The Venice TV Festival has now invited entries now for TV channels, media companies, content production companies, branded content exponents and digital mavericks.
Categories are Comedy, Performing Arts, Reality TV, Documentary, News, Light Entertainment, Program Promotion, Branded Entertainment, Sport, Children/Youth, Best Of Technical High Quality, Cross-Platform Programming, Best Series and Best TV Movie. A Grand Prix is given for the best work among winners in production.
Other than Gupta, who is President, Sony Pictures Network India, the Jury of the international Venice TV Award is composed of leading international TV, Branded Content and Digital experts. These include Malin Hager President EGTA Sweden, Nikola Caligiore of Rai Italy and European Broadcasting Union, Dr Markus Schafer of Allianz Nederlands, Sonia Rovai of Sky Italia André Takada of Fox Network Latin America, Igor Tavares, Producer TVGlobo Brazil; Michal Pacina of Prima TV, Elke Walthelm of Sky Germany,Jessica Schmiedchen of CBC TV, Maire Kearney of RTE Ireland and Olivier Teepe of Cloudfactory Nederlands.
Image taken from advertising mailer sent out by Republic TV
By Shailesh Kapoor
I have started watching Republic TV over the last week or two, after a gap of a few years. The bizarre on-air investigation being carried out by the channel and its owner-editor, who is also its only primetime anchor, Arnab Goswami, under the title ‘Sushant Singh Rajput death probe’ has befuddled me. There have been many cases of irresponsible media coverage of celebrity news over the year, but here, the issue is larger, and the moral standing murkier.
The “investigation” started fine about three weeks ago. Kangana Ranaut chose to give an interview to Goswami, and he’s a fine interviewer on most days. She was shooting from the hip and he played along. But since then, the channel’s coverage of the topic has progressively degenerated. It’s as if the Ranaut interview gave Goswami the idea that there’s a big story in this, and you can run the entire channel on it for at least 4-6 weeks.
The week after the interview featured persistent attacks by Goswami on senior producers and directors of the Hindi film industry. Using the edgy material Ranaut had armed him with, Goswami went about questioning the people she mentioned, with little headway, during that week. There was also an interview with Shatrughan Sinha, where the seasoned actor-cum-politician didn’t say much despite Goswami’s persistence, rightly pointing out that he doesn’t have the details.
It’s over the last two weeks that Goswami’s investigation has become increasingly brazen. He’s sidelined his earlier nepotism narrative and has now taken up a “murder, not suicide” theory that he’s relentlessly pushing, two hours every night for two weeks and counting. Last night, he even said that if people thought this is a media trial, he’s like to inform them that he wanted to be a lawyer but couldn’t, but he may as well appear in a black robe one day on his show. Yes, he said that!
It’s amusing at one level but dangerously immoral at another. If I make a list of people he has “accused” in some form or the other over the last three weeks, it will probably be a number around 15. In the middle of a pandemic, mental health is a serious concern as it is, and if any of those “accused” are affected because of how they are being projected (many other channels are simply trying to ape Goswami’s investigation, making it a wider concern), who will be held responsible?
The other danger is of influencing the opinion of the lawmakers. Can a narrative being fed to the general population day in, day out not influence the police, the government and the judiciary at all? That’s a utopian situation, but we have seen before that reality is different.
If the general audience builds an opinion of their own, however specious it is, and finds an organic way of channeling it to others, it’s within the democratic framework and hence should be accepted, even if one disagrees with the discourse and its general intellectual level. But Goswami is using mainstream media to peddle a narrative that has no legal standing right now. He keeps saying “I am only asking questions”, but he goes on to provide answers to them too, invariably every time he asks one.
There’s also clear political polarisation at play here. How an entertainment industry news item became fodder for politics is beyond my comprehension, but it has happened, and unmistakably so. When political ideology enters other fields of public discourse and begins to influence the opinions there, we certainly have a reason to worry.
Over the next few weeks, Goswami and his clones would have milked this topic dry and moved on. They will then find another story. And with each such on-air inquest, they will keep making the moral compass more and more irrelevant, under one broad defense: That the nation wants to know.
