Category: ADVERTISING

  • Keeping Gen Y Happy & Motivated

     

    By Devina Sengupta & Sreeradha D Basu

     

    Two months ago, a global Coca-Cola team arrived in India for a focus group discussion with the youngest set of employees. Suggestions were jotted down with the promise that markets permitting, they would be implemented. “Asia and Africa are crucial markets, dominated by a young workforce, so these ideas will be paid heed to,” says Sameer Wadhawan, vice president, human resource, for the beverage firm in India.

     

    A third of Coca-Cola’s Indian employees are born after 1980, which makes them Gen Y or the millennial generation. Their needs include a salary that supports their lifestyle and is not based on hierarchy, and a structure that helps them avail of a utility loan from the company. Company officials also made note of the fact that that unlike the earlier generation, they liked short-term assignments and did not mind the disruption caused by frequent relocations.

     

    Like Coca-Cola, many organizations are waking up to Gen Y’s rhythm, and disturbingly, their shifting loyalties. Attrition amongst Gen Y, on average, is at 20% to 25%, according to Shiv Agrawal, MD of ABC Consultants. Policies like reverse mentoring, flexible work, career accelerators or global assignments may no longer be enough to keep the flock home, and teams across industries are constantly tweaking them. From seating arrangements to internet access, every detail is looked into.

     

    Yashwant Mahadik, HR head of Philips India, discovered that Gen Y – nearly 48% of employees in his company – did not like three-day-long training sessions, and may not believe in loyalty to the organization or the person they worked for. They believe in being loyal only to their job and their craft. “They would rather focus on delivering terrific results as compared to spending energy in managing all kinds of stakeholders,” adds Mr Mahadik.

     

    There was a deeper understanding of this generation that Mr Mahadik’s studies revealed to him. “They have not stood in long queues at railway stations and hence have not had the disappointment of not getting a train reservation of their choice after almost half-a-day’s wait. So they don’t fear shortage as much as the older generation does,” he says.

     

    He, like the rest of India Inc, is trying to do his best to keep the fast-growing group satiated. Every detail has to be taken into account. So, if 100 people need to attend a meeting, there need to be 80 working seats in addition to free seating everyday, with the assumption that at least 20% of employees will be away from work or working from home.

     

    “They want clear line of sight on their careers, are open to change as the time comes, but need to have this clarity always,” says Ashutosh Telang, executive VP and global head – HR of Marico. The FMCG firm, for the first time ever, has included a few Gen Y employees in leadership roles and is paying them close attention, to address the slightest dissatisfaction. Access to social media sites is never blocked at Marico so as to keep 63% of the workforce happy.

     

    “Gen Y looks beyond money and the commercial objectives of the company, and aspires to work with an organization that is associated with a larger purpose,” says Sripada Chandrasekhar, VP and head – HR, IBM India & South Asia. IBM has realised that this generation has a social conscience, among other things.

     

    The organization started Corporate Service Corps, which partners governments and nonprofits in emerging markets around the world. The best performing young employees are made part of this group wherein they offer expertise in technology and management consulting to address pressing problems of the community. “This initiative has proven to add value for all the three stakeholders: communities, IBM employees, especially the millennials and IBM,” says Mr Chandrasekhar.

     

    It took alarm bells for companies like PwC to realise what millennials wanted. “A decade after the first millennials entered PwC, it began to notice that the youngest generation of professionals was leaving in growing numbers after just a few years,” said the firm in a report of a study conducted along with University of Southern California and London Business School.

     

    “Perhaps even more alarmingly, a significant majority of them appeared to lack interest in the traditional professional services career path, one that required an intense work commitment early in their career in exchange for the chance to make partners later,” said the report in PwC’s largest ever generational study. Nearly a 1,000 millennial employees participated in 300 interviews and 30 focus group studies. By 2016, the group expects 80% of employees to belong to Gen Y. Among other lessons, the accounting firm learnt that millennials have a greater expectation to be supported and appreciated in return for their contributions, compared with non-millennials, who attach more importance to pay and career track record.

