Tag: Reliance Group

  • A different rivalry emerging in IPL

     

     

     

    With apologies to none at all

    By Vikas Mehta

     

    Vikas MehtaThe Indian Premier League (IPL0 has become famous for franchise rivalries over the years. MI vs CSK, KKR vs RCB and, as my daughter says, now LSG vs SRH biryani wars!

     

    But a most unexpected rivalry has surfaced around the IPL this year. And it started before the tournament commenced. When the media rights for IPL were announced for the next five years, television and digital rights went to two different entities. While Star Sports continued with the TV rights, Disney Hotstar lost the digital rights to Reliance group backed Viacom18. And thus started a new rivalry. TV vs Digital. Jio Cinema vs Star Sports.

     

    If we look at the numbers, it seems an unequal fight. TV penetration in India is almost 70%. Whereas smartphone penetration is just about 50% with roughly 600mn smartphones in use. While smartphone is an individual device, TV is watched by four-five people. But what makes these numbers interesting is the fact that many youngsters in TV households may be either abandoning TV for smartphones or TVs are being connected to streaming devices. Jio Cinema has been talking about its customised device integration partnership with OEMs like Jio set-top box, Apple TV, Amazon Firestick, One Plus TV, Sony, Samsung, LG and Xiaomi.

     

    And Jio Cinema fired the first salvo by announcing free subscription to IPL. Clearly, they were trying to catch more viewers which in turn would get more advertising moolah. So, for the first time, an advertising revenue war between streaming and TV was on. Brands and companies were being enticed on two fronts. And they had to take decisions which till now they need not as Star and Disney Hotstar were playing a complementing game with Disney also charging for subscription. Viewership now was an important dimension.

     

    And soon enough an advertising war broke out. Not surprisingly, Jio Cinema was the instigator. It released a long ad on Youtube which took a dig at watching IPL on old-fashioned, non-interactive, dumb TV sets. While it was entertaining and informative at the same time, it served a reminder as to how much more personalised the viewing can be on digital. Watch it here

     

    Star Sports then released an ad which claimed that normal TV watching through DTH channels like Tata Play and Airtel (my enemy’s enemy is my friend) could allow digital features like highlights, key moments, deep statistics dive etc. Star Sports Pro was launched which could turn your TV into TV on demand with these features. Watch the ad here.

     

    While Star spoke about commentary in nine languages, Jio Cinema went ahead and announced commentary in 11 languages including Bhojpuri. I think no ex-cricketer worth his salt is free in India today during IPL and anyone who is, needs to just learn a new language!

     

    Hardly had the first weekend passed that viewership figures were being bandied about. Star took out a full-page ad in leading dailies claiming a record-breaking TV Rating for the first match which went up by 29% and 47% increase in consumption of TV time as against last year. It also claimed 130 million viewers on its channels for the first match which was almost 90% of the Pay TV universe. Jio Cinema on its part issued press releases claiming 1.47 billion video views and 50 million new app downloads for Jio Cinema over the first weekend.

     

    While Jio’s figures were based on its own actual numbers, Star figures were based on BARC viewership data that uses a base of around 50,000 plus households and the number is then extrapolated to a national level, a fact shared gleefully by even Viacom18’s CEO in his press release. Clearly, the advantage of measurability went in favour of Jio Cinema.

     

    So, is there a clear winner? Of course not. Jio had glitches during streaming. While many claimed no audio, there was rebooting happening and many took to social media to vent their frustration. And while TV seems to have the upper hand just by sheer numbers, the habit of Gen Z to watch on small screen on an individual basis will eat into TV share. But then from my limited experience, I think it is just a high income phenomena. Most Indian families do not have the luxury of a personalised smartphone for each family member. Plus, IPL is a more involved family entertainment. That would mean a point in favour of TV.

     

    One thing though is for sure, this rivalry is going to become more intense and it would mean more benefits for the consumers.

     

    Oh! What about the ads on IPL you ask? Mostly a big bore. Mostly repetitive old ads. Most using the same few celebrities. Most covering the same few categories.

     

    But the one exception that came as a breath of fresh air was Dream 11. Like in the previous years they have not disappointed and have raised the bar by not just using famous cricketers but also roping in some celebrity actors. And with an all-out war between the two sets of celebrities, things are getting spiced up. It’s a shame if you haven’t watched the launch ad which is a longer version in the form of a press conference. Watch it here.