Shailesh Kapoor is Founder and CEO, Ormax Media. He writes on MxMIndia on most Fridays. His views here are personal
August 8 marked the 14th anniversary of Tata Sky and to celebrate the milestone, Tata Sky in collaboration with Chimp&z Inc, created a nostalgic #14YearsOfJingalala, digital campaign honouring the allegiance of 14 of its patrons who have been the earliest customers of Tata Sky.
Said Anurag Kumar, Chief Communication Officer, Tata Sky: “Our history of putting the customer first is evident through our network of long-term customers, many of which have been with us for over ten years. This anniversary, we wanted to relive the connections we have forged with our consumers through genuine and authentic testimonials that gave an overview of their journey with us. The responses received not only makes for a joyful and encouraging video but also makes us take comfort in the fact that we have made a positive difference to their lives and earned their loyalty for life.”
Added Angad Singh Manchanda, CEO and Co-founder, Chimp&z Inc: “We went by the thought that a significant milestone like the 14th anniversary of Tata Sky needed to be upheld with a campaign that brought out the real essence of the brand. And what better way to do that than to reach out to those people who have experienced the service and quality of the product first hand. The #14YearsOfJingalala campaign video is like beautiful memorabilia to be cherished. The people featured in the video are not only consumers but brand custodians and have been endorsing the brand in their own little way.”
Strengthening its content catalogue to meet the growing entertainment requirements across age groups, Tata Sky Binge – Tata Sky’s OTT aggregator service — has now partnered with Viacom18 Digital Ventures to bring onboard their premium content streaming service Voot Select, and kids-focussed Voot Kids for its subscriber base.
Commenting on the partnership, Pallavi Puri, Chief Commercial and Content Officer, Tata Sky, said: “Keeping customer requirements at the forefront, we have continued to expand the library for Tata Sky Binge with OTT apps that offer the most popular and relatable content for the entire family. In the current environment when children are facing a dearth of entertainment options, adding Voot Kids will enhance the entertainment experience for kids with a balanced library of fun and learning content. Further, with Voot Select, we will open the doors to Viacom18’s exciting library of movies and top Indian TV shows – all available 24 hours before TV.”
Added Gourav Rakshit, COO at Viacom18 Digital Ventures said, “At Voot, we believe in building a versatile and immersive digital ecosystem that will add value to our users with path-breaking and diverse content experiences. With an increase in demand for content consumption, be it entertainment through Voot Select or fun learning through Voot Kids, this promising collaboration with Tata Sky Binge will help us cater and reach out to a larger audience base. We are delighted to partner with a like-minded brand who resonates with our ideologies and will help us make content viewing an enriching and engaging experience for all our viewers.”
Oximeter Check: Screengrab from a recent episode of Taarak Mehta…
By Shailesh Kapoor
It’s been a month since original episodes of Hindi GEC shows started airing again. The genre that survived primarily on mythology during the lockdown is now moving back to its old staple fare.
The results of the first four weeks have not been very encouraging. Given that there are Covid-related restrictions still in place in large parts of India, and the overall TV viewing time is higher than pre-Covid, the Hindi GEC category (pay channels) has lost about 10% of its pre-Covid viewership levels despite the return of original episodes. Drop in the ratings of the top shows is particularly striking. Except Taarak Mehta Ka Ooltah Chashmah (TMKOC), which opened at pre-Covid levels upon its return, most other top shows have struggled, with some being less than 60% of their pre-Covid numbers. Long-running shows like Kundali Bhagya, Kumkum Bhagya and Yeh Rishta Kya Kehlata Hai have not got a section of their audience back, who were probably continuing only because of habit. Star Plus’ recent launch Anupamaa has emerged as the joint category leader in Urban HSM, along with TMKOC.
The signs were ominous. During the lockdown, Ormax Media’s data suggested that only 42% of regular Hindi GEC audience are missing their favourite shows “a lot”. The category will soon face severe headwinds with IPL in the next quarter, and will have to look upto reality shows like KBC and Bigg Boss to uplift it from the precarious position it finds itself in.
Having said that, the early success of Anupamaa is a positive development. It shows that the category discontent is not so high that a well-crafted new show that’s relevant and authentic will not find an audience. But we need more Anupamaas, and some of the upcoming launches look promising too. But the category urgently needs to shed its flab. Channels’ obsession with long-running family dramas that have long outlived their purpose is still a major villain in the 2020 Hindi GEC story.