     

    Also, those in developed regions like North America, Europe and certain parts of the East give a greater emphasis to work-life balance. It impacts their commitment and job satisfaction more than those in other parts of the world.

     

    “It is critical that organizations acknowledge this seismic upheaval and devise new strategies and paradigms that will create a stable foundation,” stated the report.

     

    Source:The Economic Times

    Copyright © 2013, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Measurement mayhem as TAM goes weekly for some

     

    By A Correspondent

     

    Interviews by Johnson Napier

     

    If you thought that broadcasters would be on their knees to keep advertisers and media agencies happy, perish the thought. This is India in the year 2013 and relations between those who put money on media vehicles and the vehicle-owners have hit the bottom.

     

    Over recent times, there have been issues between advertisers, media agencies and broadcasters. It started with the constitution of the BARC, and moved to the Net billing issue and eventually moved to the status of the TAM-administered television audience measurement system. Along with the controversy on the measurement system has also been the issue of CPT versus CPRP being the currency for adspends.

     

    The unsubscription of TAM’s services by leading networks post an advisory of broadcaster body IBF last month was the last straw. While broadcasters had their reasons, the AAAI and ISA felt that it was harsh a decision and should’ve been settled by way of discussions, especially since there is a BARC-administered measurement system that’s just around a year away.

     

    On Thursday (July 11), after many days of the stalemate between the IBF, AAAI and the ISA and of course TAM, it was decided by the Nielsen-Kantar jv to fulfil its contractual obligations and publish monthly ratings for all those desirous of it. Although in terms of numbers, the entities are few – Star, Zee, TV18+Viacom 18, MSM, NDTV, Times TV, Sri Adhikari Brothers, BAG Films and India TV, they control a sizeable pie of ad revenues across all their channels.

     

    Noted a statement issued by a TAM spokesperson: “TAM, purely as an act of professionalism, is fulfilling and respecting its contractual duties and obligations that it is bound by, with the individual Broadcaster clients. This decision is basis individual client letter requests received by TAM from only specific few  TV Channels.  Data for all other TV Channels will be reported as earlier.”

     

    Srinivasan Swamy

    Said Srinivasan K Swamy, Chairman and Managing Director, RK Swamy BBDO:  “This move by TAM to agree to a monthly reporting for the said channels  is bowing to the pressure of these broadcasters and is a desperate reaction to the issue. Fundamental changes in a measurement system followed for years cannot be undone for a few select parties without accounting for the consensus amongst the other stakeholders , particularly the advertisers. ” Mr Swamy was critical of TAM too on the decision: “Having succumbed to such pressure tactics can lead to a further question mark on TAM’s  credibility,”

     

    According to Sam Balsara, CMD, Madison World and one the seniormost representing media agency professionals in the country, advertisers are “unwilling to take this unilateral decision of broadcasters lying down”.

     

    Sam Balsara

    Added Mr Swamy: “This is a retrograde step for a medium known to be extremely dynamic. In fact the argument can be that the move to measure TV should be available on a daily basis rather than weekly and here we are moving to a monthly. While both CPT and CPRP have their advantages and disadvantages, the bigger issue is of data stability and integrity. While the move to CPT is the way to go in the future and its advantages are known, but in absence of a new robust measurement metrics, such actions do not reflect a mature industry functioning. Where is the advertiser and the media agency in this decision?  It is time the three industry bodies ISA, IBF, AAAI arrive at a long-term solution to such fundamental issues and put a roadmap in place to prevent such knee=jerk changes in an important area of measurement.”

