Tag: Santosh Padhi

  • Taproot turns FPJ turns into Free Sports Journal on National Sports Day

    By A Correspondent

     

    Ninety-year-old newspaper Free Press Journal is sporting a new masthead today. On the occasion of National Sports Day, Taproot Dentsu changed the masthead of the paper to “highlight the issue of free and easy access to sport”

     

    Abhishek Karnani

    Said Abhishek Karnani, Director, Free Press Journal: “Print has the potential to be an innovative and exciting medium. We, as a publication, are always on the lookout for bold, progressive, cutting-edge innovations and ideas that prove that statement to be true. And that allows us to stay relevant to our new-age audience. The Free Press Journal has constantly addressed social issues, through its fair and fearless reportage. But this idea allowed us to go beyond, to champion change. By changing our masthead to reflect the issue, we are reflecting upon and dedicating two full pages to amplify it. We will be taking this idea forward through the year, shining the spotlight on multiple issues – like access to education, healthcare, safety, etc., on relevant national and international days.” The idea was brought to the paper by Taproot Dentsu, informs Karnani.

     

    Santosh Padhi

    Added Santosh Padhi (Paddy), Chief Creative Officer and Co-Founder, Santosh Padhi: “A simple yet brave idea is what we had. One that was born out of the name of the newspaper itself – Free Press. We live in an era where less is more. I’m delighted that this new-age approach was liked the minute it was presented. And even more delighted that this won’t be a one-off – we’ll be running this campaign through the year, highlighting national issues on relevant days.”

     

     

  • Taproot film creates film for Star Sports to promote Ind-Aus series

    By A Correspondent

     

    Setting the tone for the upcoming Australia-India cricket tour, Star Sports has rolled out a humorous campaign around the same. The film has been conceptualised by Taproot Dentsu.

     

    Said Gautam Thakar, CEO, Star Sports: “The campaign amplifies the fun banter that all fans look forward to in every India vs Australia series. This series kicks off a “summer of cricket” on Star Sports including the VIVO IPL and the ICC World Cup. We are even more excited this year as we will now telecast this on our dedicated sports channels in Tamil, Telugu, and Kannada for our regional viewers apart from our existing English and Hindi feeds.”

     

    Speaking about the campaign, Taproot Dentsu CCO Santosh Padhi added: “Cricket banter gets a lot of attention in popular media and Paine’s remark has provided grist to our creative mill. The Aussies are good sports and we’ve used their dig against them, to set up a face-off between the two teams. A cheeky personality like Sehwag was an easy choice as the celebrity face for this campaign.”

     

     

  • Santosh Padhi & Harshit Jain to judge at One Show

    By A Correspondent

     

    The One Club for Creativity has announced that Santosh Padhi and Harshit Jain will serve as judges for The One Show 2019. Nearly 200 highly qualified creatives representing 26 countries will judge work from around the world.  While Jain, Chief Growth Officer, McCann Worldgroup, currently in London, will be a judge for Health Wellness & Pharma category, Santosh Padhi, Co-founder and Chief Creative Officer, Taproot Dentsu, Mumbai will judge enties in Print & Outdoor.

     

    “The quality of jurors has long been a hallmark of The One Show”, said Kevin Swanepoel, CEO, The One Club for Creativity. “This year’s gender balanced juries consist of the industry’s top tier of creative thinkers and doers from around the world. They will judge work through the lens of creativity of ideas and quality execution, and use our robust judging platform featuring proprietary, state-of-the-art voting and scoring technology.”

     

    For the first time this year, The One Show will accept submissions for the coveted Green Pencil, recognizing excellence in environmentally-conscious advertising and design. In past years, the award was based on nominations.

     

     

  • Eureka Forbes appoints Taproot Dentsu as its creative agency

    By A Correspondent

     

    Eureka Forbes has roped in Taproot Dentsu to handle its creative duties. The agency won the account following a multi-agency pitch.

     

    Under this new partnership, Taproot Dentsu  will now be responsible for Eureka Forbes’ brands across the categories of water purifiers, air purifiers, vacuum cleaners and security and surveillance solutions. With Taproot Dentsu on board, Eureka Forbes plans to further fortify its position as category leaders.

