Tag: What’s On India

  • Bigg Boss, Wanted top Whats-On-India rankings in Week 50

    By A Correspondent

     

    With the delay in the release of the TAM Media Research ratings, we look at how Whats-On-India rankings look like for Week 50 (December 9-15)

     

     

    TV Trends has been built using specialist and proprietary algorithms that collate, analyse and compute millions of observations across multiple platform. It provides cues and powerful insights on the potential consumption and intention-to-view of content by Indian TV viewers. The sources from where observations are aggregated include What’s On India platforms like: Web, Mobile portal, Apps (Android, iPhone, iPad, Blackberry, Windows Mobile, Nokia Ovi), EPG-on-the-Cloud (MobileTV and IPTV).

     

    The report gives the Top 5 Programmess of the Week for the following genres: English Movies, Hindi Movies, English TV Shows, Hindi TV Shows, Regional TV Shows, Regional Movies, Sports and Kids, Documentaries, Lifestyle & Food.

     

  • Bigg Boss 6, Jannat 2 top Whats-on-India trends

    By A Correspondent

     

    With just a week to go before the weekly ratings coming from the offices of TAM Media Research start, we look at how Whats-On-India rankings look like for Week 49 (December 2-8).

     

     

    TV Trends has been built using specialist and proprietary algorithms that collate, analyse and compute millions of observations across multiple platform. It provides cues and powerful insights on the potential consumption and intention-to-view of content by Indian TV viewers. The sources from where observations are aggregated include What’s On India platforms like: Web, Mobile portal, Apps (Android, iPhone, iPad, Blackberry, Windows Mobile, Nokia Ovi), EPG-on-the-Cloud (MobileTV and IPTV).

     

    The report gives the Top 5 Programmess of the Week for the following genres: English Movies, Hindi Movies, English TV Shows, Hindi TV Shows, Regional TV Shows, Regional Movies, Sports and Kids, Documentaries, Lifestyle & Food.

     

  • Airtel’s Sugato Banerji joins What’s-on-India as COO

    By A Correspondent

     

    Sugato Banerji

    What’s-on-India, TV Search & EPG (Electronic Program Guide) technology company, has announced the appointment of Sugato Banerji as its Chief Operating Officer. Mr Banerji has called it a day as CMO at Airtel DTH & Media to join Intel-Sequoia-Nexus funded TV start-up What’s-on-India.

     

    At What’s-on-India, Mr Banerji will lead the company’s growth strategy in the TV Search, EPG and Recommendations space and consolidate key partner and client relationships. Under him, What’s-On will also look at expanding into newer International markets just as the company set up, What’s-On-Arabia, in the Middle East in 2012.

     

    Sugato Banerji’s move from a large corporate set-up to the new, racy, disruptive world of start-ups comes in as What’s-On-India rapidly expands into International markets as well as launches new solutions in the Domestic TV sector, in the wake of the ongoing Government efforts to digitize cable.

     

    Atul Phadnis, CEO & founder, What’s-on-India, said, “What’s-On-India is at an exciting crossroads of TV Search and new TV devices in an increasingly digitalizing television sector. Sugato brings in tremendous experience in the TV and Media business that would be extremely valuable as What’s-On-India charts a new, growth and expansion agenda in the coming months.”

     

    “I am excited to join What’s-On-India at the cusp of a transformation of the TV industry into digital. Digital TV would mean more programs, more channels, increase in regional and local content, greater diversity of set-top-boxes, recorder devices, increased viewing of TV on wireless devices, leading to anexplosion in the demand for sophisticated TV Search, Recommendations and Personalization. What’s-On-India with its suite of new products is perfectly poised to ride this digital wave, from both ends- the broadcaster & distributor. I am looking forward to lead the market expansion operations in this direction”, said Mr Banerji.

     

    Recently, What’s-On-India received its first Series B funding round with Intel, Nexus VP and Sequoia Capital in September 2011, followed by the acquisition of TV Street Maps, a TV Channel Distribution Monitoring company, in December 2011.

