Category: TV

  • Sony Pictures reaches out to parched villages in Maha with potable water

    By A Correspondent

     

    With its CSR theme of ‘Ek India Happywala’, Sony Pictures Networks India (SPN) has reached out to the interiors of drought hit Maharashtra to address the issue of potable water.

     

    As a part of this project, SPN reached out to over 180 drought-hit villages across Maharashtra. Water tankers were sent to the interior regions of Maharashtra to provide access to safe drinking water in over 180 villages and reached out to over 85,000 people. With this initiative, SPN provided each of the drought affected villages with over 12,000 litres of potable water. This project was activated across districts like Latur, Wardha, Amravati, Dhule, Jalna, Beed, Osmanabad and Nanded.

     

    Said Rajkumar Bidawatka, Head – CSR, Sony Pictures Networks India (SPN):
    “At Sony Pictures Networks, we are always striving to build a better society through our corporate social responsibility programme. The main goal of this project was to contribute towards building a better life for people by creating access to a basic necessity such as water. This initiative is a step forward in our endeavor to support and help build a sustainable society.”

     

     

  • Fbb launches its fashion channel Fbb TV

    By A Correspondent

     

    Fashion brand Fbb has launched its digital fashion channel – Fbb TV. The concept of Fbb TV is to highlight trends and views on the lates in fashion. The launch campaign has been conceptualised and executed by Social Kinnect.

     

    Talking about the launch, Pawan Sarda: Group Head – Digital at Future Group said: “For Fbb, content will play a huge role for us to create a unique fashion voice which is relevant to Indian sensibilities. Fbb TV is an ambitious attempt to what we think can be a 24hours buzzing fashion channel on digital. We want India to not just buy fashion from us but to engage with us every day when they wake-up with wondering ‘What to wear today’.”

     

    Added Social Kinnect COO Chandni Shah: “Fbb is a brand that has always been at the cutting-edge of digital innovation. With ‘Every Friday is a Tryday’, we continue to help fbb push the envelope to create digital content that engages customers beyond their purchase, and generates loyalty that will create growth for years to come. Also, ‘edutainment’ is huge nowadays as consumers want content that helps solve a particular problem in their lives. This property makes fbb one of the pioneers of ‘edutaining’ content in the fashion retail space.”

     

     

  • &flix celebrates a year with new line-up

    By A Correspondent

     

    Movie channel &flix is celebrating a year with a campaign titled #EverydayLeaps, where the idea is to encourage their viewers to break out of the monotony and leap beyond what’s possible.

     

    Speaking on the anniversary, Prathyusha Agarwal, Chief Marketing Officer, ZEEL, said: “This time last year, we identified a clear gap in the category for the ever-evolving and un-satiated viewers. With the launch of &flix, we have constantly strived to bring larger than life experiences through our premieres and associations, enabling our viewers to Leap Forth and explore unlimited possibilities. We are extremely proud of the significant growth and the heart-warming response that &flix has witnessed in its first year.”

     

    Added Shaurya Mehta, Business Head, Zee English Cluster: “It brings us immense happiness to share that it’s been a year full of blockbuster premieres with &flix. As one of the leading English entertainment channels, we’ve always endeavored to carve a niche and serve as real disruptors in the category. Over the past year, our loyal viewers have truly pledged to #LeapForth into a world full of unlimited possibilities. Having witnessed a growth of over 50% in viewership between December 2017 (as Zee Studio) and December 2018, we’ve successfully moved the needle with the launch of &flix. &flix HD has increased its viewership numbers by over 200% between the same period, making a dent in the HD consumption in the genre. Having completed a year of exciting innovations truly calls for a celebration and with #EverydayLeaps, our aim is to encourage our audience to share the many leaps out of the ordinary that they take in their daily lives.”

     

     

  • SPN and Dentsu Webchutney conduct a recruitment drive for MIB: International

    By A Correspondent

     

    Sony Pictures India has joined hands with Dentsu Webchutney to create a secretive application portal on the Internet, accessible by all but only found by a few.

