Category: ADVERTISING

  • MxM Monday: Is BTL gaining acceptance as a must-have in a media plan?

     

    By Ananya Saha

     

    Is Below-the-Line (BTL) advertising gaining bigger share of clients’ advertising budgets over the last few years? How innovative has BTL become, and what are the challenges it still faces?

     

    Anwesh Bose, Senior VP, DDB Mudra Max

    BTL has gained prominence over the years and will continue to do so as advertising communication is evolving from a ATL-BTL model to a Through the Line (TTL) model. The lines have blurred between ATL & BTL giving rise to a new phenomena where a medium can take the form of ATL or BTL depending on the need of the communication. The challenge today is for the communication professionals to justify the Return on Investments on any form of media and the pitch will keep getting higher. It is time for the industry to jointly work on a multimedia optimization model that would justify investments.

     

    Narayan Devanathan, SVP, National Planning Head, Dentsu India Group

    That’s a very broad question, but going by overall trends, the answer is probably yes. The more pertinent question, how much bigger is “bigger?” Who is measuring this? How does it differ by category? What all goes into the definition of BTL? For example, with the expansion of modern trade in retail, you’ll obviously see a lot more BTL money being spent on in-store merchandising, POS and promotional campaigns. A second factor affecting expanding BTL investments will likely be the short attention spans and the myriad of choices and screens that consumers interface with today. TV, radio, web and mobile are probably vying for the consumers’ attention simultaneously at all times. But with definitive metrics, the impact of last-mile tactics and campaigns will be a key differentiator between brand success and business success. All this does factor into the fact that, yes, BTL as a share of clients’ ad budgets is seeing an upsurge.

     

    Innovations can happen on three fronts: technology, measurability and the balancing act between strategic and tactical objectives of the campaign.

     

    On the technology front, something like RFID, for example, can turn walking behind a shopping cart into inputs for a shelf-stacking strategy in-store. A combination of GPS, augmented reality and a promotional scheme can turn a mobile phone into a CRM platform. But innovations like these and others depend on the evolution of both marketers and the retail (and other parts of the brand) environment.

     

    Technology can also be the difference between best-case guesstimates and data-driven strategies that reduce wastage of marketing investments.

     

    Finally, marketers have to find ways to close the gap between strategic and tactical goals. If brand-building is a strategic goal, how do you use BTL not just be a one-off tactic or part of promotions but contribute to brand-building?

     

    All said and done, as with ATL, the point of all communications, regardless of medium, is to create stories, conversations and transactions (not always monetary) that people want to engage in. If that perspective is missed, then we will continue to see a “line” and see “below” and “above” this imaginary line that only marketers – not consumers – see.

     

    Nina Jaipuria, EVP and Business Head, Sonic and Nickelodeon India

    Nickelodeon has always believed in the virtues of experiential marketing through on-ground engagements. While TV helps in reaching out to millions of viewers, it allows for only one way-communication. On the other hand, BTL promotions despite the high cost per contact have the potential of making the engagement truly memorable for consumers. There is nothing that can replace the experience and thrill that kids feel when they meet their favourite Nicktoons Ninja Hattori, Dora, SpongeBob or Keymon in person.

     

    In addition to engaging our young viewers at schools, malls, retail chains etc, we also conduct van activities that helps us reach out to smaller towns and villages in the interiors of India. For example during the launch of Motu-Patlu, we engaged kids in over 30 towns like Lucknow, Kanpur, Allahabad, Varanasi, Agra, Mathura, etc in Uttar Pradesh and Gwalior Khandwa, Indore, Ratlam, Bhopal, Jabalpur, etc in Madhya Pradesh. We often do mall activities to celebrate days and occasions that are important to kids.