     

    The company also launched a series of TV Search and Preview apps on Android, iPad, iPhones, Windows Mobile and other platforms. The most recent announcement was that of an expansion in the Middle East via an acquisition in Jordan.

     

  • Bigg Boss, Bol Bachchan top Whats-on-India trends

    By A Correspondent

     

    There are less than two weeks to go before the weekly ratings coming from the offices of TAM Media Research. Until then we need to look at alternative methods of judging the popularity of programming. Here’s how top content looks in Week 48 (November 25 to December 1).

     

     

    TV Trends has been built using specialist and proprietary algorithms that collate, analyze and compute millions of observations across multiple platform. It provides cues and powerful insights on the potential consumption and intention-to-view of content by Indian TV viewers.  The sources from where observations are aggregated include What’s On India platforms like:  Web, Mobile portal, Apps (Android, iPhone, iPad, Blackberry, Windows Mobile, Nokia Ovi), EPG-on-the-Cloud (MobileTV and IPTV).

     

    The report gives the Top 5 Programmess of the Week for the following genres:  English Movies, Hindi Movies, English TV Shows, Hindi TV Shows, Regional TV Shows, Regional Movies, Sports and Kids, Documentaries, Lifestyle & Food.

     

  • What’s-On-India acquires Middle East co, sets up What’s-On-Arabia in Dubai & Jordan

    By A Correspondent

     

    Leading television search and EPG company What’s-On-India has expanded its operations into the Middle East under the name ‘What’s-On-Arabia’. The Middle East TV industry has seen a firm and rapid movement into digitization, paving the way for increase in channels and content as well as proliferation of digital TV technologies. “These factors are ideal catalysts for a very specialist TVSearch offering that What’s-On-India can bring in given its expertise in this arena”, said Ajit Joshi, CFO of the company.

     

    What’s-On-India has now set up a What’s-On-Arabia office in Amman, Jordan by acquiring a local EPG company and is in the process of setting another in Dubai. With four large Middle East contracts spanning across nine countries already under its belt, What’s-On-Arabia has started in right earnest.

     

    Spearheading the effort Mr Joshi said, “We are proud to announce the setting up of our Middle Eastern arm – What’s-On-Arabia in Jordan. We have appointed Ms Hiba Dajani as our Country Manager and she is aided by a very able, committed and growing team that promises to dramatically alter and enhance the TV Search and EPG experience for millions of viewers in that region.”

     

    Through this expansion, What’s-On-India now offers EPGs for India, Sri Lanka and the Middle East for more than a thousand TV channels making it one of the largest TV Search companies in this part of the world. The localization of TV Search is also undergoing an expansion with a multi-lingual offering of English as the base language but translated EPGs for Hindi, Arabic, Tamil, Telugu and Marathi!

    What’s-On-India Media Private Limited, founded by Mr Atul Phadnis and owned by Intel, Sequoia Capital and Nexus VP,  is Asia’s Premier TV Search and EPG Company. The company’s Technology vertical powers EPG Metadata content from 1000+ TV channels for set-top boxes and devices across cable, DTH, IPTV, MobileTV, Smart TVs and tablets.

     

  • Atul Phadnis: Industry must not duck core issues on measurement

    By Atul Phadnis

     

    Atul Phadnis

    All of us have read the astonishing news of a lawsuit in recent days in a New York court making allegations on the efficacy, integrity of TV Ratings in India. A lot of us in the TV Broadcast industry have perhaps turned to our nearest industry colleague the moment we heard this news and blurted – “See! I told you that something like this was going to happen one day!!”

     

    Unfortunately, for the entire TV industry this is bad timing when already nerves are frayed with the Cable Digitalization issue! I would consider this development as a time to reflect on how we, the TV sector, have got into this position and how all of us collectively have been responsible for the mess with TV measurement.

     

    Lets look at the key questions that need answers urgently before more damage is done that could potentially destabilize ad revenue structures within the industry.