     

    Said Marzin R Shroff, MD and CEO at Eureka Forbes: “Taproot Dentsu’s creative ideas and holistic approach resonates with our ideology and strategy. We are confident that the agency’s understanding of our business and categories will help us in making our brands more engaging, intriguing and relevant to all our stakeholders. We wish the team success and look forward to an exciting journey together. I would also like to acknowledge the contribution of Triton Communications that has helped us create and build our iconic brands over the last three decades.”

     

    Added Umesh Shrikhande, CEO – Taproot Dentsu: “Aquaguard from Eureka Forbes is a brand that has been a leader and pioneer in the water purification space. For most Indian consumers, the name is synonymous with the category. The work they have done spanning visionary R&D, specialist selling and social initiatives is staggering. It is our privilege to get this opportunity to help the brand strengthen its leadership position. Equally, we are excited to work on their other important brands like Euroclean Vacuum Cleaners, Aeroguard Air Purifiers and EuroVigil Security Solutions, which are leaders in their own right.”

     

    Said Santosh Padhi, Co-founder and Chief Creative Officer – Taproot Dentsu: “It is always challenging to create sharp and memorable communication for a rational/scientific category. More so when you are dealing with a respected leader brand like Aquaguard. We will pull out all stops to make sure that we create winning communication that’s differentiated.”

     

     

  • Taproot tops Spikes Asia

     

    By A Correspondent

     

    There was much disappointment when the Adidas Odds campaign did win big at the 2017 Cannes Lions. We expected it to, just as we were certain the Bajaj V would also earn back rich laurels.

     

    But then these things happens at all jury-led events and for Taproot, accolades (and metals) at D&AD, OneShow, Adfest or Cannes on the international arena have meant some satisfaction. And now the Adidas Odds campaign has bagged the biggest award at Spikes Asia – the Integrated Grand Prix. Taproot Dentsu has also named as the Indian Agency of the Year Award on the back of 10 metals.

     

    Says Santosh Padhi, Co-founder and Chief Creative Officer with a smile: “Though I was bit disappointed with Cannes results, as I felt it was under rewarded with just three lions at Cannes, but this has made up for that,” adding: “Spikes Asia is one of the reputed Advertising Award Shows of Asia, We are happy to got two of the greatest honors at Spikes Asia this year in form of a “Integrated grand Prix” and “India Agency Of The Year” awards.

     

    And his comments on topping the country at Spikes? “This is not the first time we have fetched this title of Agency Of The Year on global forum… Last year at Clio we were the India Agency of the Year.  In 2012 we were Adfest Agency of the year, at many occasions at various awards shows we have topped the table for India nothing gives us more high than to represent the nation at such international forums”

     

    The other Grand Prix bagged by an Indian Agency was in the ‘Good’ category. And it was presented to McCann for “The Immunity Charm” for the Ministry Of Public Health, Afghanistan

     

    Meanwhile, the 2017 edition of Spikes Asia closed with the Spikes Asia Awards last weekend where members of the creative industry from across Asia-Pacific gathered to celebrate and honour the best work from the region.

     

    This year, Spikes received 4,301 entries from 23 countries. In addition to the 20 award categories announced at the Spikes Asia Awards, the ceremony also announced the recipients of: Media Agency of the Year, Independent Agency of the Year, Network of the Year, Asia-Pacific Agency of the Year Award the Spikes Palm Award, the Grand Prix for Good and the Country Agency of the Year Award a new award that celebrates agency performance at a national level.

     

    Said Terry Savage, Co-Chairman of Spikes Asia on how this year’s crop of winning work was a shining example of how the Asia-Pacific region was embracing new creative trends: “There’s been a growing movement of brands and their creative partners producing a new kind of work that goes beyond advertising. The ideas being recognised at Spikes this year show brands breaking out of traditional channels, impacting culture and delivering business results.”