     

    And then the other ones which involve needling each other with some real life, incisive and stinging comments. The one where Rohit Sharma needles Aamir about not attending award shows, or the one where the cricketers are needled about retakes, or the one where Aamir is reminding himself that ‘all izz well’, are all well-crafted and wonderful to watch. A relief to see creativity, relevance and celebrity all being combined so well. Watch. One more. And one more.

     

    As I write this, I see a new Pepsi ad with Ranveer and a new Pepsi anthem too. These look and sound interesting. Watch the ad. And the theme song.

     

    Now tell me what do you think about them?

     

  • Reliance Group, Prime Focus announce formation of new entity

    Reliance Group has announced the combination of the global film & media services business of Reliance MediaWorks’ (RMW) with Prime Focus Ltd.

     

    The combination of RMW – PFL and Academy Award winning Double Negative, led by Matt Holben and Alex Hope, creates the world’s largest and the most integrated media services group with over 5500 people present across 20 locations offering visual effects, stereo 3D conversion, animation, and cloud-based digital media solutions that transcend the film, advertising and television industries. The combination brings instant benefits to global clients, with new levels of creativity, technology innovation, truly integrated Digital Media Services, unmatched scale, financial stability and sustainability.

     

    The combined group will also have the world’s first hybrid cloud-enabled Media ERP platform. The platform virtualizes the content supply chain and helps broadcasters, studios, brands, sports and digital businesses manage their business of content, by driving creative enablement, enhancing ecosystem efficiencies and sustainability, reducing costs and realizing new monetization opportunities.

     

    Namit Malhotra will be the Executive Chairman and Global CEO of Prime Focus Ltd.

     

    “We are hugely excited about the transformational growth opportunity created by the powerful combination of the global film and media services business of Reliance MediaWorks and Prime Focus,” said Amitabh Jhunjhunwala, Group Managing Director, Reliance Group. “Namit is an enormously passionate leader, who has created and run a highly successful global media services business. We are delighted to have the opportunity to support PFL as the Company moves to the next orbit of growth under Namit’s dynamic and ‘turbo-charged’ leadership”, he added.

     

    The body of work handled by the new entity includes worldwide blockbusters and critically acclaimed films, such as The Dark Knight Trilogy, Transformers 4, Inception, Gravity, Harry Potter, and Avatar, to name a few. Equally within India, the PFL and RMW combination brings integrated services to the Bollywood industry from equipment rental, and shooting stages up to final digital distribution – a true one stop service.

     

  • Reliance MediaWorks crosses 400-film mark

    By a correspondent

     

    Reliance MediaWorks, the media and techno-creative solutions provider and a part of the Reliance Group, announced the landmark achievement of completing 400 films successfully at their digital lab.

     

    The company commemorated this triumph with a star-studded event graced by accomplished cinematographers, directors and producers that Reliance MediaWorks has worked with on their projects.

     

    Set up in 2008 as Asia’s first Digital Intermediate Lab with a 4K facility, the Reliance film lab revolutionized the way films are processed in India. It also offers cutting edge VFX Solutions to Indian and international productions through its state of the art VFX studios in LA, London and Mumbai. With specialization in highly complex VFX, the company and its team of award winning artists stand at the forefront of an extremely dynamic world of VFX production.

     

    Equipped with a state of the art DI facility to cater to film, TV and web related video content, the team has worked on a slew of recent blockbusters that include Chennai Express, Ram Leela, Krrish 3, Yeh Jawaani Hai Deewani, 3 Idiots, Singham, amongst others.

     

    Venkatesh Roddam, CEO, Reliance MediaWorks said, “At Reliance MediaWorks we have always believed in adding value to the filmmaking process by keeping up to date with the latest technology and techniques. The completion of 400 films is a testimony of our commitment and hard work.”

     

    Krishna Shetty, President – Post Production Services, Reliance MediaWorks said, “Digital filmmaking has opened up greater possibilities and opportunities for filmmakers than ever before. Every movie, from the massive big budget blockbusters, to the small independent films made on a shoestring budget, have been influenced by the advents in digital technology and filmmaking. We look forward to continuing our efforts to reinvent the ways in which movies are viewed.”

