Tag: Sanjeev Kapoor

  • Helios Media forays on to digital with SanjeevKapoorKhazana

    By A Correspondent

     

    Helios Media, the speciality services company for the broadcast sector, expanded its services to now also include digital media monetisation and the venture begins with bagging the mandate of representing Sanjeevkapoorkhazana

     

    Helios will work in embedding brand’s messaging within the content of the channel which claims to be the largest non-Bollywood YouTube channel in India, generating over 85 million views per month.

     

    Sanjeev Kapoor

    Speaking on the assignment, Chef Sanjeev Kapoor said, “Sanjeevkapoor.com was one of the first websites to make its presence in the country. Being a pioneer in the space, it is quite evident that our YouTube channel has garnered a huge subscriber base of 2.7 lakh. Our popular videos generate as much as 1mn+ plus views. This therefore becomes a great destination for brands to not only reach a large consumer base but also to capture the most appropriate mind-space. Helios Media has been partnering us on monetising FoodFood for a year now and I believe in their understanding of the space and the skill to position brands in the right environment which will help SanjeevKapoorKhazana realise its full potential in terms of revenue maximization”.

     

    Divya Radhakrishnan

    Commenting on the win, Divya Radhakrishnan, MD of Helios Media, said: “Helios Media’s focus is on selling brands and not just commodities by appropriate positioning and working with brand custodians to provide seamless solutions that go beyond regular commercial advertising. We strongly believe that TV has grown beyond just providing reach and its content has the Power to Influence. Therefore it is important for commercial messaging to chase the content irrespective of the screen it comes on. It’s because of this approach that the SanjeevKapoorKhazana mandate came our way and we are delighted to be entrusted with this responsibility by Chef Sanjeev Kapoor”.

     

    Helios Media has augmented its existing team with a central digital team in Mumbai under Kirtan Mankad who has earlier worked with UTV, Zoom and Hungama.

     

  • MasterChef 2 winner is new FoodFood host

    By A Correspondent

     

    Chef Shipra Khanna, the winner of Masterchef 2, India, has made rapid strides after her win. Other than opening a restaurant and authoring a cookery book, she is also food-and-lifestyle channel FoodFood’s chef and host. She has her debut this Christmas with from cookies to cakes and savories on the show Deliciously Christmas.

     

    There are other Christmassy highlights that the channel has on offer: Chef Shantanu, Madhu Sneha, Chef Saransh, Pooja Makhija and of course Master Chef Sanjeev Kapoor

     

    “The countdown to Christmas and New Year is well and truly on, and if you’re looking for inspiration, you’ll find it right here,” said SK Barua, who has recently joined to helm the channel.

     

  • FoodFood adopts new lifestyle positioning of ‘It’s Sizzling…’ with 11 new shows

    By A Correspondent

     

    Leading food channel FoodFood has launched 11 new shows in sync with its new lifestyle positioning of  ‘It’s Sizzling…’ focusing on young urban audiences while continuing to serve its broader traditional audience base. With a whole new feel, look, colour, logo in its fresh, new repackaging, the channel aims to be a differentiator in the category of food lifestyle channels. The content is put together in tune for the discerning viewers.

     

    While the new seasons of some of the existing popular shows like Cook Smart, Turban Tadka, Style Chef, Mummy Ka Magic, High Tea… will reflect the change in the repositioning ,the channel  aims to woo and build a connect with today’s busy, yet health-conscious men and women who are looking for indulgence and adventure when it comes to their palette, notes a communiqué.

     

    Sanjeev Kapoor

    Said celebrity chef Sanjeev Kapoor who helms the channel: “I’m using food as a way to communicate with people that I never would have known otherwise. While we will continue with some of our extremely popular shows, all now in their new seasons, our content will be in tune with our loyal consumers enjoying the diversity in taste. Our focus is to deliver in multicultural cities, quality content that is compelling and entertaining irrespective of its origin. The channel   with its new shows and repositioning will ensure that the bouquet offered is complete and sizzling for today’s busy generation.”

     

  • Sanjeev Kapoor on Tarla Dalal: She was my inspiration to write cookbooks…

    The Queen of Indian Cookery Books Tarla Dalal passed away on Wednesday, November 6. Having written over a hundred cookbooks and several thousand recipes, Ms Dalal’s recipes have helped transform lakhs of first-timers into accomplished cooks. Generations of men and women found in her recipe books a companion they could depend on for pure vegetarian fare – from the traditional Indian cuisine to a variety of international fare.