     

    Said Shony Panjikaran, Director and Head of Marketing, Sony Pictures Entertainment: “The Men In Black franchise is a global phenomenon that appeals to audiences across ages. And with this unique promotion, we wanted to give fans an opportunity to don the iconic MIB suit in London. With MIB, we have rolled out multiple innovations on the digital platform, and by looking at the massive response to the same, we feel quite confident about the success of the film at the Box-office.”

     

    Added Pravin Sutar, Executive Creative Director, Dentsu Webchutney: “The MIB franchise is one of the most iconic franchises etched into our imagination. So, when we got the opportunity, we decided to give fans a feel of what an MIB agent goes through. At Dentsu Webchutney, we have been pioneering the field of digital innovations and with this campaign, we have hit that nail on the head, again.”

     

     

  • Publicis Capital bags creative mandate of Zee5 India

    By A Correspondent

     

    Publicis Capital has bagged the creative mandate of Zee5 India, OTT platform from Zee Entertainment. The agency will manage the creative duties for the leading OTT brand across its AVOD, SVOD, Regional SVOD and Trade (B2B) verticals. The account will be serviced out of Mumbai.

     

    Manish Aggarwal

    On appointing Publicis Capital as its agency, Manish Aggarwal, Business Head, Zee5 India said: “Earlier this year, we completed one year of operations. This year has been one of many learnings and insights. We were keen to bring on board partners who understand our business and have the ability to scale with us. As we continue to be the fastest growing OTT platform in India, we found Publicis delivering on all boxes. We look forward to partnering with Publicis in our next phase of growth.”

     

    Srija Chatterjee

    On winning the account, Srija Chatterjee, MD, Publicis India added: “In 2017, we inaugurated our relationship with the ZEEL family with the broadcast bouquet, in 2018 we expanded it by winning the mandate to launch Zee5 in the international markets, and now in 2019, the team at Zee5 India has awarded us the creative mandate for partnering the OTT business in the domestic market as well. It’s when we grow with our clients that we feel true gratification. We’re looking forward to this exciting journey and in partnering Zee5 India to leadership in what’s an increasingly action-packed category.”

     

    Suraj Pombra

    Adding his views, Suraj Pombra, EVP, Publicis Capital, said: “The decibels in the OTT category find no parallel today. The future leadership of content consumption is what all brands are fighting for. We feel privileged to have been chosen by Zee5 India to partner them in what’s going to be a thrilling battle with daily non-stop action. With their unmatched content library that finds appeal across the country, Zee5 is poised to be the go-to destination for all Indian viewers. Here’s to leading the change together.”

     

     

  • ET Now celebrates 10 years with new primetime programming

    By A Correspondent

     

    English business channel ET Now is celebrating a decade of operations in India and has announced a new primetime band Rise with India Primetime, a programming schedule starting from June 24, 5-7pm on weekdays.

     

    MK Anand

    Said MK Anand, MD & CEO, Times Network: “As we celebrate our 10th birthday, we look forward to reinforcing our position as the torchbearer of Indias growth story and the platform that will help every Indian Rise with India.”

     

     

     

    Nikunj Dalmia

    Added Nikunj Dalmia, Managing Editor, ET Now: “From being a hardcore business channel to now serving holistic business news to the nation at large, we have come a long way. With powerful and impactful content and a strong editorial team, ET Now is set to further raise the bar for the English business news category.”

     

     

  • &TV introduces caste-free matrimony page to promote new series

    By A Correspondent

     

    Urging Indians to see beyond a person’s caste while finding a prospective partner for themselves or a family member, &TV launched a ‘Jaati-Free Matrimony Page’. In this edition, the several caste sections have been striked out. This novel idea is a part of promotions for &TV’s new show ‘Jaat Na Poocho Prem Ki’ that raises the question of whether love can manage to break down the walls of casteism that divide us all.

     

    Prathyusha Agarwal

    Said Prathyusha Agarwal, CMO, ZEEL: “Caste is invariably the first and foremost parameter when it comes to marriages in India. It’s so ingrained in our culture, we don’t even think twice about it. It’s a given that the girl or boy will be from the same caste. There are no two ways about it. While things are slowly changing, we wanted, through this innovation, to startle the readers and consider a reality where love triumphs over all. While this edition may have been a show promotion, we are looking forward to a day when a jaati-free matrimonial edition is a norm.”