     

  • Advertisers serious about backing comedy

    By Vijaya Rathore

     

    Laugh and the viewers -and advertisers – laugh with you. That’s a formula working like a charm for broadcasters who are riding on the increasing popularity of comedy programming.

     

    And with a record 151 million people watching comedy shows on Hindi general entertainment channels in the first 10 months of 2012 -as per data from TAM Media – marketers at Procter & Gamble, L’Oreal, Nokia, Samsung, M&M and Vodafone are jostling for ad spots on a variety of standups and sitcoms on Hindi, English and even regional entertainment channels.

     

    Popular shows like Comedy Circus now sell on a par with primetime soaps, pulling in as much as Rs 2.5 lakh for a 10-second spot. The year-old Comedy Central channel, which has 150 advertisers on board, is developing local content and is expanding its network beyond the top seven cities of the country.

     

    According to TAM data sourced from a broadcaster, the comedy genre was the second-largest contributor to ratings, after action/thrillers between week 49 and week 52 in six metros. Among English programmes, half of the top 10 shows were comedies in seven metros in this period.

     

    These include comedies like Everybody Loves Raymond, Last Man Standing and How I met your Mother.

     

    Reliance Broadcast Network, a part of the Anil Ambani-led Reliance Group, is working on producing Prime Nights, a stand-up comedy property. The company is currently engaged in discussions with sponsors. “We will do onground events and televise them in order to reach out to a larger audience,” says Tarun Katial, CEO, RBNL, which has a joint venture with BIG Studios. Says Abraham Koshy, professor at IIM-A: “The audience may enjoy seeing others’ sorrows on national TV, but such programmes may not be popular in terms of brand association. Brands prefer to associate with happiness.”

     

    “Every brand wants to get associated with comedy,” adds Rohit Gupta, president network sales, MSM India, which has channels like Sony Entertainment, SET Max and SAB TV in its bouquet.

     

    SAB TV is a Hindi channel focused entirely on comedy, and Sony TV has Comedy Circus, a reality-based stand-up comedy show that is one of its most popular programmes. Comedy Central, the English entertainment TV channel owned by Viacom18 Media, which completes a year this week, has done “exceptionally well”, according to business head Ferzad Palia. “The channel is expected to break even much ahead of the original business plan on the back of strong advertising and subscription revenues,” adds Mr Palia without sharing financial details.

     

    Endemol India, which was the one of the first production houses to bring in stand-up comedy shows on Indian television about eight years back, is experimenting with formats such as comedy panel game shows and sitcoms.

     

    “We plan to bring in new formats to India in line with the international markets that have popular comedy game shows and sitcoms. Talks are on with broadcasters,” says Deepak Dhar, chief executive, Endemol India, adding, “This is a staple diet for Indian audience.” Endemol boasts of shows such as Bigg Boss, Laughter Challenge, Fear Factor – Khatron Ke Khiladi, Jo Jeeta Wohi Super Star, Wipeout and Chottey Miyaan.

     

    Advertisers for their part have a sound reason for associating with the comedy genre.

     

    “When consumers are watching content in a good or happy state of mind, the message is clearly more effective. Comedy shows are often watched by families which helps a lot of brands get the message across in the right way to the right set of audience,” says Alok Bharadwaj, senior vice-president at Canon India. TAM data indicates that comedies are most popular with kids (between 4 and 14), the 15-24, 35-44 and 45-54 age brackets, which pretty much covers most of the Indian demographic.

     

    According to media planners, comedy attracts advertisers from automobile makers to financial services providers and from shampoo brands to telecom companies.

     

    According to Hiren Pandit, managing partner with media-buying agency Group M, brands that use the humour element in their advertising prefer to ride on comedy. “However, brands cannot survive purely on the back of one genre and should plan the media mix diligently,” he adds.

     

    Source:The Economic Times

    Copyright © 2013, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

     

     

  • BIGFlix takes consumer entertainment to a new level on Micromax Funbook

    By A Correspondent

     

    BIGFlix, a part of Reliance Group’s digital entertainment business, and Micromax Informatics Limited (Micromax), on Tuesday announced their partnership to further advance the Movies on Demand ecosystem in the ‘now’ age of ‘Digitalization’ on the newly launched Funbook by Micromax.

