Tag: Hollywood

  • एरियाना ग्रांडे फेस-लिफ्ट करवाने के लिए तैयार हैं।

    एरियाना ग्रांडे फेस-लिफ्ट करवाने के लिए तैयार हैं।

    गायक-गीतकार एरियाना ग्रांडे ने साझा किया है कि उन्हें फेस-लिफ्ट करवाने के विचार से कोई परहेज नहीं है। गायिका हाल ही में वैनिटी फेयर के साथ एक झूठ पकड़ने वाले परीक्षण के लिए बैठकर अपनी सौंदर्य रणनीति का खुलासा किया और यह खुलासा किया। इस सत्र के दौरान उन्होंने उन सभी कॉस्मेटिक प्रक्रियाओं को भी साझा किया जो उन्होंने युवा दिखने के लिए करवाई हैं, ‘फीमेल फर्स्ट यूके’ की रिपोर्ट है। जब उनकी ‘विकेड’ सह-कलाकार सिंथिया एरिवो, 37, ने वीडियो चैट के दौरान एरियाना से पूछा, “क्या आपने अधिक लोकप्रिय महसूस करने के लिए कोई काम करवाया है?” तो गायिका ने किसी भी प्रक्रिया से इनकार किया। ‘फीमेल फर्स्ट यूके’ के अनुसार, उन्होंने उन अफवाहों को भी खारिज कर दिया कि उन्होंने नाक और स्तन की सर्जरी करवाई है, वैनिटी फेयर द्वारा तैनात पॉलीग्राफ परीक्षक ने पुष्टि की कि वह सच बोल रही थी। जब सिंथिया ने एरियाना से पूछा, “क्या आपने फेस-लिफ्ट करवाया है?” तो गायिका ने जवाब दिया, “नहीं, अभी तक नहीं। मैं खुली हूँ।” एरियाना ने इस परीक्षण को अपने जीवन का “सबसे अच्छा दिन” भी कहा क्योंकि इससे उन्हें उन लोगों पर पलटवार करने की अनुमति मिली जो उन प्रक्रियाओं के बारे में अफवाहें फैला रहे थे जो शायद उन्होंने करवाई थीं। गायिका ने तब इस बात पर जोर दिया कि उन्होंने “फॉक्स आई लिफ्ट” नहीं करवाया था, यह कहते हुए कि उन्होंने इसके बारे में कभी नहीं सुना और उन्हें नहीं पता कि इसमें क्या शामिल है। जब सिंथिया ने पूछा कि क्या एरियाना ने चिन इम्प्लांट करवाया है, तो उन्होंने भौंहें सिकोड़ीं और पूछा, “वे ऐसा कैसे करते हैं?” लेकिन एरियाना ने स्वीकार किया कि उन्होंने “विभिन्न स्थानों” पर फिलर्स और बोटॉक्स करवाया था – और कहा कि उन्होंने “लगभग चार साल पहले” इंजेक्शन लगवाना बंद कर दिया था। उन्होंने आगे कहा, “यही (मेरे काम की) सीमा है… (मैं) उन सभी लोगों का पूरा समर्थन करती हूँ जो ये चीजें करते हैं। जो भी महिलाओं, पुरुषों, गैर-लिंग अनुरूप लोगों को सुंदर महसूस कराता है, उसे अनुमति दी जानी चाहिए। हमें क्यों परवाह करनी चाहिए?” जब एरियाना से पूछा गया कि क्या उन्होंने ब्राज़ीलियाई बट लिफ्ट करवाया है, तो वे हँसीं और जवाब दिया, “यहाँ से निकलो। यह मेरे लिए काम नहीं करेगा। मुझे नहीं लगता कि यह मेरा काम है और मैं इससे ठीक हूँ, आप जानते हैं?” –आईएएनएस

  • वाशु भगनानी ने नेटफ्लिक्स के साथ चल रहे कानूनी विवाद पर बयान दिया।

    वाशु भगनानी ने नेटफ्लिक्स के साथ चल रहे कानूनी विवाद पर बयान दिया।

    उत्पादन कंपनी पूजा एंटरटेनमेंट की चल रही कानूनी लड़ाई हर दिन और उलझती जा रही है। पूजा एंटरटेनमेंट के निर्माता वाशु भगनानी ने अब स्ट्रीमिंग दिग्गज नेटफ्लिक्स के खिलाफ अपने मामले के सकारात्मक परिणाम के बारे में आशावाद व्यक्त करते हुए एक बयान दिया है। वाशु भगनानी ने कहा, “मैंने हमेशा सही काम करने में विश्वास किया है, और अपनी प्रतिबद्धताओं को पूरा करने के लिए कड़ी मेहनत की है। मुझे विश्वास है कि सच्चाई सामने आएगी और एक उचित समाधान की उम्मीद है। दशकों से, हम जुनून के साथ फिल्में बनाने के लिए समर्पित रहे हैं, और मैं उस प्रतिबद्धता पर कायम हूं। मुझे सकारात्मक उम्मीद है कि अधिकारी इस मामले में स्पष्टीकरण, समाधान और न्याय दिलाने में मदद करेंगे।” हाल ही में, मामले के संबंध में आर्थिक अपराध शाखा (ईओडब्ल्यू) द्वारा नेटफ्लिक्स के वरिष्ठ स्तर के अधिकारियों को तलब किया गया था, लेकिन वे पेश नहीं हुए, जिससे अधिकारियों ने कहा कि स्ट्रीमिंग दिग्गज जांच के दौरान बहुत सहयोग नहीं कर रही है। वरिष्ठ निरीक्षक रविंद्र अव्हाड, जो इस मामले को संभाल रहे हैं, ने पहले कहा था, “यह 47.37 करोड़ रुपये नेटफ्लिक्स को वाशु भगनानी को देने हैं। लेकिन नेटफ्लिक्स सहयोग नहीं कर रहा है। हमने उन्हें दो समन भेजे, लेकिन वे पेश नहीं हुए। भगनानी अप्रैल में हमारे पास आए, अपने बयान दिए, और दस्तावेज़ सौंपे। नेटफ्लिक्स ने समय मांगा लेकिन कभी पेश नहीं हुआ। वे निचले स्तर के कर्मचारियों को भेजते रहते हैं, लेकिन मोनिका शेरगिल (कंटेंट हेड, नेटफ्लिक्स इंडिया) को पेश होना चाहिए।” इस साल अप्रैल में, वाशु भगनानी ने शिकायत दर्ज कराई, जिसमें कहा गया कि नेटफ्लिक्स ने दो कंपनियों लॉस गेटोस प्रोडक्शन सर्विसेज इंडिया और ज़ू डिजिटल इंडिया के साथ मिलकर उनकी तीन फिल्मों, ‘हीरो नंबर 1’ (अभी भी फिल्मांकन हो रहा है), ‘मिशन रानीगंज’ और ‘बड़े मियां छोटे मियां’ में हस्तक्षेप किया, और कहा कि नेटफ्लिक्स को उनका पैसा देना है। पूजा एंटरटेनमेंट दो अलग-अलग मामलों में शामिल है, एक जहां उन्होंने नेटफ्लिक्स के खिलाफ आरोप लगाए हैं, और दूसरा जिसमें उत्पादन कंपनी ने निर्देशक अली अब्बास जफर के खिलाफ शिकायत दर्ज कराई है, जिन्होंने उनकी ‘बड़े मियां छोटे मियां’ का निर्देशन किया था, जो एक व्यावसायिक आपदा थी। इस महीने की शुरुआत में, अली ने आरोप लगाया था कि प्रोडक्शन हाउस ने उनकी 7.30 करोड़ रुपये की फीस का भुगतान नहीं किया है। अपनी जवाबी शिकायत में, पूजा एंटरटेनमेंट के वाशु भगनानी और जैकी भगनानी ने फिल्म निर्माता अली के खिलाफ कथित तौर पर सब्सिडी फंड को निकालने का आरोप लगाते हुए शिकायत दर्ज कराई, जो उन्होंने ‘बड़े मियां छोटे मियां’ की शूटिंग के दौरान अबू धाबी के अधिकारियों से लिया था। हालांकि, प्रोडक्शन हाउस द्वारा अली के खिलाफ मामला दर्ज करने की खबर आने के तुरंत बाद, ‘बड़े मियां छोटे मियां’ के क्रू सदस्यों ने अली अब्बास जफर का समर्थन किया, और पूजा एंटरटेनमेंट पर गलत होने का आरोप लगाया। फिल्म के कई क्रू सदस्यों ने अपने इंस्टाग्राम हैंडल पर पोस्ट किया और साझा किया कि उन्हें परियोजना के दौरान भुगतान नहीं किया गया था। इस साल की शुरुआत में, पूजा एंटरटेनमेंट के खिलाफ उसके क्रू सदस्यों के निचले स्तर की बकाया राशि का भुगतान न करने को लेकर भारी हंगामा हुआ था। –आईएएनएस

  • Exclusivity is an attractive proposition to not only viewers but also sponsors: PIX

    By A Correspondent

     

    Over the past few years, competition in the English movie channels genre has intensified. However, the genre still enjoys a limited audience. Therefore, each channel has to out-do its competition to stand out in the crowd.

     

    From differentiated marketing to programming strategies, channels try their level best to capture maximum eyeballs. MxMIndia spoke to Amogh Dusad – Programming Head at PIX which showcases various festivals to find out how well has this mantra worked for the channel…

     

    PIX keeps coming up with ‘festivals’ like the 3 Legends. What is the rationale behind it?

    We at PIX strive to provide popular and interesting content to our viewers. 3 Legends is a new programming block we have created this month which will showcase movies of the three martial art legends – Bruce Lee, Jackie Chan and Jet Li. Similarly, Sunday Breakout, Awesome Saturdays, Hand PIX and Super PIX are blocks created to offer variety and meet the ever-growing appetite for Hollywood films. Also, festivals break the monotony on a channel as they always offer something interesting to look forward to for the viewers.

     

    Why is it important to have these festivals?

    Blocks and festivals create a sense of excitement and appointment amongst the viewers towards the slot, in specific, and the channel, