Tag: Simmba

  • Ranveer Singh: A Star Like No One Else

     

     

    By Shailesh Kapoor

     

    The last Bollywood release of 2018, Rohit Shetty’s Simmba, is buzzing at the box office. The film’s extraordinary run in its first week puts it in a firm position to be the third-biggest Hindi language grosser of the year after Sanju and Padmaavat. While the full-blown mainstream entertainment package delivered by the film works as its biggest plus, Simmba benefits in no small measure from an inspired no-holds-barred yet mature performance by its male lead Ranveer Singh.

    If there is such a thing as taking a role by the scruff of its neck and owning it completely, Ranveer Singh has done that twice over last year. His January performance as Alauddin Khilji in Padmaavat had the audiences and the critics applauding him. Simmba is arguably a more towering performance, where Singh plays to the gallery for most part, delivering comic punches and clap-traps by the minute, till the film enters a certain emotional space, into which he transforms seamlessly, almost like he’s living the character’s journey – an incredible feat to achieve in a film that’s essentially designed to be larger-than-life and hence definitionally unreal.

    But it’s not just these two performances that have set up Ranveer Singh as the potential No. 1 Bollywood star in the coming years. There’s an off-screen persona that’s so unique and effervescent that it makes him stand out in a crowd of vain stars living in their bubble of (often self-fulfilling) stardom.

    Watch Ranveer Singh in this Actors Roundtable with Rajeev Masand. He’s clearly the biggest star on the table. But he’s also the most generous and fun-loving one of the lot. Early in the discussion, he praises Rajkummar Rao and Pankaj Tripathi for their film Newton. Towards the latter half of the show, he develops a rapport with the much-respected Tripathi. Watch them bond and you know Ranveer Singh doesn’t wear his stardom on his sleeve. Or anywhere for that matter. He goes on to compliment Tripathi on his film Gurgaon. The 2017 indie film got a limited release and hardly any takers at the box office, though it has since been discovered by many on Netflix. In an industry where people are too busy and self-occupied to watch other people’s work (some even say so proudly!), here’s a top star who’s had a busy year with two films, a high-profile marriage and several endorsements, but has somehow managed to watch a film many others may not even have heard of.

    This accessibility and generosity are such uncommon celebrity traits that you actually wonder if this is all a charade the man could be putting up to project a certain image. But the more you see and learn about him, you know that’s him for real. He’s a genuine, one-in-a-million outlier. And one with immense talent.

    In this episode of ETC Bollywood Business, watch (from 4:07) Simmba’s dialogue writer Farhad Samji respond to a question by anchor Komal Nahta on how Ranveer Singh responded to the script narration of the film. Or watch him on any reality show. Or watch him speak about Deepika Padukone. Or watch him dress bizarrely and then talk nonchalantly about his ‘fashion sense’. Watch him anywhere, doing anything. It’s a curious case of talent meets energy meets humility.

    Only time will tell how big a star Ranveer Singh turns out to be. But one thing is already certain: He’s a star like no one else. And he shall shine bright for that reason alone.

  • Bollywood’s Big Festive Four

     

    By Shailesh Kapoor

     

    It’s been an exceptional year for Hindi theatrical business so far. The flow of hits has been consistent over the year. A series of seemingly ‘regular’ films, made in humble budgets, have cut through and become big, the latest being the delightful Badhaai Ho. As the year nears its end, it is set to be the watershed year that reverses the trend of declining footfalls and poor success ratio. How big will 2018 be over 2017 will, however, depend on the eight weeks that remain.

     

    The last two months of the year are packed with four big films, each with a mammoth potential of its own. If three or more of these films land where they can be expected to, given the credentials of the people involved, we may be looking at an exceptional 2018.

     

    Thugs Of Hindostan is first of the four, releasing next week on November 8. The film is set to be the widest release ever in India. It has many records to chase, especially in terms of a huge opening day and an opening weekend. The makers (Yash Raj Films) haven’t put out too much material, leaving a sense of intrigue around what anyway is a fairly unusual film for the Bollywood market in today’s times. Thugs Of Hindostan is incidentally Aamir Khan’s first Diwali release in 22 years, after the blockbuster Raja Hindustani in 1996.

     

    2.0, the next film from the Robot (Enthiran) franchise, is releasing on November 29. The trailer is out tomorrow (November 3). It’s a film that promises to give India a definitive leap in the genre of spectacle cinema. The numbers that can be expected, not just from India but globally, have the potential to make many other big films look very small in comparison. Shankar, like SS Rajamouli, is a director with great vision and storytelling skills. Great VFX are a given. But don’t be surprised if 2.0 has emotional depth too.

     

    The most intriguing film of the four is Aanand L. Rai’s Zero, whose trailer releases today on the birthday of its lead star Shahrukh Khan. Rai has forged a name for himself with the genuinely authentic Tanu Weds Manu films, especially the second one. He’s worked on this ambitious project since that film released in 2015. SRK hasn’t given a film that’s truly found audience appreciation for a while now. Very little is known about Zero, except SRK playing a dwarf, at the time of writing this. But if Rai can marry his world with SRK’s, we could be looking at something very special. Zero releases on December 21.

     

    Simmba, Rohit Shetty’s cop masala action flick with Ranveer Singh, will round up the year on December 28. Singh got accolades for playing Khilji in an all-out, no-holds-barred way, in Padmaavat earlier this year. But this is his big solo film, where everything rests of his shoulders. It’s his Singham. And we can expect him to make it his own. Simmba is more ‘routine’ that the other three films on this list. But never write the staple off.

     

    See you at the movies. Four times over.