     

    This year’s winners were:

    Creative Effectiveness
    2 Spikes from 19 entries were awarded including 1 Creative Effectiveness Spike
    The Creative Effectiveness Grand Prix went to Colenso BBDO, Auckland, New Zealand for their campaign ‘Brewtroleum’ for DB Breweries/Heineken

    Design
    39 Spikes from 350 entries were awarded including 3 Gold Spikes, 14 Silver Spikes and 21 Bronze Spikes.
    CJ WORX, Bangkok, Thailand won the Design Grand Prix for ‘The Unusual Football Field Project’, AP Thailand

    Digital
    44 Spikes from 407 entries were awarded including 4 Gold Spikes, 17 Silver Spikes and 22 Bronze Spikes.
    Clemenger BBDO Melbourne, Australia, won its first Grand Prix for ‘Meet Graham’ for the Transport Accident Commission Victoria

    Digital Craft
    17 Spikes from 131 entries were awarded including 2 Gold Spikes, 5 Silver Spikes and 9 Bronze Spikes.
    The Grand Prix was awarded to R/GA Sydney, Australia for its campaign ‘Through the Dark’ for Google

    Direct
    37 Spikes from 291 entries were awarded including 2 Gold Spikes, 14 Silver Spikes and 20 Bronze Spikes.
    Clemenger BBDO Melbourne, Australia won its second Grand Prix for ‘Meet Graham’ for the Transport Accident Commission Victoria

    Entertainment
    13 Spikes from 126 entries were awarded including 2 Gold Spikes, 4 Silver Spikes and 6 Bronze Spikes.
    The Grand Prix was awarded to Hakuhodo Inc., Tokyo, Japan for their campaign ‘Gravity Cat’ for Sony Interactive Entertainment Inc.

    Film
    37 Spikes from 379 entries were awarded 6 Gold Spikes, 12 Silver Spikes and 18 Bronze Spikes.
    Colenso BBDO, Auckland, New Zealand won the Grand Prix for their campaign “Hard Man to Impress”, “Scared” and “Treehouse” for Pedigree

    Film Craft
    43 Spikes from 441 entries were awarded including 6 Gold Spikes, 14 Silver Spikes and 23 Bronze Spikes.
    There was no Grand Prix awarded

    Healthcare
    25 Spikes from 188 entries were awarded including 4 Gold Spikes, 6 Silver Spikes and 14 Bronze Spikes
    Clemenger BBDO Melbourne, Australia won its third Grand Prix of the evening for ‘Meet Graham’ for the Transport Accident Commission Victoria

    Innovation
    3 Spikes from 32 entries were awarded including 2 Innovation Spikes. The Grand Prix was presented to Dentsu Inc., Tokyo, Japan for ‘Smile Lock Outlet’ for Toyota

    Integrated
    6 Spikes from 43 entries were awarded including 1 Gold Spike, 2 Silver Spikes and 2 Bronze Spikes.
    The Grand Prix was presented to Taproot Dentsu, Mumbai, India for ‘Adidas Odds’ for Adidas

    Media
    37 Spikes from 333 entries were awarded including 7 Gold Spikes, 14 Silver Spikes and 15 Bronze Spikes.
    McCann Melbourne, Australia won the Grand Prix for ‘Made Possible by Melbourne’ for the University Of Melbourne

    Mobile
    20 Spikes from 173 entries were awarded including 3 Gold Spikes, 5 Silver Spikes and 11 Bronze Spikes
    The Grand Prix was awarded to MediaMonks, Amsterdam / Google Asia Pacific, Singapore / Lenovo, Singapore / Marina Bay Sands, Singapore / WWF Singapore, The Netherlands for ‘Arts Science Museum: Into the Wild’ for Google, Lenovo and WWF

    Music
    7 Spikes from 56 entries were awarded including 1 Gold Spike, 2 Silver Spikes and 3 Bronze Spikes.
    Host Sydney, Australia won the Grand Prix for ‘Summer Wonderland’ for Air New Zealand

    Outdoor
    28 Spikes from 293 entries were awarded including 4 Gold Spikes, 13 Silver Spikes and 10 Bronze Spikes.
    CJ WORX, Bangkok, Thailand won its second Grand Prix of the evening for ‘The Unusual Football Field Project’, AP (Thailand)

    PR
    26 Spikes from 264 entries were awarded including 4 Gold Spikes, 8 Silver Spikes and 13 Bronze Spikes.
    The Grand Prix was awarded to Clemenger BBDO Melbourne, Australia for ‘Meet Graham’ for the Transport Accident Commission Victoria

    Print & Outdoor Craft
    17 Spikes from 177 entries were awarded including 3 Gold Spikes, 6 Silver Spikes and 7 Bronze Spikes.
    Ogilvy & Mather Japan, Tokyo, Japan won the Grand Prix for its campaign ‘Flounder Fish’, ‘Octopus’, ‘Lotus Root’, ‘Mackerel’, ‘Onion’, ‘Mushroom’ and ‘Okra’ for Sagawa Shoyu Inc.

