Tag: Publicis South Asia

  • Publicis Communications goes quirky to promote Skoda Octavia

    By A Correspondent

     

    Skoda Auto India has released an integrated campaign for the launch of the new Skoda Octavia. The car is positioned as ‘Tough meets Smart’ which came from the insight that consumers choose SUVs for their macho imagery, even if they lack substance and features. The quirky TVCs in the campaign take a subtle dig at SUVs and other car owners.

     

    Commenting on the campaign, Bobby Pawar, MD & CCO, Publicis South Asia said:“We went for the tongue-in-cheek ‘Simply Clever’ way to not only talk about the first-in-segment features of new Octavia but also create its desirability amongst SUV and entry level luxury car intenders. In the clutter of product-led automobile advertising, we took slice-of-life situations and conveyed the brand message in a simple and humorous way.”

     

    Added Paritosh Srivastava, Chief Operating Officer, Publicis Communication: “The segment in which Octavia operates was shrinking due to the advent of compact SUVs and small cars from Luxury brands. Octavia has been the segment leader and with new features and design language that can any sedan or SUV head-on. We are confident that this campaign will grow the nos for Octavia disproportionately by acquiring the shares from large segment of compact SUV and entry level luxury offerings as well.”

     

    Said Tarun Jha, Head of Marketing and Product, Skoda Auto India: “Skokda Octavia’s popularity has grown with every new launch. The new Octavia, has undergone a complete revamp in terms of design and features. We wanted to challenge the status quo and set the new benchmarks for the segment.

     

  • Goibibo appoints Publicis as its creative agency

    By A Correspondent

     

    Online travel portal, Goibibo has appointed Publicis as its creative agency. The agency will lead the development of all the campaigns for the brand from their Gurugram office.

     

    Saujanya Srivastava

    Commenting on the agency appointment, Saujanya Srivastava, Chief Marketing Officer, Go-MMT Group said: “We have a long standing association with Publicis. The team has helped us deliver successful marketing campaigns for MakeMyTrip in the past, including the recent one on MakeMyTrip Assured Hotels proposition. Post the merger with the Ibibo Group, we have high impact marketing plans to pursue. For the first time ever in Ibibo’s journey, we now have a high profile celebrity, Deepika Padukone on board as the brand ambassador of Goibibo. The recently launched Goibibo campaign delivers the message in line with our business objective while keeping the brand essence and philosophy intact. The TVCs have been received very well and we are confident of an equally positive impact on our business”.

     

    Hemant Misra

    Added Hemant Misra, CEO Publicis: “Ibibo is a really exciting brand, full of new ideas and innovations.  It was a challenge for us to create the impact we did with MMT for Ibibo but in a completely unique avataar. Working with category leaders allows us the advantage of exploring new boundaries, we’ve done it with MMT with great success and look forward to doing it with IBIBO”.

     

     

    Bobby Pawar

    “I am blown away by the faith that Go-MMT has placed in us. It is a testament to the quality of our partnership, the work we have created together and the results it has produced. The new campaign for GoIbibo does not attempt to re-create the magic we did for Makemytrip, but to conjure up a different kind of magic that is right for the brand,” added Bobby Pawar, MD, CCO, Publicis South Asia.

     

  • DTDC reiterates its positioning of ‘Going beyond the Parcel’

    By A Correspondent

     

    DTDC Express has launched its new integrated brand campaign featuring brand ambassador, former skipper of the Indian cricket team, Sourav Ganguly. The new brand campaign with Gangulyat its helm brings out the credentials of DTDC’s vast network, its extensive service offerings with a commitment to go that extra mile to ensure that every customer’s parcel reaches its desired destination on time with utmost safety and security. Therefore, DTDC is not just in the business of ‘Delivering value’ but a business that‘Goes beyond the Parcel’.

