Tag: Salt Brand Solutions

  • Picasso Cinematics ropes in cricketing stars in new TVC

    By Our Staff

     

    Picasso Cinematics, a Mumbai-based production company, has launched its latest TVC starring cricket stars Hardik Pandya, Shubman Gill, and Kane Williamson for Capri Loans.

     

    It is produced and directed by the Nakul Roshan Sahdev (known for Gully Boy and Pagglait) and award-winning filmmaker Kabeer Khurana.

     

    Said Mahesh Chauhan of Salt Brand Solutions: “We were pleased with the execution of the project. The team at Picasso is creative, patient and  highly efficient.”

     

    Added Sahdev: “We’re excited to have worked with such talented individuals on this project and to have produced a TVC that captures the essence of Capri Loans’ services while showcasing the skills of these amazing cricketers,” said Kabeer Khurana, cofounder of Picasso Cinematics. “Our team worked tirelessly to create a visually stunning advertisement that we’re sure will resonate with audiences.”

     

  • Salt Brands hires Namrata Nandan as CBO

    By A Correspondent

     

    Namrata Nandan

    Salt Brand Solutions has announce​d the​appointment of Namrata Nandan as its Chief Business Officer. Nandan will manage all existing businesses and drive growth for the organization.

     

    Prior to her stint at Salt, Nandan served as the Co-Founder of Conviction Brandworks. ​She has also worked with agencies like McCann, JWT, Ogilvy and Y&R.

     

    Said Mahesh Chauhan, founder, Salt Brand Solutions:  “As we now gear up for the next stage of our evolution as an organization totally invested in building successful businesses, we felt the need to get another like-minded and driven leader. Namrata’s utopian world-view, love for building powerful brands and desire to succeed reverberated with us. I have known her for a couple of decades and have always wanted to work with her.  The journey just got more exciting.”

     

    Commenting on her appointment, Nandan said: “Salt Brand Solutions is an essential ingredient in my quest to follow my heart.  Mahesh Chauhan is one of those inspirational people I met in my journey of advertising and having this opportunity to work closely with him and his young, raring to go team is something I look forward to.”

     

  • Salt Brand Solutions hosts Facebook Live Pitch

    By A Correspondent

     

    You can call it the next frontier: Salt Brand Solutions responded to Nearbuy’s call for a creative pitch by presenting also on Facebook Live. The reason Salt chose to do so was because it believes the current processes are rational and flawed, notes a communique.

     

    Commenting on this, Mahesh Chauhan, founder, Salt Brand Solutions, said, “It’s exciting to see a young business leader breaking free of the conventional way of doing things. Ankur’s vision and passion to change the game clearly stand out and Salt would love to partner with him & brand Nearbuy. More importantly, he sparked a pertinent conversation about the way pitches themselves are conducted today. Besides demonstrating our way of thinking, taking our pitch live was a small first step towards making the pitch process more relevant in today’s times”. Further he said, “Pitch fee debate is more about the symptom than the disease. The best work is produced by agency-client individual partnerships and that should form the crux of the process going forward. So chemistry between two cultures should be the focal point and not just strategy and creative.”

  • Salt Brand Solutions appoints Neeraa Maini Srivastava & Rishi Chanana as ECDs

    By A Correspondent

     

    Salt Brand Solutions announced Neeraa Maini Srivastava & Rishi Chanana as their new Executive Creative Directors to strengthen their creative team.

     

    Neeraa is a post graduate in English Literature from Mumbai University. She began her career as a creative professional in advertising. In the past she has worked with Lowe, Saatchi and Saatchi, the Times Group, Percept and has also had international experience. Having pioneered the creative start-up cell there, she moved on to assume the role of Creative Head in a renowned film production house. She has won several awards for her creativity and is known for her strong diversity of creative expressions. Earning accolades and awards for her work, she continued to hone her creative talents and gain academic and practical knowledge in screenwriting and creative writing.

