Tag: Turner International

  • Zee Studios launches digital content studio arm

    By A Correspondent

     

    Zee Studios has announced the launch of an independent digital content studio, Zee Studios Originals, that will produce a original content and create new IPs for all digital platforms globally.

     

    Zee Studios has appointed Ashima Avasthi from BBC Studios to head the digital content studio. With over 20 years of experience in the media and entertainment industry, Avasthi has worked across diverse genres and regions with brands like MTV and Turner International. Prior to joining Zee Studios, she was with BBC Studios as a Senior Creative Director and Head of branded content.

     

    Speaking on the launch of the new business unit, Shariq Patel, CEO, Zee Studios, commented: “Zee Studio Originals furthers our vision of becoming a holistic content studio with its offering across platforms and screens to meet the insatiable hunger of today’s consumers for premium content. We are working with leading directors and writers to develop and show run our digital slate and will announce the same very soon. I welcome Ashima on board and I’m sure with her varied experience, she and her team will make great content and set newer benchmarks”.

     

    Added Avasthi: “The game has only just begun. Zee has been a pioneer in producing compelling content for decades in broadcast and films, and it is absolutely the correct time for Zee Studios to move into digital production. I am looking forward to creating content that is distinct, unexpected, relevant, cutting-edge and truly world class. Zee Studio Originals will ride on the legacy and experience of Zee but will strategically move ahead in the new age direction that the studio has been set up for, independently.”

     

     

  • After 16 years, Zee &Turner turn off subscription tie-up

    By A Correspondent

     

    After nearly two decades of strategic collaboration, Zee Entertainment Enterprises Ltd and Turner International have mutually decided to work independently for driving subscription revenues.

     

    The global and Indian giants joined hands way back in 2002 to manage distribution and trade marketing for a bouquet of channels in India. As both parties continue to explore avenues for growth, they jointly thanked their value chain partners to have supported them through the journey.

     

     

  • Turner launches digital ad unit T1 in India

    By A Correspondent

     

    Turner International is for the first time providing advertisers with a single way to activate a full suite of global, regional and local campaigns that connect with fans across Turner’s digital properties spanning over 200 countries.

     

    The launch of Turner International Digital Advertising Sales – T1 – consolidates Turner’s international digital advertising capabilities into a single division, complementing existing local digital and linear advertising sales and CNN International Commercial (CNNIC) operations across Latin America, EMEA and APAC. T1’s focus is on connecting global advertisers based outside the US with audiences across Turner’s entertainment, kids, news and sports digital portfolio including Bleacher Report, Cartoon Network, Boomerang, CNN, ELEAGUE, TNT, TBS, Great Big Story, Esporte Interativo as well as COPA90, which Turner has a stake in.

     

    Said Rani Raad, President of CNNIC, the arm of Turner International that monetises all CNN properties outside of the US: “T1 is the embodiment of the ‘One Turner’ philosophy at the heart of our company as we create new ways to best serve our audiences and commercial partners. The creation of this division unlocks a vast premium digital portfolio in order to bring new, innovative solutions to the market. Drawing on the multi-platform strategy that has driven growth at CNNIC, we look forward to establishing ground-breaking partnerships with brands who want to be part of the new content frontiers that Turner brands are pushing right across the world.”

     

     

  • Turner announces gaming streaming service GLOUD

     

     

    Turner International’s Digital Ventures & Innovation (DV&I) team announced the launch of GLOUD, a gaming streaming service offering a simple, affordable and accessible quality gaming experience. It launches in Argentina and Chile initially with plans to launch it further across Latin America and later outside the region.

     

    The new service allows people to play console-quality video games via streaming and on-demand without the need to have price prohibitive consoles, pay high prices for new games or having to download large files to a computer.

     

    “Cloud-based gaming is the future of how people will consume video games. There’s no need to own expensive consoles, or store content on a device with limited space. With GLOUD all the user needs is an internet connection to be able to enjoy a high-end gaming experience,” said Aksel van der Wal, Executive Vice President, Digital Ventures & Innovation, Turner International. “At Turner, we take a fan-centric approach to everything we do and GLOUD does exactly that. It is an innovative service which is aligned to our remit at DV&I of developing new and innovative products and services to drive Turner forward. We are in an age of deep consumer engagement and GLOUD offers fans easy access to quality gaming content, anytime and anywhere they want it.”