     

     

    Ashish Bhasin

    Echoing a similar view is Ashish Bhasin, Chairman, India and CEO, South East Asia of Aegis Media: “I think we should let it be the way it is and rather have a joint industry body like BARC or people who are qualified to handle such issues from a technical standpoint. Obviously there are some issues with TAM. We cannot take decisions on an ad hoc basis where TAM moves from weekly to monthly for some and gives out weekly data to the others. It will just add to the confusion; we need to get in experts like the BARC technical committee because they have all the constituents concerning the welfare of the industry including broadcasters and advertisers. So they will have to take a relook at the whole issue and put forth recommendations that are best for the industry.”

     

    Meanwhile, advertisers are not too amused by the decision. A senior marketing professional with a multinational said that the willingness to discuss issues shouldn’t be construed as a weakness on the part of those putting in monies. Another advertiser who we spoke to said that while decisions to advertise do not change on a week-on-week basis in the case of general entertainment channels, for some channels like news a more instant measurement mechanism is vital. “It’s my money so I want to know if I am spending it well. It’s not that I will stop spending If I don’t know how my money is being spent, Said Mr Bhasin: “According to me, these ad hoc steps are really retrograde. The world is moving to real-time data on a daily basis and to move to a monthly system is not acceptable. For all you know, clients might actually rethink their association with the medium of television and may channelize their energies on other mediums. Clients may lose confidence on the medium of television as if you release data after a long gap they won’t be able to analyse the immediate impact that will be created. If clients start reducing or pulling back the monies, we agencies and broadcasters will be on the losing end. So net-net, a joint industry body needs to look at it from a holistic standpoint and put forth their recommendations – what should happen in the short-term till BARC comes in.”

     

    The last is not heard on the television audience measurement controversy. The stakes are high and so are the bucks. For many, it also means a threat to the very existence.

     

    Please stand by for more as the drama unfolds.

     

  • Birla Sun Life pushes ‘Prepare for the uncertainties of life’ message with ‘Bhaag Milkha Bhaag’ tie-up

    By A Correspondent

     

    In keeping with the success deployment of its ‘Prepare for the uncertainties of life’ message, Birla Sun Life Insurance announced and association with the film Bhaag Milkha Bhaag.

     

    The attempt is to inspire people through a real life story of a true hero, who despite various life challenges, chose to stand up against them and prepared to fight back. Milkha Singh’s story is a perfect example of the Brand’s Philosophy of the importance of planning to fight against the uncertainties in our daily lives, says a communique.

     

    Speaking on the occasion, Jayant Dua, MD & CEO, Birla Sun Life Insurance said “Like Milkha Singh, we all have challenges in our lives and we face various uncertainties at every step in life. With this movie brand integration and other such associations, we would like to take the “life ka balla” forward and move it from only ‘cricket’ to ‘life’ context. Taking inspiration from Milkha Singh’s life story, we wanted to take this thought forward to the masses that while you can’t anticipate uncertainties, you can at least plan for them. We at Birla Sun Life Insurance salute Milkha Singh for his spirit to fight back and believe that there’s a Milkha in each one of us.”

     

    “Bhaag Milkha Bhaag depicts the story of a common man who fights against the odds and uncertainties of life and emerges as a winner. The core values of Birla Sun Life Insurance are engrained in this movie which makes this association a good fit. The target audience can easily recognize with the character of Milkha and know the importance of being prepared for future! I am sure this marriage will yield great results for both – the movie and Birla Sun Life Insurance” said Darshana Bhalla, CEO, MATES, the Madison World group company specializing in move promotions and hook-ups.

     

  • AdStrat: Verito Vibe: Sporty & Sensible

    Name of the campaign/ad: Verito Vibe: Everybody Loves Sport

     

    The Brief: The brief was to showcase the sporty styling of the Verito Vibe and also link it back to the mature, sensible virtues of the Verito

     

    Research insights: Motorists in India are growing fed up of road indiscipline, road rage and lack of tolerance towards fellow motorists, besides one-upmanship in terms of racing and not giving way to others. Responsible motoring and a sporting attitude towards others is the need of the hour. Mahindra & Mahindra wanted to tap into this insight through this ad.