     

    Rishi’s past experience includes various agencies like O&M Delhi, TBWA\Raad, Dubai, TBWA\Delhi, O&M Mumbai and TBWA\India. He is a winner of Golds, Silvers, and Bronzes in various international award shows like D&AD, Cannes, One Show, Art Directors Club, Spikes Asia, Asia-pac, Clios, London International, New York Festivals, and various prestigious national awards like Kyoorius D&AD. He has also judged various Indian awards.

     

    Elaborating on her new role Neeraa says, “I am delighted to be a part of this exciting venture, Salt Brand Solutions. I personally love a change story, be it a brand or an agency and I can safely say that my journey has largely been driven by such opportunities. The timing is right with a new wave of change to create the highest levels of collaboration and organizational agility across all brands.”

     

    Commenting on this Rishi says, “I am pleased to have been chosen by Salt Brand Solutions and I am looking forward to create a fresh culture at Salt andto bring about changesthat can impact the industry.”

     

    Mahesh Chauhan, founder, Salt Brand Solutions, says, “It’s great to have Neeraa and Rishi onboard. They both havea rare combination of creative flair and maturity. Their track record of scaling businesses and brands speaks for itself. I look forward to them creating some truly memorable work, thus driving Salt’s agenda of being the best new age business partners to our clients.”

     

  • Bombay Realty hands over entire communications mandate to Salt Brand Solutions

    By A Correspondent

     

    Salt Brand Solutions has won the mandate to handle mainline and digital communication for Bombay Realty, the realty arm of the Wadia Group. The win comes on the heels of a multi-agency pitch process conducted in August.

     

    Salt’s first task will be to drive the communication for luxury residences in the company’s flagship project, Island City Center (ICC).

     

    Mahesh Chauhan, Founder, Salt said, “The Wadia group has always been a special relationship for us. It feels great to be associated with them again through Bombay Realty. We look forward to creating some memorable work for the iconic properties being created by them.”

     

    Jeh Wadia, MD, Bombay Realty shared, “It has been an active year at the Island City Center with construction in full swing of both the towers ONE ICC & TWO ICC. The time is just right to communicate these key developments to buyers and Salt is the right partner for the strategy and communication efforts for the brand. Salt’s work showcased the right balance of strategy and creative and a sound understanding of luxury branding.”

     

    Siddhartha Singh, CEO, Salt adds, “This is a great opportunity for Salt. What is exciting is that the mandate goes beyond just packaging the offering in the conventional sense, to creating a holistic experience online and on-ground as well. Bombay Realty’s ICC is unique in that it offers true luxury for the home-owner who is not willing to compromise in any way. The campaign will build on this aspect.”

     

  • Siddhartha Singh named CEO and Arun Divakar is NCD at Salt Brand Solutions

    By A Correspondent

     

    Salt Brand Solutions has rejiged its top management. Siddhartha Singh will take over as Chief Executive Officer and Arun Divakar will head creative as National Creative Director.

     

    Sid, as he is fondly called, is one of the founder members of Salt and till now was Executive Vice President. He has almost two decades of experience across leading agencies like Leo Burnett, Ambience Publicis and Rediffusion – Y&R. His portfolio includes TVS Suzuki, Westside, ICICI Bank, Nerolac Paints, HomeTown, Rasna, DB Realty and many others.

     

    In his new role, Sid plans to “up the ante on product delivery, ensuring it is above industry standard and pushes the agenda of being best new-age business partners to our clients. This is something we have practiced tor the last four years and today feel confident and capable of delivering. In addition, I want to instil brand thinking that cuts through the jargon, brings in simplicity and germinates from a client’s business problem rather than lofty brand ideologies”.

     

    On the other end of the spectrum is Arun Divakar, who will now be responsible for the complete creative portfolio of Salt. He launched his career as an account executive, but quickly realised he was a better art director than the ones he was listening to! He has worked with Flagship and Saatchi & Saatchi in Mumbai, and Classic Partnership, O&M, Y&R and TBWA in the U.A.E, before taking on the role of Regional Creative Director, Pirana which he helped he set up in the U.A.E. In 2014 he moved back to India and joined Salt Brand Solutions.

