Tag: Nina Jaipuria

  • Nick back with Kids’ Choice Awards

    By Our Staff

     

    Nickelodeon channel has rolled out another edition of ‘Nickelodeon Kids’ Choice Awards’. It allows kids to vote and choose their favourites across multiple categories. In addition to the existing categories such as Favourite Youtuber, Favourite Dancer, Favourite Mobile Game, etc. Nickelodeon’s KCA 2021 will witness the introduction of newer relevant categories such as Favourite Environmentalists, Favourite Sibling Jodi and Favourite Fashion Icon.

     

    Speaking on Kids’ Choice Awards 2021, Nina Jaipuria, Head, Hindi Mass Entertainment & Kids TV Network, Viacom18, said: “With kids at the heart of everything we do, at Nickelodeon we continue to keep our young dynamic viewers engaged, entertained and motivated through these difficult times with innovations and pioneering initiatives. Nickelodeon has adapted to the new normal to continue to be the most-sought after destination for meaningful entertainment in the kids’ category.”

     

    The awards will happen virtually.

     

  • Viacom18’s Sonic is 10

    By Our Staff

     

    Viacom18’s Sonic is celebrating 10 years of entertaining kids. It was launched on December 19, 2011 as part of the Nickelodeon franchise.

     

    Said Nina Jaipuria, Head of Hindi Mass Entertainment and Kids TV Network, Viacom18: “When we started our journey with Sonic a decade ago, we took a plunge in the highly competitive kids category. From then to now, Sonic has grown leaps and bounds. The success story of Sonic is a result of our kids first approach in driving innovation with pioneering homegrown content thus making Nickelodeon the leading franchise. We take great pride in Sonic’s success and are truly overwhelmed with the love it continues to receive from kids and advertisers alike. We are happy to have built a brand that is a destination that kids return to for their daily dose of entertainment and look forward to the next phase with enthusiasm and zeal.”

     

    To commemorate Sonic’s decade long journey, a special ‘Tenniversary’ campaign has been devised.

     

  • Nickelodeon returns with the second edition of “Together for Good”

    By A Correspondent

     

    Kid’s entertainment major Nickelodeon has returned with the second edition of the India leg of the global Nickelodeon pro-socio campaign titled “Together For Good”. Taking on the leadership mantle of being a responsible kids franchise, Nickelodeon has conceptualised this behaviorial change campaign with the objective of empowering kids to be future change agents of society.

     

    Commenting on this initiative, Nina Jaipuria, Business Head, Kids Cluster at Viacom18 said: “We at Nickelodeon believe that children are the change agents of society. Through the Together For Good campaign we want to inculcate good habits of cleanliness and hygiene in a fun manner that kids can relate to,” adding: “With the influence that children have on their parents and families, we hope to extend this positive change towards the society not only amongst the kids but also amongst adults.”

     

    ‘Together For Good’ will see a series of creatives featuring Champu across the Nickelodeon franchise. The campaign will be extended on the digital and social media platforms through a series of fun toon tips, posts asking kids to not be a Champu and take the cleanliness pledge, fun interactive Facebook post “ChampuKoKaro Change”, a #DontBeChampu contest where children are urged to clean their surroundings, take a before and after picture and share on Facebook, Twitter and Instagram.

     

    Upping the engagement in the initiative will be an exclusive on-ground association with BMC towards a Chakachak Mumbai. This will involve the Nicktoons visiting high traffic railway stations to directly interact with the public and dissuade them from littering. They will also be seen in a conscience awakening act giving flowers to the delinquents instead of punishing them.  “Together For Good” with all its fun and entertainment and lots of life lessons is all set to inspire kids towards positive action.

     

  • Nickelodeon does its bit for a cleaner India

    By A Correspondent

     

    Nickelodeon has announced Together For Good – an initiative  that endeavors to make the kids of India take small steps towards a better tomorrow.  Kick-starting on 18th April 2016, the 1st edition of the campaign will make the process of cleaning more fun and entertaining for children. Together for Good is Nickelodeon’s worldwide initiative that believes anyone, anywhere, any time can help make the world a better place. In India too, the movement has been launched with a vision to empower kids to be the change agents in society.

     

    Given the fact that cleanliness is one of India’s primary concerns, this edition of Together For Good  sets out to address the concern by inspiring children to take small but actionable steps towards creating  a cleaner future. Nickelodeon believes that kids are very creative and hence goes beyond just simple ‘Dos’ and ‘Don’ts’ to contribute towards society in their unique way. Hence, this year the campaign will be actioned through the unique idea of ‘Collect -> Clean -> Create’. This will not only help them to be aware but go a step further to unleash their creativity and build simple usable items out of waste, scrap and junk.