The other element of curiosity was to see how fiction shows integrate (or ignore) Covid in their plots. It’s been a mixed bag so far. While some shows have stayed completely clear of it, others have used token references, and a few have integrated Covid into the running plot, though not always in a way that’s sensible. To give an example (and there are a few), earlier this week, a plot point in Star Plus’ Yeh Hai Chaahatein involved the female antagonists plotting to get the protagonist out of the housing society by proving that she’s high-risk for a Covid infection. The society’s management committee comes to the protagonist’s house to insist she’s taken to a hospital or a quarantine centre. In this highly charged Covid discussion with half a dozen people, not one is wearing a face mask, making a potentially topical scene come across as fake, if not bizarre. It is this half-hearted attempt at depicting reality that creates emotional disconnect with many Hindi GEC shows.
In sharp contrast, TMKOC has integrated Covid masterfully. For a show rooted in topicality and social reality, not recognising the Covid reality would have been a definite compromise. But it’s easier said than done. If they would have based the entire show in a Covid world, there would be limitations, related to society gatherings, functions, festivals, shop scenes, etc.
What the makers have achieved is a fine balance, through a tried and tested device: Protagonist Jethalal’s dreams. In the three weeks on air so far, he has had two dreams (cumulative play-out of about five episodes) which tell a free-from-Covid story, while the rest of the episodes consciously recognise Covid and create genuine entertainment around it. This is how it should be done!
With all its problems and a few silver linings, the Hindi GEC category is at a crucial phase. Something tells me the next six months may shape its future decisively.
As Season 14 of Bigg Boss 2020 is getting set to be back on Colors, there is news that Voot Select subscribers will get unlimited access from the ‘BB House’ and the episode will be streamed on Voot Select ahead of the TV airing. To coincide with this the subscription offer of Rs 99 per month has also been announced with an introductory price of Rs 499 per annum. The date of the launch of the reality show has not yet been disclosed.
Said Nina Elavia Jaipuria, Head- Hindi Mass Entertainment and Kids TV Network, Viacom18: “Bigg Boss today has grown to become a phenomenon in the country. The following and viewership the show receives continues to grow each year and it is truly the fans that make it happen. The last season was a tremendous success, trending on social timelines while also creating new viewership records in the category. While this year has been tough on everyone, we believe that it is only fair to the shows fan’s and our viewers that we return with a brand-new season 14 that will heighten spirits and delivers on an unmatched and thrilling entertainment experience. We look forward to launching yet another milestone season thus keeping our viewers engaged and happy as always.”
Added Manisha Sharma, Chief Content Officer, Hindi Mass Entertainment, Viacom18: “Bigg Boss is not just a show but an extravaganza that drives pop culture and conversations in this country. The show has every year garnered unparalleled patronage from our viewers and partners, each seeking to be a part of the category-defining show. This year we know that our audience had to face many challenges. But the new season of Bigg Boss will serve as a perfect antidote and give a fitting retort to 2020 – Ab Paltega Scene, Kyunki BB dega 2020 ko Jawaab being the intent. Like every year we intent on bringing to life a winning mix of concepts, celebrities, and stress buster entertainment – A sensational show that each of our true blue Bigg Boss fans will not want to miss any moment of.”
Speaking on the digital for proposition of the iconic show Gourav Rakshit, Chief Operating Officer, Viacom18 Digital Ventures, said, “ At Voot Select, we have ensured that our viewers are engaged and entertained with content that is a premium, exclusive, and diverse. Bigg Boss is one of India’s most-watched shows and commands a following and fandom that is unmatched. Taking our digital-first strategy a step forward and keeping in sync with our viewers growing demands, viewers and Bigg Boss’ Asli Fans will have access to daily episodes before it airs on television. With a watch first, watch non-stop & watch super-exclusive proposition, we look forward to showcasing yet another exciting and larger than life season of Bigg Boss for all our premium subscribers.”
ShemarooMe, the video-on-demand streaming platform from Shemaroo Entertainment, has announced its association with Sony India to expand the Smart TVs content library. With this association, the ShemarooMe app will now be available for streaming exclusively on select Bravia Smart TVs. The platform offers a wide range of multi-genre, multi-regional content, including Bollywood Premieres, Bollywood Classics, Shemaroo Kids, and the best of Devotional, Comedy and Regional content.
