Category: MEDIA

  • Shailesh Kapoor: World Cup 2015: The Lull Before The Marketing Storm

    By Shailesh Kapoor

     

    February 14 is only 35 days. No, I’m not counting it down to Valentine’s Day. That’s also the date when the ICC Cricket World Cup kicks off in Australia and New Zealand. The following day, February 15, is when India kicks off its campaign to defend the World Cup, with a clash that has a history of being a mini World Cup in itself, versus Pakistan.

     

    If you have followed World Cup Cricket and the hype and the hoopla surrounding it over the last two decades, you would tend to agree that we are in an inexplicably inert period, like the proverbial lull before the storm. No major media campaigns have kicked off. The current Test series has been focus of most cricket conversations. Dhoni’s Test retirement and Kohli’s giant steps towards batting greatness have kept the cricketing community, experts and fans alike, in India preoccupied.

     

    From 1992 to 2011, we saw six World Cup campaigns where the pitch, be it from brands or the broadcaster, hinged around patriotism and India’s campaign to bring the Cup back home for the first time after 1983. In 2007, it all went wrong when India made an unceremonious exit in the first week itself. I distinctly remembered a Visa ad (featuring Shankar Mahadevan et al), where the colours in the tricolour were changed to neutral colors, along with a copy edit, to ensure the ad could run in the second half of the tournament to burn the committed ad inventory.

     

    2011 was a World Cup at home and it had a momentum of its own. But compared to all the previous World Cups, the upcoming 2015 World Cup offers the best marketing opportunities to everyone with a stake in the game. Finally, it’s about defending the Cup, and keeping it home, than about “bringing it back”. The creative opportunities a “Defending the Cup” campaign allows are enormous. You can pack in pride, patriotism, optimism and heroism, all at one time, and yet not come across as trying to say too much.

     

    But where are these ads? Are they still in production or post production? Hopefully so, because we’ll then get to see them sooner or later. The Tendulkar ad released by Star Sports about two weeks ago may as well be a pre-cursor. But it builds the man more than the campaign idea, which is why I hope it’s just a stop-gap and there are better things planned.

     

    Traditionally, brands like Pepsi (remember ‘Nothing Official About It’ and ‘Change The Game’?) have spearheaded advertising innovation around the World Cup. I’m almost certain they are about to unleash something remarkable soon.

     

    India’s is a top ODI team. Yet, winning the World Cup is always a tough ask. The next time we play to defend the title may be as early as 2019, but could be as late as a couple of decades after that. That’s what you call a once-in-a-lifetime opportunity, right?

     

    So, let the drums roll, please!

     

  • Autocar India Awards honours achievers in Indian auto

    By A Correspondent

     

    Bloomberg TV India and Autocar India magazine presented the ‘The Bloomberg TV India Autocar India Awards 2015’ in Mumbai recently. The winners were felicitated at a ceremony in the august presence of chief guest, Shri. Nitin Gadkari, Honourable Union Minister for Road Transport & Highways and Shipping and guest of honour Smt. Shaina NC, National Spokesperson & National Executive Council of the BJP and Shri. Quaiser Khali, Additional Commissioner of Police –Traffic, Mumbai. The awards also witnessed an elite list of personalities from the corporate world, who came together to honour achievers from the automotive sector.

     

    The awards based on the theme “Recognizing the evolving needs of the fast-paced Indian”; saw a fierce competition amongst the most reputed names in the auto sector. A total of 24 awards were given away across two and four wheeler segments. The Bloomberg TV India Autocar India Awards 2015 was presented by Reliance General Insurance.

     

    At the awards, in the four wheeler segment, Hyundai i20 made a sensational debut by winning the ‘Car of the Year (Jury’s Choice), while Honda won the ‘Car Manufacturer of the Year’. In the two wheeler segment, Suzuki Gixxer won the Bike of the Year (Jury’s Choice) while Hyundai i20 & KTM RC 390 bagged the Viewer’s Choice Award in the Car and Bike segment. The list of award winners across all categories is annexed.

     

    Lavneesh Gupta

    Lavneesh Gupta, COO – Bloomberg TV India while speaking about the Awards said, “The Indian Auto Industry, which has always been the economy’s growth dynamo, is once again revving up. This acceleration in growth holds the promise of “Achhe Din” for the manufacturing sector and millions of youth seeking quality jobs. As a business news channel that gives in-depth understanding of various industries, it is about walking that extra mile to give the viewer an unbiased understanding of various industries including the Indian Automotive sector, which has contributed enormously to the country’s economy over the last decade. We at Bloomberg TV India are proud of our association with the Autocar India team that helps us build and maintain a close relationship with the sector and celebrate its success.”

