Tag: Madhuri Dixit

  • Is it right to indict celebs for endorsing FDA-approved products?

    By Nandini Raghavendra & Ravi Teja Sharma

     

    With a Bihar court directing police to file an FIR against Maggi brand ambassadors Amitabh Bachchan, Madhuri Dixit and Preity Zinta, celebrity endorsers are in a tizzy.

     

    Many celebrities refused to comment on record, but said that they have become a soft target in this fiasco. “It’s sad and true that known faces get targeted for the wrong reasons and agendas just to seek attention. It’s unfortunate because it becomes like a cry wolf syndrome; the day there will actually be someone with a justified reason and cause, it will not be given the importance it possibly deserves,” said actor Arjun Kapoor, who recently faced public ire over his participation in the AIB Roast. “Fame is a double-edged sword,” said actor and singer Ayushmann Khurrana.

     

    Madhuri Dixit’s lawyer Anand Desai, who is managing partner at DSK Legal, said the actor had not received any Food and Drug Administration (FDA) notice. Asked if a star could be arrested for such an offence, Desai said that an arrest is made only to prevent a star from not co-operating or not perpetuating the crime further. Custodial investigation definitely reveals more than non-custodial, but what are the stars going to contribute here, he asked.

     

    “I have not received any notice yet. So I cannot make any comment. If it (notice) is received, my lawyers shall attend to it. It would be inappropriate to comment on a matter that is subjudice,” said Amitabh Bachchan.

     

    So have stars really become soft targets? The fact that such a big MNC has been accused does not seem as important to people as discussing the brand association with film stars, said social commentator Santosh Desai. “The primary responsibility lies with the FDA, who have still not been able to figure out what is wrong. Then how do you expect the stars to do it?” he asked.

     

     

    “If a product has been passed by the FDA, why would a celebrity not believe that all is in place? Yes, it merits an investigation but in the case of anything being amiss, the primary responsibility lies with the FDA not the stars. It is a completely irrelevant fact, it is just that everyone feels important by association with the stars,” Desai added.

     

    “Celebrities are protected by their contracts,” said Indranil Das Blah of celebrity and sports management firm Kwan. He found the situation grossly unfair. “You cannot hold a celebrity responsible or liable for something that’s not in their hands, they are not in charge of the product development in the first place. They are not going to get into the R&D of a product or the brand promises that it makes,” said Blah.

     

    Bunty Sajdeh, CEO of Cornerstone Sport and Entertainment said that it is unfair and opportunistic and the stars are being targeted just because they are celebrities. “If it’s a reputed brand, if it is FDA approved, legally approved and legally in the market, we will take it on its face value. Besides, we protect our celebrities very stringently in our contracts, wherein we are completely indemnified from any such untoward incidences and we also have the right to terminate,” says Sajdeh.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • PN Gadgil ropes in Salman, Madhuri for global endorsements

    By Sutanuka Ghosal

     

    Pune-based PN Gadgil Jewellers has signed up Bollywood star Salman Khan to endorse the 183-year-old brand across the world, a top company executive said on Friday. The jeweller has also extended the contract of Madhuri Dixit, its present brand ambassador for the Indian market, who will now endorse its range of jewellery across the globe.

     

    The move comes ahead of the company’s plans to launch operations in the Gulf, where Khan has a huge fan following, and in the US, where both Khan and Dixit are popular among the Indian and Pakistani expatriate community.

     

    Saurabh Gadgil, managing director at PN Gadgil Jewellers, said while Khan has signed a three-year brand endorsement contract, Dixit has signed a twoyear one. “We have signed the contract with Salman Khan today,“ Mr Gadgil said.“He has a huge fan following in India and overseas, which will be accommodative of the future expansion plans of the brand and store launches in the Gulf countries, including Dubai, and the US.The association will aid in presenting the objective of our brand values to the global audience.“ It had been reported on January 14 that PN Gadgil Jewellers had plans to rope in Salman Khan as its brand ambassador.“Madhuri Dixit was promoting our brand in India. We have now entered into a two-year contract with Madhuri which ends in December 2017, with a threemonth cooling off period,“ Mr Gadgil said.

     

    According to Mr Gadgil, this is the first time Khan has become the ambassador for a jewellery brand. “He had earlier appeared for Gitanjali’s Sangini line of jewellery along with Kareena Kapoor Khan. But in our case, he is the full fledged brand ambassador and he will promote our gold, diamond, platinum and silver range of jewellery. Khan has a fair idea about jewellery as he himself adorns a turquoise blue bracelet and studs in the ears. The contract with us stipulates that he will not be able to become brand ambassador for any other jewellery firm,“ he said.

     

    Both Khan and Dixit have been roped in at a time when PNG has drawn up an ambitious retail expansion plan for the next 15-18 months. PNG is opening a store in Dubai on February 19.

     

    It plans to open more stores in the city besides Bahrain, Qatar and Oman in the next one-and-a-half years. The company also plans to spread its operations to the US, where it currently has only one store.“We have one store in the Silicon Valley. We will be opening one in Los Angeles in September. This will be followed by launching stores in Texas, Atlanta and New Jersey,“ added Mr Gadgil.

     

    Back home, PNG will add 19 new stores spread over Madhya Pradesh, Karnataka, Andhra Pradesh and Gujarat. Currently, it has 16 stores in Maharashtra and Goa. The total investment for retail expansion has been pegged at Rs 400-500 crore. “We will meet this through internal accruals, debt and private equity,“ Mr Gadgil said.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd.

    All Rights Reserved, Licensed to republish

     

     

     

  • Reviewing the Reviews: Mostly raves for Dedh Ishqiya

    By Deepa Gahlot

     

    Dedh Ishqiya

    Director: Abhishek Chaubey

    Starring: Naseeruddin Shah, Madhuri Dixit, Arshad Warsi, others

     

    The first major release of the year, Abhishek Chaubey’s Dedh Ishqiya, wins mostly raves and ratings that range from 2.5 to apt, probably leaving readers befuddled.

     

    The film got its media hook in the form of a comeback for Madhuri Dixit, and she seems to have got a mixed welcome. The language, milieu, style of the film belongs to a bygone era, though it is set in the present, and has an ending that would please the LGBT activists, especially when they need support.

     

    Aniruddha Guha of Time Out Mumbai commented, “Right from when the first trailer of the film released – the one about the seven stages of love - Dedh Ishqiya has been a movie to feverishly look forward to, and it more than meets expectations. After Rajkumar Hirani’s two Munnabhai films, each of which stood out for their individual brilliance, it’s the two Ishqiya films that achieve the feat (incidentally, Warsi has acted in all four). It’s dark, sardonic and funny. Don’t miss 2014’s first great Hindi film.”

     

    Shubhra Gupta of Indian Express was not all that impressed. “‘Ishqiya’ gave us a couple of lovable rogues with a lilting Bhopali brogue, and a tricky leading lady in the wickedest ‘cheent ka blouse’ and a startling line in ‘gaalis’. Director Abhishek Choubey’s debut film had an arresting swagger and a distinct voice, and characters—full-blooded, full-bodied- that stayed with you much after the film was over. The sequel has the same two losers, a little worn and weathered, trying their luck in another town, and two new ladies, holding out the promise of one-and-half-times the fun. Fun it is for some time, and then it starts to slide. This one should have been a humdinger, but it falls short.”

     

    Saibal Chatterjee of NDTV.com gave it a glowing review too, “In fact,Dedh Ishqiya is in many respects appreciably more enthralling than Ishqiya. Thematically, the follow-up casts its net far wider and comes up with striking insights into the flaws and foibles of people who haven’t lost their flair for the flashy despite their lives having hitting the skids. The screenplay is laced with acidic wit, the comic touches are subtly sly, and the on-screen performances are marvellously modulated. Dedh Ishqiya entertains, but does so in a manner that does not trifle with the intelligence of the audience. In other words, here is an exceptional film that does not have to negotiate the kind of facile crowd-pleasing narrative formulations that most Bollywood flicks must necessarily wade through in order to get to the Rs 200-crore mark. Dedh Ishqiya might not get there, but it is a triumph of measured craftsmanship and storytelling finesse.”

     

    Vinayak Chakravorthy of India Today wrote, “Ishqiya started off with an advantage this sequel will not get. Like all first films, it had concept novelty on its side. You had a couple of brazen rustic conmen with hearts that flutter at the tiniest tease, thrown into a mix of dark wit, crime and amoral amour. In a broad sense, Dedh Ishqiya is basically reloading that winning formula, if only at a royal scale its decadent Nawaabi backdrop allows. In a finer sense, the film is not blindly peddling what worked once. You spot a thought process that tries taking the existing formula to a new level. The effect is alluring.”

     

    Sanjukta Sharma of Mint heartily commended the film. “Writer and director Abhishek Chaubey follows up his rompy revenge caper Ishqiya (2010) with a sequel, Dedh Ishqiya, a terrific entertainer about friendships and the ways in which human beings form bonds for solace and dreams. When I am m by the crassly sexist ethos that governs Hindi films today, Ishqiya is one of the films I like to think of. Here too, like in the first, Chaubey keeps his light, humorous touch intact without failing to smuggle in the class and gender politics crucial to the story.”

     

    But the five-star rave comes from Rediff’s Raja Sen. “Rarely is a Hindi film as mischievously besotted with wordplay, but one look at Chaubey’s co-conspirators confirms that no syllable has been picked accidentally. In this sleight-of-hand tale where gangsters point with iambic-meter before pointing with guns, Chaubey has master wordsmiths Vishal Bhardwaj and Gulzar alongside him, making for a script that balances words as deftly — and, crucially, with as much nervous energy — as a knife-juggler with a case of the hiccups. It’s a marvel.”

     

  • Paritosh Joshi: So you want a job in the Media?

    By Paritosh Joshi

     

    MBA from a leading business school in the American Midwest, two years with a boutique investment bank in Boston and then this young man lands up for a chat about what he needs to do to get a job in the media.

     

    It is still easy to think there is a clear demarcation that sets the media apart from the rest of the world. Aamir, Ashton, Arnab and Aishwarya are in the Media. (They don’t even need surnames to identify them). Media people ‘need no introduction’. Us grunts have nothing worth introducing and thus, don’t need to be introduced.

     

    Or is it so simple?

     

    There were the Media people but they were few and readily identified as such. M J Akbar dazzled us with his insight in columns for a newspaper he edited. Rajat Sharma put people into the dock, quite literally, as he hosted a talk show. Derek O’Brien got all of us furiously scratching our heads even as he quizzed school kids. Madhuri Dixit sent testosterone levels into orbit merely by counting from 1 to 13. And Lalu had to invoke Sridevi’s cheeks in search of a universally comprehensible metaphor for Bihar’s roads.

     

    Then Tim Berners-Lee came along and changed everything, although for years after he thought up hypertext in an obscure corner of CERN, we would scarcely have known it.

     

    By the late 90s, regular blokes discovered that it was possible to find a wider audience for their periodic rants on WWW than they previously could muster around a water cooler or in a cafe. The web log, then portmanteau-ed to weblog and finally truncated to blog was born either in 1995 or 1997 (you can find an interesting history here).

     

    Then blogger came along in 1999, bang in the heady days of the Dotcom Boom and setting up a blog became Luddite-proof. From the very beginning, the blogging community had a wide range of interests and capability. The largest majority would create an account in an idle moment never to visit it ever again. A few would invest time and effort in their posts and endeavour to reach out to an audience with regular, engaging updates. Remember that these were people operating far away from the conventional notion, but what they were doing was indisputably publishing.

     

    Everyman had just stormed Fortress Media.

     

    It began with the written word. Soon enough, authors had found ways of adding pictures to their words. And the web was becoming more clever all the time. It was able to transport not just text but sound and video too. Also, devices to record audio and video had started to shrink in price and size even as they got massively more powerful, thus putting near professional quality sound and image acquisition within reach. Events unfolded at a rapid pace thereafter. Amazon pioneered a lightweight handheld device for reading digital publications. The Kindle was a runaway success and for the first time, books could be self-published by anyone with a good idea and capable penmanship without ever being imprinted onto the dead-tree medium. Soundcloud allowed wannabe speakers, singers and instrumentalists to distribute their art and craft without surrendering themselves to the crafty gnomes of the music industry. Youtube opened doors for every standup comic, ballerina, burlesque queen and cute kitten to show off its talents on glorious Technicolor video.

     

    But wait, we were talking about an investment banker contemplating a career in the media. So what’s with this long riff about what we now refer to, rather condescendingly I might add, as User Generated Content?

     

    Well, it wasn’t just individuals that got inspired to start using the all new powers of WWW to talk to their “Audience”. Businesses of every stripe saw the opportunity too. To be rather more honest, what they saw was consumers – happy and irate, sounding off about their brand experiences in these wide open spaces and were left with little choice but to deal, for better or worse, with what they were getting. Surely we’ve all heard the now almost apocryphal story of Coca Cola’s attempt to take down a fan page on Facebook that spectacularly backfired? To the point where they had to pretty much say ‘Let bygones be bygones and let’s be friends’? (Moral: Don’t clobber, co-opt).

     

    You see what’s happening here. Companies and brands were becoming broadcasters and publishers.

     

    At no time before in the history of our human civilization has communication across every conventional fence and barrier been so easy, inexpensive and by implication pervasive or ubiquitous. And barring the rare exception, individuals and entities find it more productive to be participants in this endless feast of reason and flow of soul than mere mute spectators. There’s even a taxonomy to describe different levels of involvement with media: Paid media are, as the name suggests, those that you have to buy access to. Earned media are where the media voluntarily carry news or content about you. Finally, owned media are, again as evidenced by the name, those that you own and control. Who doesn’t want earned and owned media?

     

    And what was it that we were talking about when we began this ramble? Ah, yes. A job in the media.

     

    I told the young man, he could stop looking. After all, every job- FMCG, Banking, Automobiles, Telecommunication, <insert randomly chosen industry name here> eventually, was going to be a job in the Media.

     

    Paritosh Joshi was until recently CEO, Star CJ. He has been a marketer, a mediaperson and a key officebearer on industry bodies. He is Strategic Advisor, Ormax Media. He can reached via his Twitter handle @paritoshZero