     

    In this tribute written exclusively for MxMIndia, Sanjeev Kapoor, well-known chef, cookery book writer and television show host as also co-promoter of Food Food channel, talks of how Ms Dalal has been his inspiration to write cookbooks.

     

    Read on…

     

    Tarla Dalal
    Sanjeev Kapoor

    Tarla Dalal was a pioneer who bought homecooking into forefront and spread it across avenues to make it glamorous. She made this routine, monotonous, chore turn 180 degrees and made it interesting. She did it when nobody else was in this space. Whether it was cookery classes or cookbooks, she led the way.

     

    Her roots were in vegetarianism and the credit goes entirely to her, that despite temptations and demand of this commercial world, she stuck to her roots and remained wedded only to vegetarian recipes. Known for her business acumen, she   kept adapting to the demands of the new world – be it TV shows, websites, videos or more recently the Tarla Dalal App on mobiles.

     

    She’s the first person, from the culinary field, in the country, to be honored with the Padma Shri by the Government of India. It speaks volumes of her contribution in this field. I was fortunate to meet her on a few occasions and I always came back impressed with her humility and grounded approach.

     

    She was widely travelled and loved to discuss food from across the globe. All kinds of food excited her and there was nothing which she could not convert into vegetarian option, for the pre-dominantly vegetarian public of India.

     

    She was my inspiration to write cookbooks and will always be a special person in my life. Her contribution to the Indian culinary world will always be written in golden words and she will be remembered as a small, sweet, smiling, motherly, next-door lady, always ready to dish-out something new, especially for you. There’s an adage: There’s no love more sincere than love of food… and that’s synonymous with Tarla Dalal.

     

  • Fourth Dimension takes Sanjeev Kapoor to Kochi for live show

    By A Correspondent

     

    Sanjeev Kapoor

    The Chennai-based leading adsales network Fourth Dimension has been on a roll with live shows with Master Chef Sanjeev Kapoor.

     

    After the success in Coimbatore and Bengaluru, Chef Kapoor and Fourth Dimension are set to stage an interactive session tomorrow (Aug 27) from 10.30am to 2.30pm. The ticket price is Rs 1800 (lunch included) and total of 21 recipes will be demonstrated.

     

    Shankar B

    “Smaller brands get an excellent opportunity to partner with India’s cooking legend,” said Fourth Dimension CEO Shankar B who is ecstation about the response. “The recipe of the success of the shows is to have these live events in smaller cities across India and get someone as big as Chef Kapoor,” Mr Shankar said

     

    The event has various sponsors like Preethi Kitchen Appliances, Milky Mist Panneer, AMC Cookware, iFLO Salt, Quaker Oats, Double Horse Payasam Mix, Leonardo Olive Oil and Aquaguard.

     

  • On the Food trail with Sanjeev Kapoor

     

     

    The Sanjeev Kapoor is now more than that of a chef. He’s a one-person industry. Unarguably the biggest name in Indian food today, he started out rather humbly like any smart chef with a good hotel. A cookery show called ‘Khana Khazana’ on Zee TV changed all that, and Mr Kapoor became a household name in the country. The rise and rise of the Zee network also made the chef attain dizzying heights on the popularity graph. But what really cemented his status in the business of cooking was his attention to grow allied businesses.

     

    From cookery books (over 150 of them!) to restaurants (Khazana, The Yellow Chilli, Signature and Sura Vie), kitchen implements and gadgets (Wonderchef), blended spices, ready-to-cook mixes, pickles, chutneys, food impresario, guest/judge at various events and shows (including the popular MasterChef on Star Plus) and his very own food channel, Food Food. The list of his achievements, could go on, and we suggest a visit to his website at http://www.sanjeevkapoor.com/Chef-Sanjeev-Kapoor.aspx for a detailed account.

     

    As he embarks on a few brand new shows on the Food Food channel including the ‘Out of the World’ series which goes to Africa in Season 1, he takes time to speak with MxMIndia on how the channel is doing, his recipe for its success and plans for the future. Excerpts from the interview:

     

    It’s been a little over two years since FoodFood started its operations in India. How has been the journey so far?

    Very good, in fact we’ve done better than what most people expected out of us. I remember no one gave us a chance when I first talked about it. “Are you mad, no one will watch. It’s an afternoon half-hour kind of a concept and you are taking this to 24-hours? No way!” they said.