     

    In keeping with the core of Collect, Clean and Create, Nickelodeon will begin by seeding messages of cleanliness on-air and online with the help of the kids favourite Nicktoons with whom they share immense equity. Children across the country will be encouraged to take up the issue at an individual level, or even join clubs and groups to help out.

     

    The movement will be brought to life on digital on nickindia.com/TFG. The page will help kids with simple and actionable steps with a starter kit with info-graphics, articles on the importance of cleanliness and various methods and tools that we can use for personal as well as environmental cleanliness. The page will also list all the other activities that are currently active in the country and open to participation.

     

    Nina Elavia Jaipuria

    Commenting on this initiative, Nina Jaipuria, EVP and Business Head, Kids Cluster at Viacom18 said. “At Nickelodeon, we believe that children are change agents of tomorrow. Through “Together For Good” we want to start imbibing in children the eternal virtues of cleanliness, while also empowering them to make small but impactful changes in society. Together for good is a movement that will inspire the ever creative and curious kids to bring about a positive change in the world.”

     

  • MxM Monday: Is BTL gaining acceptance as a must-have in a media plan?

     

    By Ananya Saha

     

    Is Below-the-Line (BTL) advertising gaining bigger share of clients’ advertising budgets over the last few years? How innovative has BTL become, and what are the challenges it still faces?

     

    Anwesh Bose, Senior VP, DDB Mudra Max

    BTL has gained prominence over the years and will continue to do so as advertising communication is evolving from a ATL-BTL model to a Through the Line (TTL) model. The lines have blurred between ATL & BTL giving rise to a new phenomena where a medium can take the form of ATL or BTL depending on the need of the communication. The challenge today is for the communication professionals to justify the Return on Investments on any form of media and the pitch will keep getting higher. It is time for the industry to jointly work on a multimedia optimization model that would justify investments.

     

    Narayan Devanathan, SVP, National Planning Head, Dentsu India Group

    That’s a very broad question, but going by overall trends, the answer is probably yes. The more pertinent question, how much bigger is “bigger?” Who is measuring this? How does it differ by category? What all goes into the definition of BTL? For example, with the expansion of modern trade in retail, you’ll obviously see a lot more BTL money being spent on in-store merchandising, POS and promotional campaigns. A second factor affecting expanding BTL investments will likely be the short attention spans and the myriad of choices and screens that consumers interface with today. TV, radio, web and mobile are probably vying for the consumers’ attention simultaneously at all times. But with definitive metrics, the impact of last-mile tactics and campaigns will be a key differentiator between brand success and business success. All this does factor into the fact that, yes, BTL as a share of clients’ ad budgets is seeing an upsurge.

     

    Innovations can happen on three fronts: technology, measurability and the balancing act between strategic and tactical objectives of the campaign.

     

    On the technology front, something like RFID, for example, can turn walking behind a shopping cart into inputs for a shelf-stacking strategy in-store. A combination of GPS, augmented reality and a promotional scheme can turn a mobile phone into a CRM platform. But innovations like these and others depend on the evolution of both marketers and the retail (and other parts of the brand) environment.

     

    Technology can also be the difference between best-case guesstimates and data-driven strategies that reduce wastage of marketing investments.

     

    Finally, marketers have to find ways to close the gap between strategic and tactical goals. If brand-building is a strategic goal, how do you use BTL not just be a one-off tactic or part of promotions but contribute to brand-building?

     

    All said and done, as with ATL, the point of all communications, regardless of medium, is to create stories, conversations and transactions (not always monetary) that people want to engage in. If that perspective is missed, then we will continue to see a “line” and see “below” and “above” this imaginary line that only marketers – not consumers – see.

     

    Nina Jaipuria, EVP and Business Head, Sonic and Nickelodeon India

    Nickelodeon has always believed in the virtues of experiential marketing through on-ground engagements. While TV helps in reaching out to millions of viewers, it allows for only one way-communication. On the other hand, BTL promotions despite the high cost per contact have the potential of making the engagement truly memorable for consumers. There is nothing that can replace the experience and thrill that kids feel when they meet their favourite Nicktoons Ninja Hattori, Dora, SpongeBob or Keymon in person.

