Tag: Suresh Eriyat

  • New Nihar Naturals ad debunks hairstyle stereotypes

    By A Correspondent

     

    Nihar Naturals has launched a new ad campaign that addresses gender stereotyping in the forefront. Starring VidyaBalan, who has been consistent in her positioning with the brand, the campaign depicts the societal perception of women in stereotypical scenarios such as a housewife in the kitchen, an airhostess on a flight deck and a manager in an office space. As women stereotypes have been prevalent for long, the brand decided to use this mind-set, which still exists today, as a core idea of the content.

     

    Commenting on the campaign, Suresh Eriyat, Studio Eeksaurus said “When I had structured the ad in my head, I felt we had a huge scope of bringing interesting art and humour to make the already interesting premise memorable. The kind of enthusiasm Vidya has shown in her consistent battle towards gender stereotypes has been healthy with the brand. Of course working with her is always a joy considering her ease in delivering diverse performances and also the way she stretches herself to help achieve a director’s vision. I am happy the way the film has turned out and it is the result of brilliantly coordinated team work especially between the departments of art, camera, hair and make-up, production.”

     

    Beginning in various different sequences, the brand ambassador questions ‘dakhochooldekhe log kikibhabteshurukore’ (Read: look how people start judging you by your hairstyle) in a rhetorical enthusiasm. The ad smartly uses creative sets and props propelled by an ingeniously modified machine to mechanically synchronise the background scenarios to match with Vidya’s hairstyles and the photographer’s perceptions attached to it. It has been scripted in Bengali, which is a widely-spoken regional language, thus enhancing the scope of understanding to an urban and regional audience.

     

  • Creativity, branding, passion, awards & more at PromaxBDA

    All the gold award winners at PromaxBDA India awards

     

    By Anuka Roy

     

    It was a memorable night for Viacom 18 Media Pvt Ltd at the 2016 PromaxBDA India awards held on Thursday in Mumbai.  Awards across 51 different categories were presented with Viacom 18 winning 28 awards, with Colors Infinity alone winning 12 of them. Star India was second with 17 awards. Zee and Sony settled for 11 and 7 awards respectively. Doubtlessly, the  conference hall was bustling with unparalleled energy as winners from each category were welcomed with much cheer. In total, 43 gold and 43 silver Muse trophies and eight each of gold and silver Isis trophies were awarded.

     

    In the morning, the PromaxBDA India kicked off with an opening address by Conference Chair and Colors CEO Raj Nayak. “The biggest change in our industry is that time is fleeting,” he said, adding: “With each passing day the most precious commodity in our industry is time”.

     

    Lee Hunt, Founder of Lee Hunt LLC, began the morning session on an engaging note by talking about the Dynamic Branding. He explained the paradox of dynamic branding through various videos and examples. According to Hunt, television brands, whether linear, on demand or any other form are different from consumer product brands. They change from season to season, show to show and click to click, so, they cannot be static. They have to be elastic, to be able to grow, to change, to evolve with programming, audiences and platforms. He explained the strategies, tactics and creative principles of television’s most successful brands, and suggested ways in which you can apply them in your branding strategies. MxMIndia asked Hunt how one can break the clutter given that most channels have the same content and a similar pattern of presentation. “If you think about it, there are only a dozen different kinds of content on television. But there are scores and hundreds of channels now. Even though each channel may have similar content scheduled at different times, in viewers’ minds it becomes all confused. So, having your brand be a filter, why we as channel chose this particular programme, scheduled at this particular time and for this particular audience, and trying to find what is that one thing you stand for that can connect all this different audience. So when the viewer looks at the way you are promoting a show,  it feels, sounds and looks different from how one of your competitors might be promoting that same content. It is a hard thing to do, but in India, where the market continues to grow and there is a lot of confusion about these brands it becomes more important.” Hunt’s post-lunch session was about ‘Death of the channel brand?’ He discussed that as content moves off-channel to on-demand platforms, the viability of a channel brand comes in to question. Hunt also explored the threats and opportunities created by Netflix and other platforms and showed how a handful of networks are changing their brands to stay relevant in the new world of television.

     

    The first afternoon session was taken by Graeme Newell, President of 602 Communications, on ‘The next generation of viewer connection’. Newell emphasised that these days’ viewers don’t just want a good show, but a good relationship with the networks that share their values and priorities. The emotional marketing expert revealed some of the key points that are driving the next generation of viewer connection. Right after this session, it was time for the audience to experience some creativity as Steve Brouwers’s took a session on ‘Creativity is an option: fake it till you make it’. There was creativity from the word go as Brouwers’ introduction was done through a video of two infants communicating to each other in their own language about how to introduce him. “It is all about creativity. Everything starts with an idea and a way of making stuff,” said the Creative Director at SBS Belgium. The session focused on getting inspired and the techniques to enhance it. It is not about where you take things from but where do you take them to.

     

    The panel session on ‘State of art’ was moderated by Sheetal Sudhir, Creative Director and Co-Founder of Dynamite Design. Suresh Eriyat, Creative Director and Founder of Studio Eeksaurus and Roopak Saluja, Founder & Chief Executive Officer at The 120 Media Collective were the panelists. In the beginning of the session. the moderator announced that instead of speaking on the topic, she would like the panelists to discuss about the passion that drives them towards the art they are associated with. Through the session, both the panelists shared their professional and personal experiences in the creative industry. Eriyat showed some of the best and award winning animation work that he has done. “People are the inspiration for me. I observe how they behave and try to incorporate it in my work” he said. Saluja who currently is enjoying his role as an entrepreneur, before explore different options including DJ-ing said, “I believe in managing creative talent for creative output.”