     

    There are times when I tell people that I have started a new food channel and they will say, oh, which channel is it on? I just tell them that it’s a new channel. So much so that initially when we started the tagline was ‘FoodFood – Khushi ki Recipe’ which was changed six months later to ‘India ka favourite TV channel’. That was done to send a strong message to people that we were a TV channel. But yet there were some who didn’t know that and we didn’t have so much money to burn and tell them in a big way. So from there to now, the journey has been fantastic; today people cannot ignore us.

     

    One is sure you have now started reaping the benefits from the digitization exercise but in hindsight, do you think you could have started earlier or later or for that matter even more recently as the economics would’ve worked out better?

    See, economics is always a call and having a partner like Astro, it becomes a joint call. In fact from the start they wanted this to be much bigger and there were many shows that we did and I said that I don’t want to do it and they said how can you come to know if people have not experienced something till you give that experience? Whether it will work or not, how can you say that? I said it’s a very expensive way of doing things where you first put up a show and if it does not work, then you replace it. So because we launched in an analogue regime we had to broadbase and so we took the mass route and spent a lot of money on that. Currently, we are clearly the number one lifestyle channel across channels today in terms of numbers.

     

    But TLC is bigger …

    We do about four times their viewership.

     

    And in revenues?

    A ten-year-old story is different from that of a two-year-old. Where competition is concerned, we know how they look at us. Also with NDTV Goodtimes, despite having such a lineage and good investor backing how come they can’t get viewership numbers as us? Though I can tell whether this show will work or not and whether you can get viewer response or not. So because we did it, we could counter the situation and now it is a big entry level barrier for everyone. everyone was thinking of getting into food after digitization But with the position of strength that we have and the loyalty that we have, it’s very difficult for anyone to replace or displace us. If we started with this, we may have saved some money but to get this kind of stickiness what we have today is just something else.

     

    The position of strength that you are referring to is obviously yourself because you have been the key driver of the channel. Btw, did the fact that you were also involved with Khana Khazana on Zee in any way take the thunder away?

    Never, we were monitoring the numbers from Day 1. We all know how discerning viewers are and the one thing that worked for us is that we always went with original programming. While people may think that the shelf-life of programming is very long but the relevance changes very quickly and viewers can feel that what is taaza and what is baasi in an instant. For instance, the butter chicken I made 10 years ago may have been very different from the way I do it today…. So words spread fast and it’s a no-brainer. Let’s say Food Food was not there, would they have benefited? Yes, they would have. But in a scenario when there is a better option and you don’t have to do much more to get that better option, then you go for that better option.

     

    You’ve had a mixed journey at FoodFood where you tasted success with a few big programmes that did very well while others may not have worked as well. What has been the key learning in all of this?

    When we first started I was very clear as to what would work but at the same time if we have to grow the category – and that’s a perspective which Astro brought in – we had to make it big. So we tested with big shows like the one with Madhuri Dixit and all of that. Though the idea was not to do a show it was the endorsement that it’s not just food it is lifestyle. So we tested everything. So right now we can predict this will work or this will not work but at that time also I knew what would be the outcome…

     

    To use food lingo, what according to you has been the recipe for success for Food Food?

    There are many aspects like figuring out what is the TG that you are going to target. One way is to target everyone or you can do it in a focused way. So currently the set which has affinity to a certain kind of content is a fixed set, can you change them easily? No it’s like changing a daily newspaper; it’s like changing the way they have their tea… some would change very slowly rest may or may not change ever or either you get a new set or you go as per what they want. Also, digital is completely different from the medium of television. The way TV viewing in India is that you know why it is being watched how it is being watched or consumed; it’s predictable. It’s not tough at all so if you focus and understand who it is for it all fits in well. When I was doing a show for Zee TV and I can tell you that this comes naturally to me. Likewise, if I am doing an article for Bombay Times I know what and who is it for and similarly for Dainik Bhaskar or for a New York daily. The same is the case for a radio show.

     

    With television, most Hindi-speaking markets are similar and are not very different from each other. It’s primarily a medium of entertainment that’s why we get the biggest numbers in GEC. If a channel like Food Food thinks that we can replace entertainment, it is not that easy. We can break the clutter at best which we are doing. We will do that job till it matures properly. So currently our focus is more learning, more input and information with part entertainment. The entertainment quotient will increase and that’s why you are seeing a Master Chef kind of thing but the basic platform is entertainment and that’s why entertainment to them is more important. As for us, we are more information-led not entertainment-led because the entertainment dynamics are very different for them.