     

    The Bloomberg TV India Autocar India Awards sets the standard for the Automotive Industry and honors the best-in class vehicles launched by the industry over the last one year. The winners were selected by an eminent jury on the basis of extensive & grueling track tests and a detailed methodology validated by knowledge support partner, PricewaterhouseCooper.

     

  • Sony Six acquires the rights for the Africa Cup of Nations

    By A Correspondent

     

    Sony Six has bagged the rights to air the Africa Cup of Nations 2015 live in South Asia. The tournament is the international football championship of Africa held every two years and organized by the Confederation of African Football (CAF). The upcoming edition of the tournament will be played in Equatorial Guinea from 17th January to 8th February 2015.

     

    One of the biggest international tournaments, the Africa Cup of Nations is counted in the same league as the European Championships and the Copa America. This year’s edition will be the first ever to be shown live in India and will feature the star-studded line-ups of teams such as Ghana, Ivory Coast & South Africa. Some of the superstars headlining the Africa Cup of Nations this year include Christian Atsu, Papiss Cisse, Asamoah Gyan (Ghana),Yaya Toure, Kolo Toure, Cheick Tiote, Wilfried Bony (Ivory Coast) and Diafra Sakho (Senegal).

     

    Prasana Krishnan

    Commenting on the acquisition, Prasana Krishnan, Business Head, Sony Six said, “The rights for the Africa Cup of Nations is without doubt a great addition to our exciting bouquet of live sports programming. This only reinforces our position as the home for the top international football tournaments. Furthermore, most of the matches from the tournament are going to be telecast here at prime time, which will only boost its viewership in our region.”

     

  • Tata Sky launches India’s first 4K set-top box

    By A Correspondent

     

    Tata Sky has announced the launch of India’s first 4K set top box (STB). The set top box will be available for existing and new subscribers to enjoy the forthcoming Cricket matches in ultra HD 4k picture clarity.

     

    Prospective subscribers can now book their Tata Sky 4K set top box at just Rs 6,400 while existing subscribers can avail the box at Rs. 5,900. Subscribers can enjoy it as their first connection or an additional STB at home with the Tata Sky MultiTV connection option. Apart from relaying 4K content, the box will also showcase Standard Definition (SD) and High Definition (HD) channels. The 4k set top boxes can be pre-booked through the Tata Sky 24X7 helpline, Tata Sky website and dealers.

     

    Tata Sky 4K is a new generation set top box with the capability of delivering Ultra High Definition picture quality and Dolby Digital Plus 7.1 surround sound. 4K at 8.3 Megapixels (3840×2160) has approximately four times the pixels as that of 2K (1920×1080) the current HD standard, thus brings far greater clarity and more vivid colors on screen for viewers.

     

    The launch of the Tata Sky 4K set top box has been timed just before the cricket matches. This will ensure that cricket and sports enthusiasts are well in time to own Tata Sky 4k STBs to witness the cricketing extravaganza for the first time in 4K picture quality.

     

    The launch plans were unveiled in July last year when Tata Sky showcased the first ever live FIFA World Cup Quarter final match in 4K. Believing in taking innovation and customer needs to newer summits, Tata Sky has always been a step ahead of the industry, with launches such as the HD PVR (Personal Video Recorder), Video-On-Demand (VOD) service, unique interactive services, Everywhere TV, the Karaoke service and now the 4K set top box.

     

  • Metigon to handle PR mandate of JBM Auto, One Digital and JK Fenner

    By A Correspondent

     

    Metigon Enterprises, one of the fastest growing public relations and public affairs firms in India, has signed three new clients in automotive, digital and industrial engineering sectors.

     

    JBM group, the Delhi-based 7,000 crore plus makers of the ‘CityLife’ brand of Italian buses in India and the biggest supplier of auto components to almost every vehicle maker in India, has awarded its PR mandate to Metigon. The company is betting big on its bus business and believes it will be the next big leap forward for the Group. Metigon will help the company in strategic positioning and image building for its bus brands in the country. The account moves from Adfactors.