     

    Defining the road ahead, Mahesh Chauhan, Founder, Salt Brand Solutions, says: “Kali has been the proverbial madman of Salt. His talent coupled with his joie de vivre has transformed our work and culture beautifully. Sid, on the other hand, has been a pillar over the past four years of Salt and has seamlessly transitioned into this role. He is widely respected and brings great gravitas to our offering as an organisation.

     

    With these elevations, I will now be spending my time driving ideas for our clients. This will involve working seamlessly with both the strategy and creative teams. The end objective being consistently superior work for all our partners as well as properties that we develop for ourselves.”

     

  • Salt Brand Solutions wins mandate of Lechal

    By A Correspondent

     

    Salt Brand Solutions has won the brand mandate for Lechal, the world’s first haptic footwear.

     

    “The entire team fell in love with the shoes. In fact, every member of the pitch team placed their pre-orders as soon as they got the brief.” said Siddhartha Singh, CEO, Salt Brand Solutions.

     

    Krispian Lawrence, Co-founder and CEO of Ducere Technologies, which manufactures Lechal, said, “While we make smart footwear that knows its way around, we look forward to Salt’s expertise in telling us where to take the brand.”

     

    Siddhartha Singh pointed out that, “Lechal would be the first global Indian brand. We are aligning our strategies to match the brand’s ambitions.”

     

    The smart footwear has already got tech lovers and travellers around the world eagerly awaiting the delivery of the shoes.

     

  • Storytelling through the years

    By Shubhangi Mehta

     

    The trend of storytelling in an ad began with actors in the campaign sharing a fictional story that connected with the masses and now taking it a step ahead, advertisers are trying to connect directly with the masses and asking them to tell their original stories in the campaign.

     

    Storytelling commercials capture the emotional side of an audience.

    How beautiful or charming your story is depends on the imagination of the creator. How beautifully and effortlessly it’s told, depends on the media plan.

    Some stories need more time, some don’t. While one understands that media comes at a price, one often forgets that the  poorly told story, even if it fits the budget perfectly, is money down the drain as it won’t reap half the rewards as a beautifully told story will.

     

    KV Sridhar

    As KV Sridhar, NCD, Leo Burnett India, explains, stories are a “means of communicating to the world in an interesting manner and advertisements are no different. The only challenge is to tell a story in 30-60 seconds. Products have become brands and household names because of use of this concept in our commercials. The concept provides a benefit for the brand as it establishes an emotional connect with the consumers, it’s not just a sales message, but about narrating a story. In other words, we can regard a story as a sugar coated medicine. Initially, story telling in commercials was a one way process -brands created a virtual story to connect with the masses – but today it has become a two-way communication. And due to the popularity of social media – Facebook, Twitter – it’s become easier to interact with the consumer. Brands no more control the story, consumers do.”

     

    Sumanto Chattopadhyay, ECD, Ogilvy & Mather, cites an example: “Pond’s created a very successful series of TV commercial a few years ago. It was a love triangle starring Priyanka Chopra, Saif Ali Khan and Neha Dhupia. These episodic films spun a classic love story with all the trademark melodrama of a top-rated TV serial.”

     

    Sumanto Chattopadhyay

    The only downside of episodic commercials is the high budget required to make and air multiple TV spots. But if made with skill and backed by deep pockets, they can be a worthwhile investment. The international trend in contemporary popular culture is marked by a penchant for realism combined with a desire for the limelight.

     

    From reality shows that hunt for talent to advertising that is crowd-sourced, it is all about letting people step into the light to tell their own stories in their own voice. Andy Warhol was prescient when, decades ago, he said: “In the future everybody will be world famous for fifteen minutes.” Today, that is the mantra of many – offering the people the chance to have their names, faces and stories in the spotlight – which is also a shrewd strategy for brand success. The resulting authenticity has an inherent appeal to the modern mindset.

