Tag: Star World

  • 1 Minute View: Shouldn’t Star have deleted the obnoxious Hardik Pandya comment?

    1 Minute ViewIt didn’t make us cringe, we were repulsed. It was downright obnoxious. Vulgar. And just for that, we lost all our respect for someone whose skills we admired.

     

    We are referring to Hardik Pandya and his utterances on Koffee with Karan, the chat show hosted by director, failed actor and reality show judge Karan Johar. Okay, let our descriptor of the director not give you an impression that we dislike the man. In fact, we think he’s a great entertainer and has given us some good cinema. Some.

     

    His chat show is entertaining, even if it is more about the sex lives and relationships of stars. A more appropriate title for the show would’ve been Starry lives or Sex lives of Stars with Karan Johar or whatever.

     

    Koffee with Karan is one of Star World’s flagship shows. It’s buzzy, and has made Star World popular and relevant despite being a channel that airs content people prefer to watch first on the internet. Or bingewatch on OTT. Hotstar.

     

    Star is a broadcaster we admire. It’s grown hugely over the years. Over the last decade, its ‘Nayi Soch’ campaign has worked well for a channel (Star Plus) that championed the saas-bahu genre on Hindi mass entertainment.

     

    In recent years, Star has also spearhead the cause of women. Not just for Star Plus but for the entire network. In 2016, it used the route of the Indian men’s cricket team jersey to “power social change” by each cricketer sporting their mother’s name on their jersey backs.

     

    Now how would the mothers, sister, wives, partners, daughters, girlfriends watching the show feel about how a Hardik Pandya would view them if he is ever a few yards away.

     

    We are upset with the way Karan Johan and KL Rahul reacted to Hardik’s remark. But we aren’t surprised. We don’t think Rahul could’ve done much and, frankly, we don’t expect the a film-maker who belongs to Bollywood, an arena that has regarded eve-teasing as an art form, to do much either. Though if he cared, he could have.

     

    Care is the word.

     

    But shouldn’t Star World have deleted the remark? As a network that cares for women, this act shows some chinks in the armour and/or the fact that the earlier “power social change” bit was spoken because it made for good copy.

     

    Did the Star standards and compliances fail? It’s now part of Disney which doesn’t look at these things too kindly. We don’t think this Koffee with Karan show will fail the broadcasters’ self-regulation code, if someone complains to it.

     

    Our peeve is that it didn’t fail Star’s own self-regulatory standards. For the Purani, Regressive soch, we are disappointed. Very.

     

    Update (as at 10.30am, Friday, Jan 11):

    Star India’s popular OTT platform Hotstar has taken off the controversial Koffee with Karan episode. But on going to the page that aired the episode, there’s an Error 404 screen. No apology. No terse regret note either. No reason given for the episode. No ‘nayi soch’ again. Sad.

    See screenshot:

     

  • Star World Originals to air crime documentary series on the Talwar family

    By A Correspondent

     

    We reported on Monday about the interview of Aarushi Talwar’s parents scooped on Hotstar.  It was actually a teaser to ‘The Talwars - Behind Closed Doors’, Star World’s maiden investigative crime documentary.

     

    The four-part series will air on Star World and Hotstar beginning November 26, every Sunday at 10 pm.

     

    The series has been produced in association with HBO Asia and created by executive producer Sarah MacDonald. Also associated with the project is Emmy winner Miikka Leskinen.

     

    Said a Star India spokesperson in a communique: “At Star, it has always been our endeavour to present differentiated content that strikes a chord with our audiences. We’re proud to present yet another Star World Originals production, this time in partnership with HBO Asia. The Talwars - Behind Closed Doors focuses on the destruction that one night of violence in May 2008 wreaked in the Talwar household. The series echoes the sentiment of the country on whether the pieces of the puzzle will ever fall in.”

     

    Now one wonders why the Star India spokesperson would want to remain unnamed. That’s a question which MacDonald should address next.

     

     

  • Star World expects viewers to binge on new offering

    By A Correspondent

     

    Star World is set to launch ‘Amazon.in Presents Star World Weekend Binge’ from 25th April, a property which is designed to bring an all new TV viewing experience to viewers in India. To take this innovation to the next level, Star World has created a robust integrated marketing campaign with the channel’s first-ever mascot – Binge Baba, to add fun and excitement to the campaign.

     

    Star World has conceived Binge Baba to drive home the maxim of the property – it is for those who can’t have enough and want more, in this case, the complete story of a show at one go. As the brand’s voice every weekend, Binge Baba is spreading the message ‘indulgence is good’. The channel is leading all marketing efforts for the property through Binge Baba.

