Tag: Raj Nayak

  • Colors launches ‘alag’ ‘Bigg Boss 6’, celebrates country’s ‘hunar’ with ‘India’s Got Talent’

    By A Correspondent

     

    Colors CEO Raj Nayak with Bigg Boss 6 host Salman Khan

    It was an action-packed weekend for leading Hindi GEC Colors. It launched ‘India’s Got Talent’ on Friday and on Sunday, its flagship reality show ‘Bigg Boss Season 6’.

     

    This year, the channel is set to erase all that Bigg Boss has earned a reputation for all these years: a popular show, but one that’s not quite meant for family viewing.

     

    ‘Alag Che’ or ‘It’s different’ is how it is being promoted to underscore the shift in content and treatment. For one, it will be aired at a full family-friendly (and hence ratings-friendly) time slot of 9pm on all seven days of the week. Then there’s raging Bollywood star Salman Khan in his inimitable style and two houseguests a parrot and a goldfish.

     

    While Bigg Boss kicks off on October 7, India’s Got Talent will start next week – on  September 22, to be precise. Bigg Boss is produced by Endemol India and India’s Got Talent by Fremantle Media.

     

    Raj Nayak, CEO – Colors said, “If Jhalak Dikhhla Jaa is Dancing with the Stars, Bigg Boss is Camping with the Stars. Every season we bring something innovative to the show and to add, to the twist this season, we have opened the doors of the Bigg Boss house to ‘aam aadmi’. With India’s Got Talent starting next week, we are quite excited about our line-up of programming.”

     

    Manisha Sharma, Weekend Programming Head, Colors added, “This season, Bigg Boss will be the perfect mix of emotion, drama, fun and entertainment. However, what won’t be changing is the fact that the contestants will be devoid of what we consider normal in everyday life. India’s Got Talent is a celebration of the diverse talent that India has to offer and we are proud to present another exciting season. This time, the platform will set a new benchmark in presentation and talent; we have in fact crossed all boundaries and have stepped outside of the studio to present some real edgy and engaging action from the spot.”

     

    India’s Got Talent turns four this season and will four and not three but four jury members on the panel – veteran actor Kirron Kher, celebrated director Karan Johar, dance diva Malaika Arora Khan and the versatile choreographer cum director turned actor Farah Khan. The show will air every Saturday and Sunday at 10 pm and will be emceed by Manish Paul and Cyrus Sahukar.

     

    Mr Nayak revealed that while Maruti Suzuki is the presenting sponsor of India’s Got Talent, discussions are on with sponsors for Bigg Boss which has seen a 20 percent increase in advertising rates.

     

  • Colors, Sahara brave MNS diktat, to simulcast Sur-Kshetra with Geo from Sept 8

    By A Correspondent

     

    The threat of an MNS agitation is not going to see musical frontiers being bridged. At the time of writing, MxMIndia learns that Colors and Sahara One are going ahead with the broadcast of the cross-border Indo-Pak musical reality show – Sur-Kshetra. The Chitrapat Karmachari Sena of Raj Thackeray’s Maharashtra Navnirman Sena (MNS) is said to have sent an alert to the channels to not air the show as also to noted playback singer Asha Bhosle to step back from being on its jury though. The reason: the MNS wing believes that Pakistan had banned ‘Ek Tha Tiger’ and thereby not reciprocated India’s desire to forge relationships via the arts.

     

    The press conference held at the Taj Land’s End in Mumbai happened on Thursday with Ms Bhosle later making a clarion call to the MNS to call off the stir as the show attempts to promote peace and harmony between the two countries.

     

    Interestingly, while the MNS has said it would disrupt the shooting of the show, MxMIndia learns that the preliminary episodes have already been canned and only the finale – which will happen at an international destination – remains to be shot.

     

    Also being simulcast on Pakistan’s Geo TV, Sur-Kshetra starts September 8 and will air every Saturday and Sunday.

     

    Said Raj Nayak, CEO, Colors, “This is the first time ever in the history of television that a show will be simulcast across national and international networks of Colors, Sahara One and Geo TV, making it the biggest show to hit TV screens – ever. Unifying audiences across the globe, Sur-Kshetra will bring hearts closer as it builds an exciting viewing experience much like that created by an India-Pakistan cricket match.” Speaking on the timeslot, he further elaborated, “With Jhalak Dikhhla Jaa going strong on weekends, the inclusion of Sur-Kshetra will further strengthen our weekend content lineup providing our audiences with variety entertainment that appeals to them.”