     

    At Nickelodeon, we are constantly seeking new and innovative ways of connecting with kids all through the year. In-store promotions and toon visits at retail stores further helps in strengthening our on-ground presence when it comes to merchandize

     

    Brand partnerships also play a very important role in creating unique propositions for designing innovative on-ground programmes. BTL promotions are thus an integral part of our media plan as they enable us to connect with our consumers and give them a ‘Touch. Feel. Play.’ experience. In today’s day and age, it is imperative to be present across multiple touch points and to tangibilize the brand.

     

    Uday Mohan, Executive Director – North, MPG India

    With the increasing fragmentation of the media space it is not enough to just make “contact” with the consumer, but more importantly to “connect” with him. First hand experience of the product/service offering and the customization of it allow this impact extending it to sales as also brand perception. It is here where the relevance of BTL in the overall marketing/media mix is increasingly gaining importance.

     

    BTL is now moving from its earlier perception of basic activation to being an integral part of the consideration set at the media strategy formulation stage itself. FMCG for the mass audience spends even up to 25 percent of their advertising budget, luxury would spend more. Auto, telecom, food outlets also see the merits of BTL as we see more spends and ideas. It is getting very innovative using insights and planning; 3M Scotch-Brite came up with Wash your Bill, where you had the choice of washing dishes over paying the bill, adding a fun twist to the old adage of ‘pay your bill or wash the dishes’. The activation connected with a younger audience, made them use the product, gave immediate gratification, put it up on YouTube and created word-of mouth.

     

    Lack of quality data is a major challenge that BTL faces as there are as yet no set parameters for evaluation. Another challenge is the infrastructure and operational co-ordination required from global and nationalized brands of mass appeal where delivery to target audience becomes an issue. For example even Pepsi in its ‘Open Happiness’ campaign could create the reach because of the use of digital and social, else the cost would go out of hand. BTL activation for a mass brand would require innovative use of the media mix to get the desired effect.

     

    Ambika Sharma, MD & CEO, Pulp Strategy Communications

    There is a definitive shift in perception, below-the-line is media that barrier is fading, it is new media which adds the rich creamy layer to the traditional media plan. Inclusion of BTL in a plan has increased steadily but has seen a stronger spike in the last 2-3 years. It is not in the perfect place that it could be in the consideration set but it is no longer ignored like it used to be a decade ago.

     

    BTL is now increasingly being evaluated and included when developing the mix, for the simple reason that it cannot be ignored, as it is the only media that allows people to experience the product outside of the retail format. Below-the-line activations can be great when done cleverly. The medium provides the freedom to engage with your core consumers and almost always has the potential if designed wisely to be quirky and attention-grabbing.

     

    BTL needs to be carefully considered in the planning process and not as an after thought. A well-thought-out, through-the-line campaign (or 360-degree approach), will always have more impact than one curtailed to a limited approach. This is perhaps the most positive change where in some marketers are consciously choosing BTL within their plan with specific deliverables in mind. This way the plan is tighter knit, and the ROI is richer. This change has reflected in a higher share of voice for activation in the media budget.

     

    Other factors have also contributed, one is what we call the “Ego” slice in the media plan, prominent some time back its the forced fit into the prominent / upmarket ATL mediums because “presence there was a must” at times this ate into the working budget which would have been considered for new media including activation. This is no longer the case. Activation / BTL is holding its own in media plans and gaining its due in media budgets.

     

    Samar Singh Sheikhawat, Senior Vice President - Marketing, United Breweries Ltd

    We do not call it BTL, but refer to it as activation or leveraging. I would say that activation has always been an important part in the UB Group’s marketing intervention. And today it is almost equal to our sponsorship amount. So if we are involved with an event, property or platform, and suppose Rs 50 lakhs as sponsor, we will spend an equal amount in leveraging it or BTL. I would say, it is practically 1:1 for UBL and our portfolio of brands when it comes to the ad pie division of BTL with other media.