     

    One Digital Entertainment, India’s Leading Premium YouTube Multi Channel Network has awarded its PR mandate to Metigon. Once a heavily veiled company, One Digital Entertainment has evolved into being the only profitable digital company to successfully create multi-channel network business. Today, it helps create and discover amazing content on YouTube and other digital distribution/social network platforms by working with some of the finest artists and content creators. Metigon will be their first agency-on-record.

     

    Metigon has also signed up J.K. Fenner (India) Limited, a member of the JK Organization and a leading provider of mechanical power transmission and sealing solutions in India. The 85 year old organisation produces one the largest ranges of V-Belts, Oil seals, Moulded Rubber Components and Engineering Products for Industrial and Automotive mechanical power transmissions applications, catering to the steel, cement, coal, sugar, power, paper, textiles, food processing, agriculture and several other industries. Metigon will be JK Fenner’s first agency-on-record.

     

    “To end the year with three new clients is delightful, and goes on to reiterate that Metigon continues to be a boutique agency that focuses on delivering value across sectors,” said Aarif Malik, COO of Metigon Enterprises. “These win serve a testimony to our diversified teams who have always had an edge over large ‘network’ agencies who are unable to provide strategic inputs and flexibility clients look for.”

     

  • Simmi Karna joins Sakal as Content Head, Saam TV

    By A Correspondent

     

    The Pune-based Sakal Media Group has announced its second senior appointment in the last fortnight with senior television professional Simmi Karna joining the group’s Saam TV as Content Head. She will report to Abhijit Pawar, Managing Director of the group and will work closely with Chandramohan Puppala, Business Head of the channel. She will be based out of the Andheri office of the channel.

     

    While Ms Karna was busy with two movie projects before joining Saam, she was earlier Programming Head of the Big Magic channel of Reliance Broadcast Network Limited from April 2012 till Jan 2014.  She also looked after the P&L of Big Productions.

     

    In her 17-year experience, Ms Karna has Balaji Telefilms, Zee, Channel V and IMG, many of these as profit centre head.

     

    At Sakal, she will be responsible for the overall content strategy for the channel and be actively supporting the marketing and sales initiatives for the same.

     

  • From traditional PR to Integrated Comms

     

    The 2014 edition of the now-annual India Public Relations (PR) Report focused on the downturn and how agencies are coping with it. The survey – carried out across India – focused on senior PR professionals and their views on how the business was evolving. One insight emerged loud and clear: PR as we know it is dead. We are in the age of strategic integrated communication and agencies that don’t evolve will die.

     

    It is only fitting then that, in the midst of this change, MSLGroup’s 2015 annual report on the state of the industry changes too. Over the last three editions, our research focused on industrypersons. However, as agencies strive to become central to the marketing function and take the lead on brands, it’s important to understand how marketing heads see it. Do they believe ‘new PR’ – integrated communication – has a role to play? If yes, how important do they think it is? What would they like to see in the strategic communication agencies they turn to? How much money and time are they willing to invest in them and how are they tying it in to their business goals?

     

    Jaldi 5 with Ashraf Engineer on MSLGroup’s Strategic Communications Report
    Lines between the different communication disciplines are blurringFor former journalist Ashraf Engineer, joining MSL in 2011 wasn’t a career shift. He did the same, albeit for another wing of the media ecosystem. As Vice-President, Content and Insights at MSLGroup, Mr Engineer has published some insightful reports over the years. We asked him a few quick questions on the annual PR, ah, well, strategic communications report that MSL publishes.

     

    1. From PR Report over the last three years to Strategic Communications Report in 2015, why the change in nomenclature?
    It’s in keeping with the evolution of the industry itself. The traditional model is dead and the industry is – in large part – making the shift to a more strategic role. We can’t approach the report in the way we did earlier because our role has changed too, from old-style media relations to a holistic approach that uses a variety of tools and skills – from digital to insights to public affairs and crisis communication, to name just a few.

     

    2. You’ve personally edited all the editions of the report. What are your impressions of how the industry has moved from 2011 to now?

    I was the quintessential outsider in mid-2011 when I began my innings in this industry. So, to me, the distance the industry has travelled since then is all the more apparent. The pace of the shift from traditional to integrated and strategic has been staggering. That’s been the standout impression for me. Also, it’s evident that lines between the different communication disciplines are blurring.

    It’s been thrilling to watch how the industry has adapted so well to the changing paradigm.