     

    Highlighting DTDC’s philosophy behind its positioning,Abhishek Chakraborty – Executive Director, DTDC Express Limited said, “Every parcel brings with it, a bagful of emotions for the customer in the form of anticipation, excitement, love, relief or aspiration. And for our business partners it often serves as a medium to realise their pride and ambition. DTDC is not merely in the business of transferring things efficiently from point A to point B. By delivering all these and more to the remotest of corners in the country at affordable rates, we are helping realizing aspirations, beyond any boundaries!”

     

    Talking about the creative, Bobby Pawar, MD, CCO, Publicis South Asia said: “When Jigar, Srijan and team started work on the brief, we looked for the true meaning of the box.We realised it’s not just a container, but a carrier. Sometimes, it carries the joy of an unexpected surprise. Other times the sigh of relief when what needed reaches on time. Or at times a quiet smile that blossoms from receiving a thoughtful gift. Or the triumphs of getting an order reach on schedule. This is what the campaign is based on.’

     

    The new brand campaign has been rolled out in the form of a TVC, which is also being played at cinemas, multiplexes and outdoor advertising nationally.

     

  • Publicis wins Kingfisher Ultra Max account

    By A Correspondent

     

    Publicis has announced that it has been awarded UB’s Kingfisher Ultra Max. The account will be handled out of the agency’s Bengaluru office. KF Ultra Max was launched in 2014 and JWT is the incumbent agency.

     

    Said Samar Singh Sheikhawat, Senior VP – marketing, United Breweries: “Having partnered with Publicis for a year now we have seen exceptional work done on the Heineken brand. From there it was a natural progression to enhance the scope of our engagement with this outstanding communications partner. We are delighted to partner with them on the KF Ultra Max brand, which is one of the fastest growing brands in our portfolio. We believe the agency will bring their strategic vision and creative clarity to further drive traction and business growth for the brand”

     

    Added Nakul Chopra, CEO, Publicis South Asia: “There is no better accolade for us than when an existing client awards more brands to us. We are both humbled and honoured. I am sure our teams will only work harder to partner them towards more & more success.

     

    Said Paritosh Srivastava, COO, Publicis Ambience on the win: “Kingfisher is an iconic brand and a giant in the alcobev industry, we are thrilled to work on its high potential variant Ultra Max. The team in Bengaluru led by Theresa Ronnie has done a great job on Heineken and made the decision in our favour easier. We respect the client for creating a great product and having a sharp vision for it. We’re confident that our work will get KF Ultra Max a disproportionate share of the fast growing super premium strong beer segment”

     

  • Manasi Kadne joins Publicis Capital as ECD

    By A Correspondent

     

    Manasi Kadne

    Publicis Capital has announced the appointment of Manasi Kadne as Executive Creative Director. Kadne moves from Ogilvy & Mather Mumbai and at Publicis Capital she will lead the creative charge at the Mumbai office and the L’Oreal Garnier account, reporting to Bobby Pawar, Managing Director & Chief Creative Officer, Publicis South Asia.

     

    Commenting on the appointment, Nakul Chopra – CEO Publicis South Asia said, We have been very fortunate in our ability to always attract the best talent. This time is no different. In Manasi, we have found a more than capable leader to take over the creative reigns at Publicis Capital Mumbai. I’m confident she will add significantly to our firepower and add value to our client’s brands, especially Garnier for L’Oreal India”.

     

    Added Pawar:  “It’s no secret that great work comes from great people who thrive in a great culture. We’ve been on a mission to make that happen. And it shows in our output. Manasi can help us up our game. She is not only a good creative, she is a good leader. But what I like most about her is that her creativity isn’t limited to the office, it bleeds into her life. Her interests will only aid us in making new kinds of stuff for our brands.”

     

    On her appointment, Kadne said, “It’s a great opportunity for me to work with Publicis, the agency that pioneered beauty and luxury brand advertising. I have always loved working on beauty and working on Garnier will only bring out the best in me. I am sure it’s going to be a fun ride working with Bobby and the team, creating great work and building brands.”.