Zubin Dubash
Said Zubin Dubash, COO – Digital, Shemaroo Entertainment: “We are extremely delighted to have partnered with Sony India to help expand their entertainment portfolio with ShemarooMe’s diverse content catalogue. Over the years, Sony’s Bravia television has truly revolutionized the way Indians watch content. With this strategic association, we aim to expand our OTT distribution and transform the TV viewing experience for consumers, giving them access to our rich legacy with the added convenience of streaming blockbuster Bollywood as well as regional movies and live events, seamlessly on their television sets.”
Added Ranvijay Singh, Head of the Bravia Business at Sony India: “We are glad to partner with Shemaroo Entertainment and help amplify their diverse content portfolio across India… With a rapid increase in the online content consumption, we are positive that this partnership will offer wholesome entertainment to our consumers.”
Gozoop has retained the digital duties for Zee Zindagi. As part of the mandate, Gozoop will manage the brand’s presence across social media and other digital platforms.
Shailja Kejriwal
Speaking on the partnership, Shailja Kejriwal, Chief Creative Officer — Special Projects, Zee Entertainment: “Zindagi has always been appreciated for its premium content and culturally rich stories. As we now expand our content offering, it is important to have the right partners who will help us strengthen our further growth. The team at Gozoop mirrors our vision and we are confident that their expertise will significantly add to our journey.
Ahmed Aftab Naqvi
Commenting on the win, Ahmed Aftab Naqvi, CEO & Co-Founder, Gozoop said, “Over the past few months, OTT platforms have witnessed significant growth and usage. With years of proven experience in crafting stories especially for the digital ecosystem, Gozoop is proud to partner with Zee Zindagi to help it accelerate and win in this new world.“
Sony Pictures Networks India (SPN) has acquired the exclusive global media rights for Sri Lanka Cricket (SLC), with the exception of terrestrial, digital and radio rights for the territory of Sri Lanka which has been retained by SLC, for a period of three years starting July 1, 2020.
The agreement provides SPN exclusive TV and digital rights to air all 92 days of LIVE cricket comprising 10 Test Matches, 24 ODIs and 18 T20Is sanctioned by the ICC and conducted by SLC between the senior men’s national cricket team of Sri Lanka and visiting ICC member national cricket teams along with access to Sri Lanka Cricket’s archival content. The deal also include rights to broadcast India touring Sri Lanka to play 6 T20Is and 3 ODIs with one of the series scheduled for July 2021 that will feature 3 T20Is while the date for the other series is yet to be announced.
Said Rajesh Kaul, Chief Revenue Officer, Distribution and Head – Sports Business, Sony Pictures Networks India: “Sony Pictures Networks India is the premier destination for the best of international cricket, and we are excited about continuing our partnership with Sri Lanka Cricket. The acquisition of the exclusive global TV and digital rights of Sri Lanka Cricket strengthens our cricket portfolio. Our extended partnership with Sri Lanka Cricket adds 92 days of live cricket, including two India tours to Sri Lanka, to our robust cricket calendar.”
Republic Media Network has elevated Hersh Bhandari and Priya Mukherjee to the position of Chief Operating Officer. This is part new management roles across the business and editorial functions that have been effected.
Bhandari, who was serving as Executive Vice President (Revenue), will take the role of Chief Operating Officer for Republic Bharat. He will now lead to expand the team working out of the Networks’ Noida and Gurugram offices, to include brand management, marketing and national network sales. Hersh will also lead the revenue functions for North and East India for Republic TV, the English channel.
Priya Mukherjee, who has been serving as President, Distribution and International Revenue, has been promoted to Chief Operating Officer- Distribution, International Revenue and OTT. Mukherjee will also be undertaking the OTT portfolio, and expand the team to handle the three verticals that come under her. As part of its digital expansion plan, Republic will increase engagement with OTT platforms.