     

    I think a lot of things are happening apart from the display being used in this medium. The kind of consumer touchpoints being used, digital and social media is becoming a big thing and is being used increasingly as activation by us. Video mapping, production technologies have improved a lot. There are new techniques we are using from overseas in terms of projections, holograms, video mapping on walls etc. the ways to reaching out to consumer is getting innovative whether it be direct mailers that we do or CRM or get-togethers. The kind of media being used in activations is seeing innovation and substance that is being used in production is getting innovative.

     

    This medium faces challenges in terms of credibility and execution capability. Anything that you do in BTL needs to be relevant to your product, your target audience and to your brands’ positioning. A large part of differentiation in BTL goes towards execution.

     

    Raghu B Viswanath, Founder & Managing Director at Vertebrand Management Consulting

    Media today is fraught with many challenges. While the overall ADEX spends has been growing at a much higher rate than GDP increasingly clients are questioning whether they are getting enough bang for buck they have spent by advertising in media.

     

    Earlier brands focused on getting more eyeballs translating to more awareness on the brand. Since the competition intensity was earlier relatively low mere awareness got translated to purchase. That is not the case today. With increasing competition and very little differentiation, it is important for brands to not just enhance the brand – building efforts on awareness creation, but to go beyond and engage their customers meaningfully. This in turn means that brands need to connect with their customers through as many touch points as possible. So, non-traditional (BTL) lends itself to this two-way communication. The rules of the game is not about seeing or hearing. It is about experiencing the brand with all the senses. Hence, touch feel and other sensorial connects with the brand, is the need of the hour.

     

    For many brands, BTL is becoming a more significant component of their marketing spends (almost equal to ATL). I believe this trend is expected to grow, as brands pursue serious efforts to engage better with their customers.

     

  • Debrief: Groupon: Craziness pays off

    By Anil Thakraney

     

    I like all the madness in the new Groupon commercials. The online portal needed such sharp clutter breakers in order to get noticed.

     

    The positioning is that Groupon offers a wide array of deals. This is not an exciting proposition, but the creative treatment gives it the much needed punch. The idea is that Groupon offers really crazy deals, and this makes the TVCs quite humorous. One ad talks about karate lessons. A granny is shown peppering a couple of thieves with killer karate chops. In another one that hawks an unlimited buffet lunch, a pot-bellied man sets off chaos inside the restaurant as his under pressure belly button (of the shirt) takes off like a bullet. And there are more such rollicking ads.

     

    [youtube width=”400″ height=”220″]http://www.youtube.com/watch?v=Y9BYxUIwMqg[/youtube]
    [youtube width=”400″ height=”220″]http://www.youtube.com/watch?v=zwfmzuR3rBQ[/youtube]
    Rating: (On a scale of 1-5): 3. Correct strategy. Fun ads.

    Good one. In the television medium that’s booming with ads, a new entrant has to create a splash immediately. Especially if the ad budgets are limited and there’s no scope for a long-term brand building idea. And once it’s decided to go with the humour route, the idea should be to go all out. More the ads get bizarre, better will be the noticeability. And Groupon ads meet that expectation. They are entertaining and will lead to quick brand recall.

     

    In fact, I would urge their ad agency to push the insanity envelope even harder. And the team should enjoy all the fun while it lasts. It’s not every day that creative people land up with such hot ‘deals’.

     

  • Carat retains BMW India media AOR

    By A Correspondent

     

    After an elaborate pitch process that saw Zenith Optimedia, Maxus, and BPN India also competing, Carat Media has retained the BMW India media account. The pitch process had four phases which included credentials, strategy and value evaluations.

     

    Speaking on the win, Kartik Iyer, the MD of CaratIndiasaid, “We are naturally delighted with the decision BMW India has taken. BMW is a very important client for us inIndia, as well as globally. We are totally committed to BMW India and are delighted that they gave us an opportunity to re-look at the way their media was being implemented. Our solutions focused on the brand challenges. We delivered a solution package that would enable BMW India to continue on its path of unchallenged leadership in the country. We do hope to work with BMW India for many more years and look forward to presenting a truly integrated solution and a team more than capable of delivering to the challenges in the future.”

