Tag: VOOT

  • Viacom18 and Nodwin bring digital gaming festival ‘DreamHack’ to Asia

    By A Correspondent

     

    E-sports pioneer Nodwin Gaming and Viacom18 have come together to bring leading gaming festival Dreamhack to India. The Dream Hack India event will take place from 21-23 December 2018, at NESCO, Mumbai.

     

    Sudhanshu Vats

    Speaking about the network’s endeavours into e-sports, Sudhanshu Vats, Group CEO and Managing Director Designate, Viacom18 said: “Viacom18 has never been one to shy away from experimenting with new concepts, ideas and formats. Given the strong affinity youth audiences have with our content, brands and experiences, we think this is the right time for us to dip our toes in the fast-paced, thrilling world of e-sports. The world is changing fast and lines are blurring between different content genres. Given the abundance of data that has been unleashed by Jio, it is only natural for the fandom around e-sports to grow by leaps and bounds in India. As the country’s youngest full-play media organisation, we want to stay ahead of the curve and tap into tomorrow’s big passion points today. Our association with DreamHack is a step in this direction.”

     

    Dream Hack is a digital festival where gamers and digital natives come together for a three-day weekend which features a 24-hour-a-day Local Area Network (LAN) party, e-sports gaming competitions; Bring Your Own Computer (BYOC). The festival will be jam-packed with players/gamers who will be invited for a gaming championship in pro e-sports tournaments, collegiate matches, world famous LAN party, cosplay championship, panels, activities, expos, music concert, art and more. Till date, DreamHack has organised multiple events in the North America and European regions.

     

    Akshat Rathee,

    On bringing Dream Hack to India, Akshat Rathee, Founder and CEO, Nodwin Gaming said: “Dream Hack has always been the epitome of the celebration of gaming and esports globally and we are delighted to partner with Dreamhack on their Indian journey. India with its dynamic youth and famed hospitality is a great beachhead into bringing the Dreamhack experience to Asia. NODWIN Gaming has been working hard on providing the best for our community of gamers across the country. This places the love for gaming right at the centre of our ecosystem. Partnering with Viacom18 brings the synergy full circle. Their reach to the youth of our country is unparalleled and we look forward to the convergence”

     

     

  • Bigg Boss 12: Hits, Misses, Blips

     

    By Sanjeev Kotnala

     

    The much-awaited Bigg Boss12 is now on and facing the audience test. Colors has always been high on experimentation with concepts, props and tasks. The host Salman Khan on the opening night did what he does best, enhancing audience engagement, involvement and entertainment. I hope that Bigg Boss12 is going to be a lot more entertaining.

     

    THE EXTENDED FRANCHISE OF BIGG BOSS

    Bigg Boss post its inaugural night on November 3, 2006 has come a long way. The franchise now extends to Kannada, Bengali, Tamil, Telugu, Marathi and Malayalam. I see the show as classic glasshouse experimentation in human behaviour and endurance.

    It’s a magic pot with unpredictability in its core. It is like an extended amoebic family that keeps changing its definition and membership. Members that throw an open challenge on the face and keep scheming behind your back. The contestants are completely devoted to achieving of their ultimate objective. A will-do-anything for avoiding nomination or getting the captainship that comes with immunity and powers.  The constant chatter and natural bitching, fight. There is an irreversible irrevocable omnipresent loop of fight-makeup-friendship-offence-defence-fight. There are minor variations and lot more that going in the mind of loyal viewers. Romance and dictatorial democracy. Moreover, tasks are testing the contestant’s mental and physical capabilities.

     

    HIT

    The channel has acceded to the unified audience demand of early telecast timing. The 9pm slot is going to add to audience interest and resultant viewership. However, the channel may be forced to drop some real spicy incidents and beep some words.  For watching the uncut you have Voot.

    Humans gyrate towards like minded others. In the pressure cooker called the Bigg Boss house, Jodi and at times even Tikri (threesome) has been on display in earlier seasons. So, Jodi or ‘Vichitra Jodi’ as the channel brands it, is a natural extension.