     

    Have you been able to monetize Food Food well enough?

    Well, in reality, we have just about started real selling of the channel. In any new category, people take time before they can start giving you any premium. Our thing was very clear – we didn’t want to be sold as an aloo-pyaaz kind of thing. The last month was our highest in terms of sales.

     

    Is this advertiser-funded programming the future for a channel like yours or is it also more spot sales?

    Currently we do more maximum spot sales, but I think that integration and customization of needs of advertisers works well in our kind of category and even globally. So we will follow the global trend here.

     

    What about onground activations?

     That is something in which we are probably the best in the country. This is something I started with as a mandate almost 15 months ago. About 2.5 years back, we did an event in three months. So one day I said let’s do 20 events a month over the next six month. Last year, for one or two months, we did some 89 events in Delhi.

     

    And are these events for advertisers?

    At times it is advertiser-driven and at times we say that even though there is no advertiser but to constantly do things for the channel offline because that’s the connect we want to build with our audiences. We are not a Star Plus that we can spend so much money on mass advertising; you have to play it slowly. Let’s reach out to smaller number of people but they will be loyal and today we get invitations from where they do everything. We did some 40 events all over India for Tata dal, which no other TV channel can even think of.

     

    In terms of the way you are progressing, what are some of the new shows that one will see on your channel? Also, what about shows for other international markets? How does that work out with FoodFood?

    Essentially, what we have realized in the programming mix is that one of the things that clearly seems to work is straight learning – that works the best. Even Star India knows this. At MasterChef they would do a recipe section on weekends and till last year that got higher ratings than the main show on which they would have spent 40 times. That’s India for us, but you have to balance it out.

     

    So you do things which are large, expensive but for brands they are important. It’s like in a restaurant I will serve prawns and crabs and things like that and talk about that. Marginally, the sale is less but yet you do that because in your mix you need that and it gives a message to users that this is premium product. It’s like all these GECs burning their money in reality shows leading to huge losses. So we said that we don’t have money for losses and realized that at the same time perception is also important.

     

    I think from the advertiser’s point of view everyone wants people who could afford more. So we also decided this is where we want to go and move up and so this show can beam out of Africa. It’s like that when people are used to seeing Sanjeev Kapoor in the studio, so if I go out, would that work? That is a common reaction that we get from viewers. They want to see something like that but it’s too expensive because my time is expensive and the productivity is also much lower so our channel also can’t really afford that. So we have to do this for the channel but since learning works we have integrated learning in that. So there is on-location cooking that happens which also creates largeness around a product.

     

    Like?

    For instance in Chai time with Chef Ajay Chopra, we’ve spent a lot of money in the packaging. There are 20-30 models shot in a five-star. So people get that upmarket, upscale feeling.

     

    Are you looking at doing more international-based content or Indian-based?

    Currently, we are only looking at content which is only relevant to us – in India. International content unfortunately has not relevant; there is nothing that is available globally which would cut ice in a real sense with Indians. In food, the way we eat food is very different. We are a largely vegetarian country and there is no content of good quality that is available where there is no beef, no pork and is largely vegetarian. Would our viewers watch it? They would but they would not have the respect for it. So the easiest way is to produce content yourself.

     

    But some of the content on TLC etc gets a lot of advertising…

    They do get lot of advertising because it’s ten years old. In fact one problem that I have with that kind of programming is that it’s old in concept.

     

    So you are looking at Africa to start with and then move on to other countries…

    That’s correct. We are looking at other places too.

     

    How long is the series?

    It’s a 15-part weekly series to begin with. We will do about 13-15 parts every series.

     

    And are we going to see more new shows along with this?

    We are bringing in a couple of new shows. The good thing or the bad thing is that whether our shows work or not we have to bring in new series all the time. So for example, we have my show Sanjeev Kapoor’s Kitchen, Turban Tadka, Mummy ka Magic, Health Maange More etc.. but we are also launching High Tea with Ajay Chopra. The initial promos have come out very well. Then we are launching one more show which is Namaste Breakfast with Shipra Khanna, winner of last year’s MastercCef. Now you are beginning to get some talent who can hold themselves.

     

    What other shows are you looking at? Are you looking at doing more documentary or outdoor-hosted shows that are the trend today?

    Yes we had a show called ‘Khaata rahe mera dil’ but the problem is that the cost of producing these shows is much higher than what can be monetized from them.

     

    But there is Highway on my Plate on NDTV Goodtimes that is doing well.

