Tag: Satbir Singh

  • Satbir Singh launches Thinkstr

    By A Correspondent

     

    Satbir Singh, former chief creative officer of FCB Ulka, has launched an advertising agency Thinkstr, describing his solo venture as “ideas for a digital world”. The new agency has won a project from the government and is focusing on building its core team. Ravi Raghavendra, executive creative director of JWT, has joined Singh in the same capacity. “Thinkstr is not a digital agency, but it will be at the core of our work. While communication isn’t going digital, consumers are. So how do you talk to this audience?” said Singh.

     

    Source:The Economic Times

    Copyright © 2016, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Satbir Singh quits FCB Ulka

    By A Correspondent

     

    Satbir Singh has decided to move on after spending a year as Chief Creative Officer at FCB Ulka. During his stint, Singh led some memorable work across brands like Snapdeal, Tata Salt, Zee and such.

     

    On moving on, Singh said: “It has been a short but enjoyable stint with FCB Ulka. In this brief period I have been fortunate to have worked with some excellent people who created much-talked-about campaigns… From clients to brands to people, 2015 has been a good year.”

     

    According to an FCB Ulka client, Satbir Singh brought to the agency a degree of freshness which the agency will need to ensure is sustained.

     

    Meanwhile, Rohit Ohri is set to take charge at the agency next month. According to the grapevine, he is set to cause some disruption and is said to be keen in bringing in younger, top draw talent.

     

  • Nerolac kickstarts festive season with new TVC

    By A Correspondent

     

    Kansai Nerolac Paints Ltd (KNPL) has released a new television commercial for Nerolac Enamel to mark the onset of festive season with Onam.

     

    The ad film opens with a shot of an old mother elated to receive the news of her son’s return. Excited with the news, the entire family is seen eagerly cleaning up and repainting their neglected and dull looking home. The crowning glory of this revamping exercise is Nerolac Enamel’s rich vibrant colour.

     

    As the son arrives, the family members eagerly wait inside the house for him to enter so that they can welcome him home. The wait continues so the confused family hurries to investigate the reason for the hold up. They find the son at the threshold mesmerized by the vibrant smooth finish of their newly painted door, emphasizing Nerolac Enamel’s product promise that a vibrant and smooth finish will enamour all those who come across it!

     

    Satbir Singh, the Chief Creative Officer at FCB Ulka shared the thought behind the film, “It is a slice of life from a typical household in Kerala, with the return of family members being as momentous as a festival in itself. Often the family receives a short notice and we wanted to convey how simply painting your home can completely alter the personality of your home.”

     

    Anuj Jain, Director Decorative Paints at Kansai Nerolac Paints Limited added, “Kerala is a crucial market for Nerolac. In addition to a host of ad-marketing activities lined up specifically for the state, the aim to release this television commercial was to kick-start the festive season in Kerala. The ad beautifully represents the elegant and simplistic life in Kerala while portraying how a home makeover brings the entire family together.”

     

  • Gerard Jayaranjan to head creative at FCB Ulka Digital

    By A Correspondent

     

    Gerard Jayaranjan

    FCB Ulka Digital, the digital arm of FCB Ulka, has appointed Gerard Jayaranjan as Creative Head – Digital. Prior to this, Gerard was with iContract, the digital division of Contract Advertising where he worked as the Senior Creative Director. He will report to Satbir Singh, CCO, FCB Ulka.

     

    Gerard has done stints with Havas Worldwide, TBWA, DDB Mudra and Mcann Erickson. With a blend of mainline and digital advertising, he has a strong understanding of brands and creative solutions irrespective of the medium used.

     

    Commenting on the appointment, Satish Ramachandran, Senior Vice-President, FCB Ulka Digital, says, “We have been growing way ahead of industry, this has been possible due to fact that we have been consistently investing in talent and technology. Gerry is a perfect addition to the team with his passion and experience in the space.”

     

    Satbir Singh

    Satbir Singh, Chief Creative Officer, FCB Ulka, says, “Gerry is one of those handful of creative guys out there who can think compelling ideas and have a firm grasp on the role of technology. He just had to be in our team.”

     

  • Zee Entertainment launches new corporate brand film created by FCB Ulka

    By A Correspondent

     

    You hear Prime Minister Narendra Modi talk of ‘Vasudhaiva Kutumbakam’ in most of his addresses internationally. Just last week, speaking to the Indian diaspora in Shanghai, China, the Prime Minister spoke of Vasudhaiva Kutumbakam which can be translated from the Sanskrit as The World is My Family.

