Tag: Vijay Subramaniam

  • Kwan realigns management team

    By A Correspondent

     

    L-R- Vijay Subhramaniam, Founding Partner and Co-CEO , Indranil Das Blah, Founding Partner and Co-CEO, Anirban Das Blah, Founder and Dhruv Chitgopekar, Founding Partner

    In a major management reshuffle, Kwan Entertainment has announced the appointment of its founding partners Indranil Das Blah and Vijay Subramaniam as its Co-CEOs. In the new role, the duo will manage the day-to-day operations and the agency business at Kwan. The move is aimed at leveraging their combined extensive experience in the fields of entertainment, media, sports, and music to drive the company to the next level of its growth.

     

    The latest development will also see Blah take on a more evolved strategic role, in which he will guide the firm’s long-term vision, strategy, and growth as its promoter. The move will additionally give Anirban, a prominent name in the entertainment and media landscape, the opportunity to diversify his professional interests to other business ventures such as Mojostar (cofounded with Jiggy George) as an investor, promoter, and mentor.

     

    Other members of the KWAN senior leadership team will continue in their current roles. Co-founder Madhu Mantena will continue to drive the evolution of Kwan into a diversified media and entertainment company, along with Anirban. Founding partner Dhruv Chitgopekar continues to spearhead its brand and consumer incubation initiatives.

     

    Speaking on the management rejig,Blah said: “Having helmed Kwan for almost a decade now, I feel the time is right for me to hand over the reins of its day-to-day operations to Indranil and Vijay. They’re both extremely talented individuals who’ve been associated with Kwan from Day One, and have proved their business management acumen time and again by driving exponential growth for their respective verticals. With them spearheading Kwan’s business operations as Co-CEOs, I have no doubt that the firm will continue to grow at a rapid pace, evolving and expanding in sync with the rapidly-changing entertainment and media ecosystem of the country.”

     

    Added Subramaniam: “For me, the Kwan journey has been nothing short of a dream fulfilled. I feel honoured and privileged to be able to continue the good work that we have achieved as a team over the years. I am confident that, with Anirban guiding the company’s strategic vision, Indranil and I will add more milestones to Kwan’s ongoing success story by leading the company into the next phase of its growth.”

     

     

  • Amazon Prime Video ventures into reality shows in India

     

     

    Amazon Prime Video India has announced the creation of multiple reality shows for India, a first for a digital streaming service. The lineup comes to life with three new reality shows – Jestination Unknown, The Remix and Comic Kaun featuring stars such as Vir Das, Anu Menon, Amit Trivedi, Sunidhi Chauhan and Nucleya; and comedians Tanmay Bhat, Sumukhi Suresh and Abish Mathew.

     

    Said James Farrell, Head of Content, Prime Video, Asia Pacific: “Reality shows are now more popular than ever, across a variety of genres. Customers globally have told us how much they enjoy reality shows, like the Japanese Prime Video fan favorite, The Bachelor Japan. With the launch of multiple new Original reality shows, we’re aiming to offer our Indian customers a variety of quality new reality content to enjoy.”

     

    Added Vijay Subramaniam, Director, Content, Amazon Prime Video India, said: “We’re always looking for new ways to engage with our customers. We know Indians enjoy reality TV, so we are creating new originals with the best new concepts and local Indian talent. We’re excited to add more variety to our service, and continue to reinvent the way Indian customers watch TV.”

     

  • In the family way…

     

    Pardon our cheeky headline, but a channel like Disney doesn’t give you the liberty to do this ever. For, starting tomorrow (January 31), Disney Channel takes the family route. Kicking off its new credo will be five new live-action shows over weekends with a brand promise of ‘Shanivaar, Ravivaar only for Parivaar’. They are Kabhi Aise Geet Gaya Karo, Maan Na Maan Main Tera Mehmaan, Goldie Ahuja Matric Pass, Lage Raho Chachu and Zindagi Khattee Meethi featuring television veterans like Renuka Shahane, Mahesh Thakur, Sudhir Pandey, and Maninee Mishra. On the eve of the the change, Vijay Subramaniam, VP-Content and Communications, Media Networks, Disney India spoke with MxMIndia

     

    From a kids-centric channel to now a family one. Given your long association with the channel, how do you and the team feel about the transition?

    It feels amazing because it’s the journey we pretty much imagined for the channel and the brand in this country. We are a kids-centric family inclusive brand and our brand of entertainment will always be that. We are a young brand. When we came into the country, the first protocol was to connect with the kids which I think we’ve done consistently and successfully for a while. While doing that, we’ve also enjoyed a great deal of parental approval and participation. Now, we find we’re in a great place to complement our offering with the opportunity to entertain the entire family together. What we’re doing is adding one more offering or layer to our content offering.

