Category: MEDIA

  • Shailesh Kapoor: Care For A Drink? No We Are On TV

    By Shailesh Kapoor

     

    The anti-smoking infomercial that precedes film screenings is now an in-joke in the media industry. It can be argued that the government’s obsession with smoking shots in films, however passing, is not entirely misplaced. But the banal and utterly ineffective execution of the now-infamous Mukesh infomercial kills the idea.

     

    Television has no such problems. I just don’t remember when I last saw anyone smoking in an originally-produced Indian programme, fiction or non-fiction. Everyone is clean to the bone. Even when a teenage character goes astray and takes two puff of a cigarette to “try it out”, it happens off-camera, though the ensuing conflict may stretch over two weeks.

     

    Television’s take on alcohol is not very different. Yes, there have been shows where key negative characters are portrayed as alcoholics (including a sisters’ trio in Colors’ now-off-air Laagi Tujhse Lagan). But the stereotyping is striking. They are meant to be bad people because they consume alcohol. Or maybe they consume alcohol because they are bad people!

     

    Except Ram Kapoor and Sakshi Tanwar enjoying their drink in a couple of (and some of the best) episodes of Bade Achhe Lagte Hain, all heroes and heroines squirm at the idea of a bottle being anywhere in their vicinity.

     

    Television’s aversion to all things alcohol is a symptom of the traditional mindset the medium targets at large. And indeed, there may be merit in arguing for their case. In our research across markets, especially non-metros, discussions on alcoholism can touch raw nerves in the housewives community. Many of them face it as a real issue in their lives, where the husband, the father-in-law or the brother-in-law are spending disproportionate share of the household income on booze. And there is a direct linkage between alcoholism and domestic violence, as we all know.

     

    Of course, there is the other side of the argument too, which says that all television is not supposed to cater to middle-class housewives who face such real issues in their day-to-day lives. There is an audience beyond that: The urban elite, the youth, men and women in professional jobs, etc. But these characters are conspicuous by their absence in our serials anyway.

     

    Back in the early ’90s, Amita Nangia played the beer-guzzling Sheena in the much-popular Zee TV weekly Tara. But that was an era of less than 10 million C&S households, with most of them being upmarket metro audiences who were early adopters with a progressive mindset towards new ideas. As television has penetrated deeper, this audience segment has become far too miniscule to interest the broadcaster community. Even niche channels today are targeting SEC BC audiences in towns like Lucknow, Bhopal, Jaipur and Kolhapur.

     

    There are 41 alcohol scenes in Yeh Jawani Hai Deewani. But that did not deter the theatre-going Indians from making it one of the biggest box-office grossers in recent times. In fact, the casual presence of alcohol, albeit a bit overdone, made the film modern and cool in its own way, and that went well with the grammar of the film at large.

     

    I am most interested in seeing how the Indian version of 24, and the upcoming Amitabh Bachchan fiction show on Sony, handle “liquor” as an idea. In a country where having a glass of red wine can get someone to be labeled as a “sharaabi”, it will be good to see mass television influencing a few minds in the right direction.

     

    Shailesh Kapoor is founder and CEO of media insights firm Ormax Media. He spent nine years in the television industry before turning entrepreneur. The views expressed here are his own. He can be reached at his Twitter handle @shaileshkapoor

     

  • Radio One takes Delhi & Mumbai international music stations online

    By A Correspondent

     

    The Mumbai and Delhi radio stations of 94.3 Radio One are now available online on www.radioone.in.The stream is a ‘re-broadcast’ of the existing terrestrial radio stations which have international music aired.

     

    With this initiative, Radio One is the first station in India to begin a ‘webcast’ of its existing international radio stations on the internet for a pan-Indian audience, notes a communique.  While the streams can be accessed across the internet, the spoken content will retain the distrinctive Mumbai and Delhi flavour.