     

    Sur-Kshetra’s two teams will be mentored by Indian music director-cum-singer-cum- actor Himesh Reshammiya and Pakistani music sensation Atif Aslam. Judging the musical flair of the contestants will be the three legends – Asha Bhosle (India), Abida Parveen (Pakistan), and Runa Laila (Bangladesh).

     

    Boney Kapoor – Director, Sahara One Media and Entertainment Ltd said in a communique, “Sur-Kshetra is a mega reality music show that brings together the best of singing talents from two arch-rival nations, India & Pakistan, competing against each other.”

     

    Produced by Sahara One in association with Saaibaba Telefilms, the will be sponsored by Dabur Amla Hair Oil and Videocon. A 360-degree integrated marketing campaign will engage multiple mediums like print, television, outdoor and radio through tie-ups reaching out to target audiences across the globe.

     

  • Fourtifying media & brands with research

     

    By Meghna Sharma

     

    In today’s world where there are plenty of brands for consumers to choose from, an in-depth knowledge about the target audience is as much as a necessity as breathing for any brand to become successful. Research now plays an increasingly important role in a brand’s lifeline.

     

    Entertainment industry today is growing at a fast pace and with number of options available to the TG, the brands need to know what will make the TG choose them over others.

     

    Ormax Media, a media & entertainment research and consulting firm, entered the industry four years ago (July 28, 2008) with a motto of helping brands understand and retain not only their target groups, but also help them grow in their respective fields.

     

    Clients Speak
    Raj Nayak, CEO, Colors

    Raj Nayak

    Ormax Media has opted for a very focused media research approach, which was a definite need gap for the industry, especially TV. Ormax has managed to capitalise on this opportunity with their innovative and robust tools specifically designed to cater to these needs. At Colors we have always had a research-oriented approach towards content development. In that context, we have been working with Ormax Media since the very beginning (interestingly both Colors and Ormax Media came into existence around the same time!).

     

    It has been a fruitful association so far, and I would believe this to be true for both the parties. While working on some really interesting projects together, there has been a lot of learning that has enabled us to know our viewers even better. An effective promo creative measurement tool, which builds in the crazy timelines of the creative getting ready and it hitting on-air, is something which I feel is still a need gap at this point of time. Keeping in line with their record for building research tools which have catered to the needs of the industry, this is one area where we see tremendous potential for Ormax.

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    Chandramohan Puppala, business head, Saam TV

    Earlier, most of the companies used to rely on gut feelings or follow TAM to get an idea about what their audience wants. However, one couldn’t predict the change in trends or know their TG’s mindsets. It was a big challenge for channels, especially regional channels, to know their viewers. It was an even bigger challenge for regional channels, where Hindi was also the majority language. For instance, in Maharashtra, Hindi is also spoken by people. Also, in smaller markets, no matter how the sampling is done, choices differ from region to region. Hence, when research entered the entertainment industry, it helped channels to have a direct connect with the audience and guided them on how they can change their course to gain the most.

     

    Ormax Media adapts very quickly to what the clients’ want and provide a customized research which enhances their role among their TG.

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    Ashit Kukian, COO and president, Radio City

    Ashit Kukian

    For any industry today, research is an important element. However, it is important for an organization to be very clear about what they want as an end result. The brief we gave to Ormax and their own learnings have made it a win-win situation for both. The inputs we get from research are visible in the results. So, as the industry gets more mature, there is going to be a robust growth in the field of research as well.

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    Jai Lala, principal partner, Mindshare

    Jai Lala

    Since there is no syndicated data available, there can be a lot of fangs to it, especially in the television industry. Take sports broadcasting for instance, there are a lot of ground partners, so it is a complicated process. Hence, research helps us to understand the market and how to maximize from an event. Last year, for IPL we had done a joint research with Ormax Media and it was quite fruitful for us.

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    Atul Phadnis, founder and CEO, What’s On India

    Atul Phadnis

    Ormax Media is spearheaded by people like Shailesh Kapoor who have practical knowledge about channels. So, it gives the organization an uncanny ability to know what the key questions are which need to be answered. This helps them to not only know what a channel wants, but also how the research must be conducted. Also, the organization offers customized and structural services which have helped the industry grow.