     

    With the support of various engagement activities for this flagship property, multi-dimensional efforts have been initiated across cities like Mumbai, Delhi and Bangalore to ensure that the show is the talk of the town for months to come. It will also be promoted in upscale shopping malls across metros and at major domestic airports. Star World is also going big on digital through a powerful reach campaign that is being rolled out to target core consumers.

     

    To mark the launch of this innovative property Star World is also rolling out an office contact program with focus on trade in Mumbai, Delhi and Bangalore by giving key offices and their employees a chance to binge on their favorite ice creams as they get ready to binge watch the biggest international shows on the channel starting this Saturday, 12 PM onwards.

     

    A STAR spokesperson commented: “Star World Weekend Binge will mark a new beginning and set a new trend for consuming content in India and to support this innovative initiative, we have ensured that no stones are left unturned with the marketing of this property. Our objective was to create a differentiated marketing campaign and developing a mascot like Binge Baba is a step in that direction. The character has already gained popularity amongst our core target audiences on digital and we are very excited with the positive response and sentiments that are being built for this weekend innovation of ours.”

     

    Keeping in mind the growing need for uninterrupted entertainment, Star World Weekend Binge will give viewers a chance to watch all seasons of television’s popular series at one go, thereby showcasing more than 1200 hours of award –winning shows from the biggest studios, and premiering more than 30 shows across 52 weekends for its viewers. The Binge line-up includes popular shows like How to Get Away with Murder, Homeland, 2 Broke Girls, Modern Family, Two and a Half Men and Agents of SHIELD, among several others.

     

  • Star World to showcase Packed to the Rafters digitally ahead of TV launch next week

    By A Correspondent

     

    Star World is all set to air Packed to the Rafters for the first time in India. Packed to the Rafters’ is an Australian drama series which revolves around the story of the Rafter family, who are fighting different problems of life together.

     

    To make the show more relatable to the audience, Star World got Karan Johar as the face of its campaign. The channel launched a six week on-air campaign with him. And the channel has unleashed robust print, digital, DTH, cinema, radio and OOH campaign given the launch next week.

     

    In keeping with the growing importance of the digital platform, the channel will be hosting a Web Premiere across the Star World website (www.starworld.in/PTTR) and other social networking sites to give the viewers an experience of the show before it goes on air. Star World will be taking such initiatives up for key shows to create reach and buzz. The digital premiere will be held today (November 30) before its official launch on the channel on December 4.

     

    Subsequently, each of the episodes of the show will be available to be streamed and viewed on the Star World web and WAP platforms after it telecast on air. A tie-up with Vodafone will ensure viewers can catch up on the key moments of the show at their convenience.

     

    Commenting on the show, Rasika Tyagi, Senior VP, English Programming, Star India said, “From our Hindi and Regional GECs, one of the biggest learnings is that viewers seek life lessons from the daily soaps they watch. The issues faced by the Star World audience, the English speaking, urban Indian youth, is quite myriad and they don’t get to see shows which reflect their life on TV. Our audience will be able to resonate with the issues faced by the characters in Packed to the Rafters and emulate the way they resolve the conflicts.”

     

    Commenting on the digital catch-up service, Rasika Tyagi said, “When we go for consumer home visits, we get a reality check on how content is being viewed by the youth today. They want to watch a show at their convenience – anywhere, at any time. So, we as content providers have to gear up to share our content across platforms, on internet or on mobile.”

     

  • Is internet killing viewership of English GECs?

     

    By Meghna Sharma

     

    Dying to watch the latest season of Big Bang Theory or want to know who’s going to win the current MasterChef Australia series? Then, you have two options: either download it or wait for a channel to telecast it here.

     

    Of course, many of us opt for the first option as Indian channels still lag in getting the latest seasons of these international shows to India . MxM India explores if the internet is indeed posing a threat to the genre.

     

    Internet, a menace?

    Anurag Bedi

    Consumer trends have changed over the past few years; and if one gets his dose of entertainment, it doesn’t matter it’s on which platform. “The viewer is platform-neutral. So, as far as one gets certain amount of entertainment quotient, it doesn’t matter even if he’s doing it illegally i.e. by downloading. And with the internet reaching out to every nook and corner of the country, it won’t be wrong to say that internet poses a threat to content owners or channels,” explains Karthik Sharma, managing partner, Maxus.

     

    The internet remains the biggest threat to the English general entertainment channels. Most of these channels are not able to telecast various popular international shows like Games of Throne, Weeds, Sherlock and others, hence viewers log online.