     

    The Burgeoning Issues with TV Ratings

    There is no doubt that there have been problems associated with the way TV Ratings have been measured in recent years. Some of the methodology related issues have also played their part in getting things down to this latest litigation :-

     

    1. For instance, take the issue on the validity of some of the parameters used to select sample homes. More than a decade ago, a panel quota system called Primary Control Variables was introduced with 5 main factors to select panel homes. Some of the parameters have remained unchanged in spite of their doubtful use in recent times.

    2. One such question that needs to be asked in this regard – do we still have Colour versus Black & White TV sets – as one of the factors? If yes, is this factor relevant at all today? And by sampling on irrelevant factors what sort of panel would be constructed? If this is not a factor any more then what’s replaced this? Has industry approved (or is aware of) a new sampling methodology?

    3. Do we still sample homes on the basis of Terrestrial versus Satellite? Should the Satellite sampling not be modified to sampling within these homes by Cable/ DTH players-wise market-shares? Not having this correction means dreadful, crazy results for certain channel genres. Again ignorance is bliss for the industry at large with this question not being asked.

    4. Why should the 600th or the 650th channel be reported for minute-by-minute ratings by market and by target group? Are we not playing with fire with samples for that 600th channel down to 1 or 2 or 5 people within the panel! In fact, this sort of low samples thresholds could also make any research system extremely fragile and vulnerable for interference by external forces.

    5. A continuation to the earlier point is that why should India not follow the practice from other mature markets wherein channels falling below a sample threshold are not reported for certain analysis types. So you may get weekly Channel Reach but not minute-by-minute viewership sliced by markets and target audiences.

     

    So the question that begs answers is – how can we continue the panel home selection and reporting on criteria, parameters and rules that are a decade old? These need to be contemporized with todays realities. And with industry support and consensus.

     

    INDUSTRY APATHY

    Incidentally, at this stage I must ask you, the reader, to mourn for a minute, the sad, silent demise of the Joint-Industry-Body. The JIB that had taken birth in the early nineties to guide TV measurement initiatives in our industry passed away a couple of years ago. His daughter – the Industry Technical Committee, who oversaw critical issues such as panel home selection methodology, technology selection decisions also had an untimely death. They both died waiting for its members to come to their rescue.

     

     

    BARC – The Puzzling Enigma

    A lot of folks will recall enthusiastic announcements several moons ago about the creation of BARC – a joint initiative by three industry associations. The promise was to create a new TV Ratings system with the circulation of RFPs, finally leading to a Tendering and Commissioning process. The puzzling part that was unaddressed or unclear in the BARC strategy was what happens to the here-&-now even as the new system comes about. Read on…

     

    1. For instance, why could industry not take control of the way TV Ratings are being done today? One Option would be for the top 5 Media Agencies and TV networks to pool their current TV Ratings deals to pursue a unified conversation with the data supplier.

    2. Why should industry as a first step not address the ‘here-&-now’ issues and ask for weekly panel KPIs from the incumbent measurement company? Panel health indicators, number of suspect samples and observations, past complaints and their explanations – could easily be taken up in a structured manner. Why should everything rest on the ‘utopian’, ideal system that might take another 1 or 2 or 3 years to come by?

    3. What will it take for some of the allegations and accusations being made routinely in private quarters to be audited by an independent, neutral organization? Why cannot BARC be the redressal body to sort issues relating to TV measurement? After all it has the support (and mandate) from IBF, ISA and AAAI. If an effective redressal system existed would any player have gone to court in the first place?

     

    Agency Media Buyers : faith beyond belief!

    That the average media buyer considers TV Ratings outputs as the gospel truth is well known. Imagine this guy (or gal) who is perhaps sitting in the agency at 10pm churning data for the 633rd ranked channel. The analysis is minute-by-minute viewership for Jharkhand, SEC AB, 15-24 years and is being done since the Buying Head has a meeting with that Channel’s team the next morning.

     

    At that precise moment what should have happened is Helicopter Gunships should have descended on the rooftops of that agency, Black-Cat commandos should have whooshed in through the AC ducts and screamed at that buyer “STOP! You cannot look at min-by-min trends for a microscopic market-audience for the 633rd ranked channel!”. But none of these stunts will happen. The Buying Head will receive the analysis in time for the meeting and will happily use that data to negotiate ad rates, oblivious to ludicrously low sample sizes! Sad, but true.