     

    MISS

    One noticeable miss was the representation of LGBT representative among the contestants after the Section 377 being decriminalised.  Calling them Vichitra Jodi would have been so politically incorrect. Not sure how it could have been handled.

     

    BLIP

    The not-so-humorous treatment doled out to Anup Jalota and Jasleen was not in good taste. It’s also okay for people to say that once you sign for Bigg Boss, you are a mere contestant and should be expecting this treatment.

    It’s okay for the contestant to raise the issue inside the house, which they have already done. However, the Bigg Boss stage with Salman Khan should have remained neutral to the vichitrata of the age gap.

    The other miss was the omnipresent never smiling Jallad. He is a brand in himself with a fan following. Hope we see him during the first weekend in his new avatar.

     

    THE RELEVANT QUESTIONS.

    Who will join Rahul Roy, Ashutosh Kaushik, Vindu Dara Singh, Shweta Tiwari, Juhi Parmar, Urvashi Dholakia, Gauahar Khan, Prince Narula, Manveer Gujjar and Shilpa Shinde as the next BiggBoss Winner?

    Will Bigg Boss 12 break the earlier season records in popularity? The stage is all set. The spread of the contestant is bubbling with energy and ideas. The contestants are smart and determined with their strong views and idiosyncrasies. A bit more of celebrity content would have always helped. I believe this season is going to be a lot more entertaining and will gain from the 9pm slot.

     

    THE EARLY PREDICTION.

    Many may wish for him to win, but I don’t see S Sreesanth ever surviving long. Urvashi Vani will have not much to play but a lot to play for in the show. The Fake Vs. Real people drama started on Day One will have many more takers and episodes in time to come.

     

    I would be surprised if Shivashish – Saurabh, Roshmi – Mital, Sabha – Somi and Anup Jalota – Jasleen, Karanveer Bohra or Srishty Rode were to win. Jodies will not find it easy in the show, as expected by the public and the contestants themselves; Biggboss will play them against each other. However, Romil Choudhary – Nirmal Singh and Surbhi – Kirti seem to be two strong Jodies in the show.

     

    Deepak Thakur, Dipika Kakar and Neha Pendse could be that surprise package. However, I have the right to change my mind at any phase of the show. Yeah to abhi trailer hai, picture abhi bahut baki hai mere dost.

     

    THE COMMITMENT AND DREAM.

    Out of some 1039 hours of the original telecast of the Hindi version, I would have watched at least 1000 hours, that’s like 41 days of viewing. The most extended version has been Season 8 of 133 days with 29 contestants.

    As of Season 11, approximately 185 contestants have been part of Bigg Boss spending more than 24 hours in the house, excluding the star guests.

    I have been to the audition in Season 9 and regret not making it to the final. I blame it on my uninspiring, noncontroversial, unexciting and harmless life story. However, dreams do not die early. Anup Jalota has made it to the show with Jasleen, and so there is still hope for me. Give me at least 72 hours to test myself in that environment.

    Till then I will manage with my yearly pilgrimage to the sets of Bigg Boss at Lonavala.

     

    MISSED THE SHOW. GET ON VOOT.

    Last night, I thought I could catch the show on Voot as my flight from Nagpur was at 2155 hrs. However, Voot does not carry live. When I checked it at 2340 Hrs on the way to home from the airport, I realised episodes are not loaded immediately after the telecast. Maybe this is something channel need to check for.

     

    Sanjeev Kotnala is a senior marketing and strategy consultant and trainer. He writes on MxMIndia every week. The views here are personal.