     

    As the firm celebrates its four years of existence, MxMIndia spoke to the founders to get an insight on how research has evolved over the years and how the journey has been for Ormax Media so far…

     

    Vispy Doctor

    “Till a few years ago, the phrase ‘consumer knowledge’, which is our prime derivable, wasn’t a common phenomenon. When we went to media clients in the entertainment space, for many of them research was a new thought.  So, we had to explain how it could help them create better products which will help them grow,” recalled Vispy Doctor, founder and managing director, Ormax Media.

     

    Over four years, Ormax Media has worked with 76 leading media and entertainment brands as business partners. In the first year, it focused on television, and GECs in particular. In the second year, the focus was expanded to other television genres as well as radio. In the third year, Bollywood became the priority. And now, at the end of the fourth year, the organization is set to offer unique and relevant offerings.

     

    Shailesh Kapoor

    Elaborating on Ormax’s four years, Shailesh Kapoor, CEO said: “The first four years of Ormax Media have been very eventful and successful. We have received great support from the media & entertainment industry, especially in our endeavour to create unique research products and approach entertainment research in ways that are unconventional and challenging, but also result oriented.”

     

    Growth matters

    The entertainment industry has its pros and cons and one of the biggest ‘cons’ of the industry is that it comes with a fairly low success rate – as low as 15 per cent. Therefore, the organization hopes to help the industry increase its success rate, even if by a small percentage.

     

    “Since we have been able to explain it to our clients, they have appreciated and accepted the concept of research. Hence, our growth has been fairly steep, and I can say that we are growing at a fairly high rate of 75-80 per cent, as we add more and more partners in our kitty,” said Mr Doctor.

     

    According to Mr Kapoor, the television industry has its cyclical changes, but is in a fairly stable state, vis-a-vis what it would have been 5-6 years ago. However, he does add that the definition of “stable” in television is very different from that in packaged goods and other sectors.

     

    As for the film industry, it is in an evolution stage, much like what the TV industry was in the late 90s and early 2000s. And one can see exciting times ahead for Bollywood, especially in research, where it has seen growing acceptance year-on-year.

     

    As far as Radio is concerned, it hinges a lot on the Phase 3 licenses. “Media & entertainment is a growing business, and research will continue to become more and more important as the market matures. We are all set for the challenges ahead,” Mr Kapoor added.

     

    Procedure: Easy or difficult?

    The organization offers a number of research products for various sectors of the entertainment industry. The list includes broadcast television networks, radio networks, film studios, newspapers, media agencies, DTH service providers, digital entertainment companies and production houses.

     

    So, when asked how difficult or easy the research procedure is for each variant, Mr Kapoor explained: “The larger GECs are the easier ones, as they are far more professional and they understand the value of research. Whereas in the more touchy-feely areas like films and creative companies, it becomes a little difficult as it is more about sentiments. However, it is difficult to rate them as it might be easier to work for a GEC, it might be more interesting for a film.”

     

    He added: “As a good service company, it becomes our job to orient ourselves to the client’s needs, but without compromising on the research rigor and correctness. That’s the balance that may be easy or tough. But it’s a part of our job.”

     

    A correct sample size plays is essential for any research to become successful and come out with results which will benefit the researcher. So how does the organization choose its sample?

     

    “For every client, the TG might different so we have to be careful about what attributes are they looking for in a sample size. For example, for a serial, it might be cultural overtones. So, how that serial is perceived in a city like Mumbai will be very different from how it is perceived in a small town like Indore. And if we are able to find this difference and collate preferences, it will help the channels,” explained Mr Doctor.

     

    Expansion plans

    The organization’s focus is to consolidate through new clients and repeat business. It now has 21 products for various sectors and plans to entirely focus on these products and getting them to become bigger and better in their own right. Also, it plans to target media agencies and advertisers through products like Celebritix, which was launched on July 25.

     

    “I’m often told that whichever channel you go to, Ormax gets mentioned in conversations consistently. We have a young team which made this happen. Four years ago, I would have bargained for much lesser. But again, this is only the start, and we know that we can achieve a lot more than what we have so far…” said Mr Kapoor.

     

  • Indo-Pak music show to be simulcast on Colors & Sahara One

    By A Correspondent

     

    The broadcast media is going in for interesting alliances. Last year, Star and Zee tied up to forge a distribution alliance. Prior to that Viacom 18 and Sun had got together. Earlier this year, the Star Plus mega-show Satyamev Jayate tied up with Doordarshan for a simulcast. And now Sahara One’s India-Pakistan music show, Sur-Kshetra, will be aired simultaneously on younger but bigger GEC Colors.