     

    Christian Saffer, Marketing Director – BMW India said, “India is a very important country in BMW’s global portfolio and we wanted to ensure that we were getting the best that the market could offer in terms of media planning and buying. In line with this, we invited agencies to present their point of view on our business. After the pitch, we found Carat to be the most suitable and capable of handling our business. Carat came up with solutions focused on our business needs and went beyond traditional media planning. We have worked with Carat for a number of years now and are delighted with the way they came in with a re-energized perspective on BMW’s media approach inIndia.”

     

    Ashish Bhasin

    Ashish Bhasin, Chairman of Aegis India and CEO Aegis SE Asia said, “BMW is a client we are committed to in the region and globally. We work with them in over 22 countries and are delighted that they found our offer exciting. We look forward to a long relationship with BMW India wherein we continue to contribute positively to their rapid growth plans.”

     

    For the record, Carat – an independent media communications specialist – is part of the Aegis Media Group. Other companies in the group include Vizeum, Posterscope the global OOH sector leader, Brandscope,  Hyperspace (Retail), Carat Fresh Integrated (Activation), PSI (Airports), Doosra (Creative), Isobar, the global communications agency with digital at its heart and  iProspect – Communicate 2, the global leader in search and performance marketing.

     

  • Anil Thakraney: mxmindia to blame for cricket debacle!

    By Anil Thakraney

     

    Haha. I am sure the editor-in-chief of this portal had a minor heart attack when he read this headline. Sorry Pradyuman, couldn’t resist it! The point is: While many theories are being belted out on this subject, I am entirely convinced it is the media and marketing in India which is behind the poor show of the Indian team.

     

    Let me explain: Regular readers of this blog might remember my post in March this year, on Virat Kohli, after the young man’s excellent test cricket performance in Australia. In a nutshell, this is what I had warned about: Imagine the excitement inside corporate boardrooms as brand managers salivate at the prospect of signing multimillion dollar contracts with the lucky dude. And also inside the buzzing rooms of editors and programming heads, as they plan huge spreads for the new-found hero. Too much adulation and quick riches can easily go to Kohli’s head, he’s still very young, a 23 year old lad. We have finally found a real match winner in the cricket team, a player who doesn’t get intimidated by huge targets, and it’s in the nation’s interest that we carefully nurture this rare talent.

     

    Well, no one listened to me (as usual!), and Virat already looks like a pale shadow of himself. And indeed this is the malaise with the entire Indian team. It’s foolish blaming the IPL for all the problems because international cricketers also play that format, but it hasn’t affected their test cricket skills. It’s a clear case of loss of appetite for success. When you are already being worshipped in the media, if you are already signing lucrative endorsements deals, why would you crave to do better on the cricket ground, why would you push yourself hard?

     

    I think Indian cricket is paying a huge price for the obsession this nation has with celebrity. We don’t give people time to evolve, we don’t give them time to showcase their real talents, even minor performers quickly become stars. As an example, consider the case of starlets like Sonakshi Sinha and Parineeti Chopra. A couple of films down the line, and they are already in the glossies and in the ads. This is a recipe for disaster.

     

    It’s easy to see many careers have been damaged due to premature attention. The same thing will happen to Cheteshwar Pujara, and frankly, I see no way out of this morass. Our cricket team is destined to be inconsistent; we have to live with that. And it’s we who are to blame for this.

     

    ***

     

    PS: For fashionable women, landing up at a Page 3 party in the same dress as another guest can be a disaster. This emotion is captured very well in this Harvey Nichols ad. Sure, some women can even get murderous in this situation. Enjoy!

     

    [youtube width=”400″ height=”220″]http://www.youtube.com/watch?v=tWxK4ZqW4tw[/youtube]

     

     

  • Debrief: Hajmola: Devgn hazam nahin hua!