     

     

  • Dish TV partners with Kaltura to power its OTT platform – Watcho

    By A Correspondent

     

    Dish TV has partnered with Kaltura, a video technology provider for its OTT platform Watcho. Kaltura TV Platform powers Watcho’s multiscreen access to linear, VOD and time-shifted TV along with third-party content.

     

    “It is a great honour for us to be the partner of choice for Dish TV, the largest DTH operator in India, and the latest addition to our growing customer base in APAC and India specifically,” said Ron Yekutiel, Kaltura Co-founder, Chairman and CEO.

     

    Added Anil Dua, Executive Director and Group CEO, Dish TV: “Watcho is an exciting new offering that caters to the evolving demands of today’s consumers on how they want to consume content. The Kaltura TV Platform combined with our team’s deep expertise has helped us to pace up our TV transformation journey, and today we are thrilled to offer our users a flawless and personalized viewing experience on the device of their choice.”

     

     

  • Goodbye, Satellite TV. Hello, OTT!

     

    By Ranjona Banerji

     

    I can actually remember the last few times that I watched a TV broadcast through a set-top box subscription in the past three months. The 2019 Lok Sabha election results on May 23, the French Open and the Halle Open, which finished on Sunday. One major news event and tennis.

    Last week, I got an urgent call from close family friends, in their early 80s. Their Fire Stick wasn’t working! What were they to do? How would they cope. I had helped fix up this Fire Stick only months ago. It turned out to be an internet problem and by that evening, they had rushed out and bought a back up internet device. They have, you know, satellite TV and all that. But.

    Convenience and choice. That’s what we want. I pay as much for Netflix as I do for TataSky but I feel that Netflix gives me more bang for my buck. There is no extraneous matter, there are no rain clouds to disrupt transmission and there are no intrusive text messages. It is a seamless experience, which I can share with friends and family. I have the whole Star package on satellite TV. But how does one watch Game of Thrones or Masterchef Australia on a satellite subscription, 24 hours late or worse, three months late? Instagram told me who won last year before the serial was aired on TV, so Hotstar it is!

    The television industry hasn’t fully twigged on yet, I fear. “Television is here to stay,” says one head honcho. “Streaming services are a disruption,” feels another. The coffee has gone cold, gentleman, before you’re even woken up to smell it.

    The manufacture of TV sets will possibly continue until we get live interactive walls built into our homes or something. But buying a cable TV subscription or a satellite TV subscription, how long will that continue? There was a time when we had antennas, remember? Where are they now? Wirelesses? Storytelling around a fire in the village? Under a tree? Things change.

    My Father is 81. He watched cricket and the news on subscription TV for two nights this week and decided that since nothing had changed, he’s done with it. Back to streaming.

    Years ago, when sports channels refused to show the tennis tournaments I wanted to watch, I learnt how to stream and taught my parents too. Given the way the internet and its services have improved since then, watching sports online is a breeze. And a legal breeze too. The same providers which won’t show you tournaments on subscription TV, will stream them on their online platforms. Go figure!

    For viewers, the choice and variety in OTT platforms is a huge boon. Apart from Netflix and Amazon Prime, there are all the traditional TV channels which offer online services. Hulu is awaited. All we need is for the BBC to twig on! It’s not just English though. OTT platforms are picking up in Hindi, Bengali, Tamil. It’s just a matter of time. Manufacturers have jumped in with Smart TVs. Google needs to rework the roadblocks on Chromecast to stay in the game. So that we have more choices.

    The multiplier or whatever the jargon is, has to be improved internet services. And after that, the spread of smart phones. Indian TV companies may be happy that as long as India remains at this level, and feel that they are safe. Maybe. But for how long? I know no young people who actually sit down and watch TV in the traditional sense any more. And increasingly, all the older people I know have jumped ship too.

    Of course, people being people. They still get confused. A US-based Christian group petitioned Netflix to stop the Terry Pratchett-Neil Gaiman show, Good Omens.

    https://www.theguardian.com/books/2019/jun/20/petition-netflix-cancel-amazon-prime-good-omens-christian-neil-gaiman-terry-pratchett

    Netflix sarcastically agreed.

    https://www.thedrum.com/news/2019/06/24/netflix-sarcastically-bows-erroneous-petition-calling-good-omens-ban

    The show runs on Amazon Prime. Ah well.