    Colors  has announced a first-of-its-kind strategic tie-up with the Hindi general entertainment channel (GEC) Sahara One to simulcast the relatively new singing based reality show – Sur-Kshetra.

     

    Produced by Sahara One, in association with Gajendra ‘Antakshari’ Singh’s Saaibaba Telefilms, Sur-Kshetra will be a cross-border musical battle between the Indian Team, captained by Himesh Reshammiya and the Pakistani Team, captained by Atif Aslam. Evaluating the teams and judging the musical talent will be Asha Bhosle (India), Abida Parveen (Pakistan), and Runa Laila (Bangladesh).

     

    The show will be anchored by actor Ayesha Takia and the  episodes will also have musical stalwarts  like Ghulam Ali, Hadiqa Kiani and Sajjad Ali from Pakistan, and Suresh Wadkar, Ismail Darbar, Alka Yagnik and Sapna Mukherjee from India.

     

    Speaking about the strategic tie-up, Raj Nayak, CEO – Colors, said: “Music has the unique ability to unite people and today, it has brought two channels together. Sur-Kshetra will mark Colors’ foray into the singing non-fiction content segment and we are extremely excited about this new venture. By adding the show to our bouquet of offerings, we are working towards fulfilling our commitment to cohesive viewing, while providing our audiences with unique content keeping them engaged.”

     

    Adding to this, Suresh Mishra, Asst Director, Sahara One said: “With this legendary Indo-Pak musical grandeur, viewers from both the nations and across the globe will witness a new generation of gifted singers. We are very excited about this strategic tie-up with Colors, giving Sur-Kshetra a combination of two large platforms that does justice to the stature of the show”

  • Colors strikes deal with Eros to acquire 9 films @ Rs95 cr

    By Nandini Raghavendra

     

    Raj Nayak

    Colors, Viacom18’s entertainment channel, has struck an exclusive seven-to-nine year deal with Eros International to acquire a slate of nine yet-to-be-released films for around Rs95 crore, marking a return to the movie space.

     

    This is the first big external acquisition this year for Colors, after the channel sold a large chunk of 500 films from its library to Star Network earlier in January this year, as it deferred the launch of its own movie channel.

     

    Earlier this year, the channel had picked up an entire slate of 17 movies from Viacom 18 Motion Pictures, a Viacom group company.

     

    Confirming the deal, Colors chief executive officer Raj Nayak said: “The way movie prices are going we decided to take a pause. It is not viable for one channel to pick up films at those prices as we cannot amortize it across our channels. At the same time, being a leading general entertainment channel, we cannot not offer movies.”

     

    The deal is exclusive to Colors, which retains the right to syndicate the films. As for building their library again with more movies, while talks with a few independent producers to acquire more films is on Mr Nayak says price will be the deciding factor.

     

    It must above all make business sense. Which is why as a strategy, Colors has made a big shift into non-fiction programming and experimented with shows like ‘Ring Ka King,’ and the recently acquired the dance reality show, ‘Jhalak Dikhla Jaa’.

     

    While the satellite market has seen many ups and downs, it remains a huge source of income for producers and makes for as much as 20-35 per cent of a film’s recovery costs, especially the big ones. For Eros, it also reduces risk prior to release. Broadcasters who are in a race for ratings have been paying huge sums for big films.

     

    Industry insiders say, on condition of anonymity, that it is difficult to recover anything beyond Rs20 crore per movie. But the pressure to improve viewership is unrelenting. “The reality on a movie premiere is that it cannot recover more than 30 per cent of its cost; and the rest is across the years,” said Mr Nayak.

     

    Source: The Economic Times

    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Photograph: Fotocorp

     

     

     

  • Need to monetize radio-social media connect (+Vdo)

    By Robin Thomas (Videos: Insiyah Rangwala)

     

    Social media has, more or less, become a necessity for every organization today because the consumers are out there and no brand can afford to not be interacting with them. Moreover, social media can also help  brands know their consumers’ thoughts, behaviour, likes and dislikes. It also allows brands to have a two-way communication with their consumers, and thus provides high level of interaction and engagement. And it is not just brands but other media like radio stations which are coming out with innovative ways to connect with their listeners through social media.