    Yes there is only one such show that works. I would want to do something like that and I would love to do something like that but I have to find the right talent that can pull it off. Such shows are actually 100 percent driven by the talent.

     

    Are you looking at any international formats etc?

    See we have done all this… We have worked with the BBCs, Endemols of the world, Red Chillies…we have done all that. So we know what works today and with more ability to spend we are investing in polishing it more than just spending it on very large concepts.

     

    So you are not going to have a new season of Madhuri Dixit?

    Not in a rush as yet and why I say this is that if I want to do it I will do it in partnership with a GEC.

     

    So are you scouting for a partner for the Africa show?

    Actually we are in talks with a news channel. That should happen very soon…

     

    Going forward, what would be your emphasis on the digital media? Would you be creating different content for the medium?

    We are now present in all mediums so to say but we still don’t have a kickass app, which we need to do. We have partnered with some digital leaders in a sense and in the next six months we will be able to see the difference. Today, we are present on YouTube with our content and currently we have just about started our journey on that platform.

     

    So you are digital-ready?

    Yes, 100 percent. We were that from Day 1.

     

    For your channel to be a bigger success, you obviously need to create five more Sanjeev Kapoors, right?

    That’s what I have been doing.

     

    But with more great success?

    If it takes timem so be it. Let’s say Turban Tadka if it could stand on its feet… then we have Mummy ka Magic with Amrita Raichand, which does very well. She needs to get more focused doing this and she is someone who can do that. Now I am hoping the same with Rakesh Sethi and Ajay Chopra…and that’s the biggest challenge I have. I know that but that’s where I spend most of the time.

     

    Apart from food, you are obviously into various other things. How much time do you devote to Food Food vis-à-vis your other forays?

    Maximum. In fact if I were to give other businesses as much time as I give to TV, they would be doing five times better (laughs)

     

    Where new projects are concerned, are you looking at any new announcements in the future?

    Currently the other business that we have is largely our presence on digital as Sanjeev Kapoor. The Sanjeev Kapoor channel on YouTube is the largest; I think its Top 10 in the world in terms of number of subscribers. So I started all this at the same time. Of course our digital presence Sanjeevkapoor.com, social media etc is there, but I have started focusing little bit more on the restaurant business. Then there’s Wonderchef which is also doing exceedingly well.

     

    You possibly are the biggest name in food in India. How do you look at constantly re-inventing yourself? How do you go to the next level?

    Fortunately, I have the ability to think ahead which at certain times I convert it into business. With certain things I may not proceed as fast. Let’s say internet. I saw this coming many years ago so I launched the website in 1996 when Times of India had just about thought of a website. When TOI was just taking baby steps on the internet sanjeevkapoor.comwas up and running. I launched my CD-ROM when population of home computers with a CD-ROM drive was less than 50,000 in this country. Much before that I launched my first book. Also, where YouTube is concerned, I started it about three years ago.

     

    So you have been ahead of the curve.

    Yes, I had the ability to see. So a food channel at that time was ahead of the time. For instance  in digital before anyone was talking about Top level Domain (TLD) I have done full research and I was not willing to commit at that time a large amount of USD 400,000…that was too much money for me. If at that time I had done it I would be owning .food today in the world – first person in the world to think that.

     

    For me, business is incidental. My excitement is to do new things. So currently I am working on something that is path-breaking and I am doing it because I find it fun to do.

     

    You’ve endorsed a few products. Any more coming up?

    In the last 20 years I have endorsed about 10 products. Only 10 in 20 years and people do 20 in a year. So I am very particular with that. I currently endorse Tata, i-Shakti  dal, I do Nature Fresh oil. I do commodities, I don’t do value-added products because I don’t know whether I would get into commodities myself but value-added I may. So I keep those things with myself. And if tomorrow I have to create those businesses then why should I give my endorsements?

     

    Are you looking at any language feeds?

    I want to but I don’t want to talk about it at the moment.

     

    And how is the relationship with Astro and your partners coming along?

    Sandeep Goyal and I are one part and then there’s Astro….

     

  • Helios bags sales mandate for FoodFood

    By A Correspondent

     

    Leading food channel has awarded its revenue monetization mandate to Helios Media, the Divya Radhakrishnan-led speciality services company for broadcasters with verticals in sales, marketing, content advisory, content syndication and research and traffic management. The mandate was earlier held by Media Agnos.