     

    To launch the webcast, Radio One has created a promotional campaign on air and social media called #LetsGoOnline.  The campaign starts with a new song created in-house by the Radio One team that recognizes that humans were ‘born to be online’.  Social media is being used for a contest that encourages listeners to make their own video for the song.  A demo video of the song ‘Lets go Online’ can be seen at http://www.youtube.com/watch?v=Og0WxwEozTA&feature=youtu.be

     

    The song can be downloaded free from http://snd.sc/1cYJ6bu

     

    Said Vineet Singh Hukmani, MD & CEO Radio One: ‘This is a milestone change and we thank music companies like Universal Music, Sony Music, Virgin Music, and others for recognizing that webcasting of existing terrestrial radio feeds in India presents a new possible opportunity with Phase 3 around the corner combined with 4G and the fast improving broadband space… Though revenue growth from this alone will take time to scale up, it allows all of us an exciting opportunity at an affordable cost.”

     

    Shyju Varkey, National Marketing Head, Radio One added: “Our well profiled audience across India have been requesting an international station since we launched 18 months ago in Delhi and Mumbai. Listeners in these two cities too have been demanding their favorite radio station be heard online. A cumulative reach of 9 million people in Delhi and Mumbai alone through FM Radio gave us the confidence to go online and expand this base of higher net-worth educated audiences pan-India.”

     

    A special debate on Radio One and Twitter will encourage listeners to converse about ‘why they love being online”. The station will pay rich tribute to brands large and small that have both globally and locally gone online to create a better and convenient world for people. For this the station has roped in Gul Panag who maintains a very strong online presence.

     

  • Time Out turns 9 with national edition

    By A Correspondent

     

    Time Out magazine is celebrating its ninth anniversary in the country with a special edition celebrating 99 people who have changed the way India defines art, culture, culinary traditions, cinema, fashion, entertainment and civic duty.

     

    Said Rajnish Rawat, Publisher & COO, Time Out India: “Anniversary is always special for us and we strive to give something unique to our readers as well as advertisers. For our 9th anniversary, we modified Time Out’s format from a fortnightly three-city publication (Mumbai, Delhi and Bengaluru) to a features-led, national monthly, with all its listings redirected to its three websites of Time Out cities. Also, in tune with our cover story we are running a contest for our readers on various platforms like social media, cafes, magazine about ‘what changed their life’ and readers get to win some very cool prizes.”

     

    Added Editor-in-Chief Jaideep VG: “Our editors and writers spent over two months compiling a list of talented, inventive men and women who have (in many ways, fundamentally) redefined various aspects of life in urban India.”

     

    The anniversary edition hit the stand last weekend (Aug 30).

     

  • Nominations open for Yahoo! award for use of internet for charity and community engagement

    Nominations are now open for The Yahoo! Internet for Good Gold Standard Award, which recognises excellence in the use of the internet in promoting charitable causes and community engagement.

     

    Now in its second year, the award is conducted in partnership between Yahoo! and PublicAffairsAsia, the network for senior professionals involved in public affairs, corporate communications, policy-making and regulation.

     

    Entries should be lodged by September 27 (or by October 5 subject to prior notification) and entry packs can be downloaded from http://www.publicaffairsasia.net/goldstandard/internetforgood.zip

     

    Last year, the award was secured by Sonokids Australia which was honoured in recognition of the All Abilities ePlayground project which is directed at increasing internet access to young children with disabilities.

     

    Commenting on the award, Nick O’Donnell, Yahoo’s Regional Manager of Public Policy for Asia Pacific said: “We are delighted to once again support The Gold Standard Award. Our Yahoo! For Good initiative encourages all of our employees around the world to ‘Make Good a Daily Habit’.”

     

    Mark O’Brien, Public Affairs Asia’sVice President, added:  “This exciting category demonstrates that the internet is more than just a business tool or a source of personal entertainment.  It can play a key role in advancing good causes and community engagement and we look forward again to receiving entries from across the Asia Pacific region.”

     

  • TDSAT stays ad cap on broadcasters till November 11

    By A Correspondent

     

    The TDSAT has stayed the implementation of the ad cap regulation, which will make it compulsory for broadcasters to limit total advertising in a clock hour to 12 minutes, till the next date of hearing on November 11, 2013.