     

    Interestingly, Vasudhaiva Kutumbakam is also the corporate credo of Zee Entertainment Enterprises Limited (ZEEL).  Now building on its global positioning of ‘Vasudhaiva Kutumbakam – The World is My Family’, ZEEL has announced the launch of its new corporate brand film. Currently reaching over 959 million viewers across 169 countries, the film reiterates Zee’s role as a global brand, a cultural ambassador, uniting people in India and across the world through its wide network of 33 domestic and 36 international channels.

     

    Zee Entertainment had unveiled its corporate brand positioning and identity,‘Vasudhaiva Kutumbakam – The World is my Family’, in 2013.

     

    Roland Landers
    Satbir Singh

    Speaking on the new brand film, Roland Landers, Head – Corporate Brand, ZEEL said, “In its journey of 22 years, Zee has made a significant place in the hearts and minds of millions of viewers across the world. Through this film, we not only cherish their presence, but also welcome the world to be a part of this family.”

     

    Satbir Singh, Chief Creative Officer, FCB Ulka, the communications agency that created the film said, “Zee is today this massive family with millions of family members around the world, connected through highly engaging television and movie content. We are celebrating this inclusive value of Vasudhaiva Kutumbakam, or the World is a Family, with this film.”

     

    The film will be aired on all Zee Entertainment and Zee Media channels starting today (May 18). The film’s roll-out will be supported by a print ad as well as intensive promotion on YouTube and other social media platforms.

     

     

     

  • Satbir Singh to join FCB Ulka as CCO

    By Pritha Mitra Dasgupta

     

    Satbir Singh, managing partner and chief creative officer (CCO) at Havas Worldwide India, has submitted his resignation at the advertising and marketing agency. He will join rival agency FCB Ulka as CCO with effect from February.

     

    Confirming the development, Nagesh Alai, chairman at FCB Ulka Group, said Mr Singh will be a great addition to FCB Ulka’s leadership team. Mr Singh will replace K S Chakravarthy, popularly known as Chax, who quit FCB Ulka as national creative director last year. He will be relocating to Mumbai from Delhi for the new position. “FCB is amongst India’s largest agencies for a reason. My mandate is to persist with the good things, sharpen the others and add digital edge to our offering,” Singh said. “Clearly it’s time for smart, digitally-savvy large agencies to create work that speaks to people in their preferred medium, whether it’s a 30-inch screen or a 4-inch one,” he said.

     

    Before joining Havas in 2005, Singh worked at Ogilvy & Mather as creative director; Leo Burnett as associate creative director and Grey, where he started his advertising career about two decades ago.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Why do Indian agencies turn a blind idea to Idea Thiefs?

     

    By Shephali Bhatt

     

    Caution:The tone of this article is slightly harsh. In our defence, if you are in advertising you had it coming.

     

    Under ordinary circumstances, you empathise with a victim. Not with the Indian advertising industry, at least not this time. Why not? Because for the longest while now, agencies who claim to be problem solvers haven’t figured out how to prevent a basic issue that mars their existence: the theft of ideas at pitches.

     

    A few weeks ago, we had an anonymous senior adman pen a much discussed column about idea theft. It’s this convenient thing clients do as agencies present their most ‘groundbreaking’ work. They adopt (read: steal) ideas that catch their fancy without so much as a by your leave.

     

     

    The Legalese Simplified

    – Ideas cannot be protected under any law pertaining to intellectual property rights (IPR).

    – Copyrights protect expression of an idea. Patents protect inventions.

    – But, an agency can enter into an agreement with a client whereby he’d be bound to keep information given at the time of pitching confidential.

    – While industries like cinema, music, photography have strong unions safeguarding the creative folks rights, ideas are not protected under IPR anywhere. Only its embodiment in a tangible form can be protected.

    – The best way forward for a creative in any field is to be wise about their sales pitch.

    – If you’re a lyricist, share a stanza; a musician, share a tune; a scriptwriter, share a chapter.

    – And if you’re an adman, show your past work to the client or sign an NDA before showing speculative work.

    – If you are desperate, God save you.

     

    Inputs by Rahul Chaudhry, managing partner at Lall Lahiri & Salhotra, an Intellectual Property law firm)

     

    Some other agency gets to work on the campaign and soon Agency No 1 is staring at a YouTube video, now gone viral, that keeps clocking like after like. Leaving its staffers seething in impotent rage and the desire to scrawl ‘Hey, this was my idea’ in the comments thread.