     

    Kadne comes with 15 years’ experience in advertising, with successful stints with Ogilvy & Mather, McCann, Leo Burnett, Mudra and SSC&B Lintas.

     

  • Publicis imparts education on Mutual Funds for HDFC

    By A Correspondent

     

    The penetration of Mutual Funds in the country is very low and one of the biggest reasons for that is the low awareness of the products and the benefits of investing in them. With the objective of demystifying mutual fund investment, Publicis leverages storytelling to achieve their goal in a very simple yet profound manner. The creative shop has crafted a series of TVCs for HDFC Mutual Fund capturing distinctive situations that interestingly inform people about investing in mutual funds through simple life analogies that are seen through the lens of a little girl.

     

    In one of the commercials, we see a girl wearing a saree confidently. But later we find that she’s made a mess of it as she doesn’t really know how to wear it and looks up to her mother for help thereby highlighting the importance of taking expert advice before investing in mutual funds. In another commercial, we see the girl swimming like a fish while an older lady hesitates to even put one foot in the pool, which goes on to explain the benefit of starting early when it comes to investing in mutual funds. In yet another commercial, we see the same girl greeting an angry old uncle everyday who eventually melts and reciprocates her actions which further goes on to explain the benefit of regular investments. There are a couple more films on the same line that will run on the digital medium.

     

    Commenting on the uniqueness of the campaign, Bobby Pawar, Managing Director, CCO, Publicis South Asia says “Most people are scared of thinking about investments, because they feel it is way too complicated for them to understand. So the problem was how do you get them to listen and more importantly learn? We turned to a technique that great teachers employ i.e. make the lesson interesting and fun. From here, we drew parallels between the things life teaches us as we are growing up and the principles of investing in mutual funds. To underscore that these lessons are simple, we told stories through the experiences of a little girl.”

     

  • Publicis communicates “Always Fresh, Always On” proposition for Park Avenue Deos

    By A Correspondent

     

    Featuring Farhan Akhtar, Publicis conceptualized a fresh TVC for Park Avenue’s new range of deodorants, which breaks the monotony of passé deodorant ads featuring scantily-clad women getting fascinated with the guy who uses these deodorants. Park Avenue decided to swerve away from the much-exploited ‘get the girls swooning’ plot and, instead in its new campaign, focuses on the benefit of Park Avenues new deo range- ‘Freshness Lock Technology’ which overpowers body odour, thus ensuring fragrance to last longer.

     

    The commercial shows two young office pals, full of enthusiasm, making ambitious plans, in the morning, to watch a cricket match at the stadium after they get off work. By the time it’s 6 p.m., we see that these youngsters have turned into drooping, depleted old men and have compromised their plans to instead watch the match on TV at home. At this point, Farhan interjects to talk about the benefit of Park Avenue deos offering daylong freshness that enables the user to continue to stay fresh and enjoy the day beyond the work hours. The commercial ends with Farhan himself enjoying the match at the stadium.

     

    Bobby Pawar

    Commenting on the campaign Bobby Pawar, Managing Director, CCO, Publicis South Asia said “The ‘Shaam ka budhaapa’ idea springs from what happens to a person and his deo; they start the day full of zest but become ‘thakela’ come evening. It is a fresh take in a category that is littered with chicks and wannabe chick magnets. And it will start a new conversation about long lasting freshness. That said, what I liked most about it, when Jigar Fernandes and his team shared it with me, is its potential to create engaging social content and conversation.”

     

    Raja Chakraborty, Marketing Head, J. K. Helen Curtis, said “The deodorant category is struggling for relevance in consumers mind as a daily wear product. Role of brands is to introduce consumers to newer roles of the same category and back it up with perceptible product performance. That’s the journey we have undertaken with the new campaign for PARK AVENUE. Publicis have played a key role in developing life insights that has gone into the communication. We are quite confident that this communication should generate new trials for the brand”

     

    The film portrays the reality and irony of daily life – we begin our day full of freshness, but in the evening, when we have time, there’s no freshness / life left in us. An all-day freshness of Park Avenue deo ensures that you have the freshness whenever you need it, which is not only through the day but also in the evening.