    By Anil Thakraney

     

    Hajmola is just another of the many, many brands that cannot do without riding on a celeb’s shoulders. Oh well, such is ad life in India! But one good thing they have done this time is to cast an unusual celeb. That at least promises to bring some novelty to the ad. Macho star Ajay Devgn (his spelling, not mine) has been signed up to do the honours.

     

    However, the manner in which they have used him is all wrong, clearly someone wasn’t thinking out here. It’s a wedding set, with all the accompanying noise and action. Yet another take-off from ‘Hum Aapke Hain Kaun’. Devgn is seen playing the harmonium (aren’t movie stars paid to dance at weddings?), and he suddenly spots a kid carrying a Hajmola bottle. Our hero chases him all over the place, and this nonsense goes on.

     

    I have two problems. One, Hajmola is a digestive, and this factor seems to have been totally downplayed in this communication. This is more like regular candy advertising, and if children overdose on Hajmola, is that such a good thing from the point of view of health? Needs to be checked out. Secondly, the brand hasn’t bothered to build on Devgn’s popular public persona of a tough guy with balls. Instead, he’s been made to play a bumbling bumpkin out here. So then why use him at all? They may as well have signed up Paresh Rawal or any of the other movie comedians, who would have come at a much lower cost.

     

    In short, the casting is poor and the treatment very boring. Even when I put myself in the shoes of the sort of people who would consume Hajmola.

     

    [youtube width=”400″ height=”220″]https://www.youtube.com/watch?v=ko4OqIRZ8W4[/youtube]

    Rating: (On a scale of 1-5): 1. Devgn wasted in a forgettable ad.

     

  • The Anchor: 5 things brands must keep in mind while opting for a logo/design change

    By Rajesh Varma

     

    Times change, people change, and outlooks change too. Things which were contemporary yesterday are passe today. Hence, to walk with changing trends, logo redesigning becomes obvious. While redesigning our logo, we should keep the following things in mind:

     

    Storytelling:

    A logo should tell a story. About the activities of the company. What they are into? The over all personality of the brand should be conveyed through its logo.  A brand could be sober, a brand could be jazzy, it could be serious or cool, and there is a long list of personality types a brand can pick from.

     

    Similarly, logo also defines business. This brand is all about educational endeavours, that one is all about creative industry, I do this and you do that. Consequently, while redesigning a logo one should script a story very prudently.

     

    Simplicity:

    A logo should be simple. A simple logo design allows for easy recognition and allows the logo to be notable.

     

    Positioning:

    A logo should establish a clear brand positioning. Like “We are Dynamic and flexible.” The logo should create a brand offer in such a manner that it occupies a distinctive place and value in the customer’s mind.

     

    Versatility:

    An effective logo should be able to work across a variety of mediums and applications. A logo should be such that it can be scaled to any size. The logo should be able to work in all formats.

     

    Uniqueness:

    A logo is an identity. It expresses individuality. Therefore, it should be unique. Like human face, it’s the face of a company. One should recognize it as a different identity from others.

     

    Rajesh Varma is Founder Director at CRI Events

     

  • Anil Thakraney: Lazy Indian print media

    By Anil Thakraney

     

    One would imagine that the print media in India is on the ball in an effort to put out fresh content. Now that the internet is very busy writing its obituary. But some recent examples indicate to me that our newspapers and news magazines are still in a state of slumber. This must change very fast if print wishes to be around for a longer time than expected.

     

    First, the magazines. I was completely disappointed by the manner in which Thackeray’s death and Kasab’s hanging was covered by the news mags. The editors might well have been aware that both the stories had already been sucked bone dry by the internet and later by television and newspapers, and they had been covered from every possible angle. What was therefore needed was some serious creativity from the magazine desk to supply red hot content to their readers. Instead, the same old stuff was regurgitated, the same people were asked to write the same opinions, even the already overused pictures were repeated. Absolutely no attempt was on display to tell us that the editors were trying to think differently. This is amazing, really. Isn’t the death of Newsweek a shrill alarm bell for these people to get their act together?