     

    If this sounds distressingly familiar, look no further than the mirror while trying to find people to blame. First, agencies don’t do their homework. All clients aren’t cut from the same righteous cloth.

     

    There are Bermuda Triangles of the marketing world, who have a reputation for idea shopping. It was something a large Indian conglomerate was frequently accused off especially given its close ties with a particular agency. But typically, such clients opt for whoever quotes the lowest. And yet, pitch after pitch, ad shops go in all guns blazing, their finest creative minds working overtime, effectively delivering their best ideas free of charge.

     

    Mostly, the idea gets mutated by the time it comes to fruition so the original agency often finds its ownership hard to prove. To quote a few instances, the preorder strategy, a digital queue for the launch of a fast food chain in India was supposedly presented by an agency that didn’t get the account.

     

    A knit-wear brand is notorious for idea shopping. A creative head remembers writing a campaign for the Ministry of Tourism once. He didn’t win the account but one of his lines showed up in the final campaign. 8 out of 10 creative directors have been on the receiving end of this unabashed thievery of ideas.

     

    On the other hand, there are the rare cases of magnanimous clients like VIP who compensated an agency for using a modified version of its brand name suggestion for a new line of women’s bags – Caprese.

     

    Idea theft, like many advertising grievances, isn’t confined to India. Remember the #ShareACoke campaign? A veteran adwallah told us that when the original idea (by O&M, Sydney) was adapted by another agency in a different market, the Australian network agency created a mini uproar and got compensated. Good for them if that’s what actually happened. And what do their Indian counterparts do? Nothing. Actually, they discuss it grudgingly over a pint or few of beer.

     

    So, next to nothing would be more like it. The conversation brings about life-altering thoughts like – If the client can make us sign an NDA (non-disclosure agreement), why can’t we do the same? Legally, they can. But with agencies shying away from asking for a meagre fee hike, the chances of them demanding an NDA are slim to none.

     

    With undercutting and declining margins, agencies are under so much pressure to achieve topline, they can’t afford to say no to any fresh stream of revenue or upset a marketer by bringing up the NDA. The last thing anyone wants is the reputation of being a difficult agency.

     

    “The irony of it all is that despite being the biggest supplier of ideas, we have no command over our own product,” laments Anil Nair, CEO and managing partner of L&K Saatchi & Saatchi. The client knows agencies are desperate for new business. If he is unscrupulous, he will take advantage of the situation. It’s a sign of a shortsighted client though, says Ajay Kakar, CMO, Aditya Birla Group – financial services, to relinquish Lord Krishna for his army. We know how that panned out.

     

    Nonetheless, it’s the agency network that should boycott such clients. So, why haven’t the doyens of this industry done anything to check these defaulters? “It’s because most of our senior leaders are on extension and they don’t give a damn about where this industry is headed,” says Satbir Singh, managing partner and CCO of Havas Worldwide India.

     

    You have people who should’ve retired two years ago, getting paid a crore annually. Why would they risk anything? Rather why do they need to risk it for something that in most cases doesn’t even concern them? Celebrated creatives are typically insulated from this phenomenon; it’s mainly the mid-level creative who often ends up feeling violated. Ideas are likely to build his career and the stuff histories are made of.

     

    The agency ecosystem needs to safeguard these or run the risk of losing talent to another industry (a fad plaguing advertising but that’s for another edition). The AAAI (Advertising Agencies Association of India) says it’s working towards protecting ideas.

     

    While the call for a pitch fee went nowhere – rumour has it that agencies keen to pitch coughed up the fee themselves – in the last few years; they are looking to revisit pitch guidelines along with the ISA (Indian Society of Advertisers), shares MG Parameswaran, the association’s president and the advisor to FCB Ulka.

     

    The NDA clause will be a part of the revised guidelines, we’re told. So, when do we get this revised charter, we ask? In about three to four months, says Nagesh Alai, chairman of the legal wing. Until then, and maybe even after then, it’s open season on ideas.

     

  • Final countdown for Effies 2012

     

    By Ananya Saha

     

    Effies 2012 is drawing to to a close with the second round of judging held in Gurgaon (NCR). The last leg of second round is scheduled for November 29 in Mumbai. The 12th edition of Effie has shortlisted 128 entries from 20 agencies. The 2012 edition boasts of two new categories: Direct Marketing and Ongoing Campaign apart from sharpened categories of David vs Goliath and Integrated Category.

