Category: ADVERTISING

  • Havas Media launches social equity marketplace

    By A Correspondent

     

    Havas Media has announced the launch of a social equity private marketplace, made up of BIPOC (Black, Indigenous, People of Color) and LGTBQ+-owned media businesses so clients can positively invest funds in underrepresented businesses.

     

    This, notes a communique, is the agency’s latest commitment to exploring meaningful media and recognising the need for equitable treatment of businesses that are traditionally underrepresented in the marketing industry.

     

    Said Havas Media Group Global CEO Peter Mears: “In a time where consumer and client sentiment is focused on social action in many forms, we felt it was important to launch a product that allows clients to take positive actions with their media spend as desired, just like a bank can create or manage socially responsible funds. Our role is to advise clients of the opportunity to support these businesses in a system that previously did not make it easy for brands to support minority-owned companies. Today, it’s just as important where a brand shows up as what they have to say.”

     

    Added Andrew Goode, EVP and Head of Biddable Media at Havas Media North America: “As an industry partner, we would encourage media businesses to be ‘meaningful’ in every sense—from the brand safety they provide as media partners, through to their corporate behaviours as organisations. We could not be more excited to launch this programme first in the US before expanding to our global clients.”

     

    Will see the roll-out in India? Well, for now it begins in the US and Michelin and Moen will be among the first brands to benefit from the marketplace. A rollout to international markets (and perhaps India) is planned for later this year.

     

     

  • Ajay Gahlaut exits Publicis WW, Vikash Chemjong & Tito Mazumdar made Joint NCDs

    By A Correspondent

     

    Ajay Gahlaut
    Vikash Chemjong & Basabjit Mazumdar

    Ajay Gahlaut, CCO and MD of Publicis Worldwide, India (PWW) has decided to move on from the agency and pursue his passion on the personal front, a communique from the agency notes. He will be with the agency until mid-August and will see through a handover to teams and clients.

     

    The agency has also announced the elevation of Vikash Chemjong and Basabjit ‘Tito’ Mazumdar to the role of Joint National Creative Directors. The duo would take on the role of managing the creative mandate for all brands under PWW including Publicis Capital, Publicis Ambience, Publicis Beehive, Publicis Health, Publicis Emil and Publicis Business and will report to Srija Chatterjee, MD, Publicis Worldwide, India.

     

     

    Anupriya Acharya

    Said Anupriya Acharya, CEO, Publicis Groupe South Asia: “Working with Ajay has been a great experience even though our overlap has been only six months. He has built a great team here and we thank him for all his contributions. Am sure he will be successful in whatever he chooses to do next and our best wishes are with him.”

     

    Both Chemjong and Mazumdar had joined Publicis Capital over a year ago as National Creative Directors. Over the past one year, they have been instrumental in shaping the creative universe of some key brands under Publicis Capital including Beam Suntory, GUS, GPI, Nestle, Goodricke, Emami to name a few. Prior to joining Publicis, they both were Group Creative Directors at Ogilvy India and have over four decades of creative experience between them.

     

    Srija Chatterjee

    Added Chatterjee: “Ajay has been a great friend and a fantastic creative leader to have around. Over his 18-month long stint, he has helped build and nurture the creative process and output for a number of brands at the agency. I wish him a great ride in his future endeavours.” On the new roles for Vikash and Tito, Chatterjee said: “We are fortunate to be running on a group philosophy that thrives on the model of collaboration and ensure that we breed and train talent of great calibre. To that end, both Vikash and Tito come with over 40+ years of combined work experience and have been successfully leading the Publicis Capital business for the last one year, partnering some of our clients in delivering some great work. I look forward to them playing a key role in raising the creative bar.”

     

    Said Gahlaut: “For me it has been a wonderful year and a half at Publicis. I have made many friends, built a powerhouse creative team and done some nice work. The only reason for moving on is a desire to try new things. This is an extremely exciting time for all kinds of creative content in the country. I have a couple of interesting options I can explore. And while I will never say never to advertising, I thought it was a good time to attempt some things I hadn’t tried before.”