     

    3. While calling PR Strategic Communications is fine, but do you really think CMOs look at PR in adding value to their marketing activity? Or is PR still a tool to get the col com in the newspapers the following day? In your study too, there is a 49 percent expectation of Media Relations from a PR agency?

    It’s important that CMOs are understanding very quickly how agencies that have been in the business of fostering conversations and storytelling are better equipped to manage their brand communication. We are in transition, no doubt, but the mindspace we occupy today among CMOs was a distant dream as close as 2011. By the time we release the next report, we’ll have travelled a significant distance more. Media relations continues to be part of the mix, but not the main driver.

     

    Incidentally, 80% also say that budgets allocated to us have grown over the past five years. And that cant happen unless they see you adding value beyond media relations.

     

    4. In your study, did CMOs talk of talent in PR (or the lack of enough of it) as a factor that’s impacting the PR industry of its rightful place in the marketing value chain?

    Talent has been a concern for a long time. The report has a section – separate from the survey – on partnering with academia to ensure that students have the right skills when they enter the industry. While the industry has been engaging with educational institutions, a lot more needs to be done.

     

    Our earlier reports have dwelled at length on it and in this one CMOs talk of investing in the right capabilities – for instance, insights, creative, public affairs, etc. Its certainly a view that ties in with the talent imperative and how it affects the industrys ability to evolve.

     

    5. Are our PR schools equipped to train students for integrated communications?

    I think they are understanding this and the quality institutions are acting to bridge the gap. I don’t think they’re there yet, but it’s also up to the industry to ensure that it engages with these institutions through syllabus recommendations, coursework drafting, lectures, events like conclaves, etc.

     

    Industry-ready graduates are needed and its only to our benefit if we help ensure that institutions prepare them so.

     

    Our survey of marketing heads across India has been a revelation. And full of hope. While advertising continues to have the biggest share of the annual marketing budget – 45% – overall marketing budgets have grown one fourth in the past five years. One of the reasons for the budgetary increase has been the adoption of integrated communication by businesses.

     

    With the PR industry making a decisive shift to this model, the time is right to capitalise on this trend. In fact, so important has this trend been that two thirds of the respondents said they have already adopted the integrated communication approach in order to achieve higher engagement with audiences and greater visibility. What’s a concern is that advertising agencies are being seen as the ones adapting faster to the integrated communication imperative. Marketers say they trust advertising agencies to service their needs because they’ve delivered greater return on investment in the past.

     

    For the PR agencies of today to become the partners of choice tomorrow, they need to demonstrate how they can add value and shift quickly to the integrated model. Marketing heads were quick to assert that agencies that did not adopt a holistic approach would fade away. Marketing heads also emphasised that data and insights would play a bigger role in campaigns and overall communications. It’s no longer a capability to be invested in for the future but a must-have now. What emerged was a picture of a new age of marketing that demands new answers. Can the PR agencies of this age provide those solutions? The opportunity exists. It’s time to seize it.

     

    If budgets are the acid test, then the PR industry seems to be on firm ground. While it is still way behind advertising, a majority of respondents said that their PR budgets had increased over the past five years. However, even now, respondents said PR accounts for only 15% of the marketing budget. With advertising accounting for 45%, PR has a lot of work to do if it intends to gain the lion’s share of the marketing bucks.

     

    The good news is that 80% of the respondents said that the budget allocation for PR is rising. The industry has evolved and companies are recognising its contribution in their growth.

     

    It’s now redundant to say that PR as we knew it is dead. Both, industry experts and clients, have been stressing for a while on the need for agencies to re-examine their role. Respondents are clear that they are willing to increase their budgets provided agencies can meet the dynamic needs of the market and work as a partner that understands their business goals. As many as two-thirds (67%) of the respondents have tried the integrated communication approach in their organisations.

     

    The benefits are plenty: 47% said that integrated communication provides higher engagement with audiences and 43% said it delivers greater visibility. One respondent said that it gives consumers an opportunity to experience the brand through multiple mediums while another said that it brings together customers, employees as well as top management.

     

    While everyone recognises its value, it’s still early days for integrated communication in India. Some respondents said that one of the biggest challenges is adoption – it is a long process, it could get expensive and it involves getting multiple stakeholders on board.

     

    Also, in a situation where there are multiple businesses, multiple products, multiple consumers and multiple outcomes expected, it could get complex.