     

    Ajay Kakar

    Ajay Kakar, Chairperson – EFFIE Committee and the Vice President of The Advertising Club said, “This year we have surprised ourselves. We received 357 entries from 50 agencies, up from 300 entries last year. We have introduced Round 2 in Delhi. Last year, we only had Round 1 in Delhi.”  Effies boasts of being known to measure effectiveness, from the viewpoint of the client and agency. “And 120 judges from who’s who from media, marketing and advertising will be judging with a bit more than 50% of judges being clients.” The judges and Effies Committee is also kicked about online judging, “It not only saves paper but also helps the judges to take their time,” Mr Kakar said.

     

    N Rajaram

    The judges were also upbeat about Delhi hosting second round of the judging process. N Rajaram, CMO, Airtel Center said, “The second round of Effies held in Delhi effectively recognizes that fact that clients based out of Delhi has increased significantly. It is a good step in the right direction.” Anil Dua, Sr VP – Sales and Marketing said, “This edition of Effies has been unique since it is IT-enabled. It brings out the efficiency as a judge, and helps us to judge efficiently.” Bipin Pandit, Chief Operating Officer, The Advertising Club, called Effies the coveted affair.

     

     

    Shashi Sinha
    Shashi Sinha

    Though shy to talk for Delhi since he belongs to the Board of Effies, Shashi Sinha, President, The Advertising Club, noted that the participation in Effies had increased significantly in the past five years with lot of marketing and senior advertising professionals becoming part of this year’s edition. Bindu Sethi, chief strategy officer, India, JWT, said, “There is a good mix of representation from from Delhi and Mumbai. The quality of entries has also got better. It is fun judging such campaigns on effectiveness.” She also remarked about how the paperless judging made it easier for the judges to refer back to the case studies to make an informed decision

     

    Satbir Singh

    Satbir Singh, Managing Partner and Chief Creative Officer of Havas Worldwide India, is judging Effies for the very first time. He said, “The Effies are purely and single-mindedly conducted to measure effectiveness of the campaigns. As a judge we have to be mindful of the strategy, the execution, the background and the effectiveness of the final campaign while judging.”

     

    Mr Kakar summed up, “Effie remains the only award that awards the effectiveness.”

     

    For the record, the Round 1 of judging was held in Mumbai on November 20 and 21, and in Delhi on November 24. The last leg of the judging process will happen in Mumbai on November 29.

     

  • Is Delhi upstaging Mumbai in A&M?

     

    By Ananya Saha

     

     

    Chalo Dilli, as Ad Club drops Bombay

     

    Jaldi 5 with Shashi Sinha: “The idea is not to emerge as the only Ad Club in India”

     

    Anil Thakraney: Delhi ad guys less cynical than Mumbai frat

     

    At first it may not sound like a big deal. What’s in a name? And what’s in just the shedding of a part of the name? A lot, we think. For, in the context of the Advertising Club Bombay dropping the Bombay from the name, it’s indicative of the changing times.

     

    The attempt  to be more all-inclusive is a welcome sign no doubt. But as the Club’s president told MxMIndia: “Delhi is a key market for the advertising industry with big agencies being housed there and also some big clients too based there. This is definitely one of the main reasons for us bringing Delhi under our purview.”

     

    So is this move a firm indicator that Delhi is emerging as a more challenging player than Mumbai in Advertising and Marketing?

     

    Rahul Kishore

    According to Rahul Kishore, Senior VP – Priority Projects at Mogae Media, does not believe in this creative demarcation and would rather see Delhi (“Gurgaon actually”) and Mumbai sharing an equal pedestal.

     

    Mr Kishore said, “I am totally against this Delhi v/s Bombay tussle that keeps happening on and off. It should just be The Advertising Club. As I said there are agencies that are present all across the country but just because a few are headquartered in Mumbai it doesn’t give Bombay to be the leader of sorts. I don’t think that’s a true representation; I think there’s a lot more business that happens out of North India. I can tell you that in North India.”

     

    Satbir Singh

    Satbir Singh, Managing Partner & Chief Creative Officer: Euro RSCG India, echoes this view. He believes that Delhi has an edge over Mumbai especially when it comes to clients. He said, “The rate of growth that Delhi has had over Mumbai has been phenomenal, especially over the last four-five years. Delhi has largest spenders: whether it is auto sector, telecom or large scale FMCGs like Reckitt Benckiser, Dabur, Pepsi, Coke etc.”

