Tag: Mitrajit Bhattacharya

  • Ogilvy is Effie Agency of the Year

     

     

    By Our Staff

     

    There was an unusually cool breeze at the lawns of Taj Landsend hotel in suburban Mumbai, the venue of choice for the Effie Awards each year. Conducted by The Advertising Club the Effie Awards are key for networked agencies as the performance in India adds up to the global performance, and when it comes to critical pitches, it’s Effectiveness (hence Effie) as against Creativity (the Creative Abby) that matters most.

     

    EFFIE India 2022 Client of the year

     

    So in the 2022 edition, it was favourites Ogilvy that took away the top honour of the Agency of the Year. Mondelez India was Client of the Year, while coveted Grand EFFIE was won by Leo Burnett India for Whisper India’s campaign ‘Whisper: Changing the education system to keep girls in school.’

     

    Grand EFFIE India 2022

     

    Surpassing all its previous editions, Effie 2022 received 986 entries, the highest ever in 22 years, and saw participation from 53 agencies.

     

    Speaking at the awards night, Partha Sinha, President, The Advertising Club, said: “It is extremely heartening to witness Effie become the most coveted trophy within the marketing and advertising fraternity. Like every year, this year too, Effe has witnessed significant patronage from industry veterans and category leaders. I’d like to congratulate all the winners for crafting impactful campaigns that are now sheer examples of innovation and effectiveness.”

     

    Elaborating on the awards, Mitrajit Bhattacharya, Chairperson, Effie India, said: “It gives me great joy to host the Effie Awards once again as a physical event, celebrating the best work of the year with the people who create them. A big thank you to 493 judges who judged a record-breaking 986 entries over three rounds of online judging. I also thank each participating agency and client for their support. And a huge shout out to our sponsors, The Ad Club managing committee, the Effie committee, Effie New York, and The Ad Club secretariat to make this event a huge success.”

     

    Adding on the enhancements in the award process this year, Pradeep Dwivedi, Co-Chairperson, Effie India, added, “We have built a sustainable trajectory as a leading Effie organising body, having successfully implemented the new Acclaim Platform for the jury process this year, in tandem with our worldwide peers and Effie Global team. The adoption and change management of the same by our industry members has been truly amazing!”

     

    A special award for creator marketing was awarded to Mondelez, Wavemaker and Ogilvy.

     

    EFFIE 2022 RESULTS

     

    EFFIE 2022 Agency of the Year

     

    EFFIE 2022 Client fo the Year

     

  • @Effie2021: McCann rules again. HUL tops client roster

     

    By Our Staff

     

    If you don’t see the customary photograph of the winning agency folk in jubilation on stage, it’s because this is an awards event being held in the pandemic.

     

    Although the restrictions on holding events has eased, the Effie Awards is different. In normal years, one needs to visit an ENT specialist on the day after. Given all the hullabaloo that happens. Heck, are we getting confused with the Emvies. Perhaps yes. It’s been a while since the Advertising Club has had one of its top draw award shows, and although the International Advertising Assoication conducted three awards in Mumbai in the last month-odd, the Ad Club Effies are decidedly the most coveted.

     

    The reason is simple: It measure efficiency of the creative. And it’s a part of a global network of awards. So the scores here add up to the global rankings and which are exceedingly critical for worldwide client pitches.

     

    Under normal circumstances, an MxM report wouldn’t have highlighted the sponsors of the event, but given the times we live in, every sponsorship needs to be recognised. So: Colors was presenting sponsor. The event was powered by MX Player and Aditya Birla Capital was Category Sponsor.

     

    So you’ve read the headline, but here’s it again: Hindustan Unilever and McCann Worldgroup India bagged the Client and the Agency of the Year titles respectively while The Ogilvy Group and Mondelez India were awarded the Grand Effie for Cadbury Dairy Milk’s campaign “Melting Power Distance”.

     

    Effie Awards 2021 were held virtually this year, so it was minus all the hooting and cheer, and minus Brian Tellis as the sponsor. The only bright spot was that the event started on time ended way before most people have consumed their third.

     

    The good news is that the Ad Club received a record 950 entries and saw participation from 51 agencies.