     

    And today morning as I write this post (Thursday), I can’t help but feel that the ‘glowing’ tributes in the daily newspapers to Pandit Ravi Shankar were hastily put together, only because the story had to be covered. I can even visualize the editor quickly deciding on the person in the team most likely to know a bit about music, and then ordering him/her with this: “Listen, put a huge spread together. Get some quick quotes and write the biography’. And, of course, the result was dull and boring. No new insights on the legendary man, no interesting copy… a crime when you consider that the man lived a totally happening life on both, personal and professional front. These were like huge obit ads disguised as rich tributes.

     

    Now compare the Indian work with this extremely interesting tribute to the musician in the New York Times. (See link below.) And you’ll get an idea of the lethargy that pervades our print newsrooms. Lethargy that shall one day cause the desi print media’s premature demise.

     

    http://mobile.nytimes.com/2012/12/13/arts/music/ravi-shankar-indian-sitarist-dies-at-92.xml

     

    ***

     

    PS: And as if to push the hurtful point further, here’s a fantastic letter contributed by a reader in the British Guardian. Even this little prose tells us much more about the master than all the tripe we read in our dailies. Time to wake up and smell the coffee, people.

     

     

  • Dentsu strengthens Southern India network

    By A Correspondent

     

    Dentsu Communications, a full service independent communications agency and a part of the Dentsu India Group, commences operations in Kochi.

     

    Rohit Ohri, Executive Chairman said, “Our commencement of operations in Kochi is part of our larger strategic plan of accelerated growth in India. We’re now fully equipped to offer integrated communication services to all our clients in the Southern India. Arijit Ray, CEO Dentsu Communications, Suresh Mohan Kumar, National Planning Head and Ashwin Prathiban, Regional ECD (South) will drive this new initiative. I’m confident that under their leadership, we shall see a new spurt of growth in this region.”

     

     

    Commenting on the expansion and the South market, Arijit Ray, CEO Dentsu Communications said, “We are extremely upbeat about our operations in the South. The Bangalore operation is our largest and most integrated with 3 pillar clients. Toyota, Nissin and TVS. With a clear focus on building the Bangalore operation into a hub of excellence to cater to all markets in the South, the capability and talent building process is bearing fruit. With a fully integrated, Creative, Events, Media and PR Team, that has conceived and executed the Etios Motor Racing programme, the team is set to leverage integrated opportunities on current and potential clients. What is heartening is that we have been able to build our strategic integrated capabilities around our clients brand and business mandates.”

     

    Adding further, Mr Ray said, “We see a lot of potential in Kochi. We have a great team that understands the local nuances to start our journey in Kerala. Saji Jayakumar our Kochi head and his team will surely do everything to make it a stellar operation.”

     

    Ashwin Parthiban, Regional Executive Creative Director, Dentsu Communications said, “Dentsu’s Kochi presence offers exciting creative possibilities, and an interesting opportunity to work on a mix of both local and national brands that are based in Kerala. There is a refreshing appetite for path-breaking creative ideas among clients here, and benchmarks are set very high. But most importantly, Keralites have a rich story-telling culture, not to mention a very evolved appreciation of film, and this mix provides delightful creative inspiration.”

     

    Suresh Mohan Kumar, National Planning Head, Dentsu Communications said, “Kochi office underlines Dentsu’s emphasis on and commitment to southern markets. Our key differentiator would be our ability to conceive and deliver totally integrated communication solutions. Bangalore will continue to be the planning and creative hub but we will tap into our teams’ local expertise to provide our clients with solutions that make a difference in the market place.”