     

    The thought process behind the creative: While showcasing the beauty of the car, it was also important to bring out the brand personality of the vehicle through its owner. The sporting nature of the Verito Vibe owner and his responsible road habits were captured by tackling two examples commonly seen on Indian roads – one-upmanship by refusing to give way or allow other motorists to overtake and disrespect towards traffic rules.

     

    Media vehicles chosen: TV, print, digital

     

    Key issues kept in mind while executing the ad: The attempt was to strike a right balance between the sporty styling of the Verito Vibe car, at the same time establish the personality of the brand through the owner.

     

    What is the differentiating factor about the ad? While most car ads talk about the product features and assiciated benefits, the Verito Vibe ad also carries a message – that of being a good sport on the roads and being a responsible motorist.

     

    Robby Mathew

    Agency comment: Robby Mathew, National Creative Director – Interface Communications

    “The challenge was to clad the sportiness of the Verito Vibe with a solid emotional quality. Nowadays, when outracing and outshining others is seen as a virtue, this young man who chooses to lose just so that a little boy’s dad can win, is like a breath of fresh air. It reflects his generosity and the confidence he has in himself and his machine. Importantly, the film celebrates values that are unfortunately becoming extinct in our country”.

     

     

    Vivek Nayer

    Client comment: Mr. Vivek Nayer, Chief Marketing Officer – Automotive Division, M&M Ltd. says:

    “The Verito Vibe compact sedan carries forward the DNA of the Verito – offering the best in class cabin space, excellent drive quality , great boot space, reliable performance, solid safety and excellent mileage.

     

    In addition, it  is a sportier avatar, with some first in class styling elements such as light-streaming LED tail lamps and honeycomb champagne alloy wheels – features that one would usually find in high end luxury cars.  We have thus positioned it as a sporty compact sedan.  At the same time, we wanted to bring out the heritage of Verito. The act of “being a good sport” is a younger, more playful rendition of “Grow Up to Verito” which has been the tagline of the Verito.

     

    The “Everybody Loves a Sport” campaign depicts how the young Vibe owner is a sport and is also very sensible & responsible on the road.  Thus it links Vibe with the core Verito values of being sensible & mature.”

     

    Agency credits:

    Creative Agency: Interface Communication

    Creative Team: Robby Mathew, Alan Rego, Ashok Giri

    Client Servicing Team: Joe Thaliath, Shireen Cama, Santosh Ramaswamy, Goutham Ram

    Planning Team: Vidyadhar Wabgaonkar, Rahul Gujarathi, Anuja Dani

    Films Team: Alpha Jobalia, Mazhar Khan

    Production House: Thinkpot Films

    Director: Manoj Pillai

    Producer: Murali Govindan

     

  • Anil Thakraney: Saas-Bahu soaps will never die

    By Anil Thakraney

     

    Last week, we discussed why there’s sameness in the desi soaps, why the channels and producers aren’t able to brush off household fights. I also mentioned that things may finally be looking up, what with bada Bollywood stars and directors wanting to take part in television fictional shows, to produce offbeat content. But can their stuff match up to the best of American television, will they be able to raise the bar? No way, and I will explain why.

     

    In the last one year, I have watched some truly stunning TV serials from the US. Spartacus, Homeland, House of Cards, Scandal, Prison Break, just to name a few. The budgets are lavish and therefore the quality of production is extremely high. The soaps out there don’t just match the best of Hollywood, they often surpass it. In terms of stories, direction, editing, stunts, special effects, the works. This is what makes the serials magnetic… as a viewer you don’t feel shortchanged, you know you are being rewarded for the time you spend on the serials. This is where Indian producers will take a bad hit, because they simply won’t have access to that sort of funding. So even if the story is interesting, the production quality will make you cringe. Watch Ekta Kapoor’s Jodha Akbar, for example. It’s got tacky written all over it. The sets and the costumes look comical, the acting is third rate and the serious dialogues make you laugh out loud. Am afraid the same fate awaits Anil Kapoor’s copy of 24.

