MxMIndia

Tag: Netmed

  • Dream big is also following a classical strategy of thematic and tactical ads, writes Vikas Mehta in his weekly review of ads aired around IPL 2022

    Dhoni abandons his ‘Dream’?!

     

     

    By Vikas Mehta

     

    Vikas MehtaSo, it’s been a very usual and unusual IPL so far. Usual, because Mumbai Indians (MI) have lost the first two matches. But the MI captain Rohit Sharma felt it was business as usual in his post-match interview. Unusual, as Chennai Super Kings have also lost the first three matches on a trot, albeit after years. Unusual also for CSK as Dhoni, after relinquishing his captaincy seems to have taken it back and is also scoring runs as in his heydays.

     

    And as usual, Dream 11 continues its dream run at IPL. The idea of “Dream Big” has seen many new frontiers. The series of various players like Shikhar Dhawan, Rishabh Pant, Rohit Sharma, Jasprit Bumrah and Hardik Patel reminiscing their struggles but not giving up on their big dream has two new creatives so far. One, with Pant and the other with Sharma. And this time, they pay tribute to some behind the scene people like the groundsman or even a stranger helping Pant at a gurudwara. The thought of one is never alone if one’s big dreams fits seamlessly into the Dream Big theme of Dream 11. Whew! Too many dreams here.

     

    https://youtu.be/3JazfubLOgI

     

    Dream big is also following a classical strategy of thematic and tactical ads. For the uninitiated, when advertising was the be-all and end-all of all communications, brand ads were created for brand equity, may be once a year, extolling the virtues of a brand and its personality. These were called thematic ads. Interspersed through the year were tactical ads which by nature would drive sales. These were by nature about inducements or sale pointers. Personally, I think this was more of a jargon-spitting marketer’s delight, as for the end-consumer. every communication is a message and she or he does not delve into it with a separate compartment of thematic and tactical in her or his mind. The ads with Dhawan, the Pandya brothers, Ashwin and even Pant in a metro asking people to try the Dream 11 seems to be in the genre of the tactical ads of yore.

     

    https://youtu.be/Dn7ixMGB_dM

     

    But one dream seems to be missing from Dream 11. Dhoni has disappeared from all communications and has now appeared for Winzo. Another gaming app. Winzo is not about a fantasy league. It’s about skill and social gaming and I presume it’s clear of any controversy related to “gambling” as Dream 11 is. Maybe that’s why Dhoni moved away from Dream 11. In the ad, Dhoni cheekily starts by saying that he is called gamechanger so he is changing his game from today. Very unusual but typically clever from Dhoni.

     

    Quite unusually, I am seeing Byju’s ads without Shah Rukh Khan. And these are good. Emphasising on understanding the concept rather than memorising for an exam. ‘Samjho seekho jeeto’ encapsulates the idea well. As a parent, these resonate with me more than the Shah Rukh ads which seemed more gimmicky. I also think Shah Rukh’s personality does not gel with that of Byju’s and made the brand more flippant.

     

    There has been a lot of buzz about the new Spotify ads. I like them because they amplify the generation gap between Gen Z and the millennials as also Gen X. While Gen X and the millennials are passionate about politics or shopping offline or any discussion and are more social, GenZ is more reclusive and more digitally social. So, Spotify is their ‘kavach’ or protective armour from these indulgences of the older generations. Unusual, yet simple.

     

    I also think that the Meesho ads capture a similar trait of Gen Z. The features of photo search or free delivery are neither new nor unique but they capture the essence of Gen Z. While millennials or Gen X prefer offline shopping and want to see all options, Gen Z is not only used to online but also wants trendy or happening products. So, these features serve them well.

     

    Does Aamir Khan have a triple role in his next film? The series of Netmed ads make me think so. Or, wait! Was it Pharmeasy? Or 1mg? At least Pankaj Tripathi was not about triple or double role. Not only are the names confusing but so are the generic benefits. From a consumer perspective, when I fall sick, I need medicines, fast. Not in a day or in a few hours, but in minutes. So, except for long-term medications like for diabetes or cholesterol, I am not sure how these medicine aggregators can help. What do the investors and these start-ups know that we don’t?

     

     

    And just when I was about to sign off, I saw two similar ads from PepsiCo company. For Pepsi and for Slice. It seems the company has taken competitive stance as a corporate paradigm. But then what’s the fun if unusual things don’t happen. More on the two ads next week.

     

     

    Vikas Mehta, a senior advertising professional, is now a strategy consultant and educator based in Dehradun. He has a considered, often contrarian view that we enjoy consuming (and contesting) on most things around him: cinema, cricket, advertising, politics and life in general. AdsOnIPL is a series of reviews of the ads aired around IPL programming. The column is in its second season. His views here are personal.

     

     

  • Sanjeev Kotnala of action cues of audio-visual ‘hammering’ in a recent communication

    Brand Signature Moves… Sahi Hai?

     

     

    By Sanjeev Kotnala

     

    Sanjeev KotnalaAfter a long time, I am enjoying some of the advertising I see. And the buzz is not because the brands have purposefully commented on some rituals. The ideas are well-presented and powerfully pushed to the audience. Intentional communication delivers a directional message to the unconscious mind. And, if this was unintentional, maybe it is a good post-rationalisation for the idea.