     

    Speaking about the participants and winners at the coveted Effies, Partha Sinha, President of The Advertising Club said: “Looking at the cases that have won here today, you will know for a fact that this is the highest level of award in this country. Effie India today is the most definitive award in the country – and is revered by both the client and the agency. I want to thank every single member of the jury, the participating agencies and the sponsors. You know that this award has reached the level thanks to all of you. Let the celebrations continue but more importantly let the effectiveness culture continue. As I had mentioned before we are going to hold Effie effectiveness workshops in Mumbai, Delhi and Bengaluru. Watch this space for more details.”

     

    Elaborating on the awards, Mitrajit Bhattacharya, Chairperson, Effie India said: “It gives me great pleasure to deliver the first virtual awards presentation of Effie India. It has been a long and tough journey over the past one and half years to bring this to life. To judge 950 entries over two rounds of judging by 520 judges, with minimal physical meetings has been quite a task. I thank each participating agency and client for their support. And a big thank you to our sponsors, the Ad Club managing committee, Effie committee and the Ad Club secretariat to make this possible.”

     

    EFFIE 2021 RESULTS

     

    EFFIE 2021 CLIENT OF THE YEAR (29.10.21)

     

    EFFIE 2021 AGENCY OF THE YEAR (29.10.21)

     

     

  • Outlook completes a month of Bollywood Talkies by Mitrajit Bhattacharya

    By A Correspondent

     

    Mitrajit Bhattacharya

    In keeping with its growing digital presence, the Outlook group added a new Bollywood interview series with senior mediaperson, columnist and author Mitrajit Bhattacharya. The show airs every Friday at 9pm on Facebook, Twitter, Instagram and YouTube apart from the Outlook website. Currently on to its fifth episode, each show has Bhattacharya conversing with film personalities such as Neeraj Pandey, Kabir Khan, Taapsee Pannu, and Adil Hussain.

     

    Said Shrutika Dewan, Vice President Brand Marketing of the Outlook Group: “Since 25 years now, Öutlook has been synonymous with serious and credible journalism. Through Bollywood Talkies with Outlook, we deep dive into the world’s biggest cinema, their protagonists and behind the scenes”

     

    “Added Bhattacharya: “We are trying to create a show which is all encompassing – mainstream to niche, that covers all kinds of cinema. Of course, we will have A lister actors and directors from the Hindi and regional movie industries. Longform and indepth, this show aims to have freewheeling conversations with the movers and shakers of Indian movies on the highlights of their careers, craft of acting and direction, and their favourites from the world of cinema. There is no show like this on any platform currently, entertaining and archival both at the same time.”

     

     

  • A Tale of Three Web Talkshows. Spoiled for Choice

     

    By Sanjeev Kotnala

     

    News and notifications on webinars, interview-based talkshows, short courses, streaming discussions and dialogues have been invading my inbox ever since the Lockdowns kicked in. Two of three emails in the inbox are about invitations, registrations, subscriptions or access to an earlier event.

     

    The inbox is like the snake island, full of waiting web-based shows. I, the migratory bird am resting on it, during my onwards journey, unaware of what the show will present. I have watched many shows live, some recorded and few I have closed after a few minutes as they failed to engage me.

     

    One is bound to make errors in choosing events, shows, webinars and courses to attend. Stop blaming the system and the people managing these events. Remember, it is you who is responsible for the experience.

     

    The organisers are merely pursuing the organisational strategies of lead generation, image correction or information sharing. You decide to attend them based on your biased understanding of the calibre, capability, capacity and expectations from these events. This understanding itself is a result of your perceptions. Sometimes, it is okay to be emotionally lead. Mistakes happen. After all, the reality is adulterated with perceptions.

     

    No, I am not fully holding you responsible. The trap of topic-person-platform fit is a big bait. So it is natural to register. Making the wrong choice is a crime. However, when you don’t learn and end up attending yet another disappointing event, the fault lies with you.

    In the last two weeks, I watched three branded web shows. All presented by well-known persons in advertising and marketing.

     

    Friday’s Live with Raj Nayak.

    The inaugural edition had this delightful conversation with Jill Majeski. A free-flowing conversation with Anil Kapoor was next. I loved it. There was simplicity and openness that I enjoyed. If you have not watched, do find time to view it. Next was Poonam Mahajan. Poonam is not the candidate I would want as a guest. And then last week we had Faye D’Souza, a brilliant journalist and activist. It is different that I refused to watch it as I do not like her style of journalism. However, I watched it on YouTube. Somewhere I realised, I am watching, Friday’s Live purely based on my expectations from Raj Nayak. It was the wrong thing to do.