     

    Conclusion

    My last word on this is that – as an industry if we continue ducking the main, fundamental issues in this space we will keep having disturbances that hit at the revenue stability and predictability that measurement brings in. It’s finally our choice – yours and mine!

     

    Atul Phadnis is CEO, Whats-On-India. He has been associated with all aspects of the measurement process – as a media planner, employee of TAM, a broadcaster and now a technocrat

     

  • Fourtifying media & brands with research

     

    By Meghna Sharma

     

    In today’s world where there are plenty of brands for consumers to choose from, an in-depth knowledge about the target audience is as much as a necessity as breathing for any brand to become successful. Research now plays an increasingly important role in a brand’s lifeline.

     

    Entertainment industry today is growing at a fast pace and with number of options available to the TG, the brands need to know what will make the TG choose them over others.

     

    Ormax Media, a media & entertainment research and consulting firm, entered the industry four years ago (July 28, 2008) with a motto of helping brands understand and retain not only their target groups, but also help them grow in their respective fields.

     

    Clients Speak
    Raj Nayak, CEO, Colors

    Raj Nayak

    Ormax Media has opted for a very focused media research approach, which was a definite need gap for the industry, especially TV. Ormax has managed to capitalise on this opportunity with their innovative and robust tools specifically designed to cater to these needs. At Colors we have always had a research-oriented approach towards content development. In that context, we have been working with Ormax Media since the very beginning (interestingly both Colors and Ormax Media came into existence around the same time!).

     

    It has been a fruitful association so far, and I would believe this to be true for both the parties. While working on some really interesting projects together, there has been a lot of learning that has enabled us to know our viewers even better. An effective promo creative measurement tool, which builds in the crazy timelines of the creative getting ready and it hitting on-air, is something which I feel is still a need gap at this point of time. Keeping in line with their record for building research tools which have catered to the needs of the industry, this is one area where we see tremendous potential for Ormax.

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    Chandramohan Puppala, business head, Saam TV

    Earlier, most of the companies used to rely on gut feelings or follow TAM to get an idea about what their audience wants. However, one couldn’t predict the change in trends or know their TG’s mindsets. It was a big challenge for channels, especially regional channels, to know their viewers. It was an even bigger challenge for regional channels, where Hindi was also the majority language. For instance, in Maharashtra, Hindi is also spoken by people. Also, in smaller markets, no matter how the sampling is done, choices differ from region to region. Hence, when research entered the entertainment industry, it helped channels to have a direct connect with the audience and guided them on how they can change their course to gain the most.

     

    Ormax Media adapts very quickly to what the clients’ want and provide a customized research which enhances their role among their TG.

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    Ashit Kukian, COO and president, Radio City

    Ashit Kukian

    For any industry today, research is an important element. However, it is important for an organization to be very clear about what they want as an end result. The brief we gave to Ormax and their own learnings have made it a win-win situation for both. The inputs we get from research are visible in the results. So, as the industry gets more mature, there is going to be a robust growth in the field of research as well.

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    Jai Lala, principal partner, Mindshare

    Jai Lala

    Since there is no syndicated data available, there can be a lot of fangs to it, especially in the television industry. Take sports broadcasting for instance, there are a lot of ground partners, so it is a complicated process. Hence, research helps us to understand the market and how to maximize from an event. Last year, for IPL we had done a joint research with Ormax Media and it was quite fruitful for us.

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    Atul Phadnis, founder and CEO, What’s On India

    Atul Phadnis

    Ormax Media is spearheaded by people like Shailesh Kapoor who have practical knowledge about channels. So, it gives the organization an uncanny ability to know what the key questions are which need to be answered. This helps them to not only know what a channel wants, but also how the research must be conducted. Also, the organization offers customized and structural services which have helped the industry grow.