    It is an excellent show though. Funny, irreverent, clever. And you can “binge-watch”! I do.

  • Center Fruit partners SPN to introduce special Spiderman pack

    By A Correspondent

     

    Perfetti Van Melle India has announced its collaboration with Sony Pictures for its gum brand Center Fruit. In partnership with Sony Pictures, Perfetti Van Melle is all set to delight Marvel fans with a limited edition Center Fruit ‘Spiderman – Far from Home’ pack.  The roll out of the new product is being supported with a co-branded TVC made in collaboration with Sony Pictures.

     

    Speaking on the collaboration, Rohit Kapoor, Director Marketing, Perfetti Van Melle India said: “We at Perfetti Van Melle believe in refreshing consumer interest in our product categories with the introduction of contemporary offerings. Center Fruit’s collaboration with the Spiderman Far from Home movie ensures high visibility amongst fans, while the new flavour adds another appealing dimension to the familiar taste profile of the product. Both Center Fruit and the movie are symbiotic in their appeal as contributors to mood upliftment enhancing the ‘fun’ experience that they promise. We are certain that the new Center Fruit ‘Spiderman – Far from Home’ pack will strike a chord with our consumers across India and increase market resonance for the brand significantly.”

     

    Added Shony Panjikaran, Marketing Head, Sony Pictures Entertainment, India: “Spider-Man is one of the most beloved superheroes in India and over the years the film franchise has grown even more stronger. Spider-Man appeals to people across ages, and since Center Fruit also does the same, it was a perfect association for us. We are thrilled to partner with Perfetti Van Melle India and are sure that our partnership will lead to blockbuster results for both Spider-Man: Far From Home and the special edition Center Fruit pack.”

     

     

  • Discovery’s Big Push for 2019-20

     

    Television in India may have launched in the late 1950s, but it took off in right earnest only in the early 1990s when private broadcasters Star TV and Zee entered the scene. One of the early global brands that entered thereafter was Discovery – 25 years ago. And it hasn’t looked back since. Headed by some of the brightest stars in the industry, while the going has been largely good for the network, Discovery has also experimented with its content offerings. Last year, it launched Jeet, an entertainment channel that was out-of-the-box but didn’t take off on the ratings roster. The bosses were quick to take remedial measures, put it on the backburner and look ahead. The launch of Little Singham on its kids channel ensured that the Jeet blues were blown over fast enough. Earlier this year, the Discovery network announced the appointment of Megha Tata, a veteran of the broadcast space and who was part of the early team of Star TV in India. A fortnight back, Tata and team hosted an ‘upfront’ where advertisers and agencies were invited to sample some of the fare. MxMIndia caught up with the Managing Director for South Asia of the network and spoke to her on a wide range of issues. We didn’t ask her the Jeet question because it was well before her time, but did quiz her on a wide range of issues. Read on.

     

    So, settled in? How has it been at Discovery?

    Yeah, it’s awesome. It’s been two-and-a-half  months and I am super, super excited. I have always seen Discovery, from the outside, as a consumer, I have always been a big fan of Discovery as a brand and then to be inside now and seeing the product and actually understanding the wow of it, is something I am very excited about.

     

    What did you think of the product, of the offerings from the outside?

    So, of the entire bouquet, I used to be more of a Discovery and Animal Planet consumer because the rest of the propositions were not something in my daily list. I knew about all those brands but I never was consuming them too much. What I really liked personally about Discovery was the fact that there was content which was so differentiated and yet relatable.

     

    And since you had worked on NGC at Star so you knew what it was all about.

    Yeah, I was very familiar with the genre. Very may not be the right word but I was familiar with the genre. But I am very familiar with the special interest propositions because that is something which I have also done in my past jobs. But what really excited me was the fact that there is this amazing bouquet of propositions and what’s even more exciting now frankly is what can be done with it. And we are pivoting in to those spaces and which is, where the excitement is.

     

    But do you think life has gotten a little difficult for niche content?