     

    A talk show is like clapping, it resonated when partners are on the same frequency. Raj brings a positive feel to everything. He is digging for learnings. However, the audience on the ringside wants to see every side of the personality. Failures and setbacks make the character seem more humane and likeable. Goodness alone will not have enough buyers.

     

    Bollywood Talkies with Outlook.

    Bollywood Talkies, is a show where Bollywood biggies are in discussion with Mitrajeet Bhattacharya. The title sets the tone and defined coordinates. The first talk with Neeraj Pandey was phenomenal. Mitrajeet raised right set of logically flowing open-ended questions. The conversation allowed Neeraj to sketch the story in his own style.

     

    Kabir Khan was the next guest. Expectations were high. Everyone waiting for his upcoming film – ’83’. The show was okay. And then last week my current favourite Taapsee Pannu was the guest.

     

    Now, I was watching because of the guest, and it did not matter who the host was. The show kept me engaged. Keep the good thing going!

     

    Streaming with Sonal Dabral.

    This one totally sucked me in.  Streaming with Sonal Dabral. For me, it was a semi-professional class. There was innovation/solution finding, passion and detail in work discussed. Professionally and personally, it was worth my time. The guest and host were absolutely comfortable in their shared space. The discussion smooth and straight. No pressure of time. It was like having someone for a cup of tea. The guest had complete freedom in term of time and space. The presenter only waited like a pinball player, keeping the ball in play without interfering with the narration. It was a terrific two episodes, and then I missed the next episode. Think I will be back watching the next one.

     

    All three talkshows have been promising. They do overlap in terms of content and audience, and that is something the host have to look at. The guest list and sequencing will impact the success of these brands.

     

    I will preferably prioritise Sonal Dabral over Mitrajit Bhattachary and Raj Nayak in that order. I know I will lose interest when the show starts being restrictive in style and probe. Remember I am trading my time with content. This is my current choice and is completely biased by the guest the show has.

     

    Well, I will listen to anyone talking with Javad Akhtar, Naseeruddin Shah, Rajkumar Rao, Sunny Leone, KK Menon, Kangana Ranaut, Deepika Padukone, Mahesh Bhat and Aayushman Khurana. I have another list across creative fields and in politics maybe one or two.

     

    We all know the biases our choices, past experience and future expectations. They must exist for us to be human. But, still, if we have a terrible experience in webinars, we must evaluate our choices and decision-making processes.

     

    Sanjeev Kotnala is a senior business strategist and educator. He writes weekly for MxMIndia. Sometimes, like this week, even more. His views here are personal

     

  • Joint Agency & Client of the Year at Effie 2020

     

    By A Correspondent

     

    The Big Boys of adland were in attendance till the very end. Leaving many in the audience wondering what the outcome was going to be. Piyush Pandey and Prasoon Joshi and almost their entire top decks of Ogilvy and McCann were in attendance.

    And finally when emcee announced that it was a joint winner, there was an uproar. And relief in some quarters. Both Ogilvy and McCann were doing fairly well in awards announced and it was difficult to determine right till the end on who the winner would be.

    The Effie Awards of the Advertising Club India was held with much fanfare on Friday in Mumbai. Hindustan Unilever Limited and Star India Pvt Ltd were adjudged joint winners as Effie Client of the Year, while McCann Worldgroup India and Ogilvy Group were named Effie India Agency of the Year.  The coveted Grand Effie was won by the EightyTwo Point Five Communications for the Bisleri Packaged Drinking Water – “Samajhdar Jante hai”.

    Speaking about winning at the coveted Effie, Partho Dasgupta, President of The Advertising Club said: “I would first like to congratulate all the winners of the awards. Winning an Effie has always been a matter of great pride for every marketer and each of the winners are truly deserving of this recognition. Effie India Awards 2020 continues to be the highest honor in innovation and effectiveness and with this award we continue to be committed towards recognising and rewarding thought leadership showcased by brands and advertisers.”

    Elaborating on the awards Mitrajit Bhattacharya, Chairperson, Effie Awards 2020 said: “Like every year, this year to we saw some of the best and game changing work being entered for the awards.  The superior quality of work has led to the marquee award categories like i.e. Client of the Year and the Agency of the Year for the first time in the history of the Effie being won by not one by two winners each. We are sure that the continuous evolution of the awards to reflect the changing media landscape by adding new and relevant categories will ensure that the awards continue to stay relevant and highly coveted.”

     

    EFFIE INDIA 2020 CLIENT OF THE YEAR

    EFFIE 2020 RESULTS FINAL

    EFFIE INDIA 2020 AGNECY OF THE YEAR

  • Effie India 2020 on Jan 10 in Mumbai

    By A Correspondent

     

    The Advertising Club (TAC) India is set to host the upcoming edition of the Effie India Awards 2020. The awards have garnered significant industry patronage by receiving 862 entries. As many as 326 industry leaders and professionals were part of the 10 judging rounds held across three cities – Mumbai, Delhi and Bengaluru. The awards event will be held in Mumbai on Friday, January 10.

     

    Said Mitrajit Bhattacharya, Chairperson of Effie Committee: “With a record number of entries received, this year has been the best for Effie India in terms of participation. The Effie 2020 by adding new categories, bringing sharper definitions to existing categories, introducing new judging guidelines and having a separate jury for judging the coveted Grand Effie have helped evolve the highly coveted awards into an award with more structure and relevance, in lines with the Global Effie awards.”

     

    Added Partho Dasgupta, President of The Advertising Club: “Effies undoubtedly is the most definitive and coveted A&M award of the country. Awarded to both the agency and client, it is the ultimate recognition and benchmark of effectiveness and efficiency that has added to the equity of the brand.  I look forwards to seeing the category torchbearers and their work being celebrated at this prestigious awards event.”

     

     

  • McCann is #1 at Effies, again

     

    By A Correspondent

     

    It was the night when the McCann Worldgroup flag was flying high. Yet again. McCann took home the Agency of the Year title by a comfortable 34 points. Ogilvy was runner-up, but a big consolation for theme would be the winning of the coveted Grand Effie for Fevikwick. Hindustan Unilever was Client of the Year. Interestingly, Saregama was runner-up in the Client of the Year roster albeit at nearly half the points as HUL. Vodafone was #3 and last year’s Client of the Year, Paytm (One97 Communication) was #4.

     

    Interestingly, Hindustan Unilever was #6 on the Agency of the Year roster, having had to send in the entries since its creative agency chose to stay away.

     

    The evening saw a record attendance, and was run efficiently. Like Advertising Club events are. However, many agency biggies – including some from runner-up Ogilvy – were conspicuous by their absence.

     

    Speaking about winning at the Effies, Vikram Sakhuja, President of The Advertising Club and Chairperson, Effies said: “Effies continues to have a place off pride and eminence in the life of every marketeer and advertiser. Winning an Effie is a career milestone and is reflective of the campaign’s innovation, execution efficiency and communication impact. The focus for us at the Effies is to reward and recognize brand stories that have strength of idea and have showcased effectiveness, scalability and contributed significantly to brand and the categories communication and growth agenda.”

     

     

    Added Mitrajit Bhattacharya, Co-chairperson, Effies 2019, said: “The Effies 2019 has continued to witness significant representation and support from industry leaders and media mavens. The awards this year saw as many as 283 leaders, including 137 Clients, 105 Planning/ Agency Heads, 15 Media Professionals and 26 Specialists who adjudged the awards across Mumbai, Delhi and Bengaluru, ensuring inclusivity and substantial category representation. The awards have year on year evolved to include new categories and represent new genres basis changing industry ecosystems, ensuring that the awards continue to stay relevant and pertinent.”

     

    Speaking on McCann’s success, Chairman McCann Asia Pacific and CEO and CCO McCann Worldgroup India said: “I am extremely delighted and proud of McCann winning the Agency of the Year second year in a row at the Effies. These awards reflect the strategic prowess based on our belief of creating meaningful work for the brands which we have been doing for our clients across all our offices in Delhi, Mumbai and Bengaluru. Congratulations to the entire team and specially that of our strategic planners led by Jitender Dabas, and hard work of Suraja Kishore, Rajesh Sharma, Prateek Bhardwaj, Kapil Batra, Abhinav Tripathi and leadership support from Alok Lall, Mandeep Sharma and visionary guidance from Partha Sinha.”

     

    Effie 2019 RESULTS FINAL FINAL

  • Chitralekha’s Mitrajit Bhattacharya moves on

    By A Correspondent

     

    Mitrajit Bhattacharya

    Mitrajit Bhattacharya, who has been with the Chitralekha Group since January 2001, has decided to move on to pursue his entrepreneurial interests. He had joined the group as Vice President – Ad Sales and soon took over as the President and Publisher in early 2005.

     

    Said Maulik Kotak, Chairman, Chitralekha Group: “Mitrajit has been an integral part of the Group’s success story over the years, having conceptualised and contributed towards projects like Watch World Awards, Music Concerts and our 60th anniversary celebrations. He was seeking time to devote to his entrepreneurial ambitions and follow his various passions. We wish him all the success on his new journey.”

     

    Added Bhattacharya: “It has been a splendid journey running such a vibrant and dynamic brand. I am happy to leave the group on a solid footing and an able team who will take it to newer heights. I thank the Kotak family and all members of my team for being a pillar of support for me all these years”.

     

     

  • McCann wins big at Effies 2018

     

    By A Correspondent

     

    It was the Big Night for Effectiveness in advertising. The Advertising Club’s premier event for rewarding advertising effectiveness was held on Friday, January 5 in Mumbai. The venue was the usual – the lawns of the Taj Lands End, except this time there was lesser noise and hooting given the absence of the Mullen Lowe Lintas group. The agency did not officially enter the awards officially though some of its work did find its way.

     

    But it would be unfair to say that Lowe’s absence saw IPG group sibling McCann rise. The agency did have some good work to showcase and although its tough to say what the final roster would’ve looked like had Lowe and all the Publicis Communications agencies participated – especially Leo Burnett which had bagged the Grand Effie last year.

     

    Also, the margin with which McCann won over runner-up Ogilvy was significant.

     

    Other than being runner-up in the final rankings, the agency also bagged the Grand Effie for work done on Star Plus’ NayiSoch campaign.

     

    One 97 Communication Limited (PayTM) was adjudged as the Effie Client of the Year with long-time winner Hindustan Unilever coming second. Here the margin of win for the top rank was just 10

     

    Speaking  about winning the  Effies, Vikram Sakhuja, President of The Advertising Club and Chairperson, EFFIEs  said: “With the bar raised higher year on year,  winning an Effie has become more competitive and rewarding. This year we are seeing a new Client of the Year and a new Agency of the Year. My congratulations to them and all the 93 winners.” Adding: “The four pillars of effectiveness are Strategy, Idea, Execution and Results. To win an Effie we are finding that Effectiveness in Advertising is getting increasingly medium agnostic. Accordingly, ideas are being brought to scale in a remarkable number of ways. The one area I would like to further challenge us all is in the description of results.”

     

    Elaborating on the entries. Mitrajit Bhattacharya, Co-chairperson, Effies 2018 said: “The Effies 2018 once again witnessed  patronage from industry veterans and category leaders , establishing its eminence  as a  coveted industry award that recognizes great ideas and superior execution. Effies2018 saw  the entire fraternity come together to laud and celebrate successful campaign stories that are  ahead of the curve on innovation and engagement.”

     

    EFFIE-2018-AGENCY-OF-THE-YEAR

    EFFIE-2018-CLIENT-OF-THE-YEAR

    EFFIE-2018-RESULTS

  • Chitralekha unveils Niraj Srivastava’s award-winning novel

    By A Correspondent

     

    Chitralekha Group launched the international award-winning novel ‘Daggers Of Treason’ (The Curse of the Mughal Series) by Niraj Srivastava in Mumbai on Monday. Superstar Amitabh Bachchan graced the occasion as chief guest. The high-tea evening, hosted by ex-senior bureaucrat, Ashok Kacker and Chairman Chitralekha Group, MaulikKotaksaw theatre and film director, playwright and screenwriter, Firoz Abbas Khan reading excerpts from the book.

     

    On associating with the book launch, Chitralekha group President and Publisher Mitrajit Bhattacharya said: “We are delighted to be a part of this launch. The book is thoroughly researched and well-presented and can easily be an international bestseller. Mr. Bachchan having agreed to launch the book added so much meaning to the whole event.”

     

     

  • MullenLowe Lintas Group is Agency of the Year yet again!

     

    It wasn’t the usual two-horse race at Effies 2016 night. On Friday, December 16, while Hindustan Unlilever was the clear #1 for the Effie Client of the Year title, it appeared that last year’s winner MullenLowe Lintas Group would face some tough competition for the ‘Effie India Agency of the Year’ crown.  Eventually though MullenLowe Lintas was the clear #1, 11 points ahead of arch rival Ogilvy & Mather. The coveted Grand EFFIE was won by The Leo Group India for Bajaj Motorcycles’ campaign McCann Worldgroup was #3 with 116 points, DDB Mudra #4 with 68 points and the Leo Group at #5 with 66 points.

     

    The 16th edition of the Effie Awards saw over a thousand people from across the country in attendance.

     

    Some of the key winners of the Effie awards under various categories are as follows:

     

    Speaking about the changing dynamics of campaigns and the importance of being relevant Vikram Sakhuja, 2016 Awards Chairman, Effies, said “The true mark of a successful campaign is its contribution towards achieving business objectives through impactful communication. The Effies laud and recognize campaigns that have grown brands and business”. “The response for Effies has been at an all-time-high propelled by the awards reputation of being the torchbearer of creative excellence tested through the lens of effectiveness,” he added.

     

    Elaborating on the entries, Mitrajit Bhattacharya, 2016 Awards Co-Chairman Effies said: “The Effies 2016 will once again shine the spotlight on inventive, ambitious and successful brand-building efforts that are effective and have left an indelible mark on consumer mindsets.”

     

    Speaking at the award ceremony Raj Nayak, President of The Advertising Club said “The Effies 2016 have been increasingly patronised owing to its support and recognition of campaigns that pack the combined punch of instinct with insight. I would like to congratulate the jury that has worked towards ensuring that inclusive campaigns that have resonance amongst consumers are adjudged the winners. “

     

    Click here for Effie 2016 Tally Sheet

     

  • Digital is a given for Magazines

     

     

    A quick chat with Mitrajit Bhattacharya, outgoing president of AIM and Chitralekha group president & publisher on the sidelines of the Indian Magazine Congress held in Mumbai on Wednesday. Text and video by Santosh Jangid.

     

    The various adspend forecasts don’t paint a very good picture of the AdEx growth of magazines, in fact a recent WARC study which combines various studies puts the picture in the negative for 2016 and 2017. As President of the Association of Indian Magazines, what is your view on the magazine sector?

    There is a lot of good work that is happening by magazine brands and that is obviously moving into social media. If you see some of the legacy brands, the way they are catching up with social media, they are riding the wave. It is absolutely on par with any of the new age social media platforms. Also non-traditional format of experiential for magazines is a very weak source of revenue which if you see all major groups today activate major programmes whether they are events owned by them or they participate in major events. So if you look at Chitralekha as a group, we do a very large scale Bollywood concerts which sometimes have about 10 to 15,000 people. So they are very different kind of moneyspinners for the group. Similarly, if you look at the India Today group they have their own events which are pretty huge, similarly Outlook, Femina, Filmfare, they are doing major in the area of events. So events, digital, social media and all are coming together for magazines as a brand and I think we have to invest in this area and make the whole business profitable. Many brands have crossed the tide and started delivering profits for the investment that they have made in the past few years. I don’t see magazines in any trouble. It is as much in trouble as any other medium because it is completely unpredictable.

     

    Successive editions of the magazine congress in the past have been talking about digital. How effectively would you say is everyone embracing digital beyond the e-magazines and porting content online?

    I think we have crossed that stage many years ago. It is no longer the question of whether to get into digital or not because everyone is on digital platforms. A magazine like Filmfare is competing on social media with a company which is a year or two years old and covering celebrities and Bollywood. Digital is not a platform which we are discussing as magazine publishers whether to be in it or not. Different brands are on different stages of adoption on digital. Some brands have performed very well on Facebook, some people have done well on Twitter and some have adopted the newer platform like Snapchat in a better way. Each one depending on whether you are a news publications or gossip publication have adopted to different social media platforms but you cannot have the same game which is going to be played by a news magazine like India Today or a film magazine like Filmfare or a regional magazine like Chitralekha. Chitralekha is 66 years old in the print form where the age profile of readers is very mature. They are all 35+ where as if you see our social media presence, we have over 1 million active fans who are under 35 years of age. Each one is using digital to its own advantage and there is no one size fits all. Magazine industry has adopted digital fairly but having said that, are we all satisfied? Obviously not because the digital environment changes almost on a daily basis so what works today does not work tomorrow. So that is a continuous process and yes I must agree that the revenues are still not in line with customer acquisition and thats where we need to figure out how to keep the costs low and how revenues should be on par with the customer base which our digital assets have acquired.

     

    Are number of people visiting the online substantial enough to merit the spends on creating the content online?

    It is a chicken-and-egg story. If you don’t do it, you will not get it and if you do, you may have to wait. You may be successful, you may take time to be successful, you may not be successful. MPA (Magazine Publishers Association) results from the US quoted substantial jumps from mobile and the amount that mobile is contributing today is huge but not revenues. So the access today comes 62% from mobile but only 16-17% revenue comes from mobile. These are the gaps which need to get filled up. It is a constant challenge which is not particular to print or magazines but the same challenge is faced by television broadcasters. Your programme is not watched on a pre-appointed time which you see it on television. You may watch it when you want to watch it, in whichever format it is available. So I think, is Netflix affecting broadcasters? Yes, it is.

     

    What about paywalls? Some of the magazines are being sold online, but that is also being very heavily discounted

    There is no such formula. Our magazines online are equally priced if not higher than our print copies. It is not necessary that you need to have discounted prices and that’s how it sells. It’s also convenience, it is also dollar pricing. A printed copy may cost Rs 25 and the online copy may also cost the same. Highly discounted rates are for subscription models which is in print. Physical deliveries are also going through subscription of 50% – 70%  off. Digital online magazines are a highly profitable model but just the volumes need to jump.

     

    How effective is the monetisation happening online? Are print advertisers willing to pay extra for the digital edition?

    That is really where the problem comes. First, you need readership figures, you need measurement figures which is print plus online. Until you have the online measurement figures, it is difficult to demand a certain price for the advertisement which runs on the digital version. There are issues but digital copies and the revenues from the digital copies that you sell online if very good and that’s growing because it’s convenient. If you have a consumer who is in America who is waiting for two days to get the product delivered, he is okay about getting it online without waiting and today readability is much better. Phones are huge platforms. Currently, a lot of publishers are dumping the desktop data on mobiles and not creating content for mobiles. Mobile is very different from digital because with digital you create something and start putting in different formats but in mobile first, you create content only for mobile devices. That is where the tipping point would be, as to how big the mobile category is so that you start investing for content which is only for mobile.

     

    Despite the negative view on advertising spends and readership of magazines, we still have new magazines being launched, especially in the B2B arena?

    The launch of magazine is not an expensive proposition. So if you have conviction, lot of people launch magazines because the cost of launching a B2B magazine is pretty low but I don’t believe in that concept because you should not launch a product because it is cheap to launch it. If you see the spate of products coming in the market, it has really slowed down. We have had hardly any major magazine which has been launched in the last two to three years whereas a lot of them have either closed down or recalibrate. That’s the maturing up of the market. You see a lot of global licences which were given to Indian publishers they have pretty much realised there is not so much of a market here and they have gone back. I don’t think that mad rush of launching magazines is any longer there and talking about B2B, people launch because it is cheap and economical to launch. They try their hand out, if it works, it works, if it doesn’t work it’s fine. I must add that B2B magazines have a great role in building communities which they can do well beyond their printed avatars. And the success rates of these community-building B2B properties are very high.

     

    One last question: your view on the Magazine Congress. We’ve had two-day congresses in the past, and this year it’s been just a one-day affair?

    Everything is getting concise, our attention is getting concise. Earlier, we had a lot of international speakers, they would come, speak and they used to sell. They were all licensers of major magazines so they were very actively romancing this market. We have passed that stage. Also, people’s attention is very low nowadays and getting so many people for two days is a very difficult format. So this time, it is very tight but we have managed to get good speakers from different fields. We have got people who not just come and talk, you will hardly find publishers speaking in this congress. We are not trying to restrict knowledge from within the industry, for the industry and for the industry because we have passed those stages and this is the 10th congress.