     

     

  • Viacom18 ups ante on Voot

    Sudhanshu Vats, MD, Viacom18, Ajit Andhare, COO, Viacom18 Motion Pictures, Ravish Kumar, Head- Regional Entertainment, Viacom18, Akash Banerji, Head- Marketing & Partnerships, Viacom18 Digital Ventures and Monika Shergill, Head- Content, Viacom18 Digital Ventures along with the cast and creators of the upcoming 18 Voot Originals

     

     

    By A Correspondent

    Viacom18 wasn’t among the first of the entertainment conglomerates to hop on to the OTT bandwagon. Star was around as was Zee and Sony, though Zee has relaunched its offering ats Zee5 recently.

    Also, a lot has changed since Voot launched first in 2016. Netflix and Amazon Prime are on an overdrive and suddently all attention is on Originals. Sacred Games has change the rules of the game, and there’s clearly a new energy in the thinktank of all entertainemtn companies with an OTT play.

    On Thursday, Viacom18’s Voot showcased the first bundle of its upcoming Originals – 18 multi-lingual premium web series cutting across genres. Leveraging its prowess of out-of-the-box cinema, Viacom18 Motion Pictures, the network’s movie studio, will now be producing web series for Voot, under the banner of Tipping Point Films. Furthermore, the regional broadcast cluster of Viacom18 will be producing multi-lingual Originals. Meanwhile, Voot will also add news to its increasingly varied content offering, starting with a partnership with – you guessed it right – Network18. Also, Voot is ramping up its content and product play as it sets sight to take the platform international, beginning with the United Kingdom, in November 2018.

    Said Sudhanshu Vats, Managing Director, Viacom18: “Voot is integral to our strategy as we gear up for a future-ready Viacom18 that is screen, platform and pipe agnostic. We are building a digital-first brand to harness Viacom18’s strengths across its brands, creative franchises and businesses in multiple Indian languages. Furthermore, the inherent synergies with Reliance Jio, both as a platform for showcasing content and as a carrier of our service, have only dialled up the business roadmap for Voot.”

    Added Monika  Shergill, Head – Content, Viacom18 Digital Ventures: “The digital medium brings us close to the consumer at a very personal level. Owing to the last mile measureablity that the medium provides, our entire content strategy is based on a deep data backed analysis of the needs and desires of our consumers and their consumption preferences and patterns. Thus our play across a diverse bouquet of genres and languages. At an execution level, we have been extremely lucky to be partnering with a galaxy of very talented and committed actors, writers and directors to bring forth our second bundle of VOOT Originals, starting with 18 multi-genre and multi-lingual series.”

     

  • Vice first documentary to premiere on Voot

    By A Correspondent

     

    ‘Kya Bolta Bantai’, a documentary on the gully rap scenario in India produced by Vice India is now streaming on Voot.

     

    Speaking about the partnership, Chanpreet Arora, CEO, Vice India, said: “It is our endeavour as a full-scale media company to be omnipresent,establish strategic partnerships to take what we create to an environment where the relevant viewers are already consuming rich content. Kya Bolta Bantai is an attempt to create content that is relatable to the youth of the country in a unique format of storytelling that is true to the pulse of not only Mumbai, but our country at large.”

     

    Speaking about the content, Monika Shergill, Head – Content, Viacom18 Media said: “It is great to partner with Vice India in bringing such inspiring stories to our audiences. At Voot, our focus is on providing an immersive experience for our viewers through content that is inclusive and stimulating. Kya Bolta Bantai is sure to resonate with our users through its great story telling.”

     

     

  • Gaurav Gandhi quits Voot, to head Amazon Prime Video

    By A Correspondent

     

    After 8 years of working with Viacom18 in various roles, Gaurav Gandhi, Chief Operating Officer, Viacom18 Digital Ventures, has decided to move on. Although no replacement has been announced for Gandhi’s role thus far, according to the grapevine, the hunt is on to find a suitable person to head the division.

     

    Commenting on the development, Sudhanshu Vats, Group CEO, Viacom18 said: “Gaurav has contributed significantly to Viacom18’s growth journey. He has led an extremely capable team to make VOOT a brand that is loved by its consumers. Gaurav has been a passionate and driven colleague whose counsel I have always valued. On behalf of all of us at Viacom18, I would like to thank Gaurav for his contribution and wish him the very best for his future endeavours.”