     

    At the sidelines of the India Radio Forum (IRF) 2012 industry veterans from the advertising fraternity discussed the importance of social media for radio.

     

    Mr Premjeet Sodhi, COO, Lintas Media Group said: “Social media is certainly important for not only the radio industry today, but also for every other medium. In the long run we will see more integration taking place between social media and radio.”

     

    Mr Raj Nayak, CEO, Colors- Viacom 18 explained: “Social media is growing by the day. Today almost 65 per cent of the people in India are below the age of 35 and 50 per cent are below 25 years of age. I believe this is the fastest growing medium, therefore, it is a very important medium and those that have not got onto social media, must get on before it is too late.”

     

    Mr Suman Srivastava, Founder and Innovation Artist, Marketing Unplugged said: “Social media is important for radio at two levels. One is to connect with the listeners and therefore, get much larger engagement which might even result in an increase in the reach. On the other hand, it is a fantastic medium for radio channels to build their own brands as well as the brands of their advertisers. In the future, I believe, we will see a lot more advertisers using radio and social media together along with, perhaps, ground activations to create events which could have a multiplier effect for those advertisers.”

     

    Speaking on the need for radio to partner with clients, Mr Vinay Bhatia, Customer Care Associate and Senior VP- Marketing, Shoppers Stop said: “The real big partnership for radio and their clients is in the digital space. Digital and radio have to come together and ally in such a way that they deliver joint value to the client, and I don’t think any of this is happening today. Radio is an out of home medium and we are increasingly seeing out of home consumption for digital. I think these two medium can go very well together and brands like ours which have large Facebook pages need content, we need engagement and I think radio channels that provide us that.”

     

    Mr Harshad Jain, Business Head – Radio and Entertainment, HT Media said: “Radio is a medium which is free of cost, it is the cheapest form of entertainment in the country, and if there are issues that can be interlinked with social media, it could call for a good integration. Having said that, it is still early days because radio as a medium still has to catch up big time before it starts integrating with social media.”

     

    While there are calls for integration between radio and social media, the radio industry must also find ways to monetize the radio-social media connect. Mr Sodhi pointed out that while social media can make radio activations richer, it is vital for radio stations to find newer ways to monetize this activation.

     

    Agreeing with Mr Sodhi, Mr Raj Nayak said that no business will work if there is no monetization. He added: “One of the biggest disservice broadcasters have done is that they have not woken up to the digital media.”

     

    So while radio and social media will see more integration in the long run, there is also another school of thought that believes that radio is still at a nascent stage and has a long way to go before it can get into integration with social media. However, monetization is the key for survival of any business and radio stations must find ways to monetize its social media activations.

     

  • Vivek Bahl joins Viacom18 as Network Advisor Content, to work on proposed regional foray

    By A Correspondent

     

    In a move to expand its horizons, Viacom18 has appointed Vivek Bahl as Network Advisor Content. He will be working on the regional channels which the media conglomerate plans to get into. He will also play a strategic role in planning and development of new content.

     

    Mr Bahl will report to Raj Nayak, CEO – Colors and will have a parallel line of reporting to the Regional Head.

     

    Announcing his appointment, Raj Nayak, Chief Executive Officer, Colors said: “Vivek comes with great experience in developing content for different genres and his understanding of the television and entertainment industry is quite phenomenal. We believe he will play a significant role in not only in further developing and strengthening the current content on Viacom18’s offerings but also in the expansion of the network’s upcoming regional channels.”

     

    Mr Bahl has over 25 years of experience in the entertainment industry and a strategic cross-functional perspective. He has worked with leading television networks inIndiaincluding Star TV and Zee TV, where he helped in the development of multiple fiction and non-fiction properties including Antakshari, Banegi Apni Baat, Jassi Jaisi Koi Nahi, Bidaai, Yeh Rishta Kya Kehlaata Hai, Saath Nibhana Saathiya, Saat Phere, Betiyaan, Maayka and Pratigya.

     

    On his new assignment Vivek Bahl said: “Viacom18 is a network that, through its various channels, reaches to multiple audiences across the country. I am extremely excited about this opportunity to help take the content and the network to the next level. I am looking forward to working with the incredibly talented team at Viacom18 and help escalate the properties to reach out to a larger audience across the country.”

     

    Prior to joining Viacom18, Mr Bahl was Chief Content Officer forIndiaat Turner International and overlooked the content strategy and development for Turner’s entertainment brands inIndiawhich included Imagine TV, Cartoon Network, Pogo and Warner Brothers.