     

    As a result of the partnership, BIGFlix has specially created an Android app for Funbook, the country’s first ever tablet operating on the latest Ice Cream Sandwich. This allows subscribers to stream HD (High Definition) quality blockbusters from a premium catalogue which comprises of  over 1,000 movies across several genres be it action, comedy, drama and many more absolutely free for a period of one month. The same is also available for a subscription fee of Rs249 per month.

     

    Commenting on the partnership,  Shreyash Sigtia, Business Head, BIGFlix said: “BIGFlix is India’s first and only movie on demand service that offers an exhaustive library of movies in several languages across various genres. We are very happy to partner with Micromax Funbook. This association is extremely vital for us as it will enable us to make movies on demand available to Indian masses.”

     

    Commenting on the association, Deepak Mehrotra, CEO, Micromax said: “Our strategy, since inception, has been to provide unique product offerings coupled with distinctive value additions to customers from time to time and our tie-up with BIGFlix, India’s first and only movie on demand subscription service underscores this. We believe that in a highly competitive atmosphere, this will allow us to replicate our growth -globally, regionally as well as locally.”

  • BIGFlix to rev up online movie streaming

    By A Correspondent

     

    BIGFlix, a part of Reliance Group’s digital entertainment business, and Unisys Infosolutions, a leading 360 degree digital provider of VAS content and enterprise messaging solutions, on Wednesday announced their partnership for online streaming of over 200 full-length feature films and music videos on BIGFlix.com.

     

    Commenting on the partnership, Shreyash Sigtia, Business Head, BIGFlix Pvt Ltd said: “BIGFlix+, beingIndia’s first and only movie-on-demand subscription service, offers an exhaustive choice of HD Quality movies to the net savvy movie buffs inIndia, at their convenience, across multiple internet connected devices. We are glad to be associated with Unisys Infosolutions, a pioneer in providing value added services. This association is extremely vital for us as it will provide aid in reaching out to masses effectively.”

     

    “As a constant endeavour to equip consumers with latest blockbuster movies and other video content, this partnership proves to be a step closer to enhance, strengthen and expand the MOD (Movie on Demand) service in India” he added.

     

    Commenting on the announcement, Shelley Chaudhury, founder and Managing Director, Unisys Infosolutions said, “We have grown significantly from a regional content specialist to a strong contender for digital distribution of Bollywood movies, and the partnership with BIGFlix underscores this.  Through this collaboration, we expect to continue playing an essential role in facilitating movie and music producers in increasing the reach of their content to a wider audience.”

     

    Unisys Infosolutions has created a catalogue of new and old Bollywood feature and has also featured popular regional movies as well as over 5000 music videos in more than 15 languages, including Hindi.

     

  • Being the best is our trademark: John Ziegler

     

    After a three-month long restructuring and realigning exercise in India, DDB Mudra Group presented itself in a new and refined avatar to the world on Tuesday. Having found its saviour in Mudra to expand its foot print in to India, DDB Worldwide is ready with a formula and a team that it promises would shake up the Indian advertising and media market and make it a force to reckon with in the coming months.

     

    Representing the group to make this historic makeover, John Zeigler, Chairman and CEO of DDB Group, Asia Pacific, Japan & India was a picture of hope and accomplishment as he presented to the gathering his views and expectations from the alliance.

     

    As the leading voice, and overseeing markets that span 21 agencies in 16 countries, and more than 2,500 employees, Zeigler is a great believer in reinvention and what it implies for brands in this global, think local, market. In conversation with Johnson Napier of MxMIndia, Zeigler emphasises on India’s role in the APAC market for DDB Mudra Group, on how rival agencies like WPP are taking a cue or two from his agency and what the agencies of today need to know to stay ahead of the curve. Excerpts:

     

    Q: How would you assess DDB Worldwide’s growth story across the globe, especially in the Asia Pacific market led by India?

    Across our businesses worldwide, we are looking to achieve a growth rate of 15 per cent. With the kind of businesses we have in India, we should be able to achieve a growth rate of 25 per cent plus. As for our other agencies across Asia Pacific, we had a compounded growth rate in excess of 30 per cent year on year.

     

    Q: Having upped your stake in Mudra recently and post the overall restructuring exercise in India, it seems to be an affair that was heavy on the investment front. Your comments.