     

    “Mumbai still scores with financial sector and the fact that large-spending media clients like GECs are based out of Mumbai. One spender that can perhaps tip scales in favour of Mumbai is Hindustan Lever since it equals the large spenders that Delhi has,” Mr Singh added.  “But that apart, the sheer number and concentration of large spenders is very heavy in Delhi and this will continue for a long time. Earlier, most of the senior people were based out of Mumbai. But increasingly we see more senior people either based out of Delhi or flying to the capital for meetings and decisions.”

     

    Delhi has the edge, no doubt. Mumbai, though, still has a dominant edge when it comes to creativity – in areas like advertising films etc thanks to the presence of Bollywood and the best post production facilities – but here too the gap is narrowing.

     

    Lloyd Mathias

    Lloyd Mathias, Director, GreenBean Ventures, Former President & CMO, Tata Teleservices is originally from Mumbai, but has worked extensively in Delhi and for a bit in recent years in Mumbai too. “I would not say dominant, but Delhi is rapidly moving to equal Mumbai in the advertising and marketing space,” he said. “In certain sectors, such as mobile phones, consumer durables and automobiles, Delhi has already pulled ahead of Mumbai. Given Mumbai’s historical dominance as India’s commercial centre it had the edge with a more professional approach to work; but the with the emergence of MNC’s over the last decade in the Gurgaon/Delhi/NCR region , the gap has narrowed down to a large extent,”  he added.

     

    An industry analyst with a leading consulting firm who did not wish to be named, said, “There has been a massive increase in Delhi , definitely. Delhi team is more efficient at negotiation, is the finding. The Delhi team thinks bigger. They do not approach clients as space-vendors; rather they go as concept-sellers and are able to get higher rates from advertiser.”

     

    Sathyamurthy NP

    What has possibly helped Delhi is the increasing professionalism and an improved work ethic. The industry analyst further said, “What has become a norm is that the foreigners come and set up base in Delhi. An MNC set-up brings in systems and processes of evolved advertising markets to Delhi . When you sell to those guys, you sell fancier ideas. All that gets a premium. Advertisers in Delhi are savvy, wherein Mumbai guys are more focused on bottom lines and rates. That is why we also think of servicing a client out of Delhi , for the Delhi team can present better concepts and thus, crack better deals.”

     

     

    Prathap Suthan

    Sathyamurthy NP, President & Head – DDB MudraMax reasoned that we should not be making too much of the move by the Advertising Club. “Though Mumbai will continue to be the advertising hub of India, it’s time we hear the voice of Delhi too,” he told MxMIndia, adding:  “When it comes to being professional, Delhi is as good as Mumbai.”

     

    The move by the Advertising Club to be more inclusive is decidedly in the right direction. But will it help the industry to keep politics aside and show more participation, only time can tell. Meanwhile, the Mumbai v/s Delhi debate is endless. And, as veteran adman Prathap Suthan told MxMIndia, “intercity rivalry is healthy, positive and must be sustained”.

    with inputs from Tuhina Anand and Johnson Napier

     

  • The Anchor: Satbir Singh on 7 reasons advtg is a serious business that allows much fun

    #1 Planning communication strategy requires serious thinking. Being entrusted with planning a communication strategy for a brand is no easy task and requires meticulous planning and perfect execution.

    #2 Creating campaigns requires seriously long hours and weekends in the office. Zeroing on the right idea and taking it to its final step takes time.

    #3 Executing ideas and shooting films amongst others requires travel sans any sightseeing. It might seem glamorous that one gets to travel to various exotic locations while shooting an ad, but the truth is that it’s all work and hardly any play.

    #4 On the other hand, working on different brands and different briefs on the same brands means no monotony.

    #5 It is a profession of very young people. The atmosphere is always exciting and never dull. The industry is full of youngsters who are brimming with fresh ideas and it’s always a learning experience to work with young people who often open up a new line of thinking.

    #6 For those who find it a draw, you could be working with top cricketers and Bollywood celebrities. Now that could be a perk of working with an advertising industry.

    #7 Seeing work that you’ve created on TV and around you is a massive pleasure. It is a deeply satisfying experience to see the idea that one has been working on finally taking shape and then reaching fruition.

     

    Satbir Singh is Managing Partner and Chief Creative Officer, EuroRSCG India