     

    FoodFood is a joint venture between well-known Chef Sanjeev Kapoor and Malaysia-based media conglomerate Astro Media. Chef Kapoor is well-known for his popular shows like ‘Khana Khazana’ on Zee TV and his recent association with ‘Masterchef’ on Star Plus. Confirming the news, Chef Sanjeev Kapoor, Co-founder & Director of FoodFood, said, “Our decision to partner with Helios Media is based on our assessment of its team’s strength and ability. In a unique offering and destination such as FoodFood, it is imperative that the team has deep understanding of aspirational needs of brands and viewers alike. The passion displayed by Helios reassures me that it would not only meet FoodFood’s expectation but also exceed it.”

     

    The channel has just celebrated its second anniversary and has been popular among the core segment of women for its programming, like the most recent ‘Secret Recipe’ and other popular shows like ‘Sanjeev Kapoor’s Kitchen’, ‘Turban Tadka’, ‘Mummy Ka Magic’ and ‘Style Chef’.

     

    Divya Radhakrishnan

    Commenting on the win, Divya Radhakrishnan, MD, Helios Media, said, “We are extremely honoured for the faith instilled by Sanjeev and team on Helios Media and for awarding us the business. With a dedicated food channel and even the GECs going the food route with primetime reality shows, we know that the food space is just beginning to simmer. ”

     

    Adds Bala Iyengar, Business Director of Helios Media: “Helios Media has the ability to not just sell space, but sell brand perceptions as well, and that is extremely critical in the niche channel scenario. We are confident about synergizing the FoodFood brand values with the clients’ marketing objectives to give solutions working for both the channel and the advertisers. With our strong infrastructure of teams across the country and evolved process, we are all set to take FoodFood to glorious heights.”

     

    Meanwhile, Media Agnos – set up by seasoned broadcast professionals Abraham (Abe) Thomas and Sumit  Gupta – will continue to handle the mandate for NDTV Good Times and Explore TV amongst others.

     

  • FoodFood expanding in India, abroad

    By A Correspondent

     

    Food and food lifestyle channel FoodFood is now available on Tata Sky, channel no. 572. The channel has also increased its reach internationally by making an entry into Canada and Qatar.

     

    FoodFood channel’s content is a classic mix of cookery and food-based lifestyle shows such as Secret Recipe, Sanjeev Kapoor’s Kitchen, Roti Raasta Aur India, Turban Tadka, Style Chef and Mummy Ka Magic.

     

    The channel’s promoter Sanjeev Kapoor said, “FoodFood has ushered in a new wave in entertainment, that has engaged both men and women. The encouraging response has reaffirmed our commitment to offer enhanced value to audiences, partners and advertisers.”

     

    FoodFood has launched in Canada on Rogers Cable network. It is available in Qatar through the Asia Plus package on the QTEL Qatar Mosaic Platform. In India, in additon to MSOs across the country, the channel is available on all major DTH platforms. The channel also has a presence in the UAE.

     

  • Shailesh Kapoor: India’s Unwritten Food Story

    By Shailesh Kapoor

     

    Some eat to live, some live to eat. But everyone loves food. A good meal at the end of a long, hard day can make it all seem worth it. From wedding banquets to celebrations to business deals, food is always around to make its presence felt. Except on Indian television!

     

    A few years ago, ahead of the launch of his channel, leading chef Sanjeev Kapoor had mentioned to us on why he thought a food channel should be in the top 5 channels in India, if not better. He quoted several examples from across the world, of food shows and channels that have surpassed the best of the drama series and reality shows to become the most popular shows in their countries.

     

    Recently, I read this on the Wiki page of MasterChef Australia: The finale of the first season of the show surpassed the previous high for a non-sporting event in Australia since 2001, beating Australian Idol’s 2004 finale. It is currently the fourth highest rated program in Australia ever. It was also the most watched TV show in Australia in 2009.

     

    Food television has made its mark at the global stage, especially when the content has lived up to the standards set by mainstream television. In India, though, food television remains peripheral, almost inconsequential. Food channels and food shows are one of the several genres that fall into a huge bucket called “niche television”. They only get audience big enough to barely keep them going. Not too many of us will notice if they stopped being there on television altogether from tomorrow morning.

     

    We have a fairly strongly food culture as a nation. Our food has managed to make its mark around the world (often in versions that Indians will abhor and disown). Indian food has the variety, the spunk and the uniqueness that makes it stand out. Why, then, does it not work on our own television?