    I would say the investments have really been in terms of people, training, exposing them to the rest of the business operations that we have and we are doing that dynamically every day. From another investment point of view, we see the opportunity to jointly grow our businesses which doesn’t require any investment other than time, talent and people.

     

    Q: Do you see Omnicom further raising its stake in Mudra anytime soon?

    That is something that will be really dictated by the equity partners comprising of Reliance Group and Omnicom. It is something that will echo with the passing of time. From our point of view, it should happen as quickly as possible.

     

    Q: You have all along emphasised the importance of emerging markets for the DDB Group. Have you identified any new markets that you plan to tap in the near future?

    We are going to scale up our growth soon in the market of Vietnam. We have just wrapped up an acquisition deal there and will be starting a new business soon. And the other key country for us would be Indonesia. But we would be able to tell you more about these markets only later.

     

    Q: While the emphasis of the group is on providing 360-degree integrated solutions, it is creative that is stealing the thunder to a certain extent in India. What do you derive of this sentiment? Where does digital fit in this matrix for the group?

    In terms of social creativity, what we have learnt is that the connection of creativity across digital and traditional – there is no wall. We have to look at it as a complete communication opportunity to capture the consumers’ interest and intrigue, the ability to pass it on and for them to become the media. So we are going to be growing digital but not as an exclusive digital entity alone; we’ll be growing digital within the core business as well as specialty part of the business.

     

    Q: How would you assess Omnicom’s growth story against those of WPP and Publicis Groupe who have also heightened their interest around the Asia Pacific market? 

    Omnicom is very anxious to grow inAsia. We have demonstrated that already. If you look at the last five years, you will see Omnicom has had much greater organic growth than WPP. This organic growth has been complemented by some strategic acquisitions and you will see Omnicom continue to grow much faster than the other groups. Again, our goal is never to be the biggest, it is just to be the best. In fact, WPP has also now changed their slogan to say that being best is better than being the biggest. But that’s only because they have talked about being the biggest, that they are understanding the importance of being the best – like we always have; so they are trying to take an element of that positioning from us.

     

    Q: Though a sister agency, how has BBDO been growing in India and in Asia Pacific?

    We work differently and therefore I cannot comment as such, but I would say that they have been doing well in India. Obviously we would like to support them and help them sell their services to their clients through the existing base from the DDB Mudra Group. We do share some clients, like for instance we both service Johnson & Johnson, Mars, and others. So we compete and collaborate with BBDO where it is relevant for our client.

     

    Q: Though not as grave as its predecessor, the slowdown has impacted the growth of the industry to an extent, including in India. What are your views on the global media growth story going forward?

    Most of the agencies are trying to fix the economic crisis situation by leveraging money – making money spread thinner than it should. That’s one of the reasons why banks got in trouble because of bad business practices. I think a lot of people are struggling with the economic crisis because they have tried to cut their cost structures down so far that they have actually started to cut into the value of their corporations. I don’t believe that cost-cutting, mergers and acquisitions, and the availability of finance will help the rest of the world reinvent itself. But I do believe that creativity applied to a business will give any business that uses that well, a competitive advantage. I believe that those firms which access and leverage competitive advantage best will win. I think the countries that are leveraging competitive advantages are winning today. Shanghai, Hong Kong, Singapore are leveraging their strategic expertise, their positioning, their competitiveness and they are benefitting from other areas that aren’t doing so well. But all this has to be seen from a country and a geo-political level, and would, therefore, differ across markets.

     

    Q: Has this sentiment aroused the apprehensive levels of clients?

    They are very apprehensive as they often ask how we increase our share of returns to our shareholders. There comes a point where the only way to do that is to gain a point from the competitors. And you can only gain more points from your competitors if you are more creative.

     

    Q: Worldwide, there is a trend of companies opting for CMOs to drive the growth for the organisation. Should ad and media agencies look at this trend as a means to beating the recession blues?

    We don’t have a CMO as such at the top as we work in an executive committee collaborative fashion and we do not believe that one person can manage that through the complexities of all brands and offerings.

     

    One of the things that agencies have more trouble is that clients have more focus in cutting the cost of an agency then they have put in to understanding how to get best value out of the agency. Until that changes, we cannot reinvent ourselves because we are running on very thin margins, we are trying to be creative and inventive, but we are being constrained by financial controls.