     

    The tribunal further instructed TRAI not to take any coercive steps under these regulations against any broadcaster till such date. The matter was contested by the News Broadcasters Association (NBA) after TRAI moved for prosecution of 17 broadcasters for breaching the cap.

     

    While the TRAI referred to the commitment made by broadcasters to adhere to a interim ad cap of 20 minutes and 16 minutes for news and non-news channels, respectively, and submitted that if the TDSAT stayed the amended Quality of Service Regulations, broadcasters would breach this understanding and begin violating the ad cap, NBA contested that it had made no such commitment to TRAI and that no prosecution could be launched on such private arrangements.

     

    NBA insisted to the TDSAT that TRAI had only a recommendatory role to play and this was evidently made clear in the information and broadcasting ministry’s notification of 2004 when broadcasting services were brought under the ambit of telecommunication services.

     

    TDSAT chairman Justice Aftab Alam said TRAI had wrongly assumed that its action of prosecution was beyond criticism. He was disappointed at the manner in which it moved for prosecution without giving chance to broadcasters to seek interim relief. In his opinion, the regulations had to be tested on the anvil of Article 19 (1) (a) and (g) of the Constitution and a mere commitment from industry bodies should not be made estoppels on others.

     

    He said that distinction between news and non-news must be made in this context.

     

    Source:The Economic Times

    Copyright © 2013, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • India TV announces Salaam India awards

    By A Correspondent

     

    Leading news channel India TV has announced Officer’s Choice Salaam India Awards to salute the spirit of courage by the common man.

     

    The initiative will recognize exemplary acts of bravery and spirit of courage, notes a communiqué. These will be awarded to individuals who have stepped forward altruistically and with great determination to face challenges head-on, safeguarding someone else’s interest while risking their own lives, the release adds.

     

    India TV has invited nominations from all over the country. The Award will be given among four broad categories namely Bravery Awards, Gallantry Awards, Damini Awards and Special Awards. An eminent panel of jurors will select the final honorees.

     

    Ritu Dhawan

    While announcing the awards, Ritu Dhawan MD & CEO, India TV, said: “Salaam India is a humble attempt to salute our real heroes, who inspire simply by their acts of exemplary courage. As a responsible news channel, it is indeed a matter of pride for us to attempt to bring to fore light the sense of true bravery, as an inspiration for the rest of the nation.”

     

    The awards will be presented at the Taj Palace hotel in New Delhi on September 28. Officer’s Choice packaged drinking water is the title sponsor of the initiative.

     

  • ‘Find what you seek’ with Ogilvy’s Incredible India campaign

    By A Correspondent

     

    Ogilvy & Mather has released 17 executions of the creative idea – Find what you seek – for the Incredible India campaign. The Kolkata monsoon poster is part of this effort.

     

    In an attempt to take the ‘Incredible India’ brand forward, the Ministry of Tourism, briefed Ogilvy & Mather to delve a little deeper into what made India truly Incredible for the new campaign.  Discussions between the agency and client led to the articulation of the idea: ‘Find what you seek’, notes a communiqué. It was based on the insight that India can be what any traveller wants it to be. The campaign (a total of nearly thirty pieces includes press and outdoor advertising) covers a range of experiences in India through the eyes of the tourist, the release adds.

     

    CREDITS:

    Executive Creative Director : Ajay Gahlaut

    Creative Director: Jossy Raphael & Gaurav Nautiyal

    Art: Kanika Sethi

    Copy: Ajay Gahlaut, Jossy Raphael, Richa Jain

    Account Management: Pawan Bhatt, Faisal Mahfooz, Rupinder Singh

     

  • Publicis launches 360-deg campaign for Park Avenue beer shampoo

    By A Correspondent

     

    J K Helene Curtis Ltd has launched an advertising campaign for its Park Avenue Beer Shampoo Adding a twist of beer into the modern man’s life, the campaign focuses on the need of personalized hair care for men, notes a communiqué.

     

    Created by Publicis South Asia, the communication reveals that men’s hair is different from that of women, and needs specialized care to keep it shiny and bouncy.