     

    Meanwhile, it is rumoured that Gandhi is all set to join as head of Amazon Prime Video.

     

     

  • Voot wins IBC2017 Innovation Award for content distribution

    By A Correspondent

     

    Viacom18’s video-on demand streaming service Voot has bagged the ‘International Broadcasting Convention 2017 (IBC2017) Innovation Award for Content Distribution’ for its Progressive Web App (PWA) product- VOOT Lite. VOOT was the only online video service that was shortlisted for the awards, along with other leading organisations, amongst 190-plus entries from around the world.

     

    Voot launched a Progressive Web App (PWA) product and that includes offline page caching functionality, fast loading, responsive interface and push notifications. Voot, notes a communique, was an early adopter of this technology which led to a huge jump in users and video watch time on its mobile web.

     

    Gaurav Gandhi

    Speaking about the awards, Gaurav Gandhi, COO, Viacom18 Digital Ventures said: “To win the IBC2017 Innovation Award for Content Distribution is a huge honour for us at Voot. In the Video steaming business, both Content & Technology play an equally important role. While Viacom18 is well known for pioneering efforts & leadership in the content business, it is indeed great to have our company feature on the global technology leaderboard as well. In this business particularly, partnerships & alliances are key to achieving big milestones and we would like to thank the team at Google for providing us support in our PWA”

     

     

  • Voot curates media campaign for kids

    By A Correspondent

     

    Viacom18’s Video-On-Demand OTT service Voot has rolled a campaign for its kids content segment – Voot Kids.

     

    Commenting on continued focus on understanding kids and their needs, Akash Banerjee, Head – Marketing & Partnerships, Viacom18 Digital Ventures, said:“Kids live in a universe of their own – their toys, favourite toons, games/activities with their friends, their possessions, etc. make up a large part of the world they relate to. The concept of #NoMoreAtakoing is fundamentally rooted in the compulsions of nuclear families and the resulting situations where kids find themselves in dull and un-relatable situations – here is where Voot Kids swoops in to save the day and makes them smile. We’ve delivered this message through an anthem and several relatable situations. Our endeavour at VOOT Kids is to ensure that fun, entertainment and development continues uninterrupted for kids through engaging characters and immersive storytelling. The campaign is set to make Voot Kids’ every child’s best friend, always & forever.”

     

    Speaking about the creative process and relevance behind the campaign, Ayyappan Raj, EVP-Mullen Lintas said:“Voot is one of the leading brands in the Digital Video space and we are very proud to be associated with it. The brief for this particular campaign for Voot Kids was based on a simple but powerful insight of ‘kids being stuck in an adult world’ and we really enjoyed coming up with this creative solve for this message. We made the entire product pitch as a charming appeal from the kids to the adults. That’s what “No more Atakoing, Latakoing” is all about, a jolly anthem of kids being stuck in different situations and Voot Kids coming to rescue. “

     

    Added Garima Khandelwal, ECD, Mullen Lintas:“Kids being lost in their own creative & wonderful world is anyday more fun than them trapped in ours, was the starting point of this brand film from Voot Kids. We used a simple mnemonic of a rotating chair to tie together all the normal and everyday places for adults, but boring places for kids to be in. We are confident of the campaign cutting through very effectively to both parents and the kids.”

     

  • Voot partners Google to launch VoD progressive web app

    By A Correspondent

     

    Voot, Viacom18’s ad-supported video-on-demand OTT service, has turned its mobile website into a Progressive Web App (PWA) using features such as ‘add to home-screen’and a service worker. PWA allows reliable, fast, and engaging experience for users on mobile web, notes a communique.

     

    Commented Gaurav Gandhi, COO, Viacom18 Digital Ventures: “In this business both content and technology have equal equity in realizing the potential of our Consumer Proposition. While content is our domain expertise, to push the envelope in terms of technology, we continuously work with partners from around the world. We are delighted to work closely with Google to launch VOOT on the PWA platform. This launch significantly enhances the experience for all VOOT users on mobile browsers and we believe this is a big step where users can have an equally rich experience of our service without downloading the app.”