    Yes, I do. I think we probably need to define niche a bit. If your product has a very convincing proposition, which is very distinctive, then your ability to grow is very high. But if you are one of the many and there is not too much of a distinction out there then the challenge will be even tougher. So, in our case, the propositions of Discovery, Animal Planet, Discovery Kids and our digital propositions which we are coming up with, are so distinct and so clear, that the consumer wants  it and hence that gives us the ability to deliver in terms of growth and further investments.

     

    But with OTT flooding content, there is actually so much to see. While Discovery content is compelling how do you get people to watch all of it?

    True and hence you are now talking about the depth of content, which is what I want to highlight actually. When you look at what players offer including those on the OTT space, real-life entertainment content is probably in the range of 600-1200 hours or something to that effect. Globally, we have 300,000 hours of content which is factual entertainment. And we add 8000 hours every year, so the depth is huge. I am not saying that the entire content will work for a market like India, therefore, you start identifying what works in this market and play that out. Second, what works for a ‘consumer take’ point of view is watching content in the language of their choice and that again is something that Discovery has done beautifully.

     

    At the Upfront for advertisers, Isaac Thomas mentioned that the content is not just going to be in the eight-odd top languages but also other languages, say,  Assamese, Odia…

    As we go along, we will see how that plays out because I think initially, even as we speak, we already have five, plus adding three will make it an eight-language proposition. The largest offering in this space in the market. So, Discovery will be in eight languages, Animal Planet is going to be in about three or five, Discovery Kids is going to be in about five to seven languages. This is all investment that’s happening in the language space which will translate to even when our OTT proposition comes through. How that sort of plays out, I think it’s early days to comment on that.

     

    And how is the ROI on the languages?

    It has added to the performance of the channel. Absolutely. It contributes… you can see it in the growth of the channels.

     

    Are regional language-specific revenues coming in?

    The regional language-specific proposition is actually D Tamil. It is an independent channel by itself for Tamil audiences which is programmed separately and marketed separately. So, that has a different revenue stream.

     

    But not the others?

    No, Not the others.

     

    Coming to specifics about the various channels. Discovery first. While it’s  been around for long, it has also been reinvented a few times. Going forward, are you looking at doing things differently or will it be more of the same?

    There is bigger, better, bolder stuff coming, and that is not only from our global proposition. Globally actually, Discovery is going back to its original DNA … creating more content which is in adventure,l ike in travel adventure space which are things which we all go ‘Oh! My God’ or ‘Oh! Wow’ about. That’s the kind of content that is going to be further invested in at a global level. A lot of that is going to come in to India as well, new faces will be  brought in and new explorers will be brought in. We are definitely going to be doing more of Indian content, Indian IPs but we rather do things which have never been done before.

     

    How do you strike a compromise between Indian content which may be create a buzz and top quality international fare for which people turn to Discovery?

    That’s why you don’t have so much of it [Indian content] because it’s very small and limited and in fact going forward we want to do fewer but bigger IPs. And when I say bigger, it’s not just in terms of  the scale but also in terms of the idea and what is it that we can do. So, some of the stuff that’s going to happen very soon on our channel which we are going to talk about is show content that has never been seen before.

     

    From a sales point of view, you have shows like the one with Mahindra and Byju’s. What, according to you, works better with advertisers – Indian or international ccontent?

    The branded content piece that has worked so far is  being specially created for the brands out of India.

     

    Is it because the integration is easier?

    In India it’s easier. Since it is content created for the [Indian] brand, it obviously becomes Indian. There are some like on TLC which is Indian content  integrated with the brand. Those kind of shows will always be very India-driven and they play out really well on the channel. In fact, our genre will be the only one after probably news which can bring about the branded content kind of proposition on to the platform.

     

    But some of the branded content stuff on TLC also plays out on English entertainment channels like Colors Infinity, Star World, etc. So are you competing with them in this space?

    Not really, it’s again very uniquely positioned. TLC stands for Travel, Lifestyle and Cooking, and that’s what you bring to the mix and what is only going to get stronger in this proposition is the Scripps acquisition which happened last year. That content is hugely available for us. Like HGTV is for example, the number one channel for home entertainment!

     

    We haven’t seen much of Scripps content in India.

    That’s going to be pumped up on TLC.

     

    TLC will hence be Scripps plus existing content?

    We are not going to launch [new] channels but the content will play out on TLC because a lot of that fits very well on TLC…. content from the Travel Channel, content from the Food Network, content from HGTV.