     

     

  • MxMLive with Creative Leadership at Ogilvy Mumbai

     

     

    Ogilvy Mumbai bagged the accolade of being the ‘Most Creative Agency of the Decade’ amongst Indian agencies last week (end-June 2020). The recognition assumed significance as it was announced by Cannes Lions, no less. Additionally, ‘Savlon Healthy Hands Chalk Sticks’ (which won Ogilvy’s first Creative Effectiveness Grand Prix besides seven Lions) featured amidst the ‘Iconic Work’ in this report.

     

    To discuss the Ogilvy India way of doing advertising, we spoke with Piyush Pandey, Executive Chairman India & Worldwide Chief Creative Officer, Ogilvy, and Chief Creative Officers Sukesh Nayak, Kainaz Karmakar and Harshad Rajadhyaksha. The discussion was moderated for MxMIndia by Pradyuman Maheshwari.

     

  • Sun Pharma launches ‘Thank you Doctor’ campaign

    By A Correspondent

     

    Sun Pharmaceutical Industries has launched a ‘Thank you Doctor’ campaign to express gratitude towards doctors for their sacrifices and selfless service. Created by Lowe Lintas, the video is about thankfulness, gratitude and hope and features a one-minute TVC which is based on testimonials of 12 real-life patients who have recovered from cancer, heart attack and Covid-19 disease, among others.

     

    Commenting on the campaign, Kirti Ganorkar, CEO of India Business, Sun Pharma said: “This film is a tribute to all doctors who play such a vital role in our lives. In the times of Covid-19 pandemic, every day, we hear new stories of their compassion & patriotism and are indebted to them for their sacrifice and commitment. The idea behind this campaign is to show the feelings of real-life patients who want to thank doctors for treating them.”

     

    Added Madhu Noorani, President – Creative, Lowe Lintas: The idea comes very simply from genuine real-life narratives of patients who have been taken care of by doctors in their most difficult times. The film is a touching display of gratitude from these real-life survivors to their doctors who have gone beyond their duty as doctors, playing multiple roles to emotionally support these patients in their most difficult times in the hospital, simply captured in two heartfelt words – Thank you.”

  • What will Brahm say to this at the next AGM?

     

    He was more than just the Hawkins big boss. A great marketer with a keen sense of (and on) advertising. His contribution to the various industry associations has been huge, and will always be remembered by those who knew him. Brahm Vasudeva passed away late on Friday, July 10. He was Vice Chairman and Managing Director of Hawkins from 1968-84, Chairman and Managing Director from 1984 to 2006 then Non-Executive Chairman. Our ‘Namaste’ to him.

     

    We carry here tributes by senior industrypersons Arvind Sharma, Ramesh Narayan, Narendra Ambwani and Jayesh Ravindranath.

     

    Brahm Vasudeva, RIP

    By Arvind Sharma

     

    On July 10 afternoon, many industry WhatsApp groups started sharing the news of Mr Brahm Vasudeva’s passing away. He was eighty-four years old.

     

    This sad news got me reflecting. About Brahm and about me.

     

    When I joined the advertising industry in my early 20s, a handful of large consumer marketing companies wielded enormous clout in the industry. That is true to a degree even today. However, what was strikingly different in that era of nascent consumer marketing was the influence a few individual consumer marketers exerted on the industry. They punched far above the weight their revenues or their marketing budgets should have given them. The position they commanded in the industry came from their intellectual caliber.

     

    Brahm was one such individual.

     

    He used the might of his intellect to change consumers’ lives for the better. His pressure cookers liberated Indian housewives from hours of sweaty drudgery in the kitchen. He constantly innovated- in products, distribution and marketing. Pressure cookers on EMIs, I’m told, was one his category penetration driving ideas. Of course, he built a very successful business in the process. But what many of us admired him most for were his enduring contributions in moving the industry forward on a number of fronts.

     

    We live in an era where we get agitated about our leaders bending the truth. And that is the way it should be. But can you imagine an era where there was no way of knowing the truth! Or no agreement on how to go about discovering the truth!!

     

    Brahm pushed on so many industry fronts to change that.

     

    As a major voice at the Indian Society of Advertisers, he demanded that media should charge for exactly what it delivered based on precise measurements. Whether the measurement was in terms of column centimeters of ads actually printed or in terms of opportunities to see delivered. His sessions with his agencies with piles of newspapers to measure the exact sizes of ads seemed quirky to many. But his insightful and counter-intuitive-to-many stance that for dependable media measurement, advertisers and advertising agencies must contribute their share of measurement costs has been proven right over time. It is now the bedrock principle underlying two major media measurement institutions in the country- Media Research Users’ Council and Broadcast Audience Research Council. Among others, they provide measurement on two of the most important media in the country- Print and TV.

