Tag: Manish Bhatt

  • Scarecrow renders a motivational anthem for U.P. Warriors

    By A Correspondent

     

    Scarecrow Communications, Mumbai has scripted a motivational anthem for U.P. Warriors, one of the teams competing in India’s first Pro Wrestling League.

     

    It is sung by noted singer Divya Kumar along with Jaspreet Singh Kohli.

     

    Wrestling has been popular in India since ages and has been considered the game of power, strength and tactics. In the past, be it IPL, IBL, Pro Kabaddi League, ISL, every league has made that particular sport popular in India. Pro Wrestling League is also a similar attempt to make wrestling popular in India.

     

    The anthem combines the pulse of Uttar Pradesh along with the aggression of wrestling. There are total 6 teams in the tournament – Punjab, Haryana, Delhi, U.P., Bangalore and Mumbai.

     

    The tournament has begun from from 10th December and will end on 27th December. There are separate categories for males and females in different weights.

     

    Regarding the anthem, Manish Bhatt, Founder Director, Scarecrow Communications said – “Creating an anthem for U.P. Warriors was an honour for us. We wanted to create an anthem that that will motivate the U.P. Warriors team and its fans and followers. At Scarecrow, we have always had a special affinity towards the audio medium, which reflects in our work and also the accolades we have received over the past few years.”

     

  • Big Nite for the Datawallahs!

     

    By A Correspondent

     

    What’s one awards nite where many of the Big Pros of the A&M-land assembled and, no, it wasn’t the Abby, the Effies, the Emvies or Kyoorius? We’re talking of names like Piyush Pandey, D Shivakumar, Madhukar Kamath, Nagesh Alai, KV Sridhar, Bobby Pawar, Manish Bhatt, Damodar Mall, Tarun Katial and many, many others?  It was the DMA Asia Echo Awards, held last Friday (Aug 6) in Mumbai.

     

    Fast Facts:

    Entries from 542 participants, 75 agencies, 175 Brands

     

    Entries from 8 countries – India, Singapore, Hong Kong, Malaysia, Phillipines, China, Japan, Thailand.

     

    Awards presented:

    4 Overall

    1 Best of Show

    1 Diamond

    142 Metals

    29 Golds

    26 Leaders

     

    Unilever was adjudged Client of the Year, while OgilvyOne Worldwide was Agency of the Year. Ogilvy & Mather was Network of the Year and WPP the Holding Company of the Year. The Best of Show for Creativity was awarded to Visa India for Visa Sarees and the Diamond for Effectiveness was taken away by OgilvyOne Worldwide Philipines.

     

    The International Echo Awards are the most prestigious awards in the data-driven marketing and advertising world. This year, DMAi, the Indian association which has been in existence since 1992, was accepted entries from across 17 countries in Asia for both the awards – the 2015 DMA Asia Echo Awards and The DMA International Echo Awards 2015.

     

    Underscoring the importance of the Echo awards, Rakhshin Patel, Managing Director, Pi Communications & Grand Jury Chairperson, said:  “For an athlete, the Olympics are the ultimate stage. Data-driven marketers share the same feeling about the Echo programme. There is indeed no bigger stage to showcase ideas and work that have yielded measurable, tangible, real results.”

     

    There were 15 Effectiveness categories and 3 Creative Effectiveness categories each headed by a biggie – Piyush Pandey, D Shivakumar, Madhukar Kamath, Geetu Verma, Nagesh Alai, Jasmin Sohrabji, Anupriya Acharya, Agnello Dias, Pratap Bose, Bobby Pawar, KV Sridhar, Tarun Katial, Manish Bhatt, Nishi Vasudeva, Damodar Mall, Susana Tsui, Anant Rangaswami  and Rajesh Kumar.

     

    Said Vatsal Asher, CEO & Shelly Singh, COO, DMAi: “We are honoured to be hosting and managing the Asia Echo Awards. Campaigns got judged with the best in the Region. We had a fantastic panel of Jury Presidents and 194 online judges this year. We hope to see an increase the list of Asian winners at the International Echo 2015 awards in the US where all Asian winners will fasttrack to Round 2.”

     

    As an apex, not for profit DMAi, since 1992, brings about collective action for advancing & protecting responsible Data Driven Marketing and Advertising. The DMAi is run on a day-to-day basis by Vatsal Asher (CEO) and Shelly Singh (COO) and the awards have been championed by Rakshin Patel (Grand Jury Chairperson) and Ajay Chandwani, (Chairman Emeritus).

     

  • #TVBuddy showcases TV viewing habit of Indians

    By A Correspondent

     

    dittoTV has rolled out its new campaign ‘#TVBuddy’ which showcases the Indian TV viewing habit that even if they are separated by geographies, Indians always like to watch the same TV content together and sometimes, even discuss and share it.

     

    Based on this insight, in the campaign, the term ‘TV Buddy’ was coined. TV Buddies could be your mom, dad, relatives, childhood friend or just about anyone. And they could be living in any part of the world. All this is made possible by dittoTV, the OTT TV platform that offers Live TV and videos on all internet-enabled devices.

     

    The film has been conceptualised by Scarecrow Communications and directed by Bosco Bhandarkar of Good Morning Films.

     

    It’s a montage film showcasing various characters as TV Buddies. They are watching different content across genres like TV series Jodha Akbar, reality show Dance India Dance and the movie Transformers, at the same time, no matter what the time zone is.

     

    In the storyline, it’s subliminally established that dittoTV lets people watch the same content across time zones, through connected devices such as smartphones, tablets and laptops.

     

    The film opens with a narration by the young and emotive voice of Imaad Shah, son of the legendary film and stage actor Naseeruddin Shah.

     

    TV Buddies have to just download the dittoTV app and install it on their connected smart devices. Then, they can just play and watch Live TV, anytime, anywhere.

     

    Talking about the campaign #TVBuddy, Manish Bhatt, Founder Director, Scarecrow Communications Ltd. said “Indians are like flamingos. They flock together, even virtually while watching TV. As this insight has a strong connect, we kept the film simple to demonstrate dittoTV’s role in the lives of Indian viewers”.

     

    Debashish Ghosh, CEO, ZDCL said, “ZEE has always been an innovator in the media industry over the period of 22 years. Its content has always resonated with the audiences and now we have taken it a notch higher with dittoTV. We believe that India is a country where we celebrate every occasion together; with #TVBuddy campaign we are aiming to lend TV viewing experience a personal touch where you can watch your favorite movie, TV show or a match with your TV buddy who may be miles apart from you. The essence of Indian audiences who have evolved with just one TV set today now have TV at the tip of their fingers!’’

     

  • Scarecrow bags creative duties of 80-yr Varuna Pumps

    About Varuna Pumps

     

    Scarecrow Communications, Mumbai has been appointed as the Creative Agency of Varuna Pumps, an 80-year-old hand blower brand.

     

    With over eight decades of experience, Varuna Pumps has a strong domestic presence with fully equipped 17 branches nationwide, 1500+ dealers and sub-dealers. Today, Varuna Pumps is the market leader in Gujarat, Punjab, Haryana, Himachal Pradesh, Uttar Pradesh, Uttaranchal and Eastern India.

     

    On Scarecrow’s appointment, Varun Gajjar, Director – Marketing, Varuna Pumps, said: “We are providing pumping solutions mainly for domestic and agriculture segment. Both these customers have different buying patterns, different needs and different characteristics. Team Scarecrow has demonstrated really strong strategy, creative and content capabilities that will help our growing brand to grow.”

     

    Said Manish Bhatt, Founder Director, Scarecrow Communications:  “Developing communication for such a fundamental-level product and a pioneering brand with 80 years of legacy is a great opportunity for Scarecrow, especially when we are working with the visionary, Gajjar family, at a personal level.”

     

    Added Amitabh Sreedharan, Associate Vice President, Account Management: “Working with Varuna Pumps at this point, when the ‘branded pump’ category in India is evolving and seeing consistent growth, gives us an opportunity to create insightful communication.”

     

  • Could Nestle have handled it better in a world of social media & 24×7 News TV?

     

    By Dyanne Coelho

     

    The boycott, the pull-out of stocks and the subsequent bans have put the popular Maggi noodles in an avoidable mess. The brand has been brought under severe scrutiny for high content of lead; above the permissible limit as well as MSG; a taste enhancer. While at a press conference convened last Friday, Paul Bulcke, Global Chief Executive Nestle, defended the brand saying it is safe for consumption, regulators point out otherwise. The controversy has hit Nestle hard and communication with the consumers and others seems to have taken a backseat, causing distrust and confusion. MxMIndia spoke with senior marketing and media professionals (in alphabetical order of their last names) Manish Bhatt (Founder-Director, Scarecrow Communications), Harish Bijoor, Brand Advisor and Commentator, CEO, Harish Bijoor Consultants, Rajiv Dingra, Founder and CEO, WATConsult and Lloyd Mathias, Marketing Head, Hewlett-Packard India and requested them for some insights on what went wrong for Brand Maggi, how such a crisis ought to be handled in the age of the digital media and 24×7 news television and the role of celebrities as brand ambassadors.

     

    Would you say the controversy around Maggi has been badly handled in terms of the way the company has communicated with all stakeholders especially consumers?

    Manish Bhatt: No, I would not say that. I would say that this happens. There must have been something that went wrong. This is a decision between the company and the food and drug authority. It’s a very scientific matter. It’s a scientific and chemical lab kind of matter. Marketing and communication is an absolutely different thing. We can’t command authority and say whether they are right or wrong, especially with a reputed company whose products we have grown up with. Now communication is a completely different ball game and this can happen to anybody.

     

    Harish Bijoor: Most certainly yes. Each of the stakeholders need a different degree of communication. The regulator, the traditional media, social media and consumer communication needed to be quick, forever-on and active, more active than what was seen.

     

     

     

    Rajiv Dingra: The handling has been efficient but not effective. During crisis it’s not only important to clarify or state facts but it’s also important to come across empathetic and concerned for your consumers. Nestles responses have been defensive and at some point dismissive as well, which is why they have been ineffective even though they have been quick to react.

     

     

    Lloyd Mathias: I think Nestle could have been far more proactive when the issue first surfaced by directly communicating with stakeholders and clarifying issues.  Their initial silence – on both paid and unpaid media – has complicated matters and contributed to the issue spiralling out of control.

     

     

    Has the presence of a hyperactive news media – especially 24 x 7 news television and the social media make matters worse in handling crises?

    Manish Bhatt: Yes, but this can happen to the media also, some things can go wrong. Everyone wants information round the clock. Today news is not like a morning event, where the newspaper comes in the morning and you get your news. With social media, the news is not getting analysed by the right kind of people. It is done by anybody and everybody.

     

    Harish Bijoor: Absolutely. Today, brands cannot escape the scathe and scythe of television and social media.  If you are not agile, you need to pay the price. At times an unfair price of reputation erosion even. I do not believe Maggi deserves the kind of reputation-erosion it saw in the last week.

     

    Rajiv Dingra: The world has changed and the power is in consumers hands since the advent of social media. It only grows in their hands and brands need to embrace and not fight this reality.

     

    Lloyd Mathias: No. 24×7 news and social media is a reality and one must come to terms with it.  For corporations it means devising communication strategies and means to stay responsive to this medium. Consumers tend to air their grievances and concerns on social media and these need to be addressed effectively.

     

    Would you say that the social media and TV news media often becomes a mob and hence all consumer-facing organisations need to train themselves better to interact with both?

    Manish Bhatt: Today people get swayed by these things. But after sometime there will be more maturity and there will be more understanding and people won’t get affected by it. Today it becomes a mob and if any issue happens, people throng to social media, twitter, etc. It’s uninvited, but social media is at such a stage. But maybe after some time, it will mature and people will not get affected by these things. What happens on social media is really out of your hands. People also are 24×7 sitting at Ramlilamaidan, and if any issue happens they protest, it’s the same attitude on social media. It makes everybody nervous. I’ve worked with the present company, and they are pretty systematic and organised and very concerned and responsible. But what can one do in such a situation?

     

    Harish Bijoor: Absolutely. This is the new reality. No corporate and brand entity is perfect and infallible. You need to have the ability to manage the tender and weak-points of possibilities in this day and age.

     

    Rajiv Dingra: Mobs happen when you frustrate people by either not answering them or try to talk over them in a loud voice. People have busy lives no one wants to indulge in non-productive banter. But when products that concern them let them down they do speak up. Brands need to realise that consumers place their trust in them and hence when trust is broken there will be noise. Brands need to be more caring and humane in the era of social media.

     

    Lloyd Mathias: The viral effect of social media together with 24×7 news certainly tends to magnify issues – often unreasonably. Consumer facing organizations and indeed all businesses must devise strategies to address this. Keeping communication lines open, putting out clarifications, responding real time to social media posts, having spokespersons addressing live media – help considerably in crisis situations.

     

    Would you have advocated Nestle to be apologetic in their assertiveness about the safety standards as against being defensive and uncommunicative?

    Manish Bhatt: It is not right for us to comment on this. It is absolutely none of our business. As a consumer if it affects us, then yes, the sales would be affected, but I would not say that anybody is right or wrong right now. It’s like the law. You have to wait for the law to take its course now.

     

    Harish Bijoor: No. I do believe Nestle has handled that well. It has taken the high ground of quality and it has withdrawn packs occupying that high-ground.

     

    Rajiv Dingra: Maybe apologetic is too strong but certainly more empathetic and more concerned for consumer health. The war is not proving oneself right, it should be about ensuring consumer safety. A great way could have been to pause Maggi supply and redo packaging which reassured consumers and relaunch. They could also release videos on how Maggi is produced. Cadbury did that when worms were found years back. It showed commitment to consumers on ensuring they upped their safety and product standards.

     

    Lloyd Mathias: Being communicative always helps.  I think stating the facts clearly while highlighting safety standards the company adheres to both locally and globally would have helped.

     

    Do you think it is appropriate for celebrities endorsing brands to take the heat and while legally they may be protected, they must take the moral authority for the product’s attributes?

    Manish Bhatt: Whoever the celebrity may be, he/she is not a chemical engineer or anything. He can’t really check what is there in the product. Beyond a point, nobody can go into anything to that extent. You really can’t accuse them. They can’t check everything. This is the technical and moral responsibility of the company who produces it, or it is the duty of the governmental authorities to keep on checking things on time. You can’t accuse the endorsers.

     

    Harish Bijoor: No. Celebs are really indemnified. No celebrity can be 100% certain of everything about a brand.

     

    Rajiv Dingra: Consumers don’t think legally but logically. Logic is that if you endorse it and I eat it and I fall sick then I will hold you responsible.Consumers will always question celebrities on their actions because celebrities are there due to consumers love and fandom. Though it’s an opportunity for the celebrity brand too to take a higher moral ground and win more fans.

     

    Lloyd Mathias: I think celebrities must be selective and fair in their selection of products, as their endorsement often swings public opinion.  So, yes, they carry a moral responsibility. However, in specific instance of Maggi, I don’t think the brand ambassadors are to blame at all. Instant noodles are a relatively safe category and if the food safety authorities had cleared the product, the celebs would obviously believe them. Clearly the brand ambassadors can’t be expected to have independent labs checking on product safety beyond what food safety authorities do.

     

    And lastly: Do you think celebrities need to be more careful in their selection of products while signing up endorsement deals

    Manish Bhatt: They should have one more clause added in the agreement that says that they will not be responsible in such an event.

     

    Harish Bijoor: Yes, celebs need to be and will be more careful in the future.  And celebs will continue to take risks in the future as well. Let’s accept it. What one celeb refuses, another will pick with glee.

     

    Rajiv Dingra: Maggi is an iconic brand and no celebrity would be able to say no. What comes across from this incident though is that brand aside what’s the actual impact of products on consumer health is also to be considered. The future is one where the consumer is an evolving and educated being and his needs and reactions will be far more evolved than consumers of yesteryears. He will be more profound in his articulation of needs and wants and will also create more movements together due to social media. The powerful thinking and action oriented consumer is here. Brands need to be ready for him.

     

    Lloyd Mathias: Yes, they always need to be careful.  As I said above their endorsement is meant to swing public opinion, so they need to be very careful.

     

  • Spykar hands over creative duties to Scarecrow

    By A Correspondent

     

    Following a multi-agency pitch process, the Mumbai office of Scarecrow Communications has been awarded the creative duties for Spykar – the cult jeanswear brand of India.

     

    Spykar’s fashion range includes jeanswear, shirts, t-shirts and youth accessories like perfume and eyewear.

     

    Its products are available at over 900 MBOs across the country. Plus, Spykar Jeans currently has 206 Exclusive Brand Outlets all over India.

    Confirming this development, Sanjay Vakharia, COO, Spykar, said, “Spykar is a brand that is not just synonymous with jeanswear, but is also a voice that resonates with the youth, their dreams and aspirations. By breaking the confines and consistently expanding the horizon, the brand strives to evolve each day with the ever-evolving youth and their fashion needs. Keeping the pace with the fashion dynamics of today, the brand, at every point, epitomises global fashion and is considered as a beacon of effortless style. We partnered with Scarecrow because we found the same passion running in their bloodstreams as in ours. We found the team to be very cued in with the needs and aspirations of the youth of the country and were very sincere in their approach.”

    Manish Bhatt, Founder Director, Scarecrow, added, “Spykar is a truly cult brand among the Indian youth. It can be called the MTV of apparel or the Harley of fashion world. Spykar being a youth heartthrob, it is not only aspirational for a young agency like Scarecrow, but also aspirational for the relatively younger talent at Scarecrow, to work on. After meeting Sanjay and his able team who intuitively understand the pulse of the Indian youth, I am pretty sure that, together we will be able to take this only Indian youth brand to even greater heights and also make the brand stay ever-relevant to the youth.”

     

  • Quikr Nxt’s new campaign introduces Voice Chat

    By A Correspondent

     

    Quikr has released a new multi-film campaign to create added momentum for its fast growing feature, Quikr Nxt. The campaign has been conceptualised by Scarecrow Communications.

     

    The first film, for Voice Chat, dramatises the ease of use. It features Samir Khakhar who played the iconic character ‘Khopdi’ from the landmark TV serial, Nukkad. He plays a grandfather who has sold his car to buy a bike for his grandson using the phone. While the grandson is overjoyed, his father is surprised and exclaims how this happened, as he doesn’t even sms! The grandfather retorts – why would he sms when he can use the voice chat thanks to Quikr Nxt! The rest of the film shows how Quikr Nxt helps the grandfather sell off the car easily while enjoying a cup of tea with his wife.

     

    Says Vineet Sehgal, CMO, Quikr, “Quikr continues to bring meaningful  innovations to the market by simplifying the process of online  buying and selling. The new voice chat feature on Quikr Nxt is an easy to use and  convenient feature that would help drive the mass adoption of online classifieds. With direct chat, photo & video sharing, location sharing, number privacy , voice chat and ability to keep multiple records, Quikr Nxt is the most comprehensive communication suite for buyers and sellers to connect per their convenience.”

     

    Raghu Bhat
    Manish Bhatt

    Raghu Bhat, Founder Director, Scarecrow Communications, said, “Quikr has always opted for disruptive casting which increases the eyeballs. In this case, using Samir Khakhar was an inspired choice. He lights up the film with his terrific screen presence and effortlessly brings alive the ease of transacting through Voice Chat, which is another big innovation.”

     

    Manish Bhatt, Founder Director, Scarecrow Communications said, “Quikr Nxt is already popular. We are confident that this beautiful and warm film that demonstrates the ease of usage will not just differentiate Quikr but also increase the usage.”

     

    The second film in the Quikr Nxt campaign utilises another consumer pain point while selling cars – The consumer has to talk to each and every potential buyer and answer the same questions, repeatedly. The film uses a humorous creative device of a man holding his phone in front of a pre-recorded message on his tape recorder each time a buyer calls.

     

     

  • Nahar Group unveils new campaign targeting kids

    By A Correspondent

     

    Nahar Group has taken children’s lifestyle factor to the next level via a new campaign.

     

    With the emergence of the concept of nuclear family and the culture of having one child with both parents working, it has changed the way a customer looks at buying a home. A customer is more conscious, globally travelled, and knows what he wants. The only child in the family plays a very important role in influencing the thoughts of the parents in shaping the future. In turn the parents also want to give their child the best and why not? Both working parents also have the means to provide the best to their child.

     

    Manju Yagnik – Vice Chairperson Nahar Group, said, “Based on these trends, we have strategized our campaign which talks about child’s LSF – Life Style Factor. It is always the parents who decide on the lifestyle they want to live and give their child. Through this campaign we are emphasising that a child’s upbringing is of utmost important in an environment that gives him ample of opportunity to use his creativity and imagination. This will provide a platform to think and behave differently.”

     

    Nahar’s Amrit Shakti provides an ideal environment to encourage a child’s creativity through its grandeur layout overlooking 5 lakh sq. ft. of vehicle free podium garden. The landscaping of the entire township has been conceptualized by the renowned Singapore based designer Saidah Taib, who has won accolades for designing this project, considered to be one of the world’s most futuristic projects.

     

    Manish Bhatt, Founder Director, Scarecrow Communications said, “The LSF campaign adds a fresh perspective to real estate advertising. It is both clutter-cutting as it stays away from the formula of showing the property facade. From a creative perspective, it is interesting as it takes a subtle dig at real estate advertising that features fake luxury shots of adults.”

     

  • Zee unveils all-new corporate brand film crafted by Scarecrow

    By A Correspondent

     

    Zee Entertainment Enterprises Ltd has unveiled a corporate brand film based on its brand positioning – “Vasudhaiva Kutumbakam – The World is My Family”. The brand film depicts the essence of Zee’s brand image, conveying that it has been a cultural ambassador of India, to millions of viewers across the globe for more than two decades.

     

    Speaking on the film, Roland Landers, Zee’s Head Corporate Brand said: “I am extremely glad to unveil the new brand film. ZEE’s brand positioning envisions its world as a unified family, without any caste, boundary or religion, which this film has beautifully brought to life showcasing a blend of multiple nationalities celebrating togetherness.”

     

    The 360 degree roll out of the film, scheduled to be aired on all ZEE channels, social media plarforms, newly launched corporate website and other key on ground properties, will certainly ensure that the film reaches all the key internal and external stakeholders of Zee.

     

    Manish Bhatt

    Manish Bhatt, Founder Director, Scarecrow Communications, which is the creative agency behind this brand film, mentioned “It was like an opportunity to create this one-of-its-kind world anthem. Creating communication for the brand that connects with more than 700 million viewers and over 169 Countries was a mammoth as well as a prestigious assignment for Scarecrow. We are confident that this communication will establish the perfect connect with the audience.”

     

  • Tanishq’s new ad: Brave or Pseudo?

    Diwali is when Indian advertising celebrates its traditions. Deep fried jalebis, firecrackers and diyas, happy joint families with shimmering clothes and set relationships. Tanishq, however, has something else in store beyond an elaborate polki neckpiece – a dusky bride who already has a daughter.

     

    The Lowe Lintas advertisement, directed by Gauri Shinde, breaks two stereotypes in one go – and it’s triggered off a debate, generating critiques as well as tribute. Charmy Harikrishnan rounded up reactions from inside the industry and outside. Gauri Shinde, director says, “For me this is normal, this is what happens. But when you see remarriage in an advertisement, for the people it is a reassurance of what happens in real life.”

     

    Anuja Chauhan, writer and former executive creative director of JWT says, “It’s showing a very real, happening-all-around-us situation. It’s missing some of Tanishq sparkle though – feels a little stilted, almost Raymond-ish. Their ads are usually livelier. But the thought is nice, and definitely overdue in the category.”

     

    Nandita Das, actor and poster girl of ‘Dark is Beautiful campaign’ says, “I am pleasantly surprised. I am glad that Tanishq has made this brave ad and going by the response our campaign has got, I am sure they will see an amazingly encouraging response. And that might motivate others to follow suit.”

     

    Prathap Suthan

    Prathap Suthan, managing partner, Bang in the Middle says, “I like the casting, and the dusky bride, and the overall stepping out of tradition. I am also glad that Lowe for all the battering it gets for Fair & Lovely, sort of blunts that attack with this one commercial. Instead of the tried and tired route of focusing on a regular marriage scenario, this steps into taboo-land, the never-explored and deliberately ignored area of second marriages.”

     

    Urvashi Butalia, publisher and writer says, “The ad is certainly unusual and perhaps there’s hope yet. It also goes to show that it takes so little to do something different, and I wonder why advertisers are so scared of going beyond the given easy options.”

     

    Manish Bhatt

    Manish Bhatt, Founder Director at Scarecrow Communications says, “I saw it trending big time on all the social network sites but the kind of people commenting have nothing to do either with the brand or with the cause. The purpose of every piece of advertising is to close the loop with the product or the brand message. I see that missing in this spot – it appears to be a pseudo support for such a sensitive subject.”

     

     

     

    Piyush Pandey

    Piyush Pandey, Executive Chairman & National Creative Director Ogilvy & Mather India says, “I think it’s a brave ad and a great concept. Any leader must take such little chances of taking the society forward. I don’t think we should be at all critical about this ad. Then we will stay in the past.

     

    Source:The Economic Times

    Copyright © 2013, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

     

  • Old tunes, new TVCs: Good, bad, or…?

     

    By Meghna Sharma

     

    What do Bharti AXA, Hero Pleasure and Slice have in common? In their latest commercials, all have used old songs, remixed or tweaked, to sell their products.

     

    Yes, the old melodious songs are once again back in vogue as advertisement industry jazz them up to attract audiences. Chala jaata hoon (from the film Mere Jeevan Saathi) and Chakke mein chakka (Brahmachari) for the Nissan Micra ads, Aap yahaan aaye kis liye (Kal Aaj Aur Kal) for Bharti AXA, Tum jo mil gaye ho (Hanste Zakhm) and the earlier Aaj ki raat (Anamika) for Coca Cola, Aaj kal tere mere pyaar ke charche (Brahmachari) for Raymond and Mud mud ke na dekh (Shri 420) for TVS Scooty are some of the new-old tunes on the block. Even Bombay Times got into the act, using Style mara toh darna kya, an edgy takeoff on Pyaar kiya toh darna kya from Mughal-e-Azam, with the words changed to suit the brand.

     

    Why is there such an epidemic of remix fever in TVC land? Are creatives running out of ideas, or have they just hit upon the fact that old is, well, gold?

     

    New, or an old trend?

    Prathap Suthan

    History repeats itself and the advertising industry knows that they cannot do without the old classics. “It’s not for the first time that you’ll see advertising agency using old songs, it’s been going on since a very old time, It was there even when I joined the profession,” recalls Prathap Suthan, Managing Partner/Chief Creative Officer at BangInTheMiddle and Chief Creative Officer at iYogi Inc.

     

    He isn’t alone; many from the industry feel that the old classics are evergreen and anyone can relate to them. But what’s more important is, how does one use them? “If an old song works for one brand, you’ll see many others copying the trend. But that doesn’t mean or guarantee it will work for all of them. If a song fits the situation and helps the brand tell their story in 30 seconds is when an agency has done a good job with it,” feels Manish Bhatt, founder director, Scarecrow.

     

    Manish Bhatt

    The Indian Railways advertisement which used Ashok Kumar’s song Rail gaadi is a perfect example of using an old film song for a current situation. The advertisement not only became an instant rage among youngsters but also got many awards at national and international level. “Encashing on an old tune is what matters here more,” adds Mr Bhatt.

     

     

     

     

    Narendra Kusnur

    Narendra Kusnur, music columnist and critic, feels that since Hindi film songs have always been popular in India and the older ones have a high recall value, so naturally they can act as an effective tool in advertising as longed as they are used intelligently and go along with the brand positioning. “Why only old Hindi songs? Titan watches used the western classical piece Mozart’s 25th Symphony. People remember the tune and the ad, though many don’t know it’s Mozart. However, it’s always more satisfying to create a completely original jingle line. Something like Lifebuoy or Vicco Vajradanti or Vicks. So that should be the first effort,” he adds.

     

     

    Josy Paul

    “Making one nostalgic has worked in the past, does even today and will continue to do so even in the future,” asserts Mr Suthan.

     

    However, Josy Paul, Chairman and National Creative Director, BBDO India, feels that a trend is not an idea but a bunch of guys following each other. And the guy who started it may have already left the room.

     

    Shortcut or creativity?

    There is no dearth of songs because of the Indian film industry and one can find a song to fit any situation – but does using them mean that the advertising industry being lazy? Or is this creativity too?

     

    “Using an old song alone won’t do the trick; one needs to add new value to the song or force people to look at it again because of the unusual nature of the idea. Else, it’s just an old song which one might hear on the radio,” says Mr Paul.

     

    “There is nothing wrong in using an old track, but one should not treat it as a shortcut. Finding an appropriate song which fits the bill is difficult and needs creativity too. It’s an art form as well,” adds Mr Suthan.

     

    Citing the example of Parle’s campaign Roko mat, Mr Bhatt explains, “If an original jingle/song is catchy or works wonder for a brand then originality shouldn’t never be ignored. The main aim is to stand out of the clutter and help a brand reach its TG.”

     

    Hemant Kenkre

    Hemant Kenkre, a former music channel professional and a corporate and brand communications veteran, explains, “The old songs are remixed to suit the younger lot whereas the older generation too recalls the retro numbers. However, the brand managers need to understand that the song should suit their brand rather than overpower it. But it wouldn’t be right to say that there is any negative impact in using old songs for a brand.”

     

    “Using the power of music to one’s benefit is the deal breaker here – old or new doesn’t matter,” Mr Bhatt adds.

     

  • Scarecrow Delhi wins Kohinoor Speciality Foods

    By A Correspondent

     

    Kohinoor Speciality Foods has appointed Scarecrow Communications, Delhi as its creative agency for its brand and product communication. The agency was selected after an exacting process and will provide 360 degree solutions to Kohinoor Speciality Foods.

     

    Kohinoor Specialty Foods India Private Ltd (KSF), is a 85: 15 JV between $3.3 billion McCormick, Inc., USA,a global leader in manufacturing, marketing & distribution of Spices, Seasonings, Specialty Foods & Flavors (NYSE: MKC), and Kohinoor Foods Ltd, India’s most trusted and preferred Basmati Rice company.

     

    On the development, Satish Rao, Managing Director of KSF said, “We feel confident with Scarecrow’s approach towards our brand, plus we found the team really passionate and people with high calibre. With good team comes good work and we are confident this team would take our brand to newer heights in future”

     

    Anindya Banerjee, Branch Head and ECD Delhi, added, “Food is in the DNA of every Indian. Selling to such a discerning audience is a challenge and an opportunity. We are thankful to Kohinoor Speciality Foods for trusting us with their brand.”

     

    Manish Bhatt

    Manish Bhatt, Founder Director, Scarecrow Communications, said, “This is a huge feather in Scarecrow’s cap. Kohinoor is already a well-established brand with a superb product portfolio. This gives us a great starting point for taking it to the next level.”

     

    Headquartered in Mumbai, Scarecrow handles brands across Kolkata, Bengaluru, Mumbai and Delhi. Some of the brands handled by the Delhi office include Nestle, DLF, MVL Mobiles, Pentair, Eristoff and Religare.