     

    The first thing that many clients do when they come to an agency is, they say: we do not pay for senior management involvement; that is agency overheads… some clients even come and say: I want to know how much time of your senior management I’m going to get and then we’ll negotiate the rest… those clients are smart because they are buying the best expertise and not just buying heads to do functions and processes.

     

  • Reliance Entertainment’s BigFlixs unveils its latest ad campaign

    By A Correspondent

     

    BigFlixs, a part of Reliance Group’s digital entertainment business on Tuesday announces the launch of a new ad campaign to increase awareness and promote its movies on demand service – BigFlix+ which lets the user ‘Click-Download-Play’ over 500 Blockbusters at a subscription fee of Rs249/ a month across PC, Tablets and Mobiles.

     

    Today’s metro generation is not able to see all films in theatres; they don’t want to watch the same on TV because of lack of variety and time limitations. There was a clear need of a service that can offer users the best in class movie experience on the devices that they are comfortable using – laptop, mobile or/and tablets.

     

    Hence the brief to agency was to establish BigFlix+ as a premium movie on demand service, where users of the service can also download blockbuster movies in addition to merely streaming them online.

     

    Commenting on the new campaign, Shreyash Sigtia, Business Head, BigFlicks Pv Ltd said: “The basic idea behind the campaign is to let the viewer know that they can now finally select a movie of their choice and view it wherever and whenever they want to see it. With BigFlix+, they can rest assured about the picture quality and enjoy a complete movie experience without the annoying ad breaks, on the device of their choice. This makes BigFlix+ service a Personal Blockbuster Theatre of the viewer. We deliberately kept the creative simple and focused the communication on the core offering and its benefit in order to build the category in the country.”

     

    On the completion of this campaign, Joy Ghoshal, Marching Ants, said: “Film content is not exclusive and viewing it comes with its irritants, so we decided to challenge the biggest provider; television. Big Flix+ is about to change the role of the laptop and other mobile devices to that of a ‘blockbuster theatre’, supported by huge choice of quality content and uninterrupted viewing.”

  • BigFlix inks deal with UTV Motion Pictures for popular titles

    By A Correspondent

     

    BigFlix, a part of Reliance Group’s digital entertainment business, on Tuesday announced a license deal between India’s first online movie-on-demand service – BigFlix plus and Studio UTV Motion Pictures to bring the best of UTV’s titles to movie buffs across India.

     

    This deal will make available select blockbuster UTV titles to BigFlix plus subscribers to help them further expand their personal movie collection whilst simultaneously adding popular titles to their personal blockbuster theatre.

     

    Jodhaa Akbar, Wake up Sid, Raajneeti, I Hate Luv Storys, No One Killed Jessica, Dev D, Udaan, Fashion, Race, and Kaminey amongst several others will now be available on BigFlix.

     

    BigFlix plus subscribers can now enjoy these, and many more, movies from the UTV banner via a high quality movie viewing experience at their preferred time, sans advertisements, across all internet connected devices such as desktop, tablets, smartphones and connected TVs.

     

    This deal gives audience access to their favourite films at their convenience and provides them with an ever-increasing bouquet of High Definition (HD) blockbuster movies.

     

    “Pay per View (PPV) and Subscription Video on Demand (SVOD) options on internet platforms like BigFlix is a great way for audience to watch movies at their convenience. This is the one of our first internet deals inIndia. BigFlix is one of the first players in this space inIndiaand we are happy to have our movies available for their vast subscriber base,” said Amrita Pandey – Senior Vice President, International Distribution and Syndication, UTV Motion Pictures.

     

    Commenting on the deal, Mr Pankaj Chandra, Chief Operating Officer(COO) – BigFlixs Pvt Ltd, said: “BigFlix plus is India’s first movie-on-demand subscription service, which offers an exhaustive choice of HD quality movies to the net savvy movie buffs in India, at their convenience, across all internet connected devices. It is our constant endeavour to equip consumers with latest blockbuster movies and our partnership with UTV is a step closer to enhance, strengthen and expand the VOD (Video on Demand) service inIndia. We are confident this partnership with UTV Motion pictures will add significantly to our movie offering.”