     

    While being a champion of freedom of commercial speech, Brahm understood and advocated that as industry consisting of advertisers, ad agencies, media and associated advisory firms, we must self-regulate ourselves and our content. Otherwise somebody else will. He was one of the moving spirits behind creation of the Advertising Standards Council of India. He was actually the pen that wrote ASCI’s code of conduct. In 1985, in mere 3500 words, he wrote the principles that define good advertising. Those principles hold good even today-after 50 years of rapid change.

     

    The four pillars of these principles are taught in every advertising class in India today

     

    # Truthfulness and honesty in claims

    # Non-offensiveness to the public

    # Against harmful products & situations

    # Fairness in competition

     

    Brahm selflessly championed these and many other ideas he believed were good for the industry while he was in office at these institutions. And for decades after that at every possible opportunity. And long after he had physically left these boardrooms, the force of his thinking has continued to guide them with a simple question, repeated often: “What will Brahm say to this at the next AGM?”

     

    Brahm will not be there anymore at the AGMs of these institutions. And the truth is that he has not been there at most of them for the last few years. But the question, ‘What will Brahm say to this at the next AGM?’ has become such a habit with the industry that it has continued to echo in the boardrooms. It is the industry’s way of internalising the ideas and principles of a man who shaped its past and will continue to influence its future.

     

    About a decade ago, Brahm started championing the use of ‘Namaste’ in place of a handshake. But then Brahm always had great foresight! He was always ahead of his times!

     

    Brahm, those of us who knew you personally, will miss you as a friend. As an industry, we will do well to keep your memory alive by continuing to ask ourselves: ‘What will Brahm say to this at the next AGM?’

     

    Arvind Sharma is a veteran adperson and former Chairman & CEO, Leo Burnett

    ~ ~

     

    Namaste Brahm!

    By Ramesh Narayan

     

    The Year was 1982. Delhi was hosting the AdAsia 1982.

     

    I was an aspiring advertising person, attending the Congress to see what advertising was all about, and whether it could offer me a career. And there, one of the things etched in my memory was the final session where Mr Brahm Vasudeva summed up the entire proceedings.

     

    I was so impressed with his presentation. The way he chose the right points to highlight, his impeccable delivery, the ease with which he held the attention of the audience, it was just perfect.

     

    And perfection is something I would grow to associate with Brahm.

     

    I told him about the impression he had made on me and he always chuckled that he was responsible for me getting into advertising.

     

    Fast forward to an IAA Congress in Cancun. As a rookie, I was using conferences as a place to learn more about my profession. Brahm, for want of any other company, was indulging me. “Nice hotel” I said, nervously. “Yes”. he replied. “Why do you say so?” he  asked me.

     

    “Large rooms, great view”, I said. And countered: “Why do you like it?”

     

    “Wooden hangars,” was his laconic reply. And then went on to add: “the little things really matter”.

    Quintessential Brahm, as I was to learn as the years rolled by.

     

    The IAA was a fledgling association with and managing committee meetings would be held at the Trattoria restaurant. Pradeep Guha was the Hon Secretary and I was the Hon Treasurer, and I was presenting the annual accounts to the small committee which included Brahm. At one point he raised his index finger and I paused and said “Brahm, any doubts?”

     

    And he replied in his even tone, “Doubts? When Ramesh presents, I have no doubts. Just some clarifications maybe?” A lesson in using the right word at the right time.

     

    Somehow, Brahm was slightly intimidating to most people. Yet, he was uniformly gracious and kind to me. He even confided in me one evening at the Oberoi (now Trident) that he really didn’t care much for my father (whom he knew earlier) but “you, Ramesh are different”.

     

    Somehow, I didn’t take offense to that statement because there was something very genuine in his tone and demeanour.

     

    I learned that perfection in every little thing was important to him. Preparedness for a meeting, or presentation and equally, he valued the intent of a suggestion, so I made it a point when I was President Advertising Club to talk to him before the meeting and explain my point of view. After that, he was a formidable ally.