     

    The kids’ domain was also getting a little cluttered.

    No, I’d say there’s always a marketplace for differentiated high quality programming. I don’t entirely believe there’s enough segmentation yet. The real journey for us is that the brand entertains kids and families together everywhere. That’s the uniqueness of the brand and there was a point in time where we too wanted to take the time to invite families to come and sit on the couch together and be entertained by the Disney channel.

     

    While the flagship Disney Channel turns ‘family’, your other kiddie properties continue

    Absolutely! I said it’s a compliment. It’s adding an existing layer to our entertainment offering. It’s stuff that kids will also enjoy. It’s made for the entire family. These are shows and stories that are not just uplifting and positive but are very entertaining.

     

    You had a re-run of Shararat on Disney for a very long time

    That’s right. Those were the early days of experimentation on what kind of stories work and how do audiences respond. More recently, we started putting shows like, The Suite Life of Karan & Kabir and Best of Luck Nikki. We even piloted a DisneyQ in the Family Mastermind format. These are progressive steps we’re looking to take to add to our existing offering and bring families into our entertainment foray.

     

    What are your targets in terms of ‘Made for Family’ content? What’s it going to increase a year from now?

    In terms of number of hours, right now there are three hours and we’ve not really set an outer goal yet. It is a significant step that we’ve taken and our entire focus is on being able to do this and set out the high quality content we’ve set out to deliver. I think our focus is really going to be on those two areas.

     

    The family content also pits you against the existing Hindi GECs which in a different league altogether. Are you going to match that in terms of presence, scale and emotions?

    Our aim is and remains to entertain kids and families together on the weekend using differentiated stories and storytelling. It is organic. We believe, over time, our popularity, through the stories and the shows, will increase and grow. We’re very clear and independent in our view of how our journey is going to be for us. We believe the opportunity is there for great stories which families gravitate towards. If you were to draw a parallel, you can look at the movie industry. There are blockbusters and there are standout films – both equally successful. I think that analogy would apply to us as well.

     

    Surely you would’ve done a fair bit of research on this, but, in a market where kids are drawn increasingly towards detective shows like CID or funnies like Comedy Nights with Kapil, do you see enough of a pull for clean entertainment?

    Absolutely. I completely agree with you in terms of what they are watching but, equally, there is an opportunity that they would be, if given, delighted to watch not just them but their parents and their grandparents. That opportunity is what we are tapping into.

     

    From where you are right now, any targets in terms of how you would fair in terms of the ratings roster?

    Unfortunately I can’t share our targets with you. We continue leading the marketplace and we will hopefully continue doing that. We want to now start tracking strongly in the family measurement scores and I know in India you don’t have co-viewing as a measure, so if you were to interpret family as the 25 plus audiences, we want to start tracking pretty strongly there as well. That would be the first measure, really.

     

    Were there any worries that you would alienate your core viewer: children on weekends?

    No, again going back to Best of Luck and The Suite Life of Karan & Kabir. Those steps gave us enough insight into how you can actually entertain kids with live action content. Because it is the stuff that they watch. If anything, we were energised by the fact that we will be able to entertain kids and families together with a new dimension which is live action which otherwise isn’t coming from the genre. Secondly, it’s the unique storytelling style that we’ve chosen that we pride ourselves in. At the heart of everything we do, we are kid-centric and family inclusive. All our stories have to pass on that filter.

     

    Are you looking at films in the near or distant future? The Disney family in the U.S. have a fairly large film component.

    That’s right. The DCOMs (Disney Channel Original Movies), you mean. They’re not on the anvil right now. Our entire focus is to deliver consistently high quality wholesome family entertainment that, with finite fiction is what we’ve started with and moved down the path of…

     

    How has it been in terms of advertisers?

    The response has been very encouraging. The fact is that it’s two-fold. Firstly, we do have a legacy with our partners. Our journey has been progressive and it’s been for them too. We have a large roster of partners that are already engaged with us, both as a network and as a Disney Channel. This has only expanded their horizons because this allows them to target other segments which currently they didn’t have an access to from a Disney standpoint. Secondly, the response to the uniqueness of our stories and the fact that it’s wholesome and fun and uplifting and really the dil ko choo jaaye part of it has been tremendous. A lot of brands have seen the qualitative values besides the quantitative ones to want to be a part of this journey.