     

    Monies aside, there’s another grave problem. Almost all the American serials take on the White House, and not in a flattering way. The US Prez gets routinely depicted as a conniving, cheating, diabolical, unfaithful man, and the junta loves the no-holds-barred approach. Try doing this in India, you will get into serious trouble with our insecure politicians. Also, out there, they honestly deal with the issue of terrorism; they don’t shy away from singling out the community whose young men usually take to militancy. This will be impossible in our ‘vote bank’ politics ruled nation. And once you water the content down, you have already killed the excitement. Add to that: No foul language and absolutely no steamy sex, you are taking about utterly boring fare.

     

    And so that’s why I am not very bullish on the Indian GECs. They will experiment, get poor returns, and return to family dramas with a vengeance. Yes, we are stuck with the saas and the bahu, whether we like it or not.

     

    PS: How do you promote a cafe that was once a urinal? Well, you have fun with it. And sit back and watch as your act goes viral, resulting in oodles of free publicity. Smart thinking.

    [vimeo width=”400″ height=”220″]http://vimeo.com/68843232[/vimeo]

     

    Anil Thakraney is a senior journalist and commentator. He is also Editor-at-Large, MxMIndia. The views expressed here are his own. He can be reached via Twitter at @anilthakraney

     

     

  • Pradeep Kashyap re-elected President of RMAI

    By A Correspondent

     

    Rural marketing expert Pradeep Kashyap was re-elected President of the Rural Marketing Association of India (RMAI) at its eighth annual general meeting held last week (July 12).

     

    Sanjay Kaul, head of Impact Communications, Sanjeev Shukla, Head of Rural Vertical at Hero MotoCorp Ltd and Rajkumar Jha of Ogilvy have also been re-elected as Vice President, Secretary and Treasurer respectively. Besides the above, the other committee members inducted are Seshu Kumar, head of rural retail business at ITC, Himanshu Shah, Chief Mentor of SOI Live Marketing and Vivek Dwivedi, Head – North & East at Percept Limited.

     

    The executive body has been further expanded, given the enhanced potential and opportunities in rural India. Sandip Bansal, Chief Client Officer of Dialog Factory (Group M) and Ranga Rao, Director of RSR Lemon Media Pvt Ltd, have been inducted as Joint Secretaries to spearhead RMAI’s endeavours in West & South respectively.

     

  • Debrief: Wild Stone: Nailing yummy mummies

    By Anil Thakraney

     

    Wild Stone soap continues with the promise all male toiletries brands make: Use our product, get the chicks. Must say I have always found this premise a tad amusing. Many of us men use deos and soaps just to feel fresh, there are more interesting ways to patao ladies. But the marketers don’t care about this, and so the ‘safe’ chick caravan chugs along merrily.

     

    However, in the new commercial, Wild Stone has done two rather ‘interesting’ things. One, they have used an old Hindi film song, which I think is a new one for this category. (Incidentally, filmi classics are in vogue all of a sudden, and the reason for that is paucity of good jingle writers.) Thing is, I wonder what the likes of SD Burman, Naushad and Shankar Jaikishan might feel about their songs being used to sell all sorts of dodgy products. And the worst part is, these ads destroy the original charm of the old favourites. Secondly, Wild Stone has pushed the envelope further, this time our chap wins over young moms. All along it was only babes, then our hero started attracting married women, and that the woman is married was only suggested. Now, it’s open season, every woman is fair game. I guess we’ll soon see aunties and grannies swooning over the dudes.

     

    The ad itself is stupid and poorly shot. Our man plays football with the kids. He doesn’t win the match, but his topless avatar gets the mommies’ glad eye. My worry is this nonsense might actually be working with a certain section of men, which is why it continues. So please carry on, but can you quit hitting on Hindi film classics? Let at least some things in life remain sacred.

     

    Rating: (On a scale of 1-5): 0.5 I need to get wildly stoned to appreciate this creative.