     

    And of course, I was tickled pink that he made it a point to publicly announce, every time we met, that the only desk calendar that adorned his table, was the one I sent him.

     

    Long before Corona, he had decided that Namaste was better than shaking hands.

     

    Rest well, my friend. Your life was a lesson worth learning from.

     

    Ramesh Narayan is a veteran adperson and Founder, Canco Advertising

     

    ~~

     

    He chose every single word he spoke so patiently

    By Narendra Ambwani

     

    I used to love his refusal to shake hands and do namaste. So thoughtful an idea well ahead of Corona times. Also I admired the way he would think and chose every single word he spoke so patiently.

     

    Narendra Ambwani is a veteran corporate leader and coach, and Former Managing Director, Johnson & Johnson

     ~~

     

    A Man Ahead of His Time

    By Jayesh Ravindranath

     

    As the person who helmed and ran what was then Pressure Cookers & Appliances Ltd, now renamed as Hawkins Cookers Ltd, Brahm Vasudeva was a legend. There were people who either hated Brahm or adored him. Very few who dealt with him, were in the ‘grey’ area.

     

    I had the good fortune of working closely with him when I was with Everest Advertising in the 80s. While most people saw him as a difficult man to deal with, I believe I understood what made the man tick, and hence created a rapport and an equation with him.

     

    He had a phenomenal eye for detail and a great believer in offering high-quality products to his consumers. I learnt a lot from him, and this is what I would like to acknowledge today, about the man and his work.

     

    Brahm was a stickler for detail and a man who spent copious hours going through every aspect of his business, be it product design, packaging, advertising and communications, media plans, or even the recipes that went into the legendary Hawkins cookbook. The end-product that would reach his consumers was nothing but the best.

     

    Some examples:

    In the 80s, before the advent of the internet, all communication was through postal mail. Users of Hawkins products would regularly write in to the company, commenting on the recipes Hawkins would offer, or they would send in their own recipes. Brahm would have each and every postcard and inland letter sent to the agency for translation from the respective Indian language to English. This translation would then be reviewed by his team, an appropriate reply drafted in English and sent back to us, the agency. We then got our translators to translate the English to the relevant language on an inland letter, which then got mailed to the person who wrote in! All this clearly at a cost. This was Brahm. He wanted to ensure his customers were engaged positively, and got the best product and service from Hawkins, even though he had to expend a huge resource to do so. I cannot think of any organisation then, that would go to such lengths.

     

    He ran a full-fledged professional kitchen with properly experienced F&B people, at his Mahim Mumbai service centre. This kitchen was constantly preparing and testing recipes for inclusion in the cookbook. The food prepared was then trialed on housewives who hailed from that particular ethnicity or state of India, to get feedback & approval, before the recipe was published.

     

    His eye for detail was such that he would spend hours with his technical and engineering team on minute details of the range of cookers, to ensure that the best quality of material was used to make the final product, and that they were tested before being put out to retail. One of the results of such an eye for detail was that the Futura was the only pressure cooker in the world to have been displayed by The Metropolitan Museum of Art, New York. When I saw it there during my visit in 1997, my heart filled with pride!

     

    Equally, his eye for detail on all advertising that went out was legendary. We would start meetings at his corporate office in Cuffe Parade at 9.30am with an agenda of say 15 items to be covered. By 8pm we would have barely touched 5 or 7, much to the consternation of those around the table, but those 5 or 7 would have been thoroughly discussed and closed.

     

    I recall one instance where he had asked for a logo unit to be in a particular size on the Futura packaging, which was underway. I took back a layout and Brahm’s sharp eye felt it was not the right size. He fished out his scale and ticked me off for not following his instructions. His next comment to me was – “Young man when I ask you for something please follow my request, as I am paying for this service. If you have another view, or your creative team would like to propose another option, by all means, but do not dishonor my request”. Lesson learnt!

     

    The other aspect about Brahm was in spite of his reputation for being a task master, he was a fair man. He was also one of the few advertisers who back then paid his agency on time! Unheard of then in India, where clients where notorious for paying two or three months beyond the due date. One instance I would like to highlight. At Everest one day I got a call from my then Chairman Ahmed Ibrahim saying that we were short on funds and INS (Indian Newspapers Society) payments were to be made. In those days, not paying the media would get the agency on the black list. So, I trotted off to Brahm and requested for a payment of that month’s dues, one week ahead of the schedule. Brahm looked me straight in the eye and asked me with a smile though, why he should finance the agency! He made his point, and a few seconds later he called his Finance head Teckchandani to issue the cheque immediately.