    Print & Publishing
    10 Spikes from 148 entries were awarded including 3 Gold Spikes, 4 Silver Spikes and 2 Bronze Spikes.
    Ogilvy, Bangkok, Thailand, were awarded the Grand Prix for ‘Build the Future 1’ for Dksh (Thailand) Ltd.

    Promo & Activation
    26 Spikes from 346 entries were awarded including 4 Gold Spikes, 6 Silver Spikes and 15 Bronze Spikes.
    The Grand Prix was awarded to CJ WORX, Bangkok, Thailand for ‘The Unusual Football Field Project’ for AP Thailand

    Radio
    12 Spikes from 104 entries were awarded including 1 Gold Spike, 4 Silver Spikes and 6 Bronze Spikes.
    Bashful, Sydney / Kind Agency, Sydney, Australia were awarded the Grand Prix for ‘Smartwig’ for The Star Sydney

     

    The Grand Prix for Good was presented to McCann India, Mumbai / McCann Health, Mumbai, India for “The Immunity Charm”, Ministry Of Public Health, Afghanistan

    Younghee Lee, Chief Marketing Officer of Samsung Electronics and Head of Global Marketing for Samsung’s Mobile Business accepted the Spikes Asia Advertiser of the Year Award.

    Network of the Year was presented to BBDO with Dentsu coming second and Ogilvy & Mather in third place.

    Dentsu Inc., Tokyo, Japan received the Asia-Pacific Agency of the Year, Clemenger BBDO Melbourne, Australia took second place with Colenso BBDO, Auckland, New Zealand in third.

    The Independent Agency of the Year was awarded to CJ WORX, Bangkok, Thailand, Fred & Farid Shanghai, China came second and Enjin, Tokyo, Japan came third.

    Media Agency of the Year was awarded to PHD, Auckland, New Zealand, OMD Singapore, Singapore was second with Dentsu X, Makati, The Philippines in third place.

    Tohokushinsha Film Corporation, Japan received the Spikes Palm, Revolver/Will O’Rourke, Australia came second and Joinery, USA in third.

    The Country Agency of the Year, a new award for 2017 saw the agencies below receive the honour of the most awarded agency in their respective countries.

    Japan: Dentsu Inc., Tokyo
    Australia: Clemenger BBDO, Melbourne
    Singapore: Ogilvy & Mather, Singapore
    China: Fred & Farid Shanghai
    India: Taproot Dentsu, Mumbai
    Thailand: CJ WORX, Bangkok
    The Philippines: Dentsu Jayme Syfu, Makati City
    South Korea: Cheil Worldwide, Seoul
    Hong Kong: Cheil Worldwide, Hong Kong
    Malaysia: Isobar, Kuala Lumpur
    Indonesia: Hakuhodo Indonesia, Jakarta
    New Zealand: Colenso BBDO, Auckland

  • Taproot Dentsu wins sole integrated gold lotus at Adfest for Adidas

    By A Correspondent

     

    We had predicted that that the work done on the Adidas Odds campaign by Taproot Dentsu will be big winners in the awards circuit this year.

    And like we said, Taproot Dentsu bagged the sole integrated gold awarded for Adidas Odds campaign which also won two golds in the Promotion and Film Craft categories at Adfest 2017 held last week. It also bagged three bronzes two for films and another for Promo integrated again for Adidas

    Said Santosh Padhi, Chief Creative Officer and Co-founder, Taproot Dentsu: “This campaign is and will remain close to my heart for the simplicity and honest of the campaign and approach, I’m happy to win this biggest honour for India and us, this is only integrated gold Lotus which was awarded in the whole of Asian region and I’m glad Indian has won at this global/ Asian forum…India is still seen as a traditional advertising country and to win a big honour like this will certainly help us /Indians seen as a new age player in the global advertising market.”

  • Taproot sets up office in Gurgaon with Dentsu One as a division

    By A Correspondent

     

    Taproot Dentsu may have always had prized clients in New Delhi NCR ever since it was set up in 2009, but now it has formally commenced operations in Gurgaon.It’s the new year, and a big year for the Dentsu Aegis Network in the country. So Dentsu One (earlier Dentsu Marcom) has now been turned into the Delhi office of Taproot, though officially it will be a division of Taproot Dentsu.