     

  • Publicis eyes the Top 3

     

    Nakul Chopra, CEO of Publicis South Asia, has had a long innings at the agency. Over the past 17 years, he has led Ambience in its transition first to Ambience D’Arcy and later Publicis Ambience. Today, he leads the operations of the multiple Publicis units in India in addition to overseeing the French network’s affiliates in Bangladesh, Pakistan and Sri Lanka. In a freewheeling interview with Pradyuman Maheshwari he says that with some of the best minds in the business already on board, and with fresh talent coming in, Publicis has set a course for its reinvention. Something that he hopes will buoy it to the top soon.

     

    You’ve had a long innings as head of Publicis in India, and over the last three or four years, we’ve seen Publicis take on a renewed focus what with Bobby Pawar and Partha Sinha on board and a slew of acquisitions. Your view on how the business has been?

    I’ll respond to your question in several parts. First, I haven’t been CEO of Publicis for such a long time. Second, you’re right; in the last two to three years we’ve acquired talent, agencies and clients too. But reinventing ourselves, or bringing in fresh talent, or making acquisitions is not new. If I go back to the time prior to the 2003-2010 period, Publicis concluded four acquisitions then, including Ambience, Zen and Madhyam in Delhi.

     

    We are one of the last entrants in terms of the Top 10 networks in India, so our relative youth also reflects in our size. We had to play a lot of catch-up with the rest. There is no published data in our field. You can only assume the size of your competitor, you can’t be 100% sure. But, by our estimates in 2003, our entities were at No 15, according to size, whether it was Ambience or Zen. Bringing them together and building the organisation through Phase 1 got us firmly into the Top 10 bracket. We’ve conducted acquisitions and — according to what we’ve been able to organically build on the basis of the strength we’ve gained as an organisation — we estimate ourselves to be at No 5. We made these moves with the clear view that we need to become one of the Top 3 players in this market. Of course, there’s been a huge qualitative upgrade with people like Bobby and Partha coming back…

     

    Do you think you could’ve moved a bit faster after the two stars came in?

    When I look back, one area of dissatisfaction could be the speed of our ambition to take things, versus the speed at which we’ve actually travelled. There are two factors we need to talk about in that regard. You can take small organisations, wipe the slate clean and give them a fresh start relatively fast. Partha and Bobby came into a relatively mature organisation where the pace of change has to always be measured by the ability of the client relationships to make that change. We are now the dominant agency for a lot of big clients like L’Oreal, Nestle, Citi and Procter. But we can’t drive only our change agenda; we have to drive our clients’ too, and pace ourselves by that. If I factor that in, I have nothing to be dissatisfied about. We’ve set some internal benchmarks too; if we’d set five or six goals, we’ve probably achieved four or five of them. We’ve not quite got to the 100% mark that we wanted to, but I think that’s within a normal margin of error that you have when you set out to do these things. It’s impossible to meet your ambition on every single index. You always set your three-year plans on a given set of market assumptions. But as you go through that three-year period, not all of them occur as predicted and you have to re-prioritise things.

     

    But the expectations were huge. They were expected to produce some magic…

    I wouldn’t say they haven’t. They both joined together and some of the industry controversies that preceded them, came along as well. It was a Big Bang arrival. Given that, you might just set yourself up for disappointment because they’d have to achieve something.

     

    In terms of creative awards, the best benchmark for excellence of a creative agency are the Effies and you haven’t done well there

    Let me put it to you like this. Have we met our own expectations with regard to the Effies? We haven’t. I can’t say that, being No 5 last year and No 6 this year, though there’s a very large gap between the Top 3. I don’t think it is a fairly big step for an organisation that’s not been on the map of the Effies, ever. But this year in particular, even Partha wouldn’t mince his words to say, that we’d expected to do better. What would I have done differently over the last 12 months to achieve this result? I don’t know. I’m not dissatisfied with the effort I’ve put in. With the material we had, we’d hoped we’re going to win more. But you win some, you lose some. Our first and most important focus has been on how much difference we can make to the clients’ business.

