigg Boss is a very intriguing format. To be a celebrity and to be under surveillance 24×7 on national camera is no easy task and it’s my honour to be the link between the Bigg Boss house and the outside world for my fellow friends of the industry. I look forward to starting the shoot for the show soon.”

     

    Ravish Kumar, Executive Vice President & Business Head, Regional Channels, Viacom18, in partnership with ETV said, “The Bigg Boss frenzy has hooked many Hindi GEC viewers over the years and, given the phenomenal success of its first regional foray in Karnataka earlier this year, we are now delighted to introduce this format to Bengal. Society’s insatiable curiosity to get a peek into the lives of their favourite celebrities is something that holds universal appeal and we hope that the show will further accelerate and add momentum to our existing bouquet of content”.

     

    Deepak Dhar

    Deepak Dhar, CEO, Endemol India said, “Bigg Boss is based on a universal concept that has successfully appealed to audiences across markets. Adapting a cult show like Bigg Boss in a regional market helps us reach out to captive audiences who are eager to consume the programme in their preferred language. We are certain that the Bangla version will be received with a lot of enthusiasm.”

     

  • Old tunes, new TVCs: Good, bad, or…?

     

    By Meghna Sharma

     

    What do Bharti AXA, Hero Pleasure and Slice have in common? In their latest commercials, all have used old songs, remixed or tweaked, to sell their products.

     

    Yes, the old melodious songs are once again back in vogue as advertisement industry jazz them up to attract audiences. Chala jaata hoon (from the film Mere Jeevan Saathi) and Chakke mein chakka (Brahmachari) for the Nissan Micra ads, Aap yahaan aaye kis liye (Kal Aaj Aur Kal) for Bharti AXA, Tum jo mil gaye ho (Hanste Zakhm) and the earlier Aaj ki raat (Anamika) for Coca Cola, Aaj kal tere mere pyaar ke charche (Brahmachari) for Raymond and Mud mud ke na dekh (Shri 420) for TVS Scooty are some of the new-old tunes on the block. Even Bombay Times got into the act, using Style mara toh darna kya, an edgy takeoff on Pyaar kiya toh darna kya from Mughal-e-Azam, with the words changed to suit the brand.

     

    Why is there such an epidemic of remix fever in TVC land? Are creatives running out of ideas, or have they just hit upon the fact that old is, well, gold?

     

    New, or an old trend?

    Prathap Suthan

    History repeats itself and the advertising industry knows that they cannot do without the old classics. “It’s not for the first time that you’ll see advertising agency using old songs, it’s been going on since a very old time, It was there even when I joined the profession,” recalls Prathap Suthan, Managing Partner/Chief Creative Officer at BangInTheMiddle and Chief Creative Officer at iYogi Inc.

     

    He isn’t alone; many from the industry feel that the old classics are evergreen and anyone can relate to them. But what’s more important is, how does one use them? “If an old song works for one brand, you’ll see many others copying the trend. But that doesn’t mean or guarantee it will work for all of them. If a song fits the situation and helps the brand tell their story in 30 seconds is when an agency has done a good job with it,” feels Manish Bhatt, founder director, Scarecrow.

     

    Manish Bhatt

    The Indian Railways advertisement which used Ashok Kumar’s song Rail gaadi is a perfect example of using an old film song for a current situation. The advertisement not only became an instant rage among youngsters but also got many awards at national and international level. “Encashing on an old tune is what matters here more,” adds Mr Bhatt.

     

     

     

     

    Narendra Kusnur

    Narendra Kusnur, music columnist and critic, feels that since Hindi film songs have always been popular in India and the older ones have a high recall value, so naturally they can act as an effective tool in advertising as longed as they are used intelligently and go along with the brand positioning. “Why only old Hindi songs? Titan watches used the western classical piece Mozart’s 25th Symphony. People remember the tune and the ad, though many don’t know it’s Mozart. However, it’s always more satisfying to create a completely original jingle line. Something like Lifebuoy or Vicco Vajradanti or Vicks. So that should be the first effort,” he adds.

     

     

    Josy Paul

    “Making one nostalgic has worked in the past, does even today and will continue to do so even in the future,” asserts Mr Suthan.

     

    However, Josy Paul, Chairman and National Creative Director, BBDO India, feels that a trend is not an idea but a bunch of guys following each other. And the guy who started it may have already left the room.

     

    Shortcut or creativity?

    There is no dearth of songs because of the Indian film industry and one can find a song to fit any situation – but does using them mean that the advertising industry being lazy? Or is this creativity too?

     

    “Using an old song alone won’t do the trick; one needs to add new value to the song or force people to look at it again because of the unusual nature of the idea. Else, it’s just an old song which one might hear on the radio,” says Mr Paul.

     

    “There is nothing wrong in using an old track, but one should not treat it as a shortcut. Finding an appropriate song which fits the bill is difficult and needs creativity too. It’s an art form as well,” adds Mr Suthan.

     

    Citing the example of Parle’s campaign Roko mat, Mr Bhatt explains, “If an original jingle/song is catchy or works wonder for a brand then originality shouldn’t never be ignored. The main aim is to stand out of the clutter and help a brand reach its TG.”

     

    Hemant Kenkre

    Hemant Kenkre, a former music channel professional and a corporate and brand communications veteran, explains, “The old songs are remixed to suit the younger lot whereas the older generation too recalls the retro numbers. However, the brand managers need to understand that the song should suit their brand rather than overpower it. But it wouldn’t be right to say that there is any negative impact in using old songs for a brand.”

     

    “Using the power of music to one’s benefit is the deal breaker here – old or new doesn’t matter,” Mr Bhatt adds.