     

  • AdStrat: Chandrika Face Wash is the new beauty tonic

    Dharmesh Shah, Creative Director, Draftfcb Ulka

     

    Name of the Campaign/Ad: Chandrika Face Wash – Miss India’s Beauty Tonic

     

    The Brief: To communicate about the new range of face wash launched by Wipro Consumer Care and Lighting Ltd. under Chandrika. Also to leverage the ayurvedic heritage of the brand. The new facewash range is also aimed at expanding the company’s geographic footprint and at the same time appeal to the younger consumers.

     

    Research insights: Chandrika as a brand has earned credibility because of its ayurvedic heritage. It is a trusted brand and is especially popular in Kerala.

     

    The thought process behind the creative: Dharmesh Shah, Creative Director, Draftfcb Ulka, said, “The idea was to clearly communicate one simple thing – one does not need to have a tedious regimen to enjoy the benefits of Ayurveda. We cracked a nice story involving an actual beauty queen to add credibility and the aspirational value”.

     

    Media vehicles chosen: TVC led

     

    Key issues kept in mind while executing the ad: While one might think that its cumbersome to use natural products, the TVC in a simplistic way explains how the beauty tonic is easily available in a packaged face wash. It brings out the easy mother-daughter relationship and also shows the friendly banter of friends which many can identify with.

     

    The TV commercial created by Draft FCB + Ulka shows a friend asking Vanyahow she manages to look even more beautiful every time she meets her. Vanya explains that the secret is in the ingredients that her mother puts together to create a special beauty tonic. The film goes on to reveal that the tonic is actually Chandrika Face Wash.

     

    What is the differentiating factor about the ad? The brand has roped in Vanya Mishra, the reigning Pantaloons Miss India World, as its brand ambassador. Probably that could be a differentiating aspect. However, it is a tried and tested route on which many ayurvedic products are used- USP being the easy to use aspect which goes against the popular perception of such age old ingredients that’s used as a beauty tonic.

     

    Client comment: Anil Chugh, Sr. Vice President, Wipro Consumer Care and Lighting Ltd,said, “The new Chandrika Face Wash has been designed to meet the needs of the young consumer. Every young girl aspires to be as beautiful as a Miss India and is often looking for solutions that are natural and effective. With an ayurvedic recipe and a heritage like Chandrika, we are best positioned to fill in this gap where she not only gets a face wash that cleanses effectively but is also a tonic that enhances her skin with every wash”.

     

  • Anil Thakraney: Media campaign on gun control

    By Anil Thakraney

     

    Before I come to the point, I have to say I was appalled by the images of some US TV anchors interviewing kids who’d survived the gun massacre. This is completely not on. These bachchas had just been emotionally scarred for life, and they ought to have been left alone with their parents. This tells you even in the developed world there’s huge scope for improvement in the media. Had such a thing happened in India, we would have skewered our anchors/reporters.

     

    Anyway, onto the topic for today: Gun control in the US. I won’t go into the political details on this issue, everyone knows the story inside out. It’s very clear that the US netas won’t allow gun control in their nation because of populist reasons, and therefore shootings of the innocent will simply go on. Very sadly, it’s become a bi-monthly feature these days. (By the way, the Islamic terrorists must be laughing their guts out… their ‘hard work’ is being dutifully done by a few deranged US citizens.).

     

    Now, one appreciable thing our TV stations do now and then is to launch public interest campaigns for justice or for social/legal change. These campaigns are often urban-centric in nature (remember Justice For Jessica Lal?), and they are usually effective, or at least some of them are. This gave me an idea: Why don’t TV channels in the US come together and launch a high-decibel, sustained campaign against the open retail of guns in the marketplace? They are well aware the political parties won’t take any action on their own, therefore why not use the power of the media to make this happen? In any case the American public is divided on this burning issue, and therefore interference from the media becomes vital.