     

    Storytelling is the means by which our culture has been passed down

    Storytelling is the means by which our culture has been passed down from one generation to the next. Sometimes, through stories expressed verbally by our elders; at other times through pictures drawn on cave walls and later through sophisticated dance drama. So it is hardly surprising that we took like ducks to water to story telling in movies, TV serials and TV commercials.

     

    Rahul Matthew, ECD, McCann Erickson said: “Storytelling, to get a point or ideology across, is not a creation of advertising. Stories have been used forever to sell ideologies, morals, and wisdom to people. Panchtantra or Mahabharata are all illustrations of the same. The only difference is that in advertising we use it to sell brands. It’s probably because story-telling makes anything less preachy and we’re always ready to hear a good story. A story also makes things more relate-able since it borrows from life; the same life that our brands and products have to be a part of. This so-called real story-telling has always been there. What’s called testimonials is just that. We used to use models to give the impression of a real-life consumer sharing his/her experiences with the product. And today instead of models we are recruiting real consumers to tell us what they feel or think.”

     

    Mr Matthew further states that it’s more a reflection of a change in consumer behaviour than a change in advertising: “We are reaching out to reviews from unknown people through blogs/social media to make our choices, and at the same time proactively sharing our views for others to consume. And advertising has always merely reflected consumer behaviour.”

     

    Minakshi Achan, co-founder, Salt Brand Solutions feels that storytelling has kept us riveted for centuries as it is part of popular culture and has shaped and defined us for the longest time through religion, entertainment, history and music. “Brands have simply adopted the art and used it to tell stories and shed light about their products and services. There is no better way to connect with your consumers and the greatest of brands know the profound impact it has on people. Brands are the greatest story tellers and if you count religion itself as a brand, we know the power of story telling, and the continued effect on us. The big change has not been in the concept of storytelling, but in the way we communicate because of the platforms available to us. In the yester world, there were no platforms for two-way communication or rather it was difficult to do so. Today’s world is open and the exchange and engagement with a consumer is far easier. Far greater possibilities exist thanks to social media – whether it is the internet or mobile,” she added.

     

    Co-creation is the new way

    Consumers have stories to tell and today brands can listen to them and have their contribution to impact their brands. This apart, the stories are more real, straight from the horse’s mouth, which lend great credibility to brands. Since the engagement models have changed, I think there is far more meaningful conversations possible today, feels Ms Achan.

     

    All in all, we can say that stories surely are for everyone and quite naturally work across categories and consumer types. The length of time, the canvas of the medium may change but the premise is the same, and the objective for brands is just to impact the brand and consumers with this format. Whether it s a 3-hour movie or a 30 second commercial, the principles of storytelling remains.

     

     

  • The Best of Print Ads – 2011

     

    By A Correspondent

     

    You may have seen only a few of them and probably even forgotten the underlying message that the campaigns had to tell. But now you could make a dash to have a hard copy of MOSAIC, a compilation of the Best in Print (campaigns) to have hit India n shores in 2011. The compilation has been put together by 23 creative agencies who have submitted their best pieces of work for the category in 2011. Conceptualised by Sanjeev Kotnala and team from the Dainik Bhaskar Group, the initiative has been made special through the “insights” and “personal favourite” sections that have been provided by Media agency bosses. These include Lynn de Souza of Lintas Media Group, Mallikarjun CR, CEO, Starcom MediaVest Group, PM Balakrishna, Chief Operating Ofiicer, Allied Media and Punitha Arumugam, Director – Agency Business, Google India.

     

     

    Lynn de Souza, Chairman and CEO, Lintas Media Group, Chairman, Aaren Initiative and Director, Karishma Initiative

    “An excellent idea to recreate interest and remind all about the power and impact of the print medium. My only reservation is that there were too many submissions of ‘pretty pictures-pithy headlines’ work that may or may not have been published and did not appear to fully grasp how the medium must be used effectively.”

