Tag: Sir John Hegarty

  • Telling the truth in ads always works

     

    A little exaggeration is ok to make a point. But agencies must stand up to their clients if they are being forced to make tall claims, ad guru and BBH founder Sir John Hegarty tells Labonita Ghosh. And in such instances, self-regulation by an industry body is always better than guidelines being imposed from the outside

     

    Can creativity happen without some exaggeration and tall claims?

    Creativity always involves some exaggeration because you exaggerate to make some point. Since the beginning of time, mankind has done that. But in advertising it must be done in a way to engage people and not just try to shock them. That’s the real creative skill

     

    So where does one draw the line, given that the exaggeration and tall claims may be subjective?

    There’s the idea that the truth is a moving feast. Your truth isn’t necessarily my truth. The Japanese film Rashomon deals with some of this – what is the truth and what did you see. People genuinely think they saw one thing or another. I like to use the word integrity, because it imposes upon you a responsibility. Did you do something because you believed it to be true, as opposed to someone seeing a different truth? And once you’re doing what you believe to be true – and I don’t mean being dishonest with yourself – then I think that’s all you can be expected to do. I don’t think you can do more than that. So we try and build our strategies around some truth because that’s what will resonate more with people. And [such advertising] is much more effective.

     

    One could argue that that’s a bit cynical. But actually, the truth really does work, as an advertising and commercial strategy. Trouble is, a huge number of brands don’t believe that they can tell the truth. In hair care ads, why is that they always show someone with lovely, long hair? It’s such a cliché. But a brand that finds a way of talking about hair and what the product does for it in a way that is more unique, and more relevant, is the brand that will walk away with the prize. The point is to make that truth relevant at that particular moment in time. After all, circumstances change. I may have different requirements at different times from the product I buy. So it needs to be relevant at that point in time for me. It isn’t just enough to sit up and say ‘I tell the truth”.

     

    For instance, we always tall about the famous ad campaign done by DDB for Volkswagen in the early ’60s. It’s famous because it created more than advertising. What it said was that the Volkswagen is ugly, but it works. This, at a time when American cars were selling luxury, size and volume and such. The ad worked against the current point of view, and there were enough people with whom this idea resonated, for the campaign to have become a huge success. The point is that it has always got to be relevant.

     

    You mentioned integrity earlier. But isn’t that different for different people? Whose integrity do we trust?

    [As a brand] you have to do it. Because you’re the one communicating the message which will then make people decide whether or not they want to buy your product. That’s the choice you make. I don’t think we should be afraid of making choices – after all, that’s what brands are about. Great brands stand out because they stand for what they believe in. They don’t try to be all things to all people. All brands define themselves in some way or another, so you shouldn’t be afraid of doing that.

     

    What happens when, as an agency, you have the client twisting your arm about projecting something?

    That happens all the time. Agencies are handed the information and they can only trust that their client will stand by it. But if they think it’s incorrect or not working, they should also tell the client so. We were working for a large, rather famous cola company many years ago, and the reason they said their product was failing slightly was because their competitor had more sugar in their drink. We found that hard to believe so we tested it ourselves and discovered that [our client’s] product actually had more sugar, and their product failing had nothing to do with this at all. We shared this information with them and they had to back down on their claim. So agencies can’t just be the messenger. They have to be a responsible messenger too.

     

    Given that there will always be a bit of a gap between the broadcast/ printing of an ad, and action being taken on a claim, can self-regulation work effectively?

    Self-regulation has certainly been effective in the UK. There, the Advertising Standards Authority, which is financed by the advertising industry, regulates, brings out reports and issues condemnations if there are any. I think it’s better if there’s self-regulation rather than outside regulation. Advertising campaigns now are very expensive. So a client won’t be happy if it has to pull a campaign [because of some irresponsible advertising]. But one of the things I find amazing is somehow companies manage to distance themselves from the advertising when they’re in trouble. As a company you are employing the advertising agency and you are making these claims. So you should be taking responsibility. One way to make companies toes the line is by constantly naming and shaming them as offenders. If you keep have your ads withdrawn, it’s not going to be good for your mage, it won’t go down well with your shareholders and all sorts of things will begin to impact them, which will make a company think twice before making tall claims.

     

  • Anil Thakraney: BBH must remain the black sheep

    By Anil Thakraney

     

    So, Sir John Hegarty has sold out his cult hot shop to the Publicis Group. The latter already owned a substantial stake in BBH, but now it’s a complete buy-out. How this acquisition will impact the future of BBH, only time will tell. It will all depend on how the new parent handles the adopted baby.

     

    BBH definitely gains from the acquisition in terms of financial muscle power. The ’boutique’ agency will now have a lot more moolah in its kitty to play around with. So that’s the good news. The bad news however is the agency has lost its independence. How much ever Publicis claims they will leave BBH alone to carve its own future, the ground reality is that as people change, as leadership changes, and as egos clash, this reassurance can change too. When push comes to shove, the ultimate power lies with the man who signs the pay cheque. That’s the new reality BBH now wakes up to.

     

    There’s another, larger issue to worry about: Sir John Hegarty and his partners will have run into serious personal money with this acquisition. Good for them, and they do deserve every penny of it. But it’s also a fact that Hegarty isn’t getting any younger, and BBH could come under a cloud when he retires to his farmhouse. Which is likely to happen pretty soon, within the next two years to be precise. As long as the Big Man is around, the Publicis suits will resist the temptation to interfere. Once he’s gone, it’s anybody’s guess how things will pan out. Suffice to say this: BBH, in its new avatar, won’t find it as easy to attract hot creative talent as it did till yesterday. It’s a pucca family member now.

     

    [youtube width=”400″ height=”225″]http://www.youtube.com/watch?v=MZtDqpdvy7s[/youtube]

    Publicis’s best bet is to allow BBH to maintain Hegarty’s famed ideology, even after Hegarty walks into the sunset: ‘When the world zigs, zag.’ They poke their neck into this and try to tweak it; BBH will immediately lose its magic and turn into just another ad agency. And that would be a pity.

     

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    PS: Heineken’s new ad. It’s a simple idea: ‘The perfect beer calls for the perfect bar.’ But the magic has been created by the art director and the production designer. A good example of how superb art direction can really lift a film. I feel like a Heineken already!