     

  • AAAI goes on offensive, says advertisers left with no option but to cancel activity on 8 broadcast groups

    By A Correspondent

     

    Arvind Sharma

    In what appears to be a clear offensive against broadcasters, the Advertising Agencies Association of India issued a statement on on the current impasse on Television Audience Measurement. Said Arvind Sharma, President of the AAAI: “For fourteen years, TAM has been the TV Audience measurement system in the country. It has been the currency on the basis of which advertising planning, buying and selling have been conducted. We all agree that this measurement system needs to evolve. That is the common goal towards which broadcasters, advertisers and advertising agencies came together to create Broadcast Audience Research Council (BARC). BARC will take 10 months or so to start generating its audience measurement data. In the meantime, however, if individual broadcasters try to force unilateral changes in the current system, as some have tried, it will result in a disorderly and hybrid measurement system. It will become impossible for advertising agencies and advertisers to plan and therefore, buy TV spots. In this scenario, it is natural for advertisers to begin to question the value of advertising in this medium at all. Cancellation of TV releases by many advertisers on eight network groups that have insisted on unilateral changes is a natural outcome of that. More clients are following”.

     

    The statement adds: AAAI believes that any change in the TV measurement system needs to be thought through and to have support from all the three industry constituents – Broadcasters, Advertisers and Advertising Agencies. “We continue to be firmly of the belief that dialogue among all constituents is essential for evolving the system. We remain open to discussions, as always. However, this does require similar openness across all constituents. We will continue to work towards a dialogue,” said Arvind Sharma.

     

  • Will the ad switch-off get broadcasters to revert to weekly ratings?

     

    By A Correspondent

     

    Logically, ads of FMCG majors who sent letters to eight broadcast group on Friday evening should’ve been off air from late last night, but given that there was a Sunday in between, the 72-hour notice given is being considered to be 72 working day hours.

     

    The advertisers have decided to take on the broadcasters head-on. “We’ve decided we don’t want to get bullied any longer,” one big spender told MxMIndia, adding that the channels need to acknowledge that until there is enough money from distribution, it’s the ads that are funding their business.

     

    While broadcasters have adopted a wait-and-watch game, privately, they admit that they are cornered this time around. Moreover, a Colgate needn’t worry about Oral B using this opportunity to over-advertise because both Colgate and P&G have sent us pull-out letters, one channel revenue head told us.

     

    However, the real losers, as industry analysts tell us, are the broadcasters because the revenue loss will be real when it actually starts. “Since most broadcasters are CEO-run or are publicly listed, the stakes are lower for CEOs,” the analyst told us. Except for Zee and Sri Adhikari Brothers, a blip is not a huge worry for MNC-owned or listed company CEOs. “It’s only when the losses mount that the international/regional headquarters will start putting the pressure.”

     

    Meanwhile, another analyst MxMIndia spoke to reasoned that broadcasters will lose out by asking for monthly data. “The monthly release is not going to be a combined number for 30-31 days. It will give you the same weekly break-up. So it’s in a sense a case of deferred live.” Advertisers and media agencies can still review the numbers and nail the channels sales team, he said. “The problem is also for the channel programming team and bosses because in the absence of weekly data, they will not be able to tweak content if ratings are going south and it’s tougher doing it after month,” said the analyst.

     

    The industry-watchers we spoke with believe that for advertisers the issue is now of their egos being hurt by the insistence of broadcasters to go monthly. The demand to refer the matter to the BARC technical committee has been shot down because there is a feeling that the switch to a monthly release of numbers will not get a two-thirds majority that may be deemed imperative for changing the ‘technical’ framework of measurement.