     

    TOP 5 Choices:

     

     

     

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    1) DNA – ISKCON (Scarecrow India)

    Reasons for choosing: The intelligent use of the cigarette-turned-food visual immediately targets the smoker and invites him/her to contribute in a very simple way to a cause that benefits both beneficiary and the giver – something not easy to achieve. I like the simple, clean look of the ad and the directness of the headline and copy.

     

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    2) Flying machine “What an Ass” (Lowe)

    Reasons for choosing: This is my idea of perfect ad! One that has used all the elements of the print medium – headline, visual, copy to present a bold, modern attitude through a perfectly harmonised contribution of all three. It’s an unmissable ad whether you are a guy or a gal.

     

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    3) Parker – Ramnath Goenka Excellence in Journalism Awards (Lowe)

    Reasons for choosing: A stark headline supported by the simple bottle of ink that says it all. An attention grabbing reminder of the power of the pen to influence the world. Perfect synergy for the subject – Journalism awards and the ‘always memorable’ image of a gold Parker fountain pen.

     

     

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    4) The Times of India – A day in the Life of India (Taproot India)

    Reasons for choosing: Fantastic art direction – great visual appeal that hooks you into reading the whole ad. The contemporary feel, using India n kitsch, with attention to detail, is riveting. (Check out the dog lifting his leg to pee on the bed of nails!) Bright, colourful, crowded yet not messy. I could read it again and again!

     

     

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    5) Vaseline ‘Dear Mr. Vaughan’ (BBH India)

    Reasons for choosing: The kind of ad that every Creative Director who woke up to it that morning would have said: “I wish I had written this”. There are some things you can do impactfully in a topical yet ‘permanent’ medium like print that you can’t do anywhere else, and this ad fits the bill. Nose-thumbingly outstanding!

     

     

    Mallikarjun CR, CEO, Starcom MediaVest Group

    “This is a fantastic initiative. As media agency professionals, our lenses to view the world are different. However, what comes across is that great creative work is universal. Really enjoyed it.”

     

     

     

    TOP 5 Choices:

     

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    1) Audi – World Cup (Creativeland Asia)

    Reasons for choosing: Great connect with the Champion’s Trophy ’85 win. Most of the target audience that can buy an Audi will connect immediately with that moment. For a lot of us India ns, that was the first moment of connect with Audi.

     

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    2) DNA ISKCON Food Relief Foundation (Scarecrow)

    Reasons for choosing: A nice calculus linking smoking to food relief. Very innovative, eye catching visuals.

     

     

     

     

     

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    3) Indigo Campaign (Weiden+Kennedy)

    Reasons for choosing: Stark, consistent visuals. The colours, space everything reflects the qualities of the airlines. Nice word play that grabs your attention and makes you read the copy. The reference to price is as value and not cheap.

     

     

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    4) Nissan Micra (TBWA\ India)

    Reasons for choosing: Simple stark visuals. Driving home the relevance of a small car without talking price, affordability etc. Great, understated use of a celebrity.

     

     

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    Reasons for choosing: Great expedient use of Michael Vaughan’s comment. Superb cut through and great visuals.

     

     

    PM Balakrishna, Chief Operating Ofiicer, Allied Media

    “I think this is a wonderful initiative and exposes the fantastic creativity. It is a very different platform as it is more an appreciation of great work rather than a competition as I believe each creative is great on its own.”

     

     

     

    TOP 5 Choices:

     

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    1) Bajaj Fans (Leo Burnett)

    Reasons for choosing: The best part of this creative is the way it has integrated everyday common issues and weaved them into the core communication of the product. The creative is also very well crafted visually using the very cause of the product making it very effective.