Said Arnab Goswami, MD and Editor-in-Chief of Republic Media Network: “Hersh is a rock-solid pillar of our business side, and as COO he will ensure that Republic Bharat’s position as the No 1 Hindi news nrand in India becomes even stronger. Priya has exceptional business skills and vast experience. She has successfully taken our brand across North America, UK, MENA, Southeast Asia and Australasia. In India, she is respected for her understanding of the cable industry. With OTT now under her, Republic is ready for the next stage of growth”
Added Vikas Khanchandani, Group CEO of Republic Media Network “Both Priya and Hersh are astute and committed professionals who have been working tirelessly to build our organisation. I am extremely happy to have them as a part of our team and wish them all the very best in their new roles”.
On his new role, Bhandari said: “I’m extremely excited about my new role and responsibility in the organisation. The pace at which the network is growing allows me to explore and do more as we build an integrated TV + Digital ecosystem which is future ready. I look forward to be a part of a strong management team to deliver and learn in this endeavour.”
And this is what Mukherjee said: “It has been an incredible fast-paced three years with Republic Media Network. Arnab’s vision has made the Network India’s No 1 News Brand of International repute and recognition. Under Vikas’s leadership am excited to lead the networks digital reach and growth as well.”
Lotus Enterprise, the parent company of leading Marathi GEC, Fakt Marathi and sister concern of Enterr10 TV network, has unveiled its growth plans in the regional entertainment space. The soon-to-be-launched Kannada GEC, Dangal Kannada will be the group’s foray in south regional entertainment space. Former Enterr10 network Executive Shrutish Maharaj has been appointed to lead the charge as Chief Business Officer.
Manish Singhal
Maharaj, who has worked with media groups like UTV, Times TV Network, Helios Media and Enterr10 where he was Chief Revenue Officer until late last year, will see the revenue, strategy, syndication, operations, marketing and digital teams will report into him. Maharaj will also spearhead Bhojpuri Cinema, the leading Bhojpuri channel as an additional responsibility. He will be based in Mumbai andwill report into both the promoters Manish Singhal and Shirish Pattanshetty.
Shirish Pattanshetty
In a joint statement, both Singhal and Pattanshetty said: “We have immense faith in the capabilities and credentials of Shrutish and we are most confident that his is the right leadership to transform our vision into reality, as far as regional TV space is concerned”.
Added Maharaj: “It’s thrilling to be back working with the group and the duo. Representing some exciting products in some exciting markets will be a precious opportunity to also learn while I lead. My objective will be to help them build valuable media brands while scaling up and fast tracking the revenue mandate. Adopting a transformational approach as against a transactional one has always been a key to differentiate brands from products and we pretty much are committed to lead our group in that direction from here on.”
Meanwhile, the Fakt Marathi channel will be continued to be handled by Screenmax Media currently.
For the second consecutive week, Republic Bharat has been the numero uno Hindi news channel as per data provided by BARC. In Week 33 – which is August 15 to 21, 2020, Republic Bharat is ahead of all other Hindi news channels in terms of weekly impressions in the overall, rural and urban segments as per info on the BARC website (see chart below).
Source: BARC India. Week 33: Aug 15-21, 2020. HSM (U+R) : NCCS All : 2+ Individuals
The Republic business team also furnished us with data which highlights its performance given some slicing of demographics and we’ve requested BARC to ratify it. If and when we get the approval, we will carry it here.
While the reason for this red hot interview was the success of Republic Bharat in the ratings roster and hence the emergence of Republic as the #1 news network in these two key languages, when you are chatting with an Arnab Goswami, you can’t not stray into issues like his journalism, the noise factor on his shows, charges of his BJP bias, etc etc.
So did we do an Arnab on Arnab? No, we didn’t. We let him speak. We didn’t interject. No change in body language to put him on the defensive. This interview was done in a flash. We had to set up the Zoom call in less than five minutes. So we weren’t armed with specific instances when he has stretched himself on telly. So if were to judge it ourselves, yes, we could’ve have been tougher on him. Grilled him.
But, then, we aren’t Arnab Goswami. MxMIndia editor-in-chief Pradyuman Maheshwari interviewed him the way he normally conducts other interviews. Asked him the relevant questions, joked around a bit.
It’s not an Arnab on Arnab. It’s an MxM with Arnab. And Arnab let Pradyuman speak. Ha ha. Watch. Enjoy. Like.
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