     

    In addition to engaging our young viewers at schools, malls, retail chains etc, we also conduct van activities that helps us reach out to smaller towns and villages in the interiors of India. For example during the launch of Motu-Patlu, we engaged kids in over 30 towns like Lucknow, Kanpur, Allahabad, Varanasi, Agra, Mathura, etc in Uttar Pradesh and Gwalior Khandwa, Indore, Ratlam, Bhopal, Jabalpur, etc in Madhya Pradesh. We often do mall activities to celebrate days and occasions that are important to kids.

     

    At Nickelodeon, we are constantly seeking new and innovative ways of connecting with kids all through the year. In-store promotions and toon visits at retail stores further helps in strengthening our on-ground presence when it comes to merchandize

     

    Brand partnerships also play a very important role in creating unique propositions for designing innovative on-ground programmes. BTL promotions are thus an integral part of our media plan as they enable us to connect with our consumers and give them a ‘Touch. Feel. Play.’ experience. In today’s day and age, it is imperative to be present across multiple touch points and to tangibilize the brand.

     

    Uday Mohan, Executive Director – North, MPG India

    With the increasing fragmentation of the media space it is not enough to just make “contact” with the consumer, but more importantly to “connect” with him. First hand experience of the product/service offering and the customization of it allow this impact extending it to sales as also brand perception. It is here where the relevance of BTL in the overall marketing/media mix is increasingly gaining importance.

     

    BTL is now moving from its earlier perception of basic activation to being an integral part of the consideration set at the media strategy formulation stage itself. FMCG for the mass audience spends even up to 25 percent of their advertising budget, luxury would spend more. Auto, telecom, food outlets also see the merits of BTL as we see more spends and ideas. It is getting very innovative using insights and planning; 3M Scotch-Brite came up with Wash your Bill, where you had the choice of washing dishes over paying the bill, adding a fun twist to the old adage of ‘pay your bill or wash the dishes’. The activation connected with a younger audience, made them use the product, gave immediate gratification, put it up on YouTube and created word-of mouth.

     

    Lack of quality data is a major challenge that BTL faces as there are as yet no set parameters for evaluation. Another challenge is the infrastructure and operational co-ordination required from global and nationalized brands of mass appeal where delivery to target audience becomes an issue. For example even Pepsi in its ‘Open Happiness’ campaign could create the reach because of the use of digital and social, else the cost would go out of hand. BTL activation for a mass brand would require innovative use of the media mix to get the desired effect.

     

    Ambika Sharma, MD & CEO, Pulp Strategy Communications

    There is a definitive shift in perception, below-the-line is media that barrier is fading, it is new media which adds the rich creamy layer to the traditional media plan. Inclusion of BTL in a plan has increased steadily but has seen a stronger spike in the last 2-3 years. It is not in the perfect place that it could be in the consideration set but it is no longer ignored like it used to be a decade ago.

     

    BTL is now increasingly being evaluated and included when developing the mix, for the simple reason that it cannot be ignored, as it is the only media that allows people to experience the product outside of the retail format. Below-the-line activations can be great when done cleverly. The medium provides the freedom to engage with your core consumers and almost always has the potential if designed wisely to be quirky and attention-grabbing.

     

    BTL needs to be carefully considered in the planning process and not as an after thought. A well-thought-out, through-the-line campaign (or 360-degree approach), will always have more impact than one curtailed to a limited approach. This is perhaps the most positive change where in some marketers are consciously choosing BTL within their plan with specific deliverables in mind. This way the plan is tighter knit, and the ROI is richer. This change has reflected in a higher share of voice for activation in the media budget.

     

    Other factors have also contributed, one is what we call the “Ego” slice in the media plan, prominent some time back its the forced fit into the prominent / upmarket ATL mediums because “presence there was a must” at times this ate into the working budget which would have been considered for new media including activation. This is no longer the case. Activation / BTL is holding its own in media plans and gaining its due in media budgets.

     

    Samar Singh Sheikhawat, Senior Vice President - Marketing, United Breweries Ltd

    We do not call it BTL, but refer to it as activation or leveraging. I would say that activation has always been an important part in the UB Group’s marketing intervention. And today it is almost equal to our sponsorship amount. So if we are involved with an event, property or platform, and suppose Rs 50 lakhs as sponsor, we will spend an equal amount in leveraging it or BTL. I would say, it is practically 1:1 for UBL and our portfolio of brands when it comes to the ad pie division of BTL with other media.