     

    The two-day Promax conference ended with the awards presentation.

     

  • Eeksaurus bags award at Annecy IAFF 2015

    By A Correspondent

     

    In a first for India at Annecy, France’s prestigious International Animation Film Festival Eeksaurus has bagged the Annecy Cristal Award in the Commissioned Film Category for their film on child labour for Rotary International titled ‘Fateline’. The jury at Annecy was impressed with the campaign calling it a film that was a fantastic mix of technique and aesthetics. The festival received a total of 2,604 films from 95 countries this year, of which 199 films made the official selection and Eeksaurus emerged the winner in the Commissioned Film Category.

     

    The campaign which is based on the concept of a young child labourer determined to break free from the bonds that hold him down, is a simple yet effective rendition of how the impossible can be made possible when people join hands in working towards a cause. Working with the team of JWT, Eeksaurus had outlined the hands of the palm drawing in from the concept of fate or ‘haath ke lakeer’ combined with the use of strong imagery and music to lay emphasize on the sensitivity of the situation.

     

    Suresh Eriyat

    Speaking on the win, Suresh Eriyat (Founder and Creative Director – Eeksaurus), said, “This is the first time ever that any ad campaign from India has ever won at this prestigious festival which is a matter of great pride us to have represented India on an international platform. We thank all those who have put in tremendous efforts to bring this campaign to life especially our fantastic in-house team of animators, Rajat and Taufiq, Chester, Arun Crasto and the lovely children from Govandi who lent the soul to this film. The core ethos of this campaign was to reach out to the masses hence no caste, gender or creed was highlighted which has been possible through the use of 2D animation in the film. It is extremely heartening to be recognised for your work at Annecy which gives us a tremendous boost to further explore the scope of animation in India.”

     

    Concentrating on the design centric approach to weave distinct stories for every brand, Eeksaurus looks forward to working on many more such campaigns which truly challenge the definition of communication with the masses.

     

  • Suresh Eriyat: Message is key for Brand Connect

     

    By Suresh Eriyat

     

    A recent conversation with a friend from the industry got me thinking about the concept of responsibility in advertising. As soon as one uses the words ‘responsible’ and ‘advertising’ in the same sentence, one associates it with ‘corporate social responsibility’ or children. I decided to Google it and check, thinking I might be wrong. But to my surprise, I was not. This, then, begs the question: Should responsible advertising not be the baseline of all storyboards? In a world where intense competition drives brands to employ tactics that help them stand distinctively from others, they tend to forget that for them to achieve that status, they need to strike a chord with the audience. Today there are many brands that claim to be responsible, but do not really express it through their communications or product offerings.

     

    Think about it. There was a time when advertising was not a prime medium of communication for brands, but we still connect with some products and brands of that time, today. A cupboard at home is referred to as a Godrej; washing powder is Surf, a four wheel drive is Jeep, and biscuits are Parle G. They are no longer the only brands that manufacture these products, but have become an identifying symbol for the product itself for a lot of us. While I understand the older generation’s connect due to the sheer nostalgia of association or memorable ad campaigns, but younger consumers also trust these brands blindly. The prime reason is these brands have come to signify responsibility, without really talking about it. The art lies in subtle messaging that stays with the consumer for a long time.The most compelling campaigns are the ones that successfully elicit a personal response or emotion from the consumer, as well as turn profit for the brand.

     

    The recent Budweiser campaign entitled ‘Friends are waiting’, nails this thought to the core. The ad draws on the bond between a man and dog to encourage people not to drink and drive. As the tagline goes: ‘For some, the waiting never ended. But we can change that’. Here is a brand that, for a change, did not tell people to alter a habit because it will do them harm. But it subtly urged them to drink in moderation as their loved ones are waiting for them back home. The commercial changed the game for beer advertisements to produce a message that resonates with the audience and inspires real change. That, in a nutshell, is responsible advertisement.

     

    Today, buyers want to tell themselves that they are doing the right thing, and need a brand to give them the affirmation that they part of something good and positive. That has never been easy; brands have always resolved to tie up with social causes. Brands like Sanifresh, Clinic Plus and P&G have initiated various movements, but have failed to carry it forward beyond a point. That’s because they did not connect with their immediate audience, and it came across as a marketing gimmick.

     

    While we have understood that the message of responsibility comes more with action than words, the question is who should be accountable for it. The brand, the creative agency or both? While common belief dictates it should be the brand, I strongly believe it is the agency which plays a key role in this. In conceptualising messages, it should aim at working closely with the brand as a partner, rather than a mere executor of the brand’s ideas. The two together must ensure that they critically analyse the brief from a third-party perspective and create a balance between showcasing the brand’s intent and meeting their end objective of bringing profits through sales.

     

    It is time that creative heads ensure that campaigns not only attract attention, but call for action and effectively fulfil the objective of the campaign. So condom ads definitely attract attention, but do they spread the message about safe sex? While it is believed that consumers can be sold any product as long as it is legal, it is integral that we do not compromise on the core message, as it will have a lasting impact on the consumers’ impression about the brand and its offering. In today’s times of religious intolerance and sexual assaults, I think the media as a whole and advertising in particular, since it has more penetrating power than cinema, should emphasise a bit more devotedly to their ideation side towards creating a more tolerant society.

     

    The writer is Founder and Creative Director at Eeksaurus. This article first appeared in ‘dna of brands’ dated March 9.