     

    Harjot Singh Narang will lead the office as General Manager, Anand Murty is Head of Strategy and Titus Upputuru will be Head of Creative. Talking about this development, Agnello Dias, Chairman and Chief Creative Officer, Taproot Dentsu said: “We are excited with this development. Delhi NCR is a high growth market and we are looking forward to working with a host of interesting new clients and brands. Almost since inception, we have been working with some very important and iconic brands in this market like Airtel, Times of India, Marico and more recently with Dulux and Coca Cola India.  So we have been more than familiar with this geography. By opening up a strong new front here, we are building further on that experience and strength.”

     

    Added Santosh Padhi, Chief Creative Officer, Taproot Dentsu: “Working with a new bunch of energetic and talented people will only add strength and lustre to our capabilities and bandwidth. Beyond television, Taproot has strengths in design and digital too. We are looking to build on those fronts too. This is an important market and we are most happy to be here,” said Umesh Shrikhande, Chief Executive Officer, Taproot Dentsu: “In the ideas business, it takes a lot of doing to replicate a creative culture. So to build on our collaborative work ethic, the Gurgaon office will work closely with the Mumbai office. Aggi, Paddy and I will remain involved in a hands-on manner. We will do what it takes to add sparkle to the brands entrusted to us.”

     

    And this is what Narang had to say in a communique: “We are all set to roll with a talented team of more than 50 people and a clutch of strong clients like Airtel B2B, AkzoNobel and Coca Cola India among others. We are looking forward to building on this foundation.”

     

    According to information we have received, Messrs Narang, Murty and Upputuru will continue to hold their old charge at Dentsu One. It is not a merger, we were told, though if all goes well,  the two entities could well be one.

     

  • At Clio 2016, Taproot Dentsu is ‘Agency of the Year – India’

     

     

    Taproot Dentsu has been announced ‘Agency of the Year – India’ at the 2016 Clio Awards.

     

    It’s the first ever Indian agency to earn this honour. The ‘Agency of the Year X Country’ Award is given to the agency with the most statue points earned in 2016 in each of the top 15 entrant countries.

     

    The Clio’s is one of the biggest global awards competition for the creative advertising business. Founded in 1959 to celebrate high achievement in advertising, the Clio’s annually and throughout the year, recognise the work, the agencies and the talent that push boundaries.

     

    “Clio’s is one of the most prestigious and sought after advertising awards in the world today. And to be honored as the best Indian creative agency of the year is nothing short of an honour. We are excited and pumped with the massive achievement and hope it propels Team Taproot to even greater heights,” said Santosh Padhi (Paddy) – Chief Creative Officer and Co-Founder, Taproot Dentsu.

     

  • Everything is better when it’s Outdoor, says new campaign for IOAA

    By A Correspondent

     

    In September 2007, leading Out-Of-Home companies with national or, at least, multi-regional presence came together to form the Indian Outdoor Advertising Association (IOAA), a ‘not-for-profit’ company with limited liability.

     

    The primary objective of the IOAA is to promote, protect and advance the rightful interests of outdoor media, outdoor advertising media companies and associated businesses. IOAA also provides a common platform for the industry to take up issues at various government and non-government forums.

     

    In August this year, a campaign was launched during an outdoor industry gathering OAC (Outdoor Asia Convention) where around 400 industry leaders across India had gathered, which highlighted the ‘Power of Outdoors’. Conceptualized by Taproot and brought to life by PrashantGodbole, the campaign serves to reinvigorate the outdoor medium.This team had earlier partnered last year to create the Cannes Lion winning campaign ‘Hated by Some’ for Mumbai Mirror.

     

    At any given point many billboards across the country are empty, either with the media owner’s logo or phone number, we wanted them to utilize that space to communicate to the brands, advertisers, media planners etc in interesting way by putting this campaign up on their empty billboards to benefit the outdoor industry, hence the campaign was launched in front of this community during the OAC in August,

     

    The campaign was shot in different parts of India like the Rann of Kutch, Wai etc. to bring out the pan-India flavor.

     

    Santosh Padhi, Chief Creative Officer & Co-Founder, Taproot Dentsu said:“The idea comes from a simple human behavior of seeking shared experiences when outdoors. A fact abundantly observed across India, where a TV or Radio when kept outdoors always attracts a large gathering of people. That the power of the outdoor medium transcends regular boundaries and does wonders for other mediums too.”