     

     

    Said Anil Kulkarni, Director, J K Helene Curtis Limited: , said, “In our research, we have found that men do not invest in personal hair care products and instead use female shampoos. With Park Avenue Beer Shampoo, we wanted to give the man a shampoo created specifically to meet his hair care needs and it’s time to revel in the glory of making men conscious about personal grooming.”

     

    Bobby Pawar

    Commenting on the concept, Bobby Pawar, Director, Chief Creative Officer, Publicis South Asia, says “For years we’ve sold the feminine idea of hair care. Our idea was to create a male counter-point to that, one that puts a beery twist onto typical hair-care communication. We tried to capture the same as an outcry ‘Cheers to man hair’.”

     

    Credits:

    Creative agency: Publicis South Asia

    Creative team: Bobby Pawar, Zarwan Divecha

    Account Management team: Chandan Jha, Dharal Goshalia

    Production House: Fleet Entertainment

    Director: Kay Kienzler

    Producer: Jignesh Maru

     

  • Mobile device usage rises 173%: IAMAI

    By A Correspondent

     

    The surge in interest of mobile devices and smart phones can be gauged from the latest Internet Economy Watch, published jointly by the Internet and Mobile Association of India (IAMAI) and IMRB. The segment has witnessed 173% y-o-y growth in July 2013 with 12.70 million hits in July 2013 as compared to 4.66 million hits in the corresponding month last year.

     

    The branded apparel segment witnessed 9.95 million hits in July 2013 as compared to 5.29 million hits in July 2012, a y-o-y increase of 88%. The online user visits to designer footwear segment increased from 2.04 million hits in July 2012 to 2.21 million hits in July 2013. A significant increase y-o-y growth of 107% for jewellery segment has been registered with 3.65 million hits in July 2013 as compared to 1.76 million hits in July 2012.

     

    Source: IAMAI/ WAM Data July 2013

     

    As per the data for July, while the online booking of air tickets decreased from 1.95 million hits in July 2012 to 1.84 million in July 2013, there has been a marginal increase in online booking of railway tickets from 6.53 million in July 2012 to 6.70 million in July 2013.

     

    Source: IAMAI/ WAM Data July 2013

     

    The number of resume uploads in July 2013 were 3.12 million as compared to 2.60 million in corresponding month last year. The profile uploads on matrimonial websites was 1.91 million in July 2013 as compared to 1.67 million in July 2012, a y-o-y growth of 14%.

     

    Source: IAMAI/ WAM Data July 2013

     

    Sourced from all India active internet data, the monthly internet tracker is based on WAM data captured from various relevant sites, and encapsulates online usage for E-tailing, Online Travel and Vertical Classifieds.

     

  • Future-ready Alliance

     

    By Johnson Napier

     

    It was a first for any distribution network in India when The One Alliance announced that it had bagged an ISO 9001:2008 certification a few days ago. What the new certification has done is enabled the network to bag the tag of being an ‘organized’ one especially at a time when there’s much that’s being written and said of the unorganized state of the industry.

     

    In fact the milestone also coincided with the completion of 11 years of operations of The One Alliance in India.

     

    For Mr Rajesh Kaul, President – The One Alliance, there is a lot that has been achieved in the past eleven years and also a lot more to be done what with the digitization exercise currently underway in India. He tells MxMIndia on what the distribution market seems like in India and what’s to be expected out of the DAS rollout for distribution networks in India. Excerpts…

     

    As a distribution network, what is the significance of getting an ISO 9001:2008 certification in India?

    We are an unorganized sector atleast that’s what people believe, so it’s important that we take this initiative of being organized than the rest. To that extent this is significant because we insure that we follow a particular pattern and process so that we don’t deviate.

     

    How does this achievement separate you from other distribution networks in the country? Do you think it is essential that the other players should try and get a similar certification?

    The certification is only a means to get a little more organized in life, to ensure that you have proper systems to follow, so it is good to have such kind of a certification.

     

    The occasion also marks completion of 11 years of your existence in India. How has the broadcast distribution ecosystem evolved since the 11 years you’ve been operating here?