     

    Such was the man, principled, an eye for detail and a businessman and business partner with integrity. A man way ahead of his time.

     

    Jayesh Ravindranath started his career in advertising in Mumbai in the 80s. After 20 years he moved over to marketing. Now he runs an independent consultancy focusing on business mentoring & strategy, out of Dubai.

  • Sanjay Trehan appointed advisor for AdPushup

    By A Correspondent

     

    Sanjay Trehan

    AdPushup, an ad revenue optimisation platform that helps web publishers and media companies accelerate their revenue growth, has appointed Sanjay Trehan, a digital media industry veteran with over 30 years of experience, as its Advisor.

     

    Talking about the appointment, Ankit Oberoi, CEO and Co-Founder, AdPushup, said: “We have been associated with Sanjay since the beginning of our journey at AdPushup and are excited to bring him onboard officially as an advisor. As a company, we are in a growth phase, our product value and market fit is proven with multiple Comscore 500 publishers, and our primary focus is driving market adoption. This is where Sanjay’s in-depth understanding of the publisher landscape and market expertise will be valuable in helping us build a win-win partnership.”

     

    Added Trehan: “I am very excited to be a part of this dynamic team, which in a short span of 5 years has already established a proven track record in the ad tech space. I am looking forward to helping scale its market adoption and contributing to its overall growth strategy, both in India and overseas.”

     

     

  • L&K Saatchi & Saatchi strengthens creative team in Mumbai

    By A Correspondent

     

    L&K Saatchi & Saatchi has announced two key appointments for its creative teams in Mumbai. Joining the agency are Chandani Samdaria, who comes on board as Senior Creative Director and Nikita Goswami who has joined as Creative Director. The duo will report to Rohit Malkani, Joint National Creative Director, L&K Saatchi & Saatchi.

     

    Said Malkani: “At L&K Saatchi and Saatchi Mumbai, we are at the crux of a fabulous tomorrow, with a slew of new brands, leadership and energy. In the sea of prospective candidates that I met over the last few months two individuals stood out for me. They were bright, articulate and talented of course, but above all, they both had minds that were buzzing with fresh perspectives and a hunger for great work that I have rarely seen. Thank you Nikita and Chandani for teaming up for this gig and we’re looking forward to some seriously differentiated work from you!”

     

    While Samdaria has joined the agency from Leo Burnett, Goswami was last with Ogilvy India. Both appointments are effective immediately and based out of Mumbai.

     

     

  •  Madison OOH launches OTS Measurement Updates for Covid-19 unlock period

    By A Correspondent

     

    Madison has to launched an extension to its Traffic Count Tool to provide clients with legitimate data to help them note the actual changes in OOH mobility in the Post COVID lockdown era.  Madison’s technology partner for this is  AdMavi – a geo-spatial marketing solutions company, founded by alumni from IIT Madras.

     

    Said Vikram Sakhuja, Partner & Group CEO, Madison Media & OOH: “Thanks to traffic count data that we have built data tech partnerships in, it is now possible to track the post lockdown recovery of traffic on our metro roads. This should help build confidence amongst OOH advertisers.”

     

     

  • Woes UnLtd with Creative Pitches

     

    By Sanjeev Kotnala

     

    No one is surprised by the number of business pitches happening in the MAdTech world. There is a different world of uncertainties out there. To compete and succeed brands needs new thinking that comes from the collective efforts of many brilliant minds.

     

    A pitch is a process where multiple pre-identified agency organisations, in anticipation of co-partnering the brands in its success, willingly and freely provide inputs into thinking and strategy.

     

    Nothing has changed in the pitching, and the MAdTech world in spite of the Covid-19-forced lockdown and digital focus in media.

     

    YESTERDAY.

    Early November 2019, once again, there was a buzz in the industry. A large agency had publicly sued and taken on a large mobile brand for plagiarism.

     

    Everyone was watching. The case could have helped break industry inertia about pitches and idea shopping. The industry failed to realise, they were not just part of the problem, but the problem.