     

    Meanwhile, the offensive against broadcasters was raised last evening by the Advertising Agencies Association of India issuing  a statement on the current impasse on Television Audience Measurement. Said Arvind Sharma, President of the AAAI: “For fourteen years, TAM has been the TV Audience measurement system in the country. It has been the currency on the basis of which advertising planning, buying and selling have been conducted. We all agree that this measurement system needs to evolve. That is the common goal towards which broadcasters, advertisers and advertising agencies came together to create Broadcast Audience Research Council (BARC). BARC will take 10 months or so to start generating its audience measurement data. In the meantime, however, if individual broadcasters try to force unilateral changes in the current system, as some have tried, it will result in a disorderly and hybrid measurement system. It will become impossible for advertising agencies and advertisers to plan and therefore, buy TV spots. In this scenario, it is natural for advertisers to begin to question the value of advertising in this medium at all. Cancellation of TV releases by many advertisers on eight network groups that have insisted on unilateral changes is a natural outcome of that. More clients are following”.

     

    The statement added: AAAI believes that any change in the TV measurement system needs to be thought through and to have support from all the three industry constituents – Broadcasters, Advertisers and Advertising Agencies. “We continue to be firmly of the belief that dialogue among all constituents is essential for evolving the system. We remain open to discussions, as always,” said Mr Sharma.

     

    Hinting at the broadcasting fraternity’s refusal to budge, Mr Sharma said: “This does require similar openness across all constituents. We will continue to work towards a dialogue.”

     

    What all stakeholders are hoping for is the emergence of a back-channel to negotiate a settlement between the stakeholders. Watch this space for more.

     

  • ‘The Hinglish Project’ and 6 other wins add on to India’s tally on Day 4

    By A Correspondent

     

    Day 4 at the Grand Auditorium, Palais des Festivals was not as eventful for the Indian contingent as the metals failed to come in big numbers as envisaged. India managed to clinch only 7 metals, including 1 Gold, 1 Silver and 5 Bronzes in the four categories for which the winners were declared – Design, Press, Radio & Cyber. In Cyber there were no shortlists from India.

     

    The Gold was bagged in the Design Lions category which had a total of eight shortlists from India. DDB Mudra Group was the winner of the lone Gold for their work ‘The Hinglish Project’, bagged under the Consumer Services category, the work was for Ministry of Tourism under the Incredible India initiative.

     

    Ogilvy & Mather’s work for Mentos Sour Marbles saw it bag a Bronze

    The creative credits for the entry include Sonal Dabral, Chairman & Chief Creative Officer, Pratap Bose, Chief Operations Officer, Louella Rebello, ECD, Shirin Johari, Associate Creative Director – Copy & Art, Michael Remedios, Agency Producer & Warren Pereira of W Films.

     

    Incidentally, The Hinglish Project also bagged a Bronze in the Design Typography category. Reacting to the win, Louella Rebello, ECD, DDB Mudra Mumbai said: “The Hinglish Project has been a labour of love. We named it ‘The Hinglish Project’ because it is exactly that. A project that aims to demystify Hindi and make it familiar and more approachable by using a wonderful blend of the two languages. It was very well received and appreciated even before it was entered and the Cannes Lions are testimony to this. Kudos to Shirin Johari. At DDB Mudra, it’s champagne time as we bring home our Lions.”

     

    Perhaps the biggest disappointment for the Indian contingent was in the Press Lions category where it managed only four metals out of a total of 30 shortlists. The big winner was Leo Burnett as it bagged Silver for its client Bajaj Electricals. Leo Burnett bagged the award in the Home Appliances & Furnishings category; the creative team for which included KV Sridhar – CCO, Nitesh Tiwari – ECD, Vikram Pandey – CD, Vikram Pandey – Copywriter, Brijesh Parmar – Art Director, Amol Jadhav – Photographer, Sushma Singh/Adya Thakur – Account Supervisor and Beena Koshy – Advertiser’s Supervisor.

     

    The Print category also brought in three Bronzes forIndiawhich included one by Ogilvy & Mather for Mentos Sour Marbles – the team for which included Abhijit Avasthi/Rajiv Rao, CCO, Priti Arora, CD, Tushar Pal, Copywriter, Deelip Khomane, Illustrator and Typographer.