     

    Saurabh Yagnik

    “Today, the television audience is experimenting with content. They are quite receptive to exploring new, innovative and unconventional content. Considering the change in lifestyles and the impact of globalization, our audience is more aware than ever. Viewers have the knowledge of the scope of entertainment available on various platforms,” said Anurag Bedi, Business Head, Zee Cafe.

     

    Saurabh Yagnik, GM & senior VP, English Channels, STAR India Pvt. Ltd added: “STAR World’s constant endeavour has been to bring international shows to India , at the same time as their broadcast in US. We, in fact, had the World Television Premier of shows such as Missing, Touch on our channel. Even for Masterchef Australia Season 4, we are broadcasting the show very close to its telecast in Australia this time. This also becomes possible due to our strong and exclusive associations with international production houses such as Disney, Fox, and others.”

     

    Ricky Ow

    On an optimistic note, Ricky Ow, executive VP, Networks, Asia, Sony Pictures Television feels that though the internet adds to the competition, it helps one realize what the market is looking for: “If one studies the internet, then it can definitely turn out to be an asset as it gives us an opportunity to look at what the audience is interested in. For example, it helps us know what the India n audiences’ interests are outside AXN.”

     

    However, the newest entry on the block, Comedy Central’s Ferzad Palia, senior VP and GM – English Entertainment, Viacom 18 Media Pvt Ltd feels that internet should be seen as a complimentary asset rather than just as competition. “With technology, the social mindsets of people are changing too. And now people have become more accepting towards western culture. Thus, it’s good for us as more and more people identify with the content.”

     

    Ferzad Palia

    The buying game

    There is no doubt that the English-language general entertainment market is developing. Almost every channel is trying its level-best to keep the audience hooked on by getting more and more international shows to the living rooms. One question still remains: why are channels not able to show what their TG wants?

     

    “It is difficult to bring popular international shows to India , especially at the same time as their release in other markets. However, we have been driving our efforts to realize this for a long time with our property titled Torrentz, wherein we brought international shows very close to their release in other markets,” said Mr Yagnik.

     

    New channels coming up are giving a tough competition to the likes of Star World, Zee Cafe and AXN. Media professionals feel that, though the competition is good, it can become a burden on English channels as they have a limited TG. This has lead to rise in the cost of procuring rights. So, if a channel is paying more for an acquisition of shows which are popular abroad, they might not be able to recover money as mass channels do.

     

    Mr Ow added that though it cannot be categorized as easy or difficult, the onset of more channels has definitely risen the costs: “If we want a show, we try our level best to get it. AXN’s programming formula is simple – we are an action-adventure destination. Therefore, it narrows down the competition as we look for series, movies or reality shows which cater to that genre.”

     

    On the other hand, Mr Palia feels that though procuring rights is a complicated process, nothing is easy when it comes to running a channel. “It’s a part and parcel of starting a channel. What is more important is the selection process of the shows which will interest the India n audience. Demand for international shows has increased in the country of late and people have become choosy about what they want to watch.”

     

    Hence, many channels are now associating with production houses or producing their own shows as they feel it will help them grow their market without too much of a trouble.

     

    Vishal Rally

    “There could be 100 popular international shows, but we cannot telecast them all. So, a channel needs to choose what their TG wants. Thankfully, we are backed up with a studio and a JV which allows us to telecast shows simultaneously in India as well. We telecast shows like Survivors, NCIS at par with their international seasons. That’s our USP,” said Vishal Rally, business head, BIG CBS Network.

     

    Nevertheless, most channels agree that it isn’t an easy task to get good international shows to India , but to keep the competition at bay, they have to try to out-do internet but also each other by bringing the latest shows to their audience’s living rooms ASAP.

     

    Many broadcasters are also aware that the internet viewership of popular shows is small, and the public still prefers a bigger screen experience. As one broadcaster said, high speed broadband connections exist, but not with everyone. And the buffering is a pain. It’s a huge negative for the viewers who watch English GECs.

     

    But low broadband speeds and poor connectivity will soon be a thing of the past, right? Yes and so will dated soaps and old seasons be, says the broadcaster, requesting anonymity. “Right now, we are catching up with old seasons since most people haven’t watched them… For instance, how many people have watched The Newsroom, which has been receiving rave reviews?” There’s also an issue of copyright and picture quality. “Some of what you see on YouTube is pirated and is being yanked off the site when caught in the act. And if it is available somewhere, it appears to have been recorded on the microwave oven… Who wants to view Masterchef where a tomato looks like a potato!!!”

     

    Hmmm. Surely reason for us to wait and watch. Or in this case, watch and wait.