     

    Nothing happened, and the case as expected was settled amicably. The business part overshadowed the ethics and the pain of seeing the idea plagiarised. The will to fight for the cause died its natural death.

     

    No, it is not the only case. But it is a case people spoke about. It looked as if the industry was finally going to act. Many industry leaders raised voices and shared their solutions to the problem of idea shopping and plagiarism. But- nothing happened.

    Nothing ever changes. Nothing is changing.

     

    MULTIPLE IDEAS.

    Meanwhile, it is learnt that the Advertising Agencies Association of India (AAAI) defined norms for member agencies participating in media pitches.

     

    In case of Creative and Strategy Pitch, many ideas and suggestions to tackle the menace of pitches, idea shopping and plagiarism have been discussed.

     

    Starting a PITCH CREATIVE DIGITAL VAULT. A place where Pitch creative get registered and archived. They could be released in case of a conflict.

     

    Evergreen non-starter idea; PITCH FEE.

     

    Signing an NDA. The concept of client signing pitch creative and the deck. Agencies know how effective it can be.

     

    REGULATING PITCHES. If a client calls for a pitch, it gives notice of separation to the current agencies. It terminates the client-agency relationship or sets a dateline for termination. And, the client does not invite the current agency to the Pitch.

     

    But as expected, nothing happened. Or nothing that has been presented in the public domain. 

     

    TODAY.

    The pitching season is on. Agencies are willingly providing best effort collective thinking with no obligation to their so-called prospective client.

     

    The client enjoys the focus. They are the rule-makers, referee and the player in the pitching process. The pitch helps the client in gaining a better understanding of the possibilities and potential of the brands in the new scenario.

     

    As the agencies match in with their best pitch marshals, the client is getting wiser with free consultancy from agencies. Larger client teams sit through these presentations and get trained on thinking and market understanding.

     

    Multiple set of strategist and iterators are working on the brand. There is no obligation on the client to take a timely decision. There is no fee. There is hardly any cost other than maybe a few rounds of tea and working lunch. The business goes on. 

     

    YOUR IDEA, HER/HIS IDEA. MY IDEA.

    Wait for the festival period, when the war for a share of mind and wallet will peak. Brands hopefully will release new campaigns.

     

    Many agencies will be surprised to see uncanny similarities between their pitch work and the work released by a client. The agencies will discuss internally and come to the natural conclusion that the client’s agency got inspired by their work. They will abuse and craft choicest of creative expressions for the client. They will talk of it not being ethical over old Monk or Johnny Walker as the case may be. The agencies will accept it as part of the business. They will not take any offensive action. Nothing will change. 

     

    INACTION IS AN ACTION

    Inaction is always an alternative, and hence choosing it is a deliberate act in itself.

     

    It is a price the agencies are willing to pay. A price they will keep paying again and again when they enter the arena of free pitches. In the process, their inaction is an approval of this game.

     

    The client does not mind. S/he gets habituated of pitches whenever wanting a change of faces or the strategy. The client use pitches to understand the market scenario and blatantly idea shop. The hapless agencies accept it. The industry norm gets further strengthened. It is Okay.

     

    Oh, there will be newer excuses as to why they cannot do anything. Why in the new normal the business is tough and economy in tatters. Some would tell you, No one in the industry is doing it, and hence they cannot be leading the change.  Yeh toh hota hai 

     

    TOMORROW 

    Yes, the same talent will design purposeful CSR campaigns on the ‘power of one’. They will tell you how every act and vote matters. They will talk idea shopping pitches and plagiarism and how it is eating the industry. They will find inspiration to create scam ads while talking of originality, relevance and impact in their speech of acceptance.

     

    Meanwhile, some observant consultant having no idea of a possible viable solution to this highly rational problem will write a blog.

     

    Nothing has changed, and nothing will change. After all, pitching is as old as scam ads for awards.

     

  • ASCI welcomes new Consumer Protection Act

    By A Correspondent

     

    The Advertising Standards Council of India has welcomed the new Consumer Protection Act. In a statement, Rohit Gupta, Chairman, ASCI commented on the new Consumer Protection Act:

     

    Rohit Gupta

    “ASCI welcomes the new Consumer Protection Act set to be enforced from July 20, 2020. Our efforts, as the advertising self-regulatory body, are also to protect the consumers’ interest. We expect to see a significant impact in the control of misleading advertisements – currently very high in educational as well as healthcare products and services sector and teleshopping genre. We would soon be launching monitoring of potentially misleading advertisements appearing on digital media, in addition to the print and TV surveillance. We see our role to be complementary and promoting responsible advertising by providing guidance to marketers and celebrities via Code for Self Regulation in Advertising and Guidelines thereof.”

