The Cannes Lions is said to be a celebration of creativity, but back home in India it led to much heartburn on Tuesday. Even after the dispute between Jindal Steel and Wieden + Kennedy was settled over the ‘Steel of India’ ad after a Delhi High Court intervention, Earlyman’s Films entry at Cannes Lions for the ‘Jindal Steel- The Steel of India’ film has led to a fresh dispute. Santosh ‘Paddy’ Padhi, W+K Chief Creative Officer and the prime force behind the agency, declined to comment on the issue, even as he rued the state of affairs.
Earlyman bagged a Silver and a Bronze on Day 2 of the 2024 Cannes Lions. Which is good news. except that the credit for the idea/creator hasn’t gone to W+K. This is what Ayazppa KM, Earlyman Films co-founder has told The Economic Times: “We tried to push the boundaries of the way montage is viewed in India with experimental imagery and sound. We would like to commend Venkatesh Jindal, Kondurkar Studio and every member of the team for wholeheartedly supporting and sharing our vision.”
It may be noted that Kyoorius Creative Awards had rejected the entry given the dispute on the credits. Said an industry senior who is familiar with the awarding process: “The entry couldn’t have gone to Cannes without the approval of Jindal Steel. Assuming that has been done, and due credit hasn’t been given to W+K, there is good reason for W+K to cry foul on this. These are the Cannes Lions after all, and the awards are meant to celebrate ideas and creativity.”
Another industry person who is familiar with the development said that W+K must alert the Advertising Agencies Association of India and the Indian Society of Advertisers on it being the authorised apex bod of all ad agencies and advertisers respectively. “It is impossible for Cannes Lions or for that matter any awards body located elsewhere in the world to keep track of disputes on credits. It’s hence key that AAAI and ISA step in to clear the mess.”