     

    Do you think your work did improve the clients’ business?

    I’m 100% sure of that, and I have enough client testimonials to go by.

     

    What’s the most effective work you’ve done over the last year?

    I think we’ve done very effective work for JK, for some of which we’ve won an Effie. We did very effective work for Ambuja Cement. I must confess that I – along with Partha and Bobby – was a little disappointed this wasn’t recognised at the Effies. I’m not pointing fingers, just expressing disappointment. We’ve done effective work for Nestle across brands as well.

     

    How much do awards finally matter to an agency? While at one level, one is doing a fair amount of business and clients continue to stay with you, at another, you’re getting some awards but not the numbers which the Top 2 or 3 players get?

    Awards matter a lot. Maybe not as much as the clients’ sales figures, but they matter because they represent recognition by your peers, and that can be a great motivator. You make an effort and it gets recognised. That gives you courage and motivation to do more of the same. Creative awards also matter, not just the Effies. It would be naïve to think that awards are an end in themselves. Winning lots of creative awards if you’re not making a difference to the clients’ business and if you’re being unable to grow your own business, is not an end in itself. In 2009-10, Publicis ranked third two years in a row at the Goafest for Creative Awards. It was very fulfilling for us.

     

    This was when Ogilvy was participating and was No. 1?

    JWT was No 2 one year and DDB Mudra was No 2 in another year. There was some controversy about the latter. By my reckoning, after they returned the medal, they should’ve been No 2 that year. Goafest does not, in any case, give you points.

     

    What about Kyoorius?

    Kyoorius is a very new phenomenon.

     

    You mentioned you want to be among the Top 3. With Ogilvy, Lowe and JWT already in that bracket, displacing one of them is a huge ask, right?

    When we were No 12 and I said we want to be in the Top 5, it was a huge ask. But we’ve made moves in the past three or four years which have startled people. We’re now in the Top 5. It’s not going to happen by doing business as usual. At the same time, we can’t startle and surprise people every year.

     

    Is there a target year by which you want to achieve this?

    We’d given ourselves three years to get firmly in the Top 5. We’ve achieved that. The next three years is when we seek to make the next move. But that depends on us being able to do some things other than great or effective work for our clients.

     

    Such as?

    It’s about how we build up our skills and capabilities. When you compare us with Ogilvy or JWT, or Lowe or even DDB, which is at No. 4, their range of services and therefore sources of revenue at this stage, are wider than ours. So it’s about finding effective solutions on that side too. Now we’ll have to see if we’re going to get those capabilities or acquire them

     

    How have your inorganic growth efforts been, since Beehive and Market Gate and I-Strat?

    I think all three have been performing fantastically well for us.

     

    Is the integration total?

    Integration is not a 24-month process; it takes longer. Our integration expectations from the three are quite different.

     

    Are there any other specific areas or gaps you’d like to look at filling by way of acquisitions?

    I’d answer this slightly differently. The gaps we’re trying to cover are in the experiential marketing and some specialised skills in digital.

     

    So will acquiring an experiential agency happen soon?

    It’s a question you all ask at every interview and it always begs the same answer. You’ll know when you know. It’s a capability we’re seeking to build, whether we build it via an acquisition or organically or through induction of talent.

     

    How has the situation with new talent, accounts etc been, apart from the big ones in the last three years?

    We’ve not only been hiring people, I see Publicis as an organisation which is constantly in metamorphosis. For me, the difference between Ogilvy, JWT and Lowe is that they seem to be organisations who’ve reached a destination. On the other hand, we see every year as a year of reinvention. For us, we’ve had a steady change or upgradation of talent across all disciplines.

     

    Are you looking at any new direction of business and of clients? Your peers have got into political advertising.