     

    About 37% of the respondents said that if PR agencies were to offer integrated communication, it would increase overall productivity, while 25% said it would result in better management; 22% said that it could save costs.

     

    When asked about the disadvantages of PR agencies offering integrated communication, 22% said that there would be difficulty in management, 18% said there would be internal conflicts and 16% believed that there would be a work overload. “PR agencies have lesser understanding of the brand. They have to prove themselves before offering integrated communication,” said a respondent

     

     

  • GroupM ESP releases top 10 trends of entertainment and sports marketing for 2015

    By A Correspondent

     

    GroupM ESP (Entertainment & Sports Partnerships), a specialist business unit of GroupM has unveiled their top 10 trends for 2015. It is well known by now that sports in India, is undergoing a transition. With the rise of leagues across various sporting formats and with increase in cobranded promotions, the opportunities for brands to associate with movies and sports are also increasing.

     

    Uniquely positioned at the intersection of media and marketing, GroupM ESP predicts the following trends:

    1. Increased role and usage of celebrities as digital influencers

    2. Sporting entities will evolve by building digital and social assets to drive their valuation

    3. Blurring gap between Entertainment & Sports

    4. “Associative” to “Associative + Integration + Surround + Social”

    5. From Advertisers to Sponsors

    6. New avenues for traditional licensing – ex. branded real estate

    7. TV fiction characters as Brand Ambassadors

    8. Non-cricket sports to expand sports business ecosystem

    9. Sports businesses to build strong grassroots engagement through experiential programs

    10. Music concerts to grow bigger than award shows

     

    Commenting on the trends Vinit Karnik- National Director, GroupM ESP said, “As we scale up our practice, 2015 will see a change in the way consumers interact with the sports and entertainment category. Sporting entities will evolve by building digital and social assets to drive their valuation and brands will increase role and usage of celebrities as influencers especially across digital assets. We have strategically positioned ourselves to embrace this change and are confident that it will help us achieve our clients’ objectives by offering innovative brand solutions.”

     

    Adding further he said, “Celebrities have been using the digital space extensively for their work. From promoting their movies to inviting fans to attend a social cause, celebs make use of the digital platform in a great way. With millions of followers, celebrities have the power to influence their fans and effectively get their message forward.”

     

    “Digital and social assets are used by sports entities to keep their fans up to date. In order to increase the fan base, sporting franchisees and leagues will develop fan following around them by efficient use of digital medium. With immense focus on digital rights of sporting leagues, digital video sites will be competing with television broadcasters for eyeballs in the near future.”

     

  • Vh1 completes a successful decade in India

    By A Correspondent

     

    Vh1, the channel that came into existence with all of 40 music videos, has completed a decade of existence in India. The channel is today synonymous with the best in international music and entertainment, and the home to the greatest awards shows in the world.

     

    From the launch days when the consumers misread Vh1 as Vhr or VHI and clients misheard Vh1 sales guys, rather embarrassingly as “Which one?” 3650 days later, the channel has become a super-power brand which attracts the best talent from across the world. Playing home to every big awards ceremony from the Grammy’s to the Golden Globes to the Billboard awards, getting the biggest and the best names from international music to India for live performances, to two successful houseful years of the dance music extravaganza Vh1 Supersonic, the channel has come a long way from its early days.

     

    Speaking further, Ferzad Palia, EVP & Business Head, English Entertainment, Viacom18 said, “This is a significant landmark for all of us as a team, as an organization and as individuals. Our first English child, Vh1 India has turned 10 years old. Ten glorious years is how I’d like to remember them. January 1, 2005 was when it all began, with humble beginnings. From just a 40 music video channel in 3 cities to being the #1 English entertainment channel across India, we’ve come to become a household name. From doing indoor gigs to now having 15,000 fans sing ‘Happy Birthday Vh1’ on the sands of Goa during Vh1 Supersonic 2014, it’s been an exciting and fulfilling journey. I genuinely want to thank each and every one who has participated in this fantastic journey, directly or just as a well-wisher. It is indeed, a very proud moment for team Vh1”

     

    In addition to the eclectic television content, Vh1 has also created its own on-ground property, Vh1 Supersonic, the biggest dance music festival in India and Vh1 Sound Nation, a multi-genre music extravaganza featuring home-grown, independent artists.

     

  • Sony Six bags broadcasting rights for Australian Open

    By A Correspondent

     

    Sony Six is set to telecast the Australian Open – The Grand Slam of Asia-Pacific, in India for a duration of five years. The channel will exclusively telecast all matches of the tournament live from 2015 till 2019.