    I can actually write a book on this. If I had to cut it really short, in the past 11 years a lot of new channels which have come in. Eleven years ago, we had just 150-200 channels and today there are 700 channels. A lot of consolidation has happened on the ground. Maybe at that point of time, you had 50,000 to 60,000 cable MSOs, today we have just five to seven thousand. A lot of consolidation has happened within the channels too. Aggregative businesses, aggregates have started coming in and now is the era of digitization. So, we have moved from a complete analog to complete digitized world in recent case. So a lot has changed.

     

    How would you summarize The One Alliance’s growth story post the digitization exercise in India?

    There is no big story as of now in the growth aspect. Post digitization, we have a goal in mind and now we have to go all out to achieve that goal, which we deserve in terms of distribution revenue. We are hopeful that we will have a story from that.

     

    What are the advantages that a distribution network can savour from the digitization rollout exercise that’s in its second phase as yet?

    We are hopeful that we’ll be able to get desired results, it has not happened but slowly it is showing the impact. We have supported the entire industry so far. In the best interest of the industry and for the smooth roll-out of DAS, we’ve toned down our expectations for the smooth future functioning. Initially, that is what was desired from TRAI as well as the MIB but we are hopeful that with digitization overall revenues will get multiplied and the carriage fee which has been a big part of the broadcaster becomes negligible. This is what we are anticipating.

     

    Do you think digitization has managed to deal with the numerous challenges facing distribution networks in India? Or is there still a long way to go?

    I think we have come a long way but still a long way to go. So I would say both. It was a mammoth task. Digitization of a country like India with so many households, so many towns and so many different socio-economic backgrounds is a huge deal. I think we really have come a long way, by converting so many households into digitized households. But we still have a long way to go in terms of getting the systems right, getting transparency, getting the revenue share allocation proper. But yes we are on the right track. So we are happy with the progress.

     

    It’s been 11 years since you launched. How do you see The One Alliance stacking up against the other players in the space? What is the roadmap you seek to chart in the immediate future?

    We are ready for the future, our channels are doing well. We have exceedingly premium channels in our bouquet, we are completely ready and the roadmap is also prepare, with digitization taking place we just have to correct the overall revenue share allocation on the ground. Broadcasters should get 35-40 % of the overall revenue; we are hopeful that should happen soon. The roadmap is ready we just have to implement it.

     

  • Neo’s Prasana Krishnan joins Sony Six as Business Head

    By A Correspondent

     

    Prasana Krishnan

    Multi Screen Media (MSM has appointed Prasana Krishnan as Business Head of sports entertainment channel Sony Six. Mr Krishnan comes in with over 17 years of experience in media and consulting sectors.  In his previous role, he was Chief Operating Officer of Neo Sports Broadcast Pvt Ltd.  His other previous stints include Nimbus Media, The Times of India Group and Arthur Andersen.

     

    Commenting on the development N P Singh, COO, MSM India said, “We are delighted to have Prasana join the team at this important juncture and we are certain that his experience and understanding of the business and our audience will help us achieve our objective of becoming the leading player in the genre. We are optimistic that Prasana’s appointmentwill further strengthen and grow SIX’s position in what can be called as one of the most competitive broadcasting markets in the world. We look forward to a long and fruitful working association with him.”

     

    On joining MSM, Mr Krishnan said, “I am delighted to have become a part of this prestigious group. As India’s Premier Sports

    Entertainment Channel, Six has uniquely positioned itself showcasing some of the world’s finest international sporting properties like Pepsi IPL, UFC, NBA, TNA& UEFA EURO. ”

     

  • Big Magic spreads reach with DD Direct+

    By A Correspondent

     

    Big Magic, the general entertainment channel from the Reliance Broadcast Network stable, has inked a carriage deal with free DTH player DD Direct+. This comes close on the heels of a distribution alliance with Videocon d2h.

     

    Sunil Kumaran

    Speaking on the occasion, Sunil Kumaran, Business Head, Big Magic said: “We are happy to add DD Direct+ to our distribution bouquet.  Since DD Direct+ penetrates into the deeper pockets where even cable TV finds it difficult to reach, the alliances allows us to take this content to newer audiences, otherwise difficult to reach.”