     

    “It has been observed in the last decade that people have been spending more and more time out-of-home. Unfortunately, OOH in India has not yet capitalized on this insight. So it was imperative for us to reach out to advertisers & planners through a very powerful advertisement campaign to highlight the strength of the Outdoor medium. We feel this campaign brings out the message loud and clear in a very simple way,” said Noomi Mehta, Chairman – IOAA.

     

  • Facebook urges women to rediscover the joys of sharing

    By A Correspondent

     

    Facebook India recently launched a campaign to encourage women in smaller towns across India to share more on Facebook. Conceptualised by Taproot, the three digital films, titled ‘Clothes’, ‘Sangeeta’ and ‘Jhansi’, aim to re-introduce the magic of Facebook to those who have taken to it but not to sharing on it.

     

    According to statistics while a majority of these women were accessing Facebook through their mobile phones regularly, they were not sharing as much personal content in the form of posts, videos or pictures but viewing other content as passive consumers. The objective of the campaign was therefore to help them rediscover the joys of sharing, specifically on Facebook, and all the wonderful things that it leads to.

     

    For maximum impact, the campaign was broken into 2 phases- the first phase being to inspire sharing again through a series of films and then following up with education on safety features within Facebook.

     

    Each film holds a mirror to how sharing on Facebook goes beyond the online world to real-life friendships and relationships. From getting in touch with long lost friends to bridging the generation divide, Facebook is at the heart of joyous moments every day.

     

    Santosh Padhi, Chief Creative Officer & co-founder, Taproot Dentsu said, “It was important to have a more human / real approach. Without pushing too much we wanted to communicate how the brand can play an important role in their day to day life to bond with their friends and families. I think we were successful to get every single bit right, be it the conversation, cast or set up, all of these captures the TG’s world very well.”

     

  • Top creative honchos judge for Goafest Abby Jury

     

     

    The Goafest Creative Abby Judging has been on in Mumbai with Juries being appointed in different verticals. The Jury Chairs were announced to the media by the Goafest Creative Abby Award Governing Council.

     

    Santosh Padhi of Taproot is chairing the Abby Print and Print Craft Jury this year. Bobby Pawar of Publicis returns after a gap of 5 years to head the Abby Film Jury. Ashish Chakravarty of Contract India is Jury Chair of Radio and Radio Craft Abby while Prashant Godbole of ideasatwork is heading the Out of Home and Ambient Abby Jury. Manish Bhatt of Scarecrow is heading the Integrated Abby Jury.

     

    Chairing the Creative Abby Direct Jury this year is Rakhshin Patel of Pi Communications. Prashant Kanyalkar of KA advertising and design is the Jury Chair in Design Vertical of Creative Abby. Carlton D’Silva of Hungama is the Jury Chair for Digital  Abby while Namita Roy Ghose of White Light Moving Picture is heading the Film Craft Abby Jury.

     

    Aneil Deepak of DDB Mudra is the Jury Chair in Brand Activation & Promotion Abby Jury. Anita Kaul Basu of Big Synergy is Jury Chair in Branded Content Abby.

     

    Paresh Chaudhry of Madison PR headed the Public Relations Abby Jury. Avinash Kaul of Network18 led the Broadcasters Abby Jury while Shailesh Amonkar of Sakal is Jury Chair of Publishers Abby.

     

    Pratap Bose,President of Ad Club said, “Our heartfelt thanks to the Jury members who gave their time and passion debating the selection of winners.”

     

    Commented Ajay Chandwani Abby Awards Governing Council Member in charge of Jury appointments and Judging,” We are very fortunate to have the time and cooperation of very high powered juries in each of the verticals. Many of our jury chairs and judges have been judging at major international festivals over the years. An award derives its prestige from the standards set by juries and Abby has indeed retained its leading status in India.”

     

  • The Most Annoying Buzzwords of 2014

     

    We asked the industry’s finest for buzzwords they grew heartily sick off in 2014. Big Data and Viral were the big losers. Read on for the rest:

     

    Shashi Sinha, CEO, IPG Mediabrands

    1. Talent

    2. Compensation

    3. Digital

    4. Television measurement and

    5. Analytics were annoying as the more people spoke, the less they did anything about these things.

     

    For 2015, for starters, I have high hopes from the new TV measurement which Barc will put out, media agencies getting into content production, collaboration between all constituents of the ad ecosystem, budgets which will hopefully be at landmark levels and the World Cup which we should win again.