     

  • Colors’ tribute concert for Ghazal maestro Jagjit Singh

    By A Correspondent

     

    In a unique initiative, the Global Indian Music Academy (GIMA) in partnership with Colors and Wizcraft International Entertainment will bring together the Indian music & film fraternity for a tribute concert in the fond memory of the late ‘Ghazal King’, Jagjit Singh.

     

    The musical evening titled ‘Jagjit Singh -Yaadon Ka Safar’, which also marks his 71st birth anniversary, is a special tribute to celebrate his musical legacy.

     

    Jagjit Singh was an artist with many dimensions – singer, writer, composer, music director, activist and a philanthropist. An active member of GIMA, he also mentored most of its music initiatives. Jagjit Singh always supported and inspired new talent. This intimate tribute concert is an effort to celebrate his ‘musical journey’ – his iconic legacy and unmatched contribution to music, through performances dedicated to him by friends and colleagues.

     

    Renowned poet & lyricist Nida Fazli along with well-known celebrities like Javed Akhtar, Shabana Azmi,Mahesh Bhatt and Dia Mirza, who shared a special bond with Mr Singh will share their personal anecdotes.

     

    Speaking on the occasion, Chitra Singh said: “I am filled with a deep sense of pride and joy that the music fraternity is coming together to remember and honour my husband on his 71st birth anniversary. The tribute concert has my blessings and support. My family and I look forward to a nostalgic night embracing his memory.”

     

    The expected artistes at the tribute concert are Ghulam Ali, Ustad Rashid Khan, Anup Jalota, Bhupinder & Mitali Singh, Talat Aziz, Suresh Wadkar, Hariharan, Dr. L Subramanium & Kavita Krishnamurthy, Kailash Kher, Hans Raj Hans, Shafqat Amanat Ali, Shaan, Kunal Ganjawala and Richa Sharma, to name a few.

     

    Sharing his thoughts on the initiative on the same, Mr. Raj Nayak, CEO – Colors said: “­­­­­­­­­­­­­­­­­­­­­­Colors is proud to present a peek into the life and times of the musical maestro Jagjit Singh. Our association with GIMA and Wizcraft opens up avenues into several unchartered territories in this space. This event is a mark of respect and love for the Jagjitji, and will surely touch an emotional chord with the music lovers and Colors viewers”

     

    “We are very honoured and excited that our initiative has received an overwhelming support from the industry. Through GIMA, it is our endeavour to contribute to the Indian music industry by providing a platform where such legends can be celebrated, honoured and fondly remembered. This intimate tribute concert will feature memorable performances by renowned artistes as we bring alive the memories and anecdotes about the maestro,” said Wiz. Sabbas Joesph, Director – Wizcraft International Entertainment Ltd.

     

    A recipient of the ‘Padma Bhushan Award’, Jagjit Singh won hearts world over with his soulful voice, inimitable rendition and timeless music. Credited for the revival and popularity of Ghazals, he was responsible for single-handedly changing the course of music by infusing the age-old genre of classical Ghazals with modern instrumentation while preserving its soul and purity.

     

    Wizcraft International Entertainment,India’s leading Event and Entertainment Company is dedicated to showcasing its expertise on the world stage. The Global Indian Music Academy (GIMA) and The International Indian Film Academy (IIFA) are some of its initiatives.

     

    The Global Indian Music Academy Awards (GIMA) is a unique initiative in Indian music with a vision to honour artistic achievement, technical proficiency and overall excellence in Indian music.

     

    Colors is Viacom18’s flagship brand in the entertainment space inIndia. From Fiction shows to Format shows to Reality shows to Blockbuster movies – the basket contains all ‘Jasbaat Ke Rang’.

     

  • Colors launches sports reality show Ring Ka King

    By A Correspondent

     

    After having entertainedIndiawith their impressive bouquet of fiction shows, format shows and a number of successful reality shows, Colors, is all set to introduce a fresh format to its audiences.

     

    For the first time ever, the channel is launching the biggest sports entertainment reality show called ‘Ring Ka King’, which will feature 30 top Indian and international wrestling superstars including Jeff Jarrett, Matt Morgan, Scott Steiner and Monster Abyss; Indian wrestlers who have received international-level training like Jwala, Mahabali Veera, Romeo Rapta, Zoravar and Deadly Danda will also be among the participants. Indian cricket superstar Harbhajan Singh has been roped as the goodwill ambassador.