     

    Moving on, you have planned a revamp of Animal Planet.

    We are doing a brand revamp, a new logo, completely refreshed, new broadcast design, new promotion… a lot of marketing push will be behind it. That’s happening on July 15. You will see a lot of that happening in the coming weeks.

     

    I haven’t watched Animal Planet much in the recent past. I would do that when my daughter was three or four. Perhaps it’s a channel that people watch at a certain time point in life but  not much beyond that. How do you make Animal Planet relevant across audiences?

    I think that’s one of the key points of our focus in the coming months. On the back of the brand refresh, we are going to be positioning it as a more for family viewing kind of a channel. In fact, this is one channel which can actually unite families to sit together and watch content…

     

    Co-viewing is quite high in India.

    And content has become so individualistic and there are ways to do it now. So this is a nice way to bring the family together. Having said that you will see more of the marketing push which will be driven on that. We want to take Animal Planet beyond TV as well and I think there is an opportunity to take the brand out in to the market of creating those passion communities who love animals. There is hence a whole wide space out there for us to explore and that’s something we want to do.

     

    So, are you looking at setting up nature clubs, tours and the like?

    Yeah, we have lot of things on those lines… pet clubs and internationally we have some shows which are aligned to that thinking as well.  I think there’s a great opportunity [waiting for us].

     

    You mentioned TLC is going to be loaded with a lot of Scripps content. When will that start?

    It’s already started in doses. It will get more apparent and pronounced as we go along.

     

    And then Discovery Kids, a genre that you are so fond of.

    Yeah, D-Kids. I am super-excited because that’s been a great success story.

     

    Little Singham is very popular

    Yes, he is a fabulous character and he ticks all the right boxes… he is the superhero and does the right things, beats the bad guys and sends a good message and is patriotic and so lot of positive things come out of this association from kids as well. I think parents also like kids to watch content which is giving some kind of a positive message.

     

    Discovery Kids did get a  big push on the the distribution front last year.

    Yeah, one of the things which has really worked for us was the brand pull of Discovery and the packaging which we did. The distribution became strong even post NTO was because of this aspect. Packaging was right, and there was a brand pull. So, Discovery Kids definitely benefitted out of that and  we have now doubled up on the investment when it comes to animation for the channel. We want to create more and invest more in Little Singham for sure and create more episodes.

     

    The competition is stiff in this genre.

    Yeah, but that’s good, competition is always good. It helps grow the genre.

     

    Except they have been there for much longer.

    But it takes time to build that… Rome was not built in a day, the Taj Mahal was not built in a day. We all know that, it takes time to build. Discovery Kids is relatively very new but the focus is newer, let’s put it this way. You will see now more focus here, you will see more growth here, and we want to drive that, not only just Little Singham but adding new IPs.

     

    Hmmm. Other channels have more IPs

    Yeah, but it didn’t happen overnight.

     

    It didn’t happen overnight but it happened soon enough.

    It takes time to create animation, it’s not live action and I know that as I’ve been there. We know what we want and it’s not an overnight game, We want to build this and create a position of strength in the next few years to be among the Top 3 players in the genre.

     

    And which your head office is aware of and okay with?

    Yes, and is willing to support and invest because we are showing great growth there. We have a growth story, we have a ratings growth story and revenue growth story… we are investing well and aren’t frivolous, everything we are investing is working. So, there are lots of positive on the Discovery Kids space and that I think has a great story for us to become a strong proposition in the coming years.

     

    Just to get a perspective on your investments on content, the refresh and marketing push. What’s the pie looking like… what are you investing on?

    On the content, you mean?

     

    On content, refreshing and marketing.

    I think it’s a combination of multiple things. For content it will be kids, because it’s all-Indian content, lot of the international content comes on other channels so hence the cost is then amortised across. Marketing would be a big push for us across all our brands and that’s going to be important to get the communication right. When I say marketing, it’s just not random marketing [efforts], it’s very focused, using and driving the community piece which is the passion community piece, which is the bedrock of our strategy and is powering people’s passions.