     

    NP Singh

    The Australian Open will be the channel’s first entry into broadcasting a Grand Slam event, having shown select ATP tournaments earlier.

     

    Commenting on the development, NP Singh, CEO, MSM said, “Over the years, the Australian Open has established itself as one of the most watched tennis Grand Slams across the world. Going by the strong equity that the sport enjoys, we are committed to expand the distribution of the tournament further and thereby strengthen our position in the market.”

     

    Prasana Krishnan

    Prasana Krishnan, EVP & Business Head, Sony SIX commented, “The Australian Open is yet another offering that stands for our diverse sports programming DNA. The tournament is seen as a season opener which sets the context for all tennis competitions that follow during the rest of the calendar year. Needless to say, we are proud to have this prestigious event as part of our bouquet of international sports content.”

     

  • MEC unveils its fifth annual Review Preview

    By A Correspondent

     

    MEC has released its fifth edition of Review Preview (RP No.5 – Transforming Marketing). This collection of global essays recaps the most significant takeaways from the past year and explores how digital transforms the way consumers explore, discover, buy, and engage with products and services as well as with each other, transcending traditional channel boundaries in 2015.

     

    The essays, written by MEC’s senior team from around its international network, offer a truly global perspective on marketing. Key articles include:

    1. The power of building stories: At the forefront of the massive shift in marketing, content has emerged as a major marketing disrupter, empowering brands to educate, entertain and mobilize the participation generation. As an example, the essay links to Netflix and MEC’s award-winning native advertising project for the Season 2 premier of Orange is the New Black.

     

    2. Escape the live room: In the 2000s we’ve built labs, in the 2010s we’ve built live rooms. But today, many of those live rooms have turned into sad, abandoned conference rooms with lots of expensive screens. The author argues that live is not a space, but a cultural transformation and a new way of working. As marketers, we must be ready to be always on, meeting the consumers in real time, whether from inside the live room or not.

     

    3. Data is changing how marketers plan: The data and technology advancements enable marketers to unlock and monetize consumer insights at an unprecedented rate, making way for real-time solutions, customizable audiences, endless creative iterations and opportunistic channel activations.

     

    4. Romancing the ecommerce shopper: There is much more to ecommerce than giving consumers a place to enter a credit card number. In 2015, the sheer volume of everyday consumer decisions that will be made ecommerce will necessitate brands to, as David Ogilvy said “charm the consumer into buying their product.” Brands should leverage consumer insights and technology to tell a cohesive, consistent and compelling story across all ecommerce touchpoints.

     

    5. The rise of digital video: As screen and content choices continue to proliferate, video will become an ever greater part of our lives. Marketers need to think more about how they can leverage digital’s unique capabilities to create immersive and relevant video experiences. To this end, there are three areas marketers need to keep top of mind: interactivity, native video advertising and social TV.

     

    Commenting on Review Preview, Carl Fremont, Chief Digital Officer, Global said, “This year’s articles from our global network of senior leaders provide a guide for implementing marketing brand initiatives in a digital enabled world. Digital has transformed the ways in which consumers explore, discover, buy, and engage with products and services as well as with each other, and staying ahead of technology and the consumer’s changing expectation is one of the biggest challenges of today’s marketers. Our best advice is to dive in and explore the new opportunities to change and grow the business: Open your data and your services. Fund disruptive innovation. Experiment, fail and learn.”

     

  • Star Utsav refreshes logo

    By A Correspondent

     

    Star Utsav has announced a new refreshed look for the channel. Star Utsav will launch a new channel logo graphic along with the launch of Mahadev at 7pm on January 12, 2015. Star Utsav’s brand new refreshed logo is in line with STAR India’s Crystal Ruby star.

     

    Also, changing from the current programming schedule of six days a week, the channel will now be available to the viewers for the entire week. Star Utsavs’ seven days a week programming format is the first of its kind in the history of Indian television industry.

     

    The refreshed look of Star Utsav channel is aimed at taping and engaging the rural corners, while keeping at pace with the urban audience. Star Utsav is also known as the ‘King of Middle India’ because of its reach in every nook and corner of the country, and its affordability. Catering to primarily the women audience, the channel’s new arrangement is in sync with a schedule designed to mirror the daily routines of its viewers.