     

    “We have moved the needle very significantly when it comes to user experience on the Mobile Web by adopting PWA,” said Rajneel Kumar, Head, Product and Technology, Viacom18 Digital Ventures, adding: “All the time and effort we’ve spent on technology and UI changes as well as optimisations seem to be showing very positive results. We are going to continue to refine this further and we are confident that we will continue to see significant consumer lift.”

     

    “We are delighted with the Voot implementation of a Progressive Web App. PWAs are well suited for India, where the mobile web allows publishers to reach a large audience across a highly diverse set of devices and bandwidth.  The early numbers on performance are very encouraging, and demonstrate the potential of mobile web media distribution” said John Pallett, Product Manager at Google.

     

  • Elephant awarded for design work on Britannia Breads & Voot

    By A Correspondent

     

    Design major Elephant has won the A’ Design Awards for Britannia Breads and also visual identity for Viacom18’s Voot.

     

    Hosted out of Italy, A’ Design Awards & Competition receives more than 18,000 entries across 110 categories from 180 nationalities. Each category sees seven tiers of awards in multiple numbers.

     

    Britannia Breads was awarded A’ Silver Award in Packaging Design category for outstanding concept & design. Platinum & Gold winners include Cloudy Tea from China, 7-Up Summer Series USA & Pepsi Emoji bottles, USA. The Voot visual identity was awarded A’ Bronze Award in Graphics & Visual Communication category for outstanding concept & design. Platinum & Gold winners include Shanghai Fashion Week, Singapore Art Museum & Nissan GT.

     

    The awards presentation will take place at Lake Como, Italy on June 9.

     

  • Voot draws up campaign for kids

    By A Correspondent

     

    Voot, Viacom18’s OTT platform, is set to roll out a high decibel marketing campaign for its Voot Kids service. With 1750 hours of content, 7000+ videos and 100+ characters, Voot Kids has curated a larg digital repository of premium kids content, since the OTT platform’s launch four months ago.

     

    Commenting on the importance of kids content and the need to market specifically to them, Gaurav Gandhi, COO, Viacom18 Digital Ventures, said, “Right at launch, we built the largest repository of premium kids content in the digital space in India.. At 15% share of the overall traffic, Voot Kids is a significant contributor to VOOT’s growth.  We feel that this segment is only set to grow, both in size and influence, and we want to be the default digital platform of choice for kids entertainment. Our endeavour is to build a parent-approved kids-favourite brand, and we will continue to develop exciting campaigns and dial up engagement with this community even further.”

     

    The campaign captures how kids from across India have taken to the new way of life and turned ‘goody goody’ in their ultimate quest to earn Voot time. Today’s kids know what they want and they’re smart enough to get it effortlessly. Parents are aware of this and are willing to reward a good behaviour. The campaign captures this dynamic between parents and kids very effectively, and delivers this insightful message through lucid storytelling and a catchy musical anthem that will really grab the attention of kid and parents alike.

     

  • VOOT aims to make you wanting for more

    By A Correspondent

     

    Did you ever want to watch a particular episode of your favourite TV show suddenly in the middle of a work? Or have you ever been restless to catch the final episode of the series you are addicted to? Well, we all have through these sudden impatient urge to catch our favourite shows on the go or at weird hours. This is exactly what the new marketing campaign of Viacom 18’s digital VOD (video on demand) service VOOT captures.

     

    The campaign- ‘VOOT wanting wanting’- has been launched with purpose of making VOOT the go to destination for quality entertainment content consumption through over the top (OTT) services. The focus will, for now, be on the top six markets of Delhi, Mumbai, Bengaluru, Kolkata and Hyderabad. With over 17,000 hours of programming (across languages and genres) including television shows, movies, cartoons and some original VOOT creations, this service promises viewers   content that is addictive in nature. Thus, the campaign,gives emphasis to the fact that when one is addicted, they need to get that thing as soon as possible and as often as they can. Any roadblocks on their path make them restless.