     

    Moving to digital, there are quite a few digital players already, you will be one more of the platforms that exist. Given that most OTT platforms are game to collaborate, wouldn’t it have been easier for you to do that rather than spend monies and establishing an all-new platform?

    Good question and am glad you asked me. So, here’s my take: One, when you say that there are a lot of players, you are absolutely right but I don’t think there is a single player in the real-life entertainment space. We are not in the game of streaming entertainment. We are very differently and uniquely positioned and hence that’s our USP. Second, to try and test the waters whether this content will work on a platform like this our partnership with Daily Hunt did extremely well. It reiterated our belief that there is an audience out there. It has really worked well in the last 3-4 months. We have reached 400 million views, 7 million monthly users, and it is only getting stronger and lot of that coming from the regional content play as well. Three, we are the only guys who have invested in language and that library of content when you look at it so that made it very plausible for us to think that we have the content to be able to propose to a consumer. Four, The real-life content we have as a library is in the range of probably 600-1200 hours collectively. In Phase 1, we will be dipping in to around 8-10 thousand hours of content. So, when you do that math and you create a proposition which is the short-form proposition which we know is how consumers are wanting to. Plus the content we have from Scripps, BBC, the 4K content which we are building plus all the original content being created for D2C platform… the the proposition is so strong.

     

    There are two sides of the digital business: content and technology. Wouldn’t it have been better to tie up with a Jio or an Airtel because they have the technology anyway?

    And so do we. We are investing in it. In fact, recently there has been a very senior hire in the name of Peter Faricy who has come from Amazon. He was the running Amazon Marketplace, and he and his team of engineers have come with a clear understanding and a vision of how the D2C proposition will be played out globally. There are millions of dollars being invested in not only content but technology – creating our own platform because they have been there, done that so they know what works for the consumer. That’s the kind of level of investment the organisation is looking at undertaking because we are moving from transition to transformation and you have to move in that direction. So, while partnerships are good, it’s not an either-or scenario. We are looking at an ‘and’, we can have partners and yet have our own proposition. I think both can co-exist  because we have the ability unlike many other players we are not  creating new content. We already have a library… it’s huge.

     

    Has life settled after the new tariff regime

    Actually it has not. It’s still evolving.There are still so many moving parts to the whole proposition.

     

    For you too?

    Yes, for us too. We are also as impacted like any of the big industry players but what I was really happy to note was that we could have had a further impact considering we were not a mass proposition but because our brand value pull was so strong that we have not only we are back in the same reach numbers but our timespend has grown to almost 20-25%. And I think two things really worked in our favour as a result of that. One was the fact that there was a consumer pull for our product because we had a great proposition as a package and the second was pricing. We are really economically priced for the value for money we are offering.

     

    What kind of targets have you set for yourself. Obviously expectations are fairly high in terms of relationships you bring to the table and you have been-there-done-that.

    I have key priorities in my head for the next 12-18 months. One is to really make the leadership position of our factual entertainment way ahead of the game, like an undisputed leader between Discovery and Animal Planet. Two, be the Top 3 player in the kids space and we are doing enough and more on that and hopefully get there and to be the #1 real-life entertainment OTT service when we launch. That’s tall ask to be honest but I think our team is really geared up. The whole leadership team is very bright and smart and we are really hoping that this will help us.

     

    And when are you launching the OTT services?

    We don’t have a closure, but I think early next year.

     

  • News18 Network announces top level elevations

    By A Correspondent

     

    News18 Network has announced key elevations in the senior editorial team of the Hindi news cluster. Prabal Pratap Singh has been elevated to Group Editor, Hindi Cluster. In his new role, he will lead the editorial strategy across all the Hindi news channels.

     

    Kishore Ajwani, currently Deputy Managing Editor of News18 India, has been named Managing Editor of the channel. In addition to his current role of leading the output function, he will now be managing all the key functions such as input, output, production and assignment. He will report to Singh.

     

    Meanwhile, Amish Devgan has been promoted to Managing Editor of News18 Uttar Pradesh, News18 Madhya Pradesh and News18 Rajasthan. He has been tasked with the additional responsibility of further strengthening the regional Hindi news channels.

     

    News18 Network has also given additional responsibilities to Brajesh Kumar Singh, Consulting Editor. He will now lead News18 Gujarat and News18 Bihar.