     

    As the firm celebrates its four years of existence, MxMIndia spoke to the founders to get an insight on how research has evolved over the years and how the journey has been for Ormax Media so far…

     

    Vispy Doctor

    “Till a few years ago, the phrase ‘consumer knowledge’, which is our prime derivable, wasn’t a common phenomenon. When we went to media clients in the entertainment space, for many of them research was a new thought.  So, we had to explain how it could help them create better products which will help them grow,” recalled Vispy Doctor, founder and managing director, Ormax Media.

     

    Over four years, Ormax Media has worked with 76 leading media and entertainment brands as business partners. In the first year, it focused on television, and GECs in particular. In the second year, the focus was expanded to other television genres as well as radio. In the third year, Bollywood became the priority. And now, at the end of the fourth year, the organization is set to offer unique and relevant offerings.

     

    Shailesh Kapoor

    Elaborating on Ormax’s four years, Shailesh Kapoor, CEO said: “The first four years of Ormax Media have been very eventful and successful. We have received great support from the media & entertainment industry, especially in our endeavour to create unique research products and approach entertainment research in ways that are unconventional and challenging, but also result oriented.”

     

    Growth matters

    The entertainment industry has its pros and cons and one of the biggest ‘cons’ of the industry is that it comes with a fairly low success rate – as low as 15 per cent. Therefore, the organization hopes to help the industry increase its success rate, even if by a small percentage.

     

    “Since we have been able to explain it to our clients, they have appreciated and accepted the concept of research. Hence, our growth has been fairly steep, and I can say that we are growing at a fairly high rate of 75-80 per cent, as we add more and more partners in our kitty,” said Mr Doctor.

     

    According to Mr Kapoor, the television industry has its cyclical changes, but is in a fairly stable state, vis-a-vis what it would have been 5-6 years ago. However, he does add that the definition of “stable” in television is very different from that in packaged goods and other sectors.

     

    As for the film industry, it is in an evolution stage, much like what the TV industry was in the late 90s and early 2000s. And one can see exciting times ahead for Bollywood, especially in research, where it has seen growing acceptance year-on-year.

     

    As far as Radio is concerned, it hinges a lot on the Phase 3 licenses. “Media & entertainment is a growing business, and research will continue to become more and more important as the market matures. We are all set for the challenges ahead,” Mr Kapoor added.

     

    Procedure: Easy or difficult?

    The organization offers a number of research products for various sectors of the entertainment industry. The list includes broadcast television networks, radio networks, film studios, newspapers, media agencies, DTH service providers, digital entertainment companies and production houses.

     

    So, when asked how difficult or easy the research procedure is for each variant, Mr Kapoor explained: “The larger GECs are the easier ones, as they are far more professional and they understand the value of research. Whereas in the more touchy-feely areas like films and creative companies, it becomes a little difficult as it is more about sentiments. However, it is difficult to rate them as it might be easier to work for a GEC, it might be more interesting for a film.”

     

    He added: “As a good service company, it becomes our job to orient ourselves to the client’s needs, but without compromising on the research rigor and correctness. That’s the balance that may be easy or tough. But it’s a part of our job.”

     

    A correct sample size plays is essential for any research to become successful and come out with results which will benefit the researcher. So how does the organization choose its sample?

     

    “For every client, the TG might different so we have to be careful about what attributes are they looking for in a sample size. For example, for a serial, it might be cultural overtones. So, how that serial is perceived in a city like Mumbai will be very different from how it is perceived in a small town like Indore. And if we are able to find this difference and collate preferences, it will help the channels,” explained Mr Doctor.

     

    Expansion plans

    The organization’s focus is to consolidate through new clients and repeat business. It now has 21 products for various sectors and plans to entirely focus on these products and getting them to become bigger and better in their own right. Also, it plans to target media agencies and advertisers through products like Celebritix, which was launched on July 25.

     

    “I’m often told that whichever channel you go to, Ormax gets mentioned in conversations consistently. We have a young team which made this happen. Four years ago, I would have bargained for much lesser. But again, this is only the start, and we know that we can achieve a lot more than what we have so far…” said Mr Kapoor.