     

    “Our core idea of creating an exclusive destination and maximising watch time is reflected in this campaign. We believe this business at heart is a content business. All our efforts have been to create the VOOT experience- both in terms of content and product offering- that will leave our viewers addicted and therefore keep coming back for more anytime and anywhere. And that is the singular message that you will see in all our communication- You are most happy when you VOOT, but being away from VOOT will leave you restless and wanting wanting for more” said, Gaurav Gandhi, COO, Viacom 18 Digital Ventures about the brand campaign. Akash Baneji, Head of Marketing and Partnerships, Viacom 18 Digital Ventures, speaking about the idea behind the campaign, said,“India is at the cusp of exciting times. A whole aspiring generation of digitally equipped Indians is charged up by the everyday possibilities around them. VOOT believes we can be their happy entertainment stop. But our brand of happiness is unique. For people who spend hours on mobile it is the urge, restlessness and the excitement to connect instantly with great stories. That was precisely the context and the overriding principle that led to the creation of these creative.”

     

    The campaign comprises three TVCs with different protagonists in each of the films- a woman, a kid and a young boy – thereby highlighting the appeal of content available on VOOT catering to multiple TGs (Target Groups). The TVCs highlight VOOT’s key proposition of having content so addictive that once you start watching, you just can’t stop (Ek bar watching toh non-stop wanting).

     

    “Some few things we kept in mind when we got the brief are the content is so good, there are both long and short format content and the quality of content is so good that you cannot stay away from it. That is the premise we operated with. It is entertainment that you can consume anywhere anytime. That was something we expanded on, which is for us, what happens when you are with some exciting entertaining programme and people and things come in the way” said Ayyappan Raj, Executive Vice President, MullenLintas, one of the key brains behind the campaign.

     

    This campaign will be promoted within all Viacom 18 channels as well as channels outside their network.

     

  • Viewers, viewership & then monetisation: Sudhanshu Vats

     

    Last week, Viacom18 launched its OTT platform Voot with much fanfare. MxMIndia caught up with Group CEO Sudhanshu Vats on the launch of the platform, the content strategy and whether the group intends getting into sports. Excerpts from the interview…

     

    So Voot took a long time coming?

    I have been answering this for everyone. There are two ways of looking at it. One, you could argue that we’ve taken little longer, but I think in digital, it’s important to get it right. The digital ecosystem is evolving rapidly. The number of new consumers on mobile, digital, video eco-system this year will double compared to last year. So I think we are fresh for them. Two, it’s about getting a product and content right. For digital, you have to keep refreshing technology every year. Tech upgrades which are needed for digital products are almost at a frequency of a year so it’s like a new product for everyone.

     

    So would you say that there’s a first-mover disadvantage for those who came in early?

    No, I would say that I think the point is if you’ve got your product and content differentiated, you are as good as first-mover here.

     

    There’s a lot of talk about OTT, including the FICCI-KPMG report. On how it’s going to boom in a big way. For Viacom18, this kind-of completes the picture, right?

    Yes, yes. I think it’s good that we have got a product now which sort of stitches all our content for the viewer in a very digital experience. Another differentiation is we haven’t gone TV to digital. Yes, we’ve got a lot of original hours of content of television which will be on this product but we’ve done a digital product and I think that’s a fundamental difference from bringing your TV starting with a brand name, starting with the discoverability. I don’t know whether you notice small small things. Each of our programmes have a 40-60-word description, each of the episode within that tells you what is happening, that’s a very digital product… that’s the way the digital piece goes.

     

    A lot of work has gone into the existing piece also. But tell me, what’s going to happen is from now onwards the existing websites of the various channesl that you have, whether it’s the Colors or MTV websites, some of which are exceedingly popular will now obviously merge into Voot, right?