     

    The show will bring a mix of drama and reality by adding some Indian tadka to the good old wrestling matches that we have grown up watching. The show will go on air from January 28 at 8pm with subsequent episodes airing on Saturdays and Sundays.

     

    Colors CEO, Raj Nayak said: “We have always vowed audiences with some of the biggest reality shows like Bigg Boss, Khatron Ke Khiladi,India’s Got Talent and now we are proud to present yet another explosive first of its kind sports reality show – Tata Prima Trucks Ring Ka King. Coming down to participate in the show are international wrestling sensations.India, for the first time will witness the excitement of a sport and the intensity of a drama, both rolled into one.”

     

    He added: “We truly believe that the show will appeal to our viewers and advertisers who are constantly looking for new and innovative platforms to reach out to their audiences. We are glad to be working with Tata Prima trucks and hope that our relationship only grows hereon.”

     

    In what could be called a modern day clash of the Titans, some of the world’s most renowned wrestling superstars will be seen battling Indian pehelwans to capture the title of ‘Ring ka King’.

     

    In the first four weeks of the show, audiences will see matches that will crown a ‘Heavy Weight Champion’ and a ‘Tag Team Champion’. During the subsequent weeks, the champions will have to save their honour and title and fight against the other contenders who will challenge them to claim the belt.

     

    Through the show, audiences will get an insight about the intricacies of wrestling and what goes into making a show as enjoyable as this.

     

    Explaining the concept of the show Deepak Dhar, MD, EndemolIndiasaid: ”It’s an exciting format for us to work with. For the first time ever, we are combining sports and entertainment to create something very different and exciting. While the focus, of course, will be on the wrestling matches, it is the entertainment and the drama aspect of the show that will make the matches a lot more interesting. Endemol has entered into a partnership with TNA Entertainment, LLC to popularize professional wrestling. Endemol fulfils its commitment toIndiaby constantly bringing best-in-class entertainment toIndia. ”

     

    Jeff Jarret from TNA, who represents the international wrestlers participating in the show said: ”Tata Prima Trucks Ring ka King is a very exciting project for us at TNA. We know TNA has a lot of fans inIndia, especially young fans, so the enthusiasm levels are higher than ever. At the same time, the format of the show is very interesting which will allow our fans to see their favourite wrestling stars as not just wrestlers, but real people. Of course, we are looking forward to put on an adrenaline filled show that will get all our fans super excited.”

     

    On being title sponsors, Mr. Vinod Sahay, Head- Sales & Marketing, Medium & Heavy Commercial Vehicles, Tata Prima Trucks said: “We believe integrating our majestic Tata Prima heavy weight trucks with Ring ka King. It represents a natural fit for both our brand and the show. The Prima range of trucks, tractor trailers and tippers bring to India international standards of power, performance and endurance, which ties in very well with the Ring ka King format which aims to bring international standards of wrestling to our country incorporating the same attributes of power, performance and endurance.”

     

  • Prashaant Bhatt to head Fiction at Colors

    By Rishi Vora

     

    In a recent development at Colors, Mr Prashaant Bhatt has been appointed as the head of fiction programming. He will be responsible for driving the fiction properties on the channel Colors and will take key decisions on new shows and concepts. Mr Bhatt will start his new role on December 1, 2011, reporting to the CEO Mr Raj Nayak.

    Announcing the appointment, Mr Nayak said, “Given Prashaant’s extensive experience in delivering compelling content for multiple successful fiction properties over the years, we are confident that he will take the Colors’ Fiction shows to a new peak. I am proud to have him on the team, and look forward to co-creating new frontiers in fiction programming on the channel.”

    On his new assignment, Mr Bhatt said, “I have tremendous appreciation for Colors’ constant attempts towards providing new and innovative content to viewers. I am looking forward to working with this incredibly talented group of people and to applying my knowledge and experience to fiction programming”.

    Mr Bhatt joins Colors from Balaji Telefilms, where he was the Creative Head for various successful shows. He has over 16 years of experience as a writer and creative director of various successful fiction properties. In the last few years, he has also been involved in conceptualising shows and creatively heading them for various production houses which include not only Balaji Telefilms, but also Rajshri Productions, Cinevistas, Creative Eye, AK Films, UTV and Shreya Creations among others.