     

     

  • Saif-Kareena and their water tank romance

     

    By Sanjeev Kotnala

     

    Recently a new advertisement featuring Vectus and the power couple Saif Ali Khan and Kareena Kapoor was released. The theme was romance and the campaign line said: ‘India ki waterline ‘.

    You may not have heard of Vectus before, but now you have with all the talk surrounding this ad. Vectus is a fairly large brand with a range of products in polymer-based water storage and piping solutions. Headquartered at Noida, the brand caters to residential, commercial, industrial, infrastructure and agricultural sectors.

    Vectus Industries Limited has three brands of water storage tanks. Ganga  and Waterwell with features like micro-ban (no smell), virgin raw material, no heavy metal use and threaded lid!

    Vectus, the brand in focus with Saif Kareen Romance claims to be anti-microbial, free of heavy metal usage and made as per European standards.

    The Vectus  earlier communication is about the importance of water and healing preventing leakage and seepage as the brand feature or purpose. These features and promise have not changed.

     

    Kareena and Saif Ali Khan were announced as Vectus brand ambassadors in March 2020. It was the first time the brand was associating with celebrity. Fair to presume that the scripts were ready by that time. Rajesh Alagh, President-Sales & Marketing joined the group in April 2020. So one assumes he got the campaign in legacy and maybe is not part of the development.

     

    There is a second Saif Kareena film titled Dance  and has light flirting between the couple. It is no longer available on the Facebook page. However, one can be accessed on Youtube.

    https://youtu.be/lKWMF76SpsY

     

    Look at Instagram post. You see an unmasked crew in behind the scene which was well covered and reported. So, it is a pre-lockdown shoot. One more excuse goes down the drain. Picture from Bollywoodshaadis.com

     

    Water Storage tank and pipes are primarily B2B category with a very regional bias. There is not much TV advertising. Digital media has opened a new window for the category to reach out to a broader audience.

     

    This romance E film of Vectus has got a reaction that the brand was not expecting.

     

    One tweet read, Zenith of advertising has been reached.

     

    People questioned who wrote this? No clue. How this gets approved? Like all ads do, by the person funding making and release. Why did said Kareena agree? She has not shared the reason. They equated it end of advertising.

     

    An industry senior tweeted, ‘Once the celebrity fever enters on Industry, all brands jump in. Chappals to Banyan to Tank/pipes now!’. What’s surprising? Are these categories not authorised to use a celebrity. Another in his style tweeted, ‘Now we are really tanking in ‘Chullu Bhar paani‘ I suppose.

     

    They are right and wrong at the same time. These tweet experts have the right to an opinion, and most may agree with them. And I presume they must not have seen the two films.

    Definitely, Vectus could have better used the celebrity couple.

    Maybe the script could have been better.

    The features of leakage and seepage prevention could have been told differently. Remember the MSEAL ads which were also about leakage and there instead of the MSEAL it could well be the pipe.

     

     

    Or even SHEETAL tank ad tried making some sense with wordplay.

    https://youtu.be/zss6k66-LfU

     

    People presuppose that Vectus Saif Kareena is a client written and produced the film. See the second film, dance, and it does not seem so. But no agency has come forward to take the credit or the blame or to defend it.

     

    Brands like Vectus do not have high exposure to advertising. They are small-town brands ( Vectus registered office- Gwalior), and they are trying to open up, dream big.

     

    The water storage and piping category has brands which have in the past tried being creative. These brands are still evolving in their communication. Maybe the category is yet to see the real advantage of investing in advertising agencies and creative product then media. Or perhaps they are happy for having done something that was out of their reach. Maybe in the case of Vectus, this Saif-Kareena Romance and dance is creative enough.

     

    Most of us did not make an excellent piece of creative the first time in our professional life.

    We may not have done right in mathematics in our school. However, today we wonder why the fourth standard student is unable to do the simple maths.