     

    I think a lot of things are happening apart from the display being used in this medium. The kind of consumer touchpoints being used, digital and social media is becoming a big thing and is being used increasingly as activation by us. Video mapping, production technologies have improved a lot. There are new techniques we are using from overseas in terms of projections, holograms, video mapping on walls etc. the ways to reaching out to consumer is getting innovative whether it be direct mailers that we do or CRM or get-togethers. The kind of media being used in activations is seeing innovation and substance that is being used in production is getting innovative.

     

    This medium faces challenges in terms of credibility and execution capability. Anything that you do in BTL needs to be relevant to your product, your target audience and to your brands’ positioning. A large part of differentiation in BTL goes towards execution.

     

    Raghu B Viswanath, Founder & Managing Director at Vertebrand Management Consulting

    Media today is fraught with many challenges. While the overall ADEX spends has been growing at a much higher rate than GDP increasingly clients are questioning whether they are getting enough bang for buck they have spent by advertising in media.

     

    Earlier brands focused on getting more eyeballs translating to more awareness on the brand. Since the competition intensity was earlier relatively low mere awareness got translated to purchase. That is not the case today. With increasing competition and very little differentiation, it is important for brands to not just enhance the brand – building efforts on awareness creation, but to go beyond and engage their customers meaningfully. This in turn means that brands need to connect with their customers through as many touch points as possible. So, non-traditional (BTL) lends itself to this two-way communication. The rules of the game is not about seeing or hearing. It is about experiencing the brand with all the senses. Hence, touch feel and other sensorial connects with the brand, is the need of the hour.

     

    For many brands, BTL is becoming a more significant component of their marketing spends (almost equal to ATL). I believe this trend is expected to grow, as brands pursue serious efforts to engage better with their customers.

     

  • Need to change to be at par with Gen Y: Nina Jaipuria

    Nina Jaipuria

    By Meghna Sharma

     

    Gone are the days when children had to wait for morning or evening slots to watch their favourite cartoon characters. Today, they just have to browse through the various kiddie channels available to catch their favourite shows and characters anytime.

     

    The children’s genre has grown manifold in the past few years with more and more channels launching and bringing international as well as local shows to the Indian living room.

     

    So, how does one stay ahead in this race? And the answer is as simple as – move with the times. There is no doubt that the world is moving online. And the latest addition to the digital world are children who have grown up on ipads and smart phones. Hence, kids channels alone cannot survive on television alone. Most of them have a very active online avatar to attract their target audience.

     

    MxMIndia spoke to Nina Elavia Jaipuria, EVP & Business Head, Sonic & Nickelodeon (India) to find out why is it important for a channel in the kids genre to be online today, and how their channels are different from the rest.

     

    Why is it important for a channel to have an online presence today?

    There are a couple of reasons why one should be present in the digital platform. Firstly and foremost, it helps one to engage with its audience beyond television. It also helps the brand to enhance its presence. It gives a touch-feel-play experience so helps the audience know what the brand is all about. And lastly, it makes it a two-way communication wherein the brand can have a dialogue with its TG and know their likes and dislikes which further helps the channel to know and alter according to what the audience wants.

     

    For us, staying ahead is important and therefore, an online presence helps us create a ‘cool’ imagine among our TG. One has to keep on changing with time if they want to stay at par with Gen Y which is online almost 24/7.

     

    How can a channel benefit from this?

    In the past few years, the traffic online has increased and a majority of them are kids/youth. Therefore, an online presence gives us an idea about what children prefer today. Which indeed helps us to create a strong community based on their likes and dislikes. For a channel, it is important to have this two-way communication rather than seeing it as competition.

     

    What online activities does your channel indulge in? What is your online budget?

    Apart from various (100+) games and videos, we have a lot of contests on occasions like Friendship Day, Fathers Day etc wherein children can win gift vouchers. We also have e-cards as well as paint and print app. For the youth channel – Sonic – we have created a special section ‘TechnoSonic’ which features futuristic gadgets which interests a certain age-group. Also, we have a strong presence on social media where we want to build a strong online community!

     

    Most of our marketing budget is spent on BLT activities like school or mall activities. However, online presence is also very important for us. Thus, an appropriate amount is spent on the digital space as well.

     

    There have been debates about the need for kids’ channels to be more responsible about the content they show. What is your take?

    Yes, I do believe that broadcasters need to be careful about what is shown as children’s minds are easily influenced at that tender age. Therefore, we also believe in gaining the trust of ‘gatekeepers’ ie parents. Most of our children have a moral message like good’s win over evil. Even the language used is very safe.

     

    Even online, we monitor what is posted on our websites. For instance, if an offensive word is found, we delete it immediately. And regular offenders are even blocked.