     

    HALL OF SHAME 

    Viral – Most of the time it is just an ad that runs way too long. Get some scissors, people

     

    Big Data – The ultimate Brahma Astra for the advertising charlatan

     

    The only viral I know of is the one that requires the intervention of a doctor

    Perhaps the most, abused & misused terminology in the year. Runs the danger of being called ‘Pig Data’.

    It’s just analytics. People have been doing this ever since humankind stepped on this planet.

     

    Malvika Mehra, National Creative Director and Executive Vice President, Grey

    The 5 most oft used words in 2014 were 1. Guys 2. Let’s 3. Make 4. A 5. Viral.

     

    Also ‘Take your time (4-5 minutes is great), but please don’t take my money. No budgets this year. And while you are at it, make it so stunning that it is ‘organic’ (unpaid distribution)’. Ji Sirji. ‘But ultimately make me a TVC. And I want a ‘BIG, LAUNCHY’ feel for our product in 30 seconds or less. Chal, paanch second aur le lo’. Ji sirji.

     

    The Pitch Bitch: ‘Of course we love you guys! We are just opening it up to 10 other agencies to inject some freshness into the brand (and test how much lower will they drop their price vis a vis yours for the same or more amount of work)’. Par Sirji?

     

    Femvertising: From soap brands, to makers of shampoos, sanitary towels, watches to home appliances and mobile network providers, everybody suddenly wanted to ’empower the woman’. I get the noble intent, but wish the brands would really ‘walk the talk’. Else it’s just a ‘token’ gesture. And consumers see through that inauthenticity.

     

    Interactive Pre-rolls: With stern warnings of ‘If you skip this ad, I will have to kill not only Jack and Jill and Mary and her little lamb, but also Old MacDonald along with all the cute animals on his farm’.

     

    Research: Gut instinct is officially dead. It got replaced by the R word. Heard about ‘No guts. No glory’? Not lately.

     

    Sumanto Chattopadhyay, Executive Creative Director, South Asia, Ogilvy & Mather

    Native Advertising: I imagine people wearing grass skirts and clapper boards singing jingles.

     

    Vlog: At times we Bengalis mix up our Vs and Bs. That’s what I thought this was all about!

     

    Content: As in, ads vs. content, content marketing. Like ‘traditional’ advertising has no content? I’m content to pass on this one.

     

    Social: Yeah, why not? Let’s party. And get paid for it! That’s what I say.

     

    Seamless: Every element has to seamlessly work with everything else. Imagine if our clothes were like that too! Now that would be some fashion trend.

     

    Santosh Padhi, Co-founder and Chief Creative Officer, Taproot India

    Pitch: If you do not respect yourself nobody will.

     

    Research: Like sex determination, it should be banned

     

    Low Budget: Instead of 300 insertions can we do 280 and improve the quality of the creative?

     

    Urgent: Premature babies forcefully welcomed will always run a risk

     

    Celebrity: They are the super highly paid creative directors, why do you need one more creative agency?

     

    Rohit Ohri, Executive Chairman, Dentsu India and CEO, Dentsu Asia Pacific (South)

    Integrated: Integration is the process, co-creation is the magic.

     

    360: 360 degree campaigns are consumer conversations in bursts, 365 is everyday relevance.

     

    Alignment: Alignment is passionless, belief runs deep.

     

    Structure: Structure constrains, open source liberates.

     

    Procurement: Vegetables are procured, ideas are partnered.

     

    Meenakshi Menon, Chairman, Spatial Access

    Big Data: That has to be on the top of my list. It’s just analytics. People have been doing this ever since humankind stepped on this planet.

     

    Twitterati: Everybody has become an instant expert on Twitter. I’d replace the term with ‘scum.’

     

    ISIS: ‘Isis’ is supposed to be the goddess worshipped as ideal mother and wife. Our vocabulary keeps evolving, sometimes not in the right direction. I’d call the group as a distortion than assigning them the name of a goddess.

     

    Homechef: Where mothers cooking for their families had some dignity to it, now we have a whole new concept of women cooking for complete strangers that they invite at home. The food is charged, of course. It’s just a little pretentious a term. Just call them plain old cook, maybe?