     

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    2) Birla Cellulose (Salt Brand Solutions)

    Reasons for choosing: The sheer aesthetic treatment to the communication draws you and I like the beautiful and colourful way the creative has used nature and the human body (woman). It brings out the environmental friendly nature of the product in a very soft and appealing manner.

     

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    3)Fuji(Grey)

    Reasons for choosing: Colour and background are intrinsic material for any great creative and nothing better than drawing inspiration from Mother Nature and wildlife. The beautiful use of the animals brings the message home effectively and creatively and connects with any photographer or photo enthusiast.

     

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    4)NipponPaints (JWT)

    Reasons for choosing: They say a great picture is worth a thousand words and the effect is breathtaking when it is beautifully woven into the message making the communication very compelling and effective. In this case the product USP, a central factor in the category has been brought home very beautifully for correct impact.

     

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    5) Zee 24 Taas (Draftfcb Ulka)

    Reasons for choosing: Ganpati Bappa has a significant connect with the India n diaspora and especially with Maharashtrians who revere the elephant God. I like the way the creative has beautifully engaged the viewers in an innovative and personal manner and makes it unique and different.

     

    Punitha Arumugam, Director – Agency Business, Google India

     

    “This initiative continues the long tradition of Dainik Bhaskar – breaking boundaries and setting new trends in the industry.”

     

     

     

     

     

    TOP 5 Choices:

     

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    1) DNA Mumbai Marathon (Scarecrow)

    Reasons for choosing: The power of long copy. It brings back memories of the old era, which was marked by a great headline and the power of long copy. It inspires and bonds with its audience.

     

     

     

     

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    2) Murphy Richards epilators (Contract)

    Reasons for choosing: The power of a picture. The visual intrigues, makes you pause, demonstrates the benefit and brings a smile – all this without a single word.

     

     

     

     

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    3) MTR Spicy Pickle (Ogilvy)

    Reasons for choosing: The power of insight. A true South India n like me will see this ad and can only say “How true!” Equating spicy with ‘tears’, the way the ad captures the cultural nuances – awesome!

     

     

     

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    4) Parker – Ramnath Goenka Excellence in Journalism Awards (Lowe)

    Reasons for choosing: The power of words. While most entries used the power of the picture, this ad stands out because it uses print for what it does best – leverage the power of words and intriguing headlines.

     

     

     

     

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    5) Saffola Healthy Heart (McCann)

    Reasons for choosing: The power of an innovation. A great collaboration between the creative agency, the brand team, the media agency and the publication to convey the brand message interestingly and inclusively so as to trigger an action from the reader.

    Best of Print in Dainik Bhaskar Group’s MOSAIC
     

    Some may see India’s performance of bagging just four Press Lions at Cannes out of the 30 that were shortlisted as a drab effort, but then there are some who would like to think of it as being otherwise. After all, Press Lions as a category managed to get India its largest tally of four metals versus any other category at the awards – a valiant effort considering that India finished 2012 with just 14 metals in its kitty.

     

    While the category may have received its fair share of fame at the pinnacle of creative awards, many would agree that Indian adland has failed to laud the finesse that stems out from Print creatives over the years. While such is not the case in some large international markets where creative works across categories gets noticed and rewarded that gesture seems to be missing when it comes to India. Luckily for the creative frat in India, an opportunity to showcase their best works – besides the awards shows – were given a fillip by the Dainik Bhaskar Group that released the first of its kind creative compilation of the finest works produced in Print in the form of MOSAIC 2011.

     

     

    Elaborating on the initiative, Sanjeev Kotnala, VP & National Head, Dainik Bhaskar Group said, “This has been a first year for MOSAIC, which is a rich collection of 150 creative units part of 77 campaigns that have been submitted by 23 agencies.” The creative showcase has been made special through some individual comments and insights that have been posted by creative leaders of individual agencies.

     

    Elaborating on the thought process behind the compilation, Mr Kotnala said: “As a group, we believe that the Indian creative across mediums and media is of international standards, in its thinking, relevance and in its execution. Unfortunately there has been no single reference point for the same. MOSAIC bridges this gap and we would want it to be referred by the creative, clients, media and trade.”