    As a group policy, we don’t do political work. You’ll notice that no Publicis group company has been at any of last year’s hectic political campaigns. Many of us were approached, but we don’t do it.

     

    Among the various agencies you have, will any of them see a significant change over the next few months?

    I don’t foresee that, with this being a fairly intense period of reviews. We may be unhappy with ‘x’ aspect in one unit, and ‘y’ in another, and we have the managers address those. Talent acquisition is a continuous process. We’ll continue to see that happen.

     

    If you were a 20-year-old, would you have joined an agency today?

    If you’d asked me this when I was a 20-year-old, my answer might have been ‘No’. But I did end up in an agency and never left. If I were a 20-year-old today, would I join an advertising agency? The answer is probably still a yes.

     

    It’s still a big bad world. You’d have possibly made more money on the client side.

    I think I had several occasions to do that throughout my career. As somebody who’s been in this business for more than 35 years, I just had a genetic match with the profession. Is today’s 20-year-old choosing advertising over other professions? Probably not.

     

    Personally, what goals have you set for yourself? Publicis is doing well, it’s going to be on course. Is there any unchartered stuff you are looking at?

    As an individual, I have a re-purposed life. At 54, I have a two-and-a-half-year-old son. The challenges and goals I have for myself have undergone a metamorphosis in the last three years and I’m not completely sure I’m up for all challenges the situation poses. But I’m doing my best to cope.

     

    A slightly shorter version of this appeared in ‘dna of brands’ on March 9, 2015

     

  • Fabindia awards creative mandate to Publicis

    By a correspondent

     

    Fabindia has awarded its creative business to Publicis after a multi-agency pitch. The business will be handled out of Publicis Delhi office.

     

    Speaking on the development, Subrata Dutta, CEO Fab India commented, “Fabindia is an iconic lifestyle brand that celebrates India and we want to leverage its inherent strengths. In Publicis, we have found the right partners to do this. We are looking forward to their contribution on our brand.”

     

    Partha Sinha and Bobby Pawar, Directors at Publicis South Asia, in their joint statement said, “Fabindia is the definitive Indian brand. To reinterpret a brand’s strength is once in a life time opportunity and we are looking forward to working on it. Our objective will be to engage the audience in a fresh, surprising and rewarding manner.”

     

    Nakul Chopra, CEO-South Asia, Publicis added, “Fabindia have indeed been a definitive benchmark in their market. At Publicis, we have a history of setting standards in the lifestyle and retail space. We are very proud to be associated with Fabindia and together we hope to create path breaking work.”

     

  • Publicis launches 360-deg campaign for Park Avenue beer shampoo

    By A Correspondent

     

    J K Helene Curtis Ltd has launched an advertising campaign for its Park Avenue Beer Shampoo Adding a twist of beer into the modern man’s life, the campaign focuses on the need of personalized hair care for men, notes a communiqué.

     

    Created by Publicis South Asia, the communication reveals that men’s hair is different from that of women, and needs specialized care to keep it shiny and bouncy.

     

     

    Said Anil Kulkarni, Director, J K Helene Curtis Limited: , said, “In our research, we have found that men do not invest in personal hair care products and instead use female shampoos. With Park Avenue Beer Shampoo, we wanted to give the man a shampoo created specifically to meet his hair care needs and it’s time to revel in the glory of making men conscious about personal grooming.”

     

    Bobby Pawar

    Commenting on the concept, Bobby Pawar, Director, Chief Creative Officer, Publicis South Asia, says “For years we’ve sold the feminine idea of hair care. Our idea was to create a male counter-point to that, one that puts a beery twist onto typical hair-care communication. We tried to capture the same as an outcry ‘Cheers to man hair’.”

     

    Credits:

    Creative agency: Publicis South Asia

    Creative team: Bobby Pawar, Zarwan Divecha

    Account Management team: Chandan Jha, Dharal Goshalia

    Production House: Fleet Entertainment

    Director: Kay Kienzler

    Producer: Jignesh Maru