     

    And frankly speaking, I see no other way out of this bloody mess. Because left under the rotting carpet, these dirty rats will now and then kill innocent people. And all that the US Presidents will do is weep on national television, spew out a little sympathy, and then maintain status quo. We have a lot to learn from the firang media, but this is one leaf they should borrow from our chapter.

     

    ***

     

    PS: Here’s a list of tech ads of 2012 that went viral. Samsung scores the highest points, and that’s bad news for Apple. Anyway, do watch these. Will give you a good idea of the sort of videos that get most watched on the internet.

    Link: http://www.huffingtonpost.com/2012/12/07/most-viral-tech-ads-2012_n_2258613.html?ncid=edlinkusaolp00000003#slide=1854942

     

  • Stop Not launches new campaign

    By A Correspondent

     

    Perfetti Van Melle India (PVMI), the market leader in sugar confectionery well-known for its clutter-breaking advertising is launching a fresh campaign for its latest offering in the snacks category Stop Not Disks. The new television commercial is woven around the product”s attribute of being super crunchy that in turn leads to humorous incidents. The commercial is slated to go on-air from the December 17 across all major channels.

     

    Commenting on the new campaign, Ramesh Jayaraman, MD, Perfetti Van Melle India, said, “The core idea of the new Stop Not campaign is derived from the brand”s attribute of being crunchy. The “Crunch” is so loud that it disrupts events all around with unexpected results. The TVC is high on enjoyment and humor, and we are sure it will catch on with the youth.”

     

    The campaign will be launched in two executions, portraying different situations and will carry the same message “Ekdum Bajedar”. The first situation features a family spending a lazy Sunday afternoon together at a park. The story changes track when a boy in the same park bites into his Stop Not Disks and the loud crunch distracts the father, who misses catching his son as he jumps off a tree. The second situation is a diving contest where the diver, who has a chance to win gold, completely misses his dive due to the loud crunch of Stop Not Disks.

     

    Credits:

    Client: Perfetti Van Melle India Pvt. Ltd.

    Agency: Meridian Communication Pvt. Ltd

    Creative team: Anurag Khandelwal, Satish Desa

    Account management team: Kevin Jacob, Sumera Dewan, Mohit Ahuja, Samrat Bedi

    Production house: Tubelight Films

    Director: Prashant Issar

     

  • Debrief: Tata Docomo: Incomplete stories. Complete ads

    By Anil Thakraney

     

    I like Tata Docomo’s ‘incomplete stories’ idea. It has the potential to be a long-term campaign, with possibilities of riveting creative work. There are a number of commercials on air, each one offering a particular solution. If there’s one little grouse I have, it’s that the ads aren’t consistently good, they need to correct this.

     

    The latest one features a man applying lipstick in front of a mirror. This very unusual situation naturally captivates the attention. Is he gay? Has he lost his marbles? Is he pushing the envelope on metro-sexuality? As questions arise in the mind, we discover he’s a clown getting decked up for his next act. Good one. And the good thing is you won’t get bored even on repeat exposure. This idea also gives Tata Docomo ads a unique character in a highly cluttered mobile phone segment.

     

    But the ad I enjoy most is the one for Tata Docomo’s Unlimited 3G Data. This one features an obviously depraved man leching at a girl inside the elevator. The girl, of course, looks pretty unnerved, and when the lift conks out, she panics. But we later discover the lech is actually a frightened chicken, as he desperately tries to bash the elevator door open. I have watched this ad plenty of times, and it never ceases to be funny. However, please allow me to be a little bitchy here, am in that sort of a mood. Methinks the lecherous dude discovers the babe is a transvestite, haha! Okay, okay, dear feminists, please take it easy, am only kidding!

     

    Jokes apart, it’s a good campaign. Lambi race wali.

     

    [youtube width=”400″ height=”220″]http://www.youtube.com/watch?v=8QAfnUH1g1Y[/youtube]

    Rating: (On a scale of 1-5): 3. Very campaignable idea. Needs consistency.