     

    The catalogue of games includes many from main publishers, as well as some independent games of most genres – including racing, action, adventure, strategy and more.

     

     

  • HBO Hits renamed as HBO HD

    By A Correspondent

     

    Said Siddharth Jain, Managing Director, Turner International, South Asia on the change: “We aim to offer our customers the best viewing and the move to HD will exemplify that for them. HBO’s tagline promise of ‘Experience The Magic’ will be reiterated through its line-up of fresh new content and enhanced packaging and presentation.”

     

    HBO, operated by Turner India, delivers English-language entertainment across genres like action, comedy, drama, thrillers and superhero blockbusters.

  • Ricky Ow to replace Steve Marcopoto as head of Turner in APAC

    By A Correspondent

     

    International television executive Ricky Ow will join Turner International as President of Turner Broadcasting System Asia Pacific effective January 2014, it was announced today by Gerhard Zeiler, President of Turner Broadcasting System International. In August this year, Steve Marcopoto had announced that he will step down as President and Managing Director, Turner International Asia Pacific  at the end of his contract next month (Dec 2013).

     

    At the time of Mr Marcopoto’s announcement, it was mentioned that  he would stay on as a Senior Advisor to Mr Zeiler, to ensure a seamless transition and provide continuity on current new initiatives, but this has not been stated in the Turner communiqué on Mr Ow.

     

    As President of Turner APAC, Mr Ow will have executive oversight for all entertainment and kids networks, the digital and media services offered, the distribution of CNN’s services in that region, and all licensing and merchandising activity in APAC.

     

    “We are delighted that Ricky is joining us and look forward to the leadership and wealth of international media experience he will bring to one of the most strategically important areas of Turner International,” said Mr Zeiler.

     

    “I am very excited to join Turner and it is an honour to work with Gerhard and the team that has built some of the most valuable media brands in the world including CNN, TNT, Cartoon Network, Pogo and Turner Classic Movies,” said Mr Ow.

     

  • Turner consolidates creative services, partners Reliance MediaWorks

    By A Correspondent

     

    In a move that consolidates its in-market operations, Turner International India has announced the establishment of Creative Services in India for its entertainment networks including Cartoon Network, Pogo and WB. Turner has commissioned leading film and entertainment services company Reliance MediaWorks Ltd (RMW) to provide the full gamut of post-production services.

     

    With in-market end-to-end capabilities that will be a combination of in-house creative and outsourced production resources, this initiative will enable Turner to be even more poised and nimble-footed in responding to market requirements, notes a communique.

     

    Siddharth Jain

    Said Siddharth Jain, Managing Director, South Asia, Turner International India: “Turner has been consistently ahead of the curve with a proven track record of successful localization of our brands. We are confident this new move will give us further competitive advantages in this dynamic and constantly-evolving consumer and business landscape, especially as we seek to build on Turner’s strategic shift to further empower local markets.” He adds, “We are happy to work alongside Reliance MediaWorks and we look forward to continue the delivery of quality content on our leading platforms.”

     

    Commenting on the occasion Venkatesh Roddam- CEO, Reliance MediaWorks said: “We are pleased to be able to offer a one-stop production facility by combining the latest in television studio technology with the most experienced personnel to create winning solutions for Turner.”

     

  • Now Steve Marcopoto to step down at Turner

    By A Correspondent

     

    Steve Marcopoto

    It’s almost like one of those cartoon films where big cats keep jumping out from the barrel at frequent intervals. Turner International has announced one more major exit, and this is concerning the big man himself. Yes, Steve Marcopoto has announced he will step down as President and Managing Director, Turner International Asia Pacific at the end of his contract in December 2013. He’s not going away immediately though as he will stay on as a Senior Advisor to Turner International President Gerhard Zeiler to ensure a seamless transition and provide continuity on current new initiatives. The succession will be announced in due course.

     

    Said Gerhard Zeiler, President Turner Broadcasting System International: “I thank Steve for his outstanding achievements in his 15 years with Turner Broadcasting. Steve has guided Turner Asia Pacific through a period of rapid change.”

     

    Steve Marcopoto added: “Turner is poised for a great run and now is the best moment for the company to put a fresh set of hands in charge. It feels right to initiate the handover now as I complete 15 years in this job, and I intend to hand over Turner Asia Pacific to my successor in an optimal state.”