     

    Some argue that our broadcasters haven’t given the genre a fair chance yet. Star Plus came out with two seasons of MasterChef India. They met with moderate success. The second season was eminently watchable and got good audience response. But when you compare its performance to mainstream non-fiction like Dance India Dance, it begins to look “niche” anyway. A third season has not been announced yet. After all, there may not be much room for “niche” content on the prime time of the leading GEC of the country.

     

    In my opinion, there are three complexities that make food television a daunting programming genre in India. The first one is our cultural diversity itself. While our rich food heritage should be a positive, it creates a divide as well. You can’t get an average Indian to appreciate food beyond what he or she enjoys eating. Try selling the idea of good Gujarati food to a Punjabi, and you are almost certain to run into a cultural wall. We may be food-loving, but we are not a food-appreciating nation.

     

    This lack of appreciation creates a challenge for food programmers. How do you create content that pleases a Maharashtrian, a Tamilian, a Punjabi and a Bengali equally? There is no lowest common denominator to address here. The segments are mutually exclusive!

     

    The second challenge comes in the form of the aversion to non-vegetarian food in our mass audiences. A large (estimated 40%+) section of India’s population is vegetarian. Even KFC has started an oxymoronic vegetarian menu in this country. Non-vegetarian food is a taboo for many, and hence, a television show that captures any form of meat being cooked or shown (like in the food travel shows a la The Foodie) loses half its audience base instantly. The research response to such shows can often be: “Usmein non-veg dikhaate hain, yeh hamare culture mein nahin hai.”

     

    Having programming purely on vegetarian food is not a solution either. For one, the top chefs don’t like the idea. It defeats the entire purpose of showcasing variety and spreading food awareness. Also, the sizeable non-vegetarian population wants to see chicken and lamb being cooked to perfection on screen. No compromises there either. Yet another case of two mutually-exclusive, hard-to-please audience segments.

     

    But the third reason is the most interesting one. It is rooted in the socio-cultural reality of our country. A reality that dictates that women in our country spend a large amount of their daily time in the kitchen, preparing three meals and the in-between courses for their families, all alone, without any real help. Remember, we are talking of kitchens that are essentially devoid of equipment that saves manual work or time. It’s a grind, literally.

     

    As a result, most Indian women begin to dislike (“hate” may be too strong a word) cooking very early in their lives. They take great pride in their food, because a well-cooked dish at the in-laws is a triumphant moment. But that’s a triumph that’s more to do with the delicate nature of the saas-bahu relationship, and less to do with food.

     

    After exhausting herself in an unfriendly kitchen, the woman doesn’t want to see a glamourised kitchen with fancy ingredients on the TV screen. That’s a world she will never inhabit. A world she is not even remotely familiar with. A world she envies to the extent that she looks down upon it.

     

    Now, how will this change? Social-cultural reality does not change. It only evolves, bit by bit, at its own pace. The challenge for broadcasters in India is to adapt their food content to the realities of the Indian woman. The chefs in plush five-stars may do well with a visit to an average middle-class family kitchen in Kolhapur or Kanpur. That’s the reality of food in India. That has to be the starting point of truly mass food television in this country. It can be glamourised and made aspirational, but only to the point of not being irrelevant.

     

    Food can never be a “niche” genre on television. Anywhere. It is more central to our lives than almost everything else besides relationships. Any country whose television treats food as “niche” has an opportunity waiting to be tapped, however challenging the opportunity may be.

     

    Some food for thought there?

     

    Shailesh Kapoor is founder and CEO of media & entertainment research and consulting firm Ormax Media. He spent nine years in the television industry before turning entrepreneur. He can be reached at his Twitter handle @shaileshkapoor

     

     

  • ‘Food Food is a lifestyle channel themed around food’

    FoodFood,India’s first Hindi 24-hour food lifestyle channel, launched by celebrity chef Sanjeev Kapoor in association with Malaysian based company – Astro, has completed a year.

     

    The channel caters to food lovers inIndiain the SEC A B, Metros and mini metros market.  Company officials state that the channel has produced an average rating of 11 GRPs in the year gone by, and promises to cover a lot of ground this year.

     

    At the time of launch – January 2011- the food lifestyle channel had got Madhuri Dixit on board as the life ambassador. While the central programming is centred on food, special attention has been paid on bringing the lifestyle elements too in the shows. Shows like   Ladies First, Firangi Tadka, Mummy Ka Magic, Sanjeev Kapoor’s Kitchen, Turban Tadka, Secret Recipe, Tea Time with Rakesh Sethi, and Food Food Maha Challenge are some of the shows aired on the channel.