     

    Why should every advertisement from every brand be great? Be error-free? Why must they be evaluated on the same parameters? This Industry also follows the bell curve. There will be brands at the outer spectrum. We should not be worried and raise the alarm if the brands do something better every time. We should be encouraging and not laugh at the efforts.

     

    The brands will learn with time and experience.

     

    Yes, it will cost them money and efforts. But then, brands and owner-driven brands rarely gives consultant or the creative agencies complete freedom to start with. Maybe they will now listen to and hire better consultants with experience of working in owner-driven company culture. Perhaps they will re-evaluate three brand strategy against a mother brand and adapt if it fits with their future dreams.

     

    WHY BLAME THE CLIENT?

    On seeing an advertisement like the Saif-Kareena Vectus film, why do people presuppose it to be an advertisement written and produced by the client? Why do they think that some crazy agency is not responsible for it? Yes, finally the client is responsible, but the client acts basis the experience, expectation and the advice it gets.

     

    CATEGORY CUES.

    Sometimes actions are category -driven. The brands may see the use of celebrity as an easy way out. Or no other way out. Maybe such communication is usually a play for dealer distribution enhancement and confidence buildup.

    Look at the other brand PLASTO work here.

     

    And here is PLASTO  earlier work from before 2014. You see the change. Good or bad. Evolution part of any brand journey. Yes, they can look at professional help to reduce the mistakes.

     

     

    And then there are brands which have been category leaders. Sintex is one such example. It originated sometime around the late eighties and joined forces with Mudra. Here is some of their work of. SINTEX WORLD RIVER DAY 2017. SYNTEX WATER STORAGE SOLUTIONS.

     

     

    https://youtu.be/hNhvPqxLbUM

     

    So, let us not be harsh and accept that in Industry, we will get creative of every nature. Yes, ultimately, the client gets the creative they deserve. They grow and evolve with experience and expectations. Let us hold hands and see how well we can contribute.

     

    …………………………………………..

     

    OTHERS ADS IN THE CATEGORY.

     

     

     

    And then here are links to more ads.   Topline 5 Layer TanksMangalam Water Tank.

     

    ……………………………………….

     

    MORE ABOUT VECTUS.

    In one of the videos, Vectus claims to be the world’s largest manufacturer of Molded Water Tanks. In 2015, Latinia Limited, an affiliate of Creador II LLC invested Rs 100 crores (USD 16.7 million) for a minority stake. This stake as per shareholder pattern in 2018 was 21% in an otherwise privately held Vectus Industries Limited (Vectus) between Bahetie’s and Ladha’s.

    Now the brand has been in the market for the last 20 years. In fact, it has a network of 4300 dealers and distributors, 13 manufacturing plant and 5 depots across the country; thus making it one of the leading and fastest-growing water storage and Piping system company of India.

     

     

    Sanjeev Kotnala is a senior brand and marketing strategist and educator.  An IIM Ahmedabad alumnus, he has more than three decade of experience. He writes every Wednesday on MxMIndia, and sometimes on other days as well. His views here are personal.

     

  • Isobar India launches ‘Isobar Consulting’

    By A Correspondent

     

    Isobar, the digital agency from the house of Dentsu Aegis Network (DAN), has announced the launch of Isobar Consulting in India. Isobar Consulting will help brands define their digital transformation strategies.

     

    Priyanka Agrawal
    Shamsuddin Jasani
    Rahul Vengalil

    Isobar Consulting will be led by Priyanka Agrawal, Co-founder, COO and Chief Strategy Officer, Fractal Ink, as Country Head. Additionally, the agency has also appointed Rahul Vengalil as Chief Business Officer, Isobar Consulting. Both will report into Shamsuddin Jasani, Group MD, Isobar South Asia.

     

    Said Jasani: “We have been readying ourselves to launch this world-class Experience-led Transformation business for almost six months now. However, we wanted to fine tune it before launch and now, on the back of two big wins, we are launching Isobar Consulting. I feel that by drawing capabilities from two of the finest agencies within the Isobar India group – Fractal Ink and Isobar India, we can deliver a roadmap for a lot of businesses that seek this transformation. Experience-led Transformation is our key offering, and we genuinely believe that we have a substantial competitive advantage in this space. With the addition of this service, the Isobar India Group can deliver end-to-end solutions to clients – right from consulting to delivery.”