     

    As for the method that was adopted in getting the agencies to submit their campaigns, Mr Kotnala said that it began with Dainik Bhaskar requesting the creative heads at the agency to send their best Print work. “They know better than us – as by placing it in MOSAIC affirms it to be their best work. Though we did have constraints on the number of campaigns we could place in Mosaic from a single agency. This has all been a by-invitation. On the other side, there were few agencies that sent lesser number of creative units as they felt others were not up to the standard to feature in such a compilation. So it was created and evaluated by the creative teams themselves.”

     

    On how print has evolved over the years as a medium, Mr Kotnala said: “Today print ads are working on all fronts of communication. They are not just for the purpose of awareness building or as a source of providing tactical information; they engage and involve the readers and are very result-oriented in their approach. We always held that the idea is more important than the medium. And it will automatically find its right medium for better efficiencies and effectively delivery of the message.”

     

    In fact, the compilation has been made special with the involvement of four media agency heads who’ve provided their assessment of the campaigns. They include Lynn De Souza, Chairman and CEO, Lintas Media Group, Chairman, Aaaren Inititative and Director, Karshma Initiative; Mallikarjun CR, CEO, Starcom Mediavest Group; PM Balkrishna, Chief Operating Officer, Allied Media and Punitha Arumugam, Director- Agency Business, Google India.

     

    With the first edition already finding appreciation within the industry, the Dainik Bhaskar group have their task cut out for the next year too. On his plans for a sequel, Mr Kotnala said, “We would want to see more regional and language work in the collection – and they still should meet the standards set. We would and could try getting clients and media owners also picking their favourites and definitely may wish to incorporate a section on media innovations. Though we have taken the task and brought out the book, in our mind it is an industry level initiative and we would want to keep it that way.”

     

    Mosaic 2011 can be accessed and downloaded at http://i10.dainikbhaskar.com /dainikbhaskar2010/books/ Final_Book.PDF

     

  • CarTrade to take a creative ride with Salt Brand Solutions

    By Shubhangi Mehta

     

    Salt Brand Solutions have registered their first win of the year by walking away with the creative business of CarTrade.com. Agency sources close to the development have confirmed the news to MxMIndia.

     

    The win is a result of a multi-agency pitch. There wasn’t any incumbent on the account. The account size of the same is estimated to be Rs6-8 crore.

     

    CarTrade.com was launched in October 2006 by Akshay Shankar and Nick Silderhuis. The website was founded to provide more transparency to the Indian car and bike market, so that vehicle buyers and sellers are able to close better and more informed deals, in a more efficient way.

     

    CarTrade.com isIndia’s largest online vehicle market, where buyers and sellers of used and new vehicles can meet and deal. It caters to buyers and sellers of new cars, used cars, new bikes and used bikes. It is a comprehensive vehicle platform, offering finance, insurance and other such services, too. In 2009, CarTrade.com was acquired by MotorExchange.in, a solution for business buyers and sellers of vehicles.

     

    Salt Brand Solutions is an agency, founded by Mahesh Chauhan and Minakshi Achan, advertising stalwarts, that offers holistic brand solutions.

     

  • Salt Brand Solutions wins creative mandate for BSE

    By Shubhangi Mehta

     

    Small agencies are here to talk big, Salt Brand Solutions, the agency founded by adland stalwarts Mahesh Chauhan and Minakshi Achan earlier this, is proving the same. After winning the Kaya Skin Clinic biz earlier this year and the reality channel from RBNL and RTL more recently, it has now won the creative mandates for Bombay Stock Exchange (BSE).

     

    BSE Limited, the oldest stock exchange in Asia now popularly known as the BSE, was established as “The Native Share & Stock Brokers’ Association” in 1875. Over the past 135 years, BSE has facilitated the growth of the Indian corporate sector by providing it with an efficient capital raising platform.