     

    I may not have thought so, but then my friend and consultant Vermajee drew my attention to it. He elaborates over Lawson Williamson, his newly acquired taste in mid-level whiskey. I think he has been minutely observing judges empathising on signature moves of Dance India contestants. I guess it made Vermajee focus on brand signature lines, action cues of audio-visual hammering in a recent communication.

     

    YEH SAHI HAI

    Mutual fund communication at every possible opportunity reiterates ‘Sahi Hai’  for investing in Mutual Funds. The regulatory warning that is part of the communication does not matter. As the statement ‘Sahi Hai’ gets repeated, it starts making sense. In fact, more sense than it should. The uninitiated investors who must rethink their options start seeing Mutual funds with coloured glasses. Their confidence gets further enhanced with every new story, exposure of Sahi Hai loaded with strong visual cues. The pause and the applause are perfectly timed. The use of cricketers – caution statement- logical explanation- push for meeting experts. Saab Sahi Hai. Only if they can get the verbal nail a visual hammer to amplify it further.

     

     

    CARBONATED THOUGHTS

    ‘Toofan Wahi Jo Sab Palat De’ says Thums up. The character dramatically tilts the bottle upside down. It is a powerful visual cue. Drink and flip. The whole story is engaging and delivered powerfully. It again leaves you with a strong visual hammer and an audio nail. The tonality is all masculine and charged up, just like the extra string drink.

     

     

    FANTASY LEAGUE DRUMMING THE DREAM.

    The Dream stories in Dream-11 shout loudly. The brand tells you stories of realised dreams.  It wants you too to dream big. The seed is implanted subconsciously. Think Big. Dream Big. Bet Big. In most fantasy leagues, there is an additional challenge to beat the selection of superstars of cricket. They hurt the ego of an armchair critic who thinks he knows better. The challenge must then be accepted. The game is now beating the cricket superstar acumen as a team selector.

     

    I have been a fan of Dream-11 communications through the years and the way it is evolving. A robust strategic intent and planning is apparent. They know where they are going. From celebrating teams and gully cricket, anything for the game, Dimag se Khel- eek hi Dhoni– Game hai Mahan to realising big dreams. It is different that I see a need for strong regulations for fantasy leagues because of their addictive- habit-forming nature. Any day would love to meet and interact with the Marketing teams behind it.

     

     

    CRED GAINS CREDIBILITY WITH FREQUENCY

    Cred is the joker in the House. One may question the need for high decibel advertising that the brand indulges in. But there is an established format now for the brand. It has two parts. The static, fixed part A and the tactically changing part B with celebrities like Rahul Dravid– Kapil Dev– Neeraj Chopra and more. Cred is leveraging a reverse flip. If the second statement is engaging, humorous and authentic, the earlier information must also be similar. Making that strongly uninteresting functional statement enjoyable enough. Frankly, I hate it- because even though people remember the celebrity stunts- the brand association is strong enough. Strategically, quirky Cred  is building its own unique communication signature.

     

     

    STRONG BYJU

    Byju intrigues. It uses jealousy and competitiveness along with a rational explanation. It seems to be working. I loved how Byju exploited vulnerable parents during the Parent Day #Honourtheirsacrifice with short clips of students. Vermajee rightly points out that Byju was not reminding students of the sacrifices their parents made. It was pushing parents down memory lane. There is always a better chance of them relating to the problems better them than the students.

     

     

    ALL IS NOT WELL

    There are few brand communication that confuses me. I fail to understand the primary intent and why the brand is doing what it is doing.

     

    MISSING UNACADEMY

    Now the last one. #TeachThemYoung by Unacademy is a cryptic one. What the hell is the brand connection? What were they selling or proposing? Even Vermajee is zapped. He tried to decipher the brand intent and gave up. Maybe the stakeholders know better.

     

     

    GOBHI AALU DISCOUNT – NETMED

    ‘Netmeds’ discount advertising featuring Kareena and Karishma Kapoor is silly and confusing. Why should one fall ill to earn discounts on medicine? And that too for vegetables. How sick should I be to get a decent discount at Netmeds to buy even a one-time vegetable? Do I buy medicines t get a discount, or do I purchase medication at a discount? Creative license?

     

    The Netmeds ad on trust and ‘discount on medicine is possible’ works because it reflects customer apprehensions. I would have loved it if they had stuck to quality medicine delivered on time and at a reasonably discounted price. But, please, stop the Gobhi-Aloo discount on medicines.

     

     

    NET-NET 

    We are living in an era of information parity, easy access and social connectivity. Everyone is sharing suggestions- recommendation or their skewed point of view. The brands need to be extra cautious in developing their signature tag, a signature move supported and held by a verbal nail repeatedly hammered visually. Some brands discover it. Sometimes it is a mistake that gets post rationalised. But always better to spend that more time in developing and investing in creating communication with brands signature touch- Just like Men will be men, a powerful idea holding it together. The thought is the brand signature, but the brand association could be stronger. Maybe, (I say maybe as I can’t think how) a consistent signature visual hammering to further strengthen it.

     

     

    You may finally have a signature move or not, a verbal nail or not and a visual hammer or not- but be alive to the reality and life of your audience- be sensitive to their beliefs, region and religion