     

    The channel is available on both analog as well as digital platforms panIndia. Outside ofIndia, it is currently being telecast in theMiddle East countries. It was brought to UAE by Etisalat, a telecom operator and TV service provider inMiddle East. The Middle East is an important market for a food channel, primarily becauseAbu DhabiandDubaiare popular destinations for expat Indians.

     

    “It has truly been a memorable year for all of us at Food Food. Going forward, we plan to enhance our presence across the world, appealing to the expat Indian population,”  says Sanjeev Kapoor, celebrity chef and one of the promoters of Food Food.

     

    The popular chef spoke to MxMIndia’s Rishi Vora on Food Food’s journey so far and the plans ahead. Excerpts:

     

    How has the journey been so far?

    The journey so far has been very good. In a sense, it has been like a dream because not many people believe that a 24-hour channel dedicated to food and lifestyle can work in this country. But the response has been fantastic. In terms of viewership, we are three to four times higher than the channels that have been around for years.

     

    Has the market for a food lifestyle channel evolved in the past one year?

    There was always a huge market to explore through food, which has remained marginalised for too long. The food gamut is endless and offers a huge opportunity for growth. Food covers a vast sphere, from travel to entertainment to culture and even kids. Almost every aspect of media lends itself to some aspect of food, be it game shows, travelogs, lifestyle features, talk shows, or even soaps.

     

    After the advent of satellite television in India, food and lifestyle shows did not grab much attention initially from advertisers. But things have undergone major changes now with the growing demand for food-related shows. Advertisers have started spending a substantial part of their budget on food and lifestyle shows.

     

    What particular time-band is considered to be prime time for the channel?

    At Food Food we defied the concept of prime time through research and market study. While other channels have their original programming in the evening, our channel has its original programming in the afternoon. This helped us catch the interest of our target audience.

     

    What is your core TG?  And do you find traction from small towns and cities?

    Food Food is a channel for the middle class Indians in urban towns and cities. The core audience is the average Indian belonging to SEC AB in metros, mini metros and the top towns.

     

    How big is the market for a dedicated food channel in India?

    Food, today, is not a mere consumable; it’s not just a hunger-driver. It is rapidly acquiring a lifestyle halo. As prosperity invades Indian households, food is coming out from the kitchens and well into our entire lives. Today food is not only being devoured, it is being relished; it is becoming integral to our lifestyle aspirations. In an introduction to one of her books, Nigella Lawson wrote: “the kitchen is not a place you escape from, but the place you escape to”. Indeed, food, today, has become experimental; it has gone cosmopolitan; it has discovered fusion.

     

    Being a 24-hour food channel, what are the challenges you face in the business?

    There are certain business challenges which will always be there. As a specialty channel with mass approach, we are a new category. Food Food is not only a food channel, it’s a lifestyle channel themed around food. Food on TV is no longer just about stand and stir cookery shows. The viewer has changed. He demands richer content, more innovative programming, even in the realm of food.

     

    In GRP terms, how well has the channel done?

    Our viewership is three times higher than some channels that have been around for years.

     

    How has been the response from advertisers?

    The food genre today is what news and GECs were a few years back. This speciality genre is not only a natural fit with consumers (given the love we Indians have for food), it also allows a high degree of interactivity and entertainment. Both of which the consumer seeks from the media. It took some time for the advertisers to understand the potential of food and food lifestyle platforms. But today, advertisers are more than willing to spend on this category.

     

    Distribution wise, what is the reach of the channel? Is the channel operational on all DTH platforms?

    The channel is available in both analog and digital formats. With 360 degrees of food available across multimedia platforms like TV, web, mobile, food is all set to become the new entertainment. Food Food is not just a food channel, we are here to provide Indian viewers their very own Khushi ki Recipe!

     

    How has been the growth of the channel revenue wise?

    This is a specialty genre and we have very unique programming. It would not be fair to gauge this genre with revenue. But looking at the response, I can surely say that our advertisers and viewers are very happy with us. So in that way we definitely see tremendous opportunity and growth in the future.

     

    How do you see the channel grow say in another year’s time?

    We have expanded beyond HSM markets such as Kolkata, South Indiaand so on. We’ve gone international.  We’re already available in Middle East. This year, we also plan to expand further internationally. Keeping alive our promise of 360 degree entertainment, we will continue to offer exciting repertoire of food-related products to keep the family entertained and engrossed.