     

    I’m sure you’d have done your research. But, at one level, it’s good to talk about the fact that you want to be associated with the good things. But it’s another when it comes to ratings and alike.

    Absolutely! I do believe that, ultimately, high quality, differentiated stories with values stand out. They will stand out and they will succeed on both parameters. That’s our belief. It is a journey, it is organic, it takes time because you’re asking people to first come and sample the stories. We’re pretty confident that through that sampling, they will be first entertained and therefore, engaged. That journey done consistently well, we will be successful.

     

    Are you looking at any regional feeds of this family format?

    Not at the moment. Again, singular focus, we’ve made a conscious choice of entertaining the Hindi speaking markets first.

     

  • Disney launches new reality-based content to target kids and young parents

    By Deepali Gupta

     

    It’s not just kids. When Disney launches new reality-based content on its kids channel shortly in India, it is targeting young parents as well.

     

    Every weekend, the flagship Disney children’s channel will air three hours of fresh content, created in association with production houses Optimystix, Cinevistas and The Troublemakers. The company is targeting people in the age group of 4-34, with an eye on expanding advertisers’ base and revenue. “We are now evolving to appeal to the progressive Indian family of today,” said Siddharth Roy Kapur, MD of Disney India.

     

    Disney has eight channels in India, including the Disney Channel that will soon complete 10 years. Of these, four cater specifically to the children’s segment: Disney Junior, Disney XD, Hungama TV and Disney Channel. Fresh content at the moment is for just the last one. “The channel enjoys high parental approval.

     

    We are now trying to turn it into parent engagement,” said Vijay Subramaniam, vice president for content-communications. The first new show – ‘Maan Na Maan Mein Tera Mehman’ – is about a family that finds a photo frame that brings to life the departed souls, who return with a task to complete.

     

    The second is a family drama and third of a 40-year-old school dropout who must pass to inherit wealth left behind by his uncle. Reach expansion is part of Disney’s global strategy to engage audience for 360-degree buying, such as Mickey merchandise that ranges from lunch boxes to neck ties for adults.

     

    The children’s segment in India generates annual advertising revenue of  Rs 300-350 crore and Disney India has a 36-42% market share, said a person familiar with market details.

     

    Source:The Economic Times

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  • #Frames2013: Need to grow the kids’ pie further

    By Johnson Napier

     

    While increasing importance is being given to Hindi GECs and sports broadcasting in India, a genre that has been steadily pushing itself up the growth chain is children’s entertainment. Accounting for nearly 7 per cent of the growth pie, kids’ channels in India have been throwing up interesting growth trends over the past few years.

     

    At the session on ‘Trends in Children’s Entertainment’, panelists presented their viewpoints on the genre and what was the way forward. The panelists comprised Harpreet S Tibb of Kellogg India, Vijay Subramaniam of Disney UTV, Ashish Karnad of IMRB, Krishna Desai of Turner, and Pradeep Hejmadi of TAM.

     

    Harpreet S Tibb, Marketing Director, India & South Asia, Kellogg said, “The focus for marketers is to strengthen our brand and also that the message gets conveyed to the desired TG. The thing about kids today is that they are increasingly gravitating to newer mediums and it is therefore essential that the broadcasters come up with content that is valuable and meaningful. There is also a need for players to create content that is interactive and relevant.”

     

    Vijay Subramaniam

    Vijay Subramaniam, Executive Director, Kids Network, Disney UTV highlighted how the focus by his group was to tell stories that are great.” We have always been known to present stories that are innovative and pioneering. While much of our content is centred around kids, it is also made keeping the family audience in mind. The challenge facing the genre is of financial viability.”

     

    Ashish Karnad, Group Business Director, IMRB International presented his outlook as he said that boys consumed different content while the girls too consumed content that was different from boys. “There was not much differentiation that was observed between the two subsets earlier but that is seeing a change now. And as we all would be aware, there is a huge demand for locally produced content.”

     

    Krishna Desai

    Krishna Desai, Director-Content, South Asia, Turner International India elaborated on how the broadcast players were waking up to providing new content options for the kids of today. “Admitting that animation as an industry is still in its infancy, Mr Desai said that it was indeed picking up in growth. “Overall the kids’ genre is still small compared to the other genres as the ad spends around the medium are still very low. But there are other positives that are emerging inclusing its ability to ship content to outside markets. The industry is evolving and it is up to us to unite and take it to the next level.”

     

    Earlier Pradeep Hejmadi of TAM went on to present his perspective of the kids’ genre in India and what was in store for the players in the years to come.