     

    O&M bagged another Bronze in Press Lions for its work around Hot Wheels

    The other bronze went to BBDO India for its ‘White Collar Hippies’ campaign – the team for which comprised Josy Paul, CCO, Rajdeepak Das, ECD, Sandeep Sawant, CD, Yohan Daver, copywriter; while the third Bronze went to Ogilvy & Mather for ‘Hotwheels’ for its client Mattel Toys – the team for which included Abhijit Avasthi/Rajiv Rao, CCO and Sukesh Kumar Nayak, ECD & Copywriter.

     

    The other Bronze was bagged in the Radio Lions category by Leo BurnettIndiafor Strand Bookstall. The team for the campaign was led by K V Sridhar, CCO, Nitesh Tiwari, ECD and Ashwiny Iyer Tiwari, CD of Leo Burnett.

     

  • Shirin Johari joins TBWA as CD

    By A Correspondent

     

    Shirin Johari

    TBWA\India has announced the appointment of Shirin Johari as Creative Director. Ms Johari will be based in Mumbai, reporting to Parixit Bhattacharya, Chief Creative Officer of the agency.

     

    Commenting on Ms Johari’s appointment, Shiv Sethuraman, Chief Executive Officer of TBWA\India Group, said, “Shirin represents the kind of multi-talented, progressive and ambitious person we are seeking to attract at TBWA. I believe our client brand portfolio and width of offer will provide an excellent canvas for Shirin to deploy her talents.”

     

    Parixit Bhattacharya

    Said Mr Bhattacharya, “Shirin’s creative pedigree and track record speak for themselves. She is unquestionably one of the best talents in the industry today. She is passionate about using her skills for good. At TBWA, we are building a team of people who are inventive, ambitious and kind. Shirin is one such individual and I can’t wait to see what she has in store for our clients.”

     

    Ms Johari began her career in 2005 with JWT, and has also worked at Ogilvy, Creativeland Asia and DDB Mudra. Over the past eight years, she has worked with clients such as HSBC, Vodafone, Emirates, Parle Agro, Frooti, Baileys, TopGear and Volkswagen. She has won over 30 national and international awards for various campaigns, the two most recent being Gold and Bronze in the Design category at the 2013 Cannes Lions International Festival of Creativity for ‘The Hinglish Project’.

     

    Shiv Sethuraman

    “One of the things that drew me to TBWA was what Parixit said about creativity with a conscience,” Ms Johari commented. “Creative work should either solve a problem, make something easier to do, change a perception, enlighten, or simply entertain. I’m really looking forward to creating work at TBWA that can serve as a catalyst for positive change in society.”

     

  • Online classifieds site OLX selects Lowe Lintas as creative agency

    By A Correspondent

     

    After some memorable advertising creative by Saatchi & Saatchi, OLX had moved its mandate to ITSA even as it was rumoured to be looking at an all-new creative agency.

     

    Now, the online classifieds site has announced the selection of Lowe Lintas & Partners to build on its brand communication and strengthen its position in the digital space.

     

    In a communique, Amarjit Singh Batra, CEO, OLX India, said, “The initial TV ads and messaging of ‘Sab Kuch Bikta Hai’ and ‘OLX pe bech de’ has witnessed positive mass appeal resulting in immense brand recall and a clear user preference for the brand. Building up from here, we want to take this notion a step further to fortify OLX’s brand equity and humanize the brand. Having weighed all the proposals and looking at the best fit, we chose Lowe Lintas for their ‘Populist’ creativity, their focus on business results and their understanding of our brand.”

     

    Commenting on the win, Amer Jaleel, National Creative Director, Lowe Lintas said: “OLX is an extremely dynamic and exciting brand. The most interesting thing is that it’s a completely new category with challenges of changing human behaviour. There will be opportunities to crack new insights, and therefore the brand would allow us to introduce absolutely fresh communication.”