     

    Climate Change: It only gets talked about. Never acted upon. Perhaps replace it with – learn to breathe under water? Or ‘Grow gills?’

     

    Anil Nair, CEO and Managing Partner, L&K Saatchi & Saatchi

    Integration: The term liberally used when you don’t have a clue of what to do with your brand. It’s been institutionalised now. We will have Chief Integration Officers everywhere in no time. Put an end to this painful word. Replace it with ‘We need to have an idea,’ Sirjee.

     

    Social Listening: It’s something that our good old researchers have been doing for ages. It’s nothing more than trend analytics, only instead of taking a dictaphone out to record voices, you’re recording them off Facebook and Twitter. Just call it ‘consumer understanding’ and do not make an unnecessary tool out of it, please?

     

    Viral: The only viral I know of is the one that requires the intervention of a doctor and loads of medicine to go away. I don’t care where this term came from, it needs to disappear. It’s an epidemic that needs an antidote.

     

    SEO, SEM: Why are we making a mountain out of a molehill? Can we not get caught up in the process and its terminology and revert to a simple non-jargonised world?

     

    Big Data: For God’s sake, the database just got bigger. But it always existed. The most successful political campaign of this year was based on pure emotional advertising and not big data. Let’s stop jargonising information. Call it what it is (read: information).

     

    Mallikarjun Das, CEO, Starcom MediaVest Group (India)

    Big Data: A phrase bandied too easily and too much, especially by those who pay scant regard to rationality. The ultimate Brahma Astra for the advertising charlatan.

     

    Programmatics: A term used in context with media buying, especially on digital, when what they are doing is just using the optimiser.

     

    Fragmentation: The only problem with using the said buzzword is that it’s often used in a wrong way to strike some sort of terror in a client.

     

    Storytelling: Need I say more?

     

    360 degree: This term is like that sugarcane that’s passed through the machine 300 times. There’s no juice left in it and yet it’s being rolled one last time.

     

    Dhunji Wadia, President, Rediffusion Y&R

    Big Data: Perhaps the most, used, abused and misused terminology of the year. It runs the danger of being called ‘Pig Data’. There are questions regarding the implications of the approach and also the way it is currently done. It needs to look at data holistically – Total Information.

     

    Digital Evangelists: Don’t need them as you cannot preach to the converted.

     

    The ‘Selfie’ Contest/Promotion: Replace it with better imagination.

     

    E-commerce ‘Discount for the Day’: That runs for years together.

     

    Free App Download: With more and more retailers and brands reaching for e- and m-commerce, there is an explosion of apps to be downloaded. Begs the question, ‘Why would anyone pay to download such an app?’

     

    Ajay Kakar, CMO, Aditya Birla Group – Financial Services

    “Isse viral kar do!”: Which is what every client says. It’s content, not viral, please.

     

    “Facebook has 50 million visitors!”: So what? VT station has more people visiting, does that mean we put all our ads there?

     

    New media: Let’s just say ‘customer’ as opposed to new, old, traditional, or any other kind of media. Creative awards: Awards should be for creatives that work.

     

    Pitches: Here a pitch, there a pitch, everywhere clients flirting. Serial pitching must end. Let’s call them ‘Brand Custodians’ and not pitchers, shall we? Clients and agencies must stop playing the blame game. If one is the crutch to your success there’s no way one should let go.

     

    Bobby Pawar, Director and Chief Creative Officer, Publicis Worldwide

    Viral: For the love of likes, it’s just a video until lots of people see and share it. Most of the time it is just an ad that runs way too long. Get some scissors, people.

     

    ATL/BTL: It implies a caste system of ideas. The good ones go above, the so-called ‘hard working’ ones slide under. It shouldn’t matter where the idea lives, it must be good enough to move your audience. People don’t care, therefore you must.

     

    But: This is phaasi ka phanda for ideas. It is crueler that a blunt ‘no’. Why? Because it is preceded by some waffling words that give hope to the creative, then ‘but’ shows up and yanks the handle.

     

    Deadline: Nothing induces a creative butt-clenching moment like this word. Yes sir, three bags full sir, our work is time bound, but does it have to sound so, erm, deadly?

     

    Purchase: It’s the leading cause of hair-loss among agency CEOs.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish