Tag: ICC Cricket World Cup

  • Tilt to partner Lendingkart

    By Our Staff

     

    Lendingkart has appointed Tilt Brand Solutions as its communications partner for an upcoming campaign that will feature during the ongoing ICC Cricket World Cup. The Mumbai-based Tilt Brand Solutions is a part of Quotient Ventures.

     

    Said Ram Deshpande, Chief Marketing Officer, Lendingkart: “Really excited about our upcoming campaign with Tilt Brand Solutions at the helm to redefine our brand storytelling with our unique position in the fintech space. Looking forward to some great creative work that will take brand Lendingkart further.”

     

    Added Rajiv Chatterjee, Co-founder & Group Chief Growth Officer, of Quotient Ventures: “We are thrilled to partner with Lendingkart for this critical campaign. We are partnering with them to position their expanded product portfolio and through-the-line execution of the campaign and amplification across touchpoints. We are grateful to them for the faith placed in us, as well as their ambition to disrupt the market, both at a product and communication level.”

     

  • Thums Up & Ogilvy collaborate with SRK

    By Our Staff

     

    Thums Up and Ogilvy have got actor Shah Rukh Khan to play a double role for its Men’s Cricket World Cup campaign, showcasing the constant tussle of opinions in our own mind about Team India lifting the cup.

     

    Said Ritu Sharda, Chief Creative Office, Ogilvy India (North): “Cricket is a wave that rides on pure emotion. When the team is playing well, we all rally behind the team, and suddenly with one bad performance, we lose all hope. It’s intense. It’s almost like there are two sides within all of us, constantly pushing against one another. The doubter and the believer. This is exactly the emotion we’ve played out in our latest campaign with SRK bringing to life this struggle of the mind and heart.”

     

    Added Tish Condeno, Senior Category Director (Sparkling Flavours), India & South-East Asia, The Coca-Cola Company: “We believe that the ICC Cricket World Cup is the biggest sporting event for the country. Partnership with the ICC provides us with a unique opportunity to unite our customers, consumers, brands, and cricket through diverse engagement formats. Our collaboration with SRK as the ‘Voice of Belief’ for Thums Up’s association with ICC World Cup campaign embodies our commitment to turning every doubt into an unwavering belief.”

     

  • Luxor launches new ad film with Virat Kohli

    By Our Staff

     

    Luxor, the writing instruments brand, has unveiled a new brand film to coincide with the ICC Cricket World Cup 2023, featuring its new brand ambassador, cricket legend Virat Kohli.

     

    Speaking on the new brand film and the association with Virat Kohli, Pooja Jain Gupta, Managing Director, Luxor Writing Instruments Pvt. Ltd. said: “Luxor Schneider LXMAX is the first of many brands that we’re launching in India as part of our partnership with Schneider Pen, Germany who is renowned for its engineering and design superiority globally. Our association with youth icon and cricket legend Virat Kohli as the new face of Luxor epitomises our shared commitment to the highest standards of performance and excellence. We are excited to bring this association alive through the launch of our first advertising film featuring LX MAX and Virat which will go live soon.”

     

  • Understanding Bollywood’s image problem

     

     

    By Shailesh Kapoor

     

    Shailesh KapoorThe ICC Cricket World Cup is less than two weeks away. The mad rush for tickets has been the dominant headline associated with the tournament so far. But as we get closer to the date (October 5), on-field action will, hopefully, be where all the attention is.

     

    Earlier this week, ICC released an abomination of a video in the name of the event’s theme song, titled Dil Jashn Bole. There’s so much wrong with the song that one wouldn’t know where to start. Why is the song of a world tournament in Hindi, when it’s not even the language all of India understands? Bizarrely enough, the official YouTube version does not even have English subtitles. Fans have been brutal about their feedback, remembering the much-superior De Ghuma Ke, which was the theme song the last time the event was held in India, in 2011. Despite being in Hindi as well, that song was distinctly Indian (and sporty) in its spirit, and never seemed to struggle on inclusion.

     

    Which brings me to the main point of this piece: The random obsession with Bollywood. With due respect to Ranveer Singh, who’s a fine actor, ICC (or BCCI, whoever greenlit this train-wreck of a project, pun intended) should have known better. Cricketers don’t need film stars to represent the sport to the fans. And even if one were to go in that direction, someone with a pan-India and global stature would be a minimum expectation for World Cup of a sport India is crazy about. Like an ensemble of SRK, Allu Arjun and Vijay, for example, in the video.

     

    Obsession of other domains with Bollywood was also evident in the Parliament this week, when Kangana Ranaut and Esha Gupta were present on the day when the Women’s Reservation Bill was presented (and passed) in Lok Sabha. The former’s choice is clearly political in nature, and I don’t quite know what to make of the latter’s presence on the day.

     

    Over the last few years, and since the pandemic in particular, the idea of stardom has evolved in India, and is clearly a lot more ‘pan India’ in its spirit. As per Ormax Stars India Loves, out of the Top 10 most popular male and female film stars each in August 2023, only three men (SRK, Akshay and Salman) and four women (Alia, Deepika, Kiara, Katrina) hail from the Hindi film industry. The Bollywood lens should have been an obsolete idea by now, for events of national and international significance. Yet, it continues to find more than a few takers.

     

    Ironically, this obsession doesn’t do Bollywood much good. The industry has been fighting for reputation, and even as box-office has been better this year (though driven by the stars from the 90s, which makes the success precarious), the overall image of a low-on-innovation, spoilt, and inward-looking industry continues to persist as a media narrative. And projects such as the Dil Jashn Bole video only add to that narrative.

     

    Image management at an industry level is always tricky terrain, because the ownership is de-centralised. But one hopes that somehow, the industry finds a way to come together to address what’s a growing concern, definitely for brands, if not for the box office.

     

    Meanwhile, away from all this, let the games begin!

     

  • Cricket World Cup So Far: Still Waiting to Launch?

     

    By Shailesh Kapoor

     

    It’s three weeks since the ICC Cricket World Cup started in England. 22 days and 26 matches later, the excitement is still waiting to build up. A multitude of factors have ensured that this probably the least exciting Cricket World Cup in a long time, from a cricketing perspective.

     

    From a marketing and media perspective though, there are no such concerns. India matches have rated very well, and the India-Pakistan ratings, which will come in next week, are likely to hit the roof anyway. Brands have piggybacked on the once-in-four-years tournament well, and the match timings are highly conducive to India, making the Cricket World Cup a highly lucrative media event.

     

    But all of the above is an India story, and an off-field story too. On field, the tournament has struggled. Four of the 26 matches have been rained off so far. Thankfully, the rains have relented over the last one week, preventing this World Cup from becoming a farce purely on grounds of poor weather.

     

    But even as the rains relent, cricket fans wait for exciting games. Only 3-4 games have reached a point where the winner is not evident with 10 overs to go in the second innings. It seems only five teams have really turned up, prepared to play hard. Four of these – Australia, England, India and New Zealand – are near certain to be the four semi-finalists, while the fifth – Bangladesh – has put up better fights than more seasoned teams like South Africa, Pakistan, Sri Lanka and West Indies.

     

    It’s a format tailormade to enable tight scenarios on the points table, where one can be waiting till the last few games to know the final composition of the semi-finalists. It happens in IPL every year, and happened in the 1992 World Cup too, when this format was last used. Pakistan, the eventual winners, had to win virtually everything in the second half of the league stage to qualify. And they did!

     

    But so far, chances of any such drama happening in the last one week look very remote. It seems that the next two weeks will only decide who plays whom among the four near-certain semi-finalists. And that is sure to rob the World Cup further of excitement.

     

    Now, a lot of this is not in ICC’s control. You cannot worry about South Africa looking sub-par and not being able to win more often, for example. But much as ICC can’t control it, there is enough and more for them to reflect upon. Attendances at the Asia matches have been very good, with Indians and Bangladeshis in particular packing the stadia. But this sub-continental colour that cricket is acquiring surely cannot be healthy. I was in the UK for the first 10 days of the World Cup, and there was no buzz or talk about the tournament at all. The local newspapers dedicated 2-3 full pages to football, vis-à-vis half a page to an England game in the Cricket World Cup. You could drive around the city of London for 2-3 hours and stare pointedly at every hoarding, and yet, not know that there’s a big cricket event going on here.

     

    Cricket has faced the globalization challenge for years now. While Afghanistan and Bangladesh have come in stronger over the last few years, there hasn’t been much progress in the rest of the world. 50% of the teams in the World Cup are from the sub-continent. Surely, this cannot be a right step in the direction of globalization. Something for ICC to worry about deeply.

     

    It’s perhaps also an issue with the 50-over format itself. Eight hours of viewing is not a premise on which you can grow a sport in today’s age. Perhaps T20 needs to take the centerstage after all, and Test cricket can be the variant for the connoisseurs. ODIs seem to have a questionable future at this point of time. But these are difficult calls, and the playing nations will be understandably reluctant.

     

    We may still see a late surge by one of the weaker teams, and this World Cup could suddenly light up. And eventually, in the last one week, it will be about what India’s final outcome is. That’s the beauty of sport and the passion it evokes.

     

     

  • Thomas Cook’s latest ad film for Fathers’ Day

    By A Correspondent

     

    This cricket season, Thomas Cook wants fans to travel from wherever they are to watch the World Cup with their first cricket buddy, their father. The digital video campaign, #CricketDateWithDad leverages a significant trend close on the heels of Fathers’ Day (June 16, 2019) and in sync with the ongoing ICC Cricket World Cup.

     

    The campaign has been conceptualized and created by Law & Kenneth Saatchi & Saatchi and includes a TVC, which is live on social media and digital mediums.

     

    Speaking about the campaign, Abraham Alapatt, President, Group Head – Marketing, Service Quality & Innovation, Thomas Cook said: “The new wave of father-child bonding trips is a significant opportunity for our brand. Through our campaign #CricketDateWithDad, we aim to focus on the sentiment shared by father and child, and induce in our customers the need to take time out from their schedules and spend some exclusive time with their first hero – their dad. With cricket being India’s passion and Fathers’ Day coinciding with the ICC Cricket World Cup, we’ve combined the two to present it as a compelling proposition to our customers.”

     

    Speaking about the film, Debarjyo Nandi, Senior Vice President, L&K Saatchi & Saatchi added: “We don’t realise until it’s too late that these moments with our dads will never come back. We don’t realise that while we have now moved on to watching matches with our friends, he’s still at home, probably watching it alone. We don’t realize that watching a World Cup in the stadium is probably on their bucket list too, which we should prioritise over ours…else regret not realising this dream for the rest of our lives! ”

     

     

  • Star Sports unveils ICC Cricket World Cup 2019 campaign

    By A Correspondent

     

    Star Sports, the official global broadcaster of the ICC Cricket World Cup 2019, has launched a campaign to celebrate the tournament starting May 30 across the Star Sports network and Hotstar.

     

    Conceptualised and created by Ogilvy & Mather, the campaign highlights all participating teams that are coming to England to win the crown – the World cup trophy.

     

    Speaking on the campaign, Gautam Thakar, CEO Star Sports said: “The ICC Cricket World Cup is regarded as the most prestigious prize in World Cricket both, by players and viewers. Bringing the competitive element that every country holds during this tournament; the campaign showcases the very nucleus of the sport and how every team is going to England to get their hands on the Crown of Cricket. With more fan films in the pipeline, Star India is excited to bring the #CricketKaCrown theme alive and provide a spectacular TV viewing experience for the fans across the country.”

     

    Speaking on the campaign, Sukesh Nayak, CCO Ogilvy added: “This is the World Cup. It’s the crown of cricket. And the best in the world are coming to England to get it. Our big idea came from the thought of coming to England to get the crown. We took a fan perspective to this entire thing. The campaign will have multiple films and fully integrated execution. Radio, activation and digital will build the big idea of #CricketKaCrown.”

     

     

  • GoDaddy announces partnership with ICC Cricket World Cup

    By A Correspondent

     

    GoDaddy has announced its partnership with the International Cricket Council (ICC) as the official sponsor of the ICC Men’s Cricket World Cup 2019. GoDaddy will be the global platform of the ICC Men’s Cricket World Cup to drive even greater awareness, amongst tournament viewers and cricket enthusiasts, about the benefits for small business owners and entrepreneurs of creating a powerful online identity to help their ventures grow.

     

    Commenting on the partnership, Nikhil Arora, Managing Director and Vice President, GoDaddy India said: “The Cricket World Cup tournament is a platform that offers a convergence of players, fans and communities. It is one of the world’s biggest phenomena, bringing people together across the globe, and is a perfect place for us to create awareness about the ease and affordability of GoDaddy’s online product and service offerings. We aim to use our partnership with ICC to engage with cricket enthusiasts from all over the world, educating them about the benefits of online adoption.” He also added that, “Cricket in India is a favourite sport. It is viewed in every nook and corner of our country, giving GoDaddy an opportunity to reach our audiences, including in the Tier II & III cities, helping entrepreneurs and small business owners bring their ideas to life online.”

  • Payment startup Oxigen to sponsor SA’s T20 team

    By Harsimran Julka

     

    Delhi-based Payment wallet Oxigen has sponsored the South African Cricket Team for the upcoming T20 cricket tournament this month.

     

    With the sponsorship, Oxigen joins a spate of Indian start-ups such as Snapdeal, Paytm, YepMe  and CarTrade who have either advertised in international cricket matches or sponsored global teams. Delhi based YepMe had sponsored West Indies team for the ICC Cricket World Cup for about Rs 30 crore, earlier this year.

     

    The Proteas T20 squad will walk onto the field against Bangladesh the match on July 5, 2015, with Oxigen brand as the sponsor backing the team.   Oxigen was originally started in a partnership with two South African investor/entrepreneurs and Delhi based former Motorola India President Pramod Saxena in 2004.

     

    Johannesberg-based Blue Labels Telecom continues to hold a stake in Oxigen India. The Oxigen Proteas will feature in twelve T20 matches against Bangladesh, New Zealand, India, England and Australia before next year’s ICC World Twenty 20 Championships in India.

     

    “Technically, this is not a new sponsorship, but rather an exciting initiative by Blue Label Telecoms to create added value to their diverse organisation,” said Cricket South Africa’s Chief Executive, Haroon Lorgat. “The Proteas are a globally recognised brand with huge support in India. This exciting initiative by Blue Label Telecoms is both unique and a first for Cricket South Africa, as having an international based company as the team sponsor is a pioneering step.”

     

    “Oxigen is a brand born and bred in India, and we expect that Oxigen’s sponsorship of the Proteas T20 team will resonate closely with the Indian community,” added Mark Levy, joint CEO of Blue Label Telecoms.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Lowe Lintas Chennai unveils inspirational film for MRF Tyres

    By A Correspondent

     

    As India’s largest selling tyre company and as a brand that has supported Indian cricket for the last 23 years, becoming global partner of the ICC Cricket World Cup is part of the natural progression for MRF. In the back drop of this mega sporting event, MRF has unveiled a new TVC that has been conceptualised by Lowe Lintas Chennai.

     

    ‘Expectation’ is the singular emotion that connects fans in a big way to the game of cricket, something that the TVC captures and amplifies. Expectation is heightened by the fact that team India are the defending champions. While this sentiment echoes across the land, it is brought alive through the sound track of the film, where different street sounds converge to raise an enduring and inspiring patriotic anthem to the Indian cricket team – Saare Jahan Se Achha.

     

    Koshy K Varghese

    Commenting on their association with the World Cup event, Koshy K Varghese, Executive Vice President-Marketing MRF, Limited said: “We at MRF have passionately supported cricket for decades. From our association with legendary cricketers to grooming the nation’s finest talent though the MRF Pace foundation and now, being a proud Global Partner of the ICC Cricket World Cup 2015 – we have actively supported the sport for a long time. The objective of this TVC was to showcase MRF’s and the nation’s undying support to our cricket team. Expectations are high from the Indian team and there is a lot riding on them, just as there is a lot, literally, riding on us at MRF.”

     

    The film begins with the Indian cricket team making their way to the airport. During their journey they are met with a rousing response from certain sections of the crowd who are engaged in their mundane day-to-day activity. From a young enthusiastic mother to an ardent senior team supporter to a large number of fans that have assembled at the airport, the Indian cricket team gets greeted all along with an inspirational message through the song – Saare Jahan Se Achha, Hindustan Hamara. The film ends with the message– ‘There’s a lot riding on us’ that is symbolic of the hopes of millions of Indian fans who want their team to return with the World Cup just like MRF Tyres that undertook the journey of making the players reach safely to their destination.

     

    Rajesh Ramaswamy
    Rajesh Ramaswamy

    Sharing his views on the creative approach taken for the TVC, Rajesh Ramaswamy, Executive Creator Director, Lowe Lintas said, “The beauty of this idea was the line ‘There’s a lot riding on us’ which was written for MRF the brand. And when they tied up as one of the main sponsors of the World Cup, this thought extended naturally to the Indian cricket team too. We picked ‘Saare Jahaan Se Achha’ and decided to render it in different ways as the bus travels through the city. The sound had to dictate the visuals. Mikey did an absolutely fantastic track that evoked the kind of feeling we needed. And Santosh Sivan captured this in a beautiful way. This one is made with the same passion that MRF as a brand has for cricket which they have displayed for so many years. The logo in the end contributes a lot of credibility.”

     

    The campaign is on air and will be splashed across traditional media and online channels.

     

  • Advertisers move to tweets & FB posts in regional languages

    By Ratna Bhushan & Varuni Khosla

     

    Coca-Cola posted its first tweet in Hindi last fortnight when the International Premier Tennis League was being held in New Delhi, and it got it 350 retweets compared to just 10-15 retweets of most of its English tweets. Nobody’s surprised.

     

    There’s a substantial increase in use of Indian languages on social media platforms such as Facebook, Twitter and Pinterest, and several large and small advertisers including Pepsi-Co, Bharti Airtel, suiting brand OCM and winery Sula Vineyards say use of regional languages in social media campaigns give them much higher resonance than the same thing in English.

     

    According to social media agencies, brands’ Facebook posts using Indian languages such as Hindi, Tamil and Marathi get almost 150 per cent more response than similar English posts, thanks to increasing penetration of Internet into smaller towns and cities. “Language is surely helping a better engagement,” said Anusha Shetty, CEO at Autumn Worldwide, a Bengaluru-based advertising agency specialising in social media.

     

    “This approach will start playing an important role in the next two years as Internet penetration increases and more people from tier-III and -IV (cities) join the social space,” she said. “We are seeing the birth of this approach now.” Ms Shetty said sprinkling languages such as Hindi, Malayalam or Tamil boosts engagement from consumers by 160 per cent to 220 per cent.

     

    For a recent Luminous ad, the video content on Facebook was in Hindi, which got replies in ‘Hinglish’, leading to ‘massive engagement’. PepsiCo’s Mountain Dew recently had a campaign in the south with one Tamil word in it, while Orient Electric had a campaign with Chennai Super Kings with Hindi words. All these campaigns received good response on the social media.

     

    Aneesh Madani, head of sports partnerships at Twitter India, said there has been 300 per cent increase in tweets in Hindi in 2014 alone. “Given that Twitter now renders in all Indian languages… we will see an upward trend in vernacular conversations,” he said. “Brands and partners are starting to explore the vernacular and the opportunity to stand out while connecting to users is ripe,” Mr Madani said.

     

    “Expect more during the ICC Cricket World Cup as well as the Indian Premier League.” Coca-Cola’s recent experiment on a refreshment-based post in Hindi, Punjabi, Tamil and Kannada got over 150 per cent response compared to the same post published in English.

     

    Source:The Economic Times

    Copyright © 2014, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Digital awaits breakthrough: Shashi Sinha

     

    Twenty-fourteen will be remembered for long because of two things, the general elections and the upsurge we saw in e-commerce. But if you were to remove these, I don’t think adspends have gone up dramatically. There is a lot of noise about ‘achche din’ but we haven’t seen any real change on the ground. In our business, the FMCG sector is the true indicator of performance and these companies are not reporting a big turnaround. I know it takes time after a new government settles in, but the fact is it hasn’t happened so far. The trends in e-commerce indicate that the upsurge will continue through the next year but if FMCG revenues don’t improve and they don’t start spending, then we could be in trouble.

     

    Digital has been a big talking point of the year but I think we are far away from a big breakthrough. It will grow at a particular pace. So consumers may adapt to it but advertising will take some more time. I have always believed that collective consumption of media is in our DNA, and purchase decisions still happen collectively in India as opposed to the western world where decisions are mostly individualistic. This difference is because of our culture. Our society is very outwardly-directed, unlike the US, which is an inwardly-directed society. When it comes to consumption and spends, societies and culture matter a lot. For instance, television viewing in our country is still perceived as a family thing. So while personalisation has happened with devices, the family still remains in our DNA. In fact the whole Hindu ethos is made up of the family and the principle of collectivity. And that’s not going to go away. Devices will help you, they are mere enablers. But our ethos, psychology and culture are not going to change.

     

    There has been a tremendous increase in numbers as far as the internet penetration and users go, and I believe India is the second biggest user of Facebook today. But have you ever wondered why is India such a big Facebook user country? That is because Facebook stands for a collective consciousness and it is the same as our ethos. As a country, the penetration of Facebook is higher because Facebook is an example of connected-ness. That culture is not going to change in a hurry. It will happen, with a lot of internalisation, but it will take time. At this point of time, it will all be collective.

     

    As for the talk of 2014 being the year of digital innovation, I think we haven’t scratched the surface yet. I think we have a long way to go for us to say that this is the year of digital innovation in India. India is a very strong content country, one of the few countries in the world where original content is done. In my mind, while creativity will stay, digital is just a format. A lot of people are experimenting with content but the truth remains that digital spends are still at 8 or 9 per cent of the overall spends.

     

    Digital is also a mindset. In our mindset, the transition to digital has happened, it may not reflect in terms of numbers and volumes. But as far as mindsets go, at least we are talking digital. It’s probably the fashionable thing to do or even the right thing to do but I’m not sure whether the numbers justify. Television and print are still very big in this country.

     

    Today, to get into digital, you have to make investments in people, for the right kind of talent, which is expensive. It’s a huge investment. We are making the investments and hoping that the returns will come.

     

    As for the next year, the situation on the ground is not good but there is collective hope.

     

    The forthcoming ICC Cricket World Cup will bring some hope of being a trigger to growth in ad spends. It’s all about activity around events. Cricket is a big sport in India and World Cup come once in four years. I see some advantages, it may not be as dramatic as last time because it was in India then but still, the World Cup is big enough.

     

    Reports indicate that the global economy is expected to improve and therefore global adspends will improve. Hope is what drives the economy, hope is what drives the stockmarket, hope is what drives sentiment, this is the hope for India and why should I go against that hope. But we have to be slightly cautious. We are hoping that with the new government and with their will to improve things, things should improve. It all depends on the budget. If the government can push through the budget, they can do a lot of stuff otherwise there is trouble.

     

    What I see as a challenge for myself is to ensure that our clients do well. I am not sure that it’ll be dramatic. But I feel if we can consolidate in the next year in spite of what everyone is saying, that’ll be a big achievement. If we can sustain, if we can just do what we have done in 2014, it should be alright.

     

    Shashi Sinha spoke to Shruti Pushkarna on the sidelines of The Advertising Club’s Media Review 2014 held last Thursday (Dec 18) in Gurgaon. A version of this appeared in the December 22 issue of ‘dna of brands’