    No, I think what will happen is our product websites, for all our channel websites and brand websites will remain because they’re very important marketing tools, they will remain but videos, the moment you want to watch and you will also have an option to start playing the video from there. But, supposing you go onto Colors and you want to watch Naagin, what it will do is it will bring you to Voot and will play Naagin for you… But our websites and our social interaction tools, our Facebook pages, all that will remain.

     

    You mentioned about all the programming across channels that you have will be on Voot. Does this mean that some of your older shows which aren’t on air right now will also be there?

    Yes. So we do about 10,000 hours of programming every year from Viacom 18. To answer your question, most of our stuff will be there but we’ve picked and chosen things. We’ve not put everything which was there in the past. For instance, if someone wants to see Balika Vadhu from the beginning will that option be there? The answer is yes.

     

    Specifically, will Comedy night with Kapil be there?

    Obviously it will be there.

     

    He has left and joined another channel…

    But it is our content so it will definitely be there and it will find a pride of place under comedy.  We are proud of that work, and it is on Voot.

     

    Coming back to Viacom 18, what else now…? You don’t have sports as part of your bouquet, you’ve just about got back the movie channel which had been exited some years back. What about sports and any other white spaces that you would like to fill up?

    There are white spaces for us to plug and I think movies was one of them which we recently done. Theoretically, there are English movies as well as some regional genres which are white spaces for us. Our focus on youths and kids is a little higher compared to anyone else in the business. In the brands, you’ve got dedicated brands. We’ve got enough white places to plug before we start thinking of sports.

     

    Is it because the kind of money you need to invest over there is…?

    No, it’s a combination of everything. There are 3 things with this: it’s very high investments, longer gestations and a business model which is not fully proven in the Indian context because subscription is not there so that is perhaps resisting us. The second piece which I was saying however which is that we’ve also got so many new other things to do which are clearer and which have got much better, and which have got better returns are attractive propositions which we would drive.

     

    One of your joint venture partners is Network 18 and it is going to come up with a huge telecom offering… do we synergies of Voot with that?

    There will be lot of synergy. We are continuously working with Jio and there are synergies at all levels.

     

    Will there be some exclusive content availed only to Jio subscribers?

    We are looking at all options. With the amount of content we have, there are things which we will be able to do, which are in this area. To give you an example, and this is my favourite example which I keep giving. So, if you look at Big Boss, a Big Brother, we’ve got 70 cameras in the Big Boss house. These 70 cameras are actually shooting for 24 hours. Let’s assume for the moment that for 12 hours people are sleeping and there is hardly any recording. Even if you look at 12 hours, that means 12 hours x 70 cameras which is 840 hours and what you show on the TV is sanitised 40 minutes of that. Therefore, our ability to do content around content and exclusive in this is pretty high. So whether we do it as Voot exclusives or for our partner exclusives, I think those things we will continue to explore and we will drive those synergies as we go forward.

     

    In the last two years, from the time you took charge, there has been much activity. You’ve had the regional and the English channels, the movie channel, now Voot. What’s coming next?

    We are actively looking at a lot of spaces and we will continue to grow. We will continue to grow our broadcast TV channel space, we will hopefully grow our digital space which we have just done. We will be growing our ancillary space both on consumer products and this.

     

    One last question… From what we have seen over here, obviously investments have been huge on Voot. Would it be right to say that it’s possibly your biggest investment after Colors?

    It is a substantial investment in terms of our greenfield investments If you look at Viacom 18, there have been three significant investments. There was an investment when Viacom 18 was formed and the investment in Colors was big.Then there has been an investment basically through acquisition of the ETV piece which was also substantial And the third… basically this is also going to be a slightly longer term high investment. I think we need to stay invested here because digital as I keep saying, digital models, across every industry are going to be different models and they are not conventional revenue models of business we grew up with or we were taught. The focus has to first be on viewership, users, usage and monetisation so in our case it will be viewers, viewership and then monetisation and there it will take some time.