     

  • Vivek Bahl hops to Sony as Chief Creative Director

    By A Correspondent

     

    In 18 months, this is his fifth place of work… surely, the man’s on the move. Yes, Vivek Bahl is set to join Sony Entertainment Television (SET) as Chief Creative Director after short stints at Mahuaa, Turner and Network 18.

     

    One of the seniormost programming executives in the business, Mr Bahl, joined Zee TV a few months before it was launched way back in 1992. His last port of call has been the Viacom18 Network which he had joined in May this year as network advisor (content).

     

    In the new role, Mr Bahl will be responsible for the overall programming of the flagship channel. Speaking on his appointment, he said, via a communique: “I’m delighted to join SET and hope to provide valuable programming inputs in all genres of shows. This is an exciting and challenging role and I’m honoured that trust has been reposed in my abilities.”

     

    Mr Bahl will report to Sneha Rajani, Senior Executive Vice President & Business Head – Channel SET.  While announcing the appointment, NP Singh, COO, MSM, said: “Vivek’s entertainment experience and a cross-functional strategic perspective will enhance the growth of SET. On behalf of Sony Entertainment Network, we look forward to a long and fruitful working association with him.”

     

    Prior to joining Viacom18, Mr Bahl was with Turner International where he was the Chief Content Officer. And before that he was with the Mahuaa Network where he moved from Star India.

     

  • The not-so-chhota success of Chhota Bheem

     

    By Tuhina Anand

     

    Chhota Bheem, the nine-year old boy and his small group of friends – Raju, Chutki and Jaggu (the talking monkey), have been having a dream run on Pogo. Launched in 2008 on the channel, the character of Chhota Bheem has gone on to become immensely popular and we have seen the character move to the bigger screen with Chhota Bheem movie and there is no dearth of merchandise based on his character, including comic book, tee-shirt, fun puzzles, bags, bean bag, toys and more.

     

    Krishna Desai

    Talking about the popularity of the show, Krishna Desai, Director Content, Turner International India Pvt. Ltd, said: “Since its launch in 2008 on Pogo, Chhota Bheem became an overnight success. Today, Chhota Bheem holds several titles to its credit including being ‘Kids’ Favourite TV Character’ (Ormax Media 2011 Report). In addition to other popular shows like Mr Bean and Kumbh Karan, Chhota Bheem has helped Pogo sustain its No 1 since 2011. In fact, this year, the premieres of ‘Chhota Bheem: Dholakpur to Kathmandu’ movie in March and ‘Chhota Bheem aur Hanuman’ movie in May, were the number 1 programs across all channels.” (Source: TAM, All India , 4-14 yrs, 12:00-13:30, March 25 and May 1, 2012)

     

    However, TAM data for the period of April 15-May 12 (CS 4-14 yrs, all India market, excluding feature films shown on kiddie channels) shows that for the channel share, one sees a fluctuation between Pogo and Disney for the top slot where in week 18, Pogo has a share of 25.5 as opposed to 20.4 of Disney. In week 19, Pogo is at 21.2 while Disney has jumped to 24.6.

     

    Giving his take on the popularity of Chhota Bheem and Doraemon, Karthik Lakshminarayan, COO, Crest (Madison Media), said: “Be it Chhota Bheem or Doraemon, both are exceedingly popular in the kids genre. Even for the top slot there is a tussle between both the shows. The popularity works well for the advertisers as well as the channel. However, if one were to look at superior production quality then Chhota Bheem scores over Doraemon as the latter seems dated.”

     

    While Doraemon might seem dated, there is no lacking in its popularity. The show runs on Disney as well as Hungama almost round the clock. Same is the case with Pogo, where Chhota Bheem and its repeats are shown numerous times during the day. Mr Desai, talking about this strategy said: “Normally, most shows face the issue of fatigue over a period of time. But in the cases of popular shows like Chhota Bheem, this factor is not applicable. When any show is launched there is a novelty factor which draws in new audiences. Thereafter, the true test of success begins. If kids like the show, they will tune in to watch their favourite episode over and over again. Over a period of time, kids tune-in to pre-empt the dialogues or even sing along with the theme song, making them feel like a part of the toon world. Also, the non-sequential flow of episodes helps to steer clear of boredom.”

     

    “Being a pioneer in the kids’ genre, we have done in-depth studies analysing the viewing patterns of kids between the ages of 4-14 years so as to effectively target our core TG. Basis these studies we decide the schedule for our channels. The second factor taken into consideration is to ensure that the scheduling of both our channels (Cartoon Network and Pogo) complement each other and don’t eat into each others share. We also consider the competition and other TV genres scheduling while lining up our shows,” he added.

     

    Some of the other popular shows on Kids channel include Kumbh Karan on Pogo, Roll No 21 on Cartoon Network, the Suite Life of Karan and Kabir on Disney, Art Attack again on Disney, Ninja Hattori on Nick, Oggy and the Cockroaches on Nick, Mr Bean the Animated Series on Pogo and Tom and Jerry Show on Cartoon Network.

     

    However, the success of Bheem lies in the fact that it’s an indigenous animated series created by Green Gold Animation Pvt. Ltd, based in Hyderabad. As Mr Desai of Pogo pointed that what stands out about the series is the strong story and characters. Although it is based in the mythical and timeless village of ‘Dholakpur’, the characters are very relevant to the mannerisms of kids today. Thus, kids relate to the characters and aspire to be like them be it a superhero or a best friend. “Yes, we did anticipate the show to do well but we all have been happily surprised at how phenomenally well it is doing,” said Mr Desai.

     

    With the success of Chhota Bheem, came its movies that Pogo co-produced, the recent one being Chhota Bheem and the curse of Damyaan which was released last Friday.

     

    Source: TAM Media Research, TG: CS 4-14 yrs, Market: All India, Period: Week 16 to 19 (Apr 15 to May 12), 2012 *Note : The analysis excludes Feature films aired on Kids channels

     

    Some of these movies were aired in 2011 on Pogo and the channel has a more aggressive strategy for them in 2012, wherein they will showcase one new movie every alternate month. In March, Pogo aired ‘Chhota Bheem: Dholakpur to Kathmandu’ and in May premiered ‘Chhota Bheem aur Hanuman’.

     

    Also seeing the popularity of other supporting characters in the show, like Bheem’s best friend Raju, Pogo  create a successful spin-off movie on him called ‘Mighty Raju’ in 2011. Sequels to Mighty Raju will also be seen in 2012. Its online success can be gauged from the fact that on www.pogo.tv, there are 700+ games on the site out of which Chhota Bheem enjoys a majority.

     

  • Vivek Bahl joins Viacom18 as Network Advisor Content, to work on proposed regional foray

    By A Correspondent

     

    In a move to expand its horizons, Viacom18 has appointed Vivek Bahl as Network Advisor Content. He will be working on the regional channels which the media conglomerate plans to get into. He will also play a strategic role in planning and development of new content.

     

    Mr Bahl will report to Raj Nayak, CEO – Colors and will have a parallel line of reporting to the Regional Head.

     

    Announcing his appointment, Raj Nayak, Chief Executive Officer, Colors said: “Vivek comes with great experience in developing content for different genres and his understanding of the television and entertainment industry is quite phenomenal. We believe he will play a significant role in not only in further developing and strengthening the current content on Viacom18’s offerings but also in the expansion of the network’s upcoming regional channels.”

     

    Mr Bahl has over 25 years of experience in the entertainment industry and a strategic cross-functional perspective. He has worked with leading television networks inIndiaincluding Star TV and Zee TV, where he helped in the development of multiple fiction and non-fiction properties including Antakshari, Banegi Apni Baat, Jassi Jaisi Koi Nahi, Bidaai, Yeh Rishta Kya Kehlaata Hai, Saath Nibhana Saathiya, Saat Phere, Betiyaan, Maayka and Pratigya.

     

    On his new assignment Vivek Bahl said: “Viacom18 is a network that, through its various channels, reaches to multiple audiences across the country. I am extremely excited about this opportunity to help take the content and the network to the next level. I am looking forward to working with the incredibly talented team at Viacom18 and help escalate the properties to reach out to a larger audience across the country.”

     

    Prior to joining Viacom18, Mr Bahl was Chief Content Officer forIndiaat Turner International and overlooked the content strategy and development for Turner’s entertainment brands inIndiawhich included Imagine TV, Cartoon Network, Pogo and Warner Brothers.

     

  • Rude shock for producers and performers

    By Kshama Rao

     

    Producers woke up to a rude shock on Thursday  to the news of Imagine shutting shop. If IPL wasn’t enough, then the closing down of a TV channel meant further doom for the producers.

     

    JD Majethia

    Turner Broadcasting System Asia Pacific Inc. (Turner) dashed off a letter that to the producers and the media about Imagine being wound up with immediate effect, so much so that shootings had to be abruptly cancelled on Thursday as the TV giant didn’t want the channel to spend on even one day of shooting!

     

    While the industry is still reeling from the news, the worst affected are the producers whose shows were running on the channel. Rajan Shahi, who had launched Jamuna Paar on Imagine just a little over a month ago, refused to comment: “It would be too premature”. Other producers like Siddharth Tewary, the Sagars who had Chandragupta Maurya and Dwarkadheesh running on primetime were incommunicado as they grappled with the sudden turn of events.

     

    JD Majethia had launched two shows, Jassuben Jayantilal Ki Joint Family and Ek Packet Umeed four years ago (on January 21, 2008) when former Star TV honcho Sameer Nair had spearheaded NDTV Imagine amidst much fanfare. He said: “It’s sad and shocking. It was a channel, which with the entry of Vivek Behl at the helm of things, looked poised for bigger things, a turnaround but that was not to be. It’s a huge setback for producers and for those who work on a per day basis. A daily show means a minimum of 100 people associated with it in various capacities and with Imagine closing down, it spells doom for them. All that talent and labour goes down the drain. It’s a loss of about Rs200 crore worth of yearly business for Imagine and the industry on the whole.”

     

    Mr Majethia said that it was the channel’s “unclear philosophy” that did it in. When they started out, the mantra they had adopted was positive, light hearted, happy programming but then Colors launched with its emphasis on “high drama” and Imagine started floundering. The channel lost its focus, couldn’t make shows that could connect with the masses and hence lost the plot. “But as I said, things had begun to look up with the entry of Vivek,” he added.

     

    Another producer, on the condition of anonymity, who had worked for Imagine said it was the haphazard way of doing things and not following a clear brief that cut the Imagine story short.

     

    Veteran producer Dheeraj Kumar of Creative Eye Productions however played down the whole thing. His show Sawaare Sabke Sapne Preeto which was launched a year back was going strong and he said: “Just like how you get surprises in life, this too was a surprise for us. I wouldn’t call it a shock. I guess these things happen. You think, Turner wouldn’t have thought before taking this decision. Yes, it was overnight and could have done a bit smoothly with advance intimation but it’s alright, I have no complaints as we have had a good creative collaboration with them. Personally, I am not worried about my workers because we are a big production company and they would be absorbed in some or the other project. I am hopeful that Turner with its huge umbrella of channels would give us a chance of providing content to them. I am optimistic.”

     

    Aasiya Qazi, an actress who made a debut with Ekta Kapoor’s Bandini which ran for over a year and followed it with Deeya and Tony Singh’s Dharam Patni that was pulled off air in January is “shocked”. “It was the channel that gave me a chance to start in this industry. It gave me two shows, so yes, I am definitely shocked. I don’t know what happened and whoever I have spoken to are equally clueless. I didn’t even know why Dharam Patni was pulled off air abruptly a couple of months back. I feel sad for the artistes and the crew of the new shows like Jamuna Paar that had gone on air a couple of months ago. It’s demoralising for them,” she says.

     

    Vishal Karwal, who plays the title role of Dwarkadheesh in the Sagars’ ambitious mythological on Lord Krishna, is both “happy and sad. I was happy because I wanted to come back to Mumbai. I have been shooting inBarodafor the show from Mondays to Fridays and it had begun to get to me. I was in talks with the producers to let me go to Mumbai. I am sad for the workers whose bread and butter depend on these daily shows. They don’t earn more than Rs10-15,000 a month where as for actors like us, we can still survive.”

     

    He terms the sudden development as “unprofessional and devoid of professional ethics. The channel hasn’t been doing well for a while now and even the new channel Life OK overtook it in the numbers game.”

     

    Sources in the industry said the producers whose shows were largely affected won’t comment on this considering their dues are yet to be cleared. Worst hit are the Sagars whose two shows, both mythologicals and lavish productions, Dwarkadheesh and Chandragupta Maurya and others like Shahi who had barely launched a new show with a massive set.

     

    A source said: “One wrong word in the media and they run the risk of not getting their dues. They have already been hit badly so any press statement could jeopardise their equation with the channel.”

     

    So it’s wait and watch for now.

     

    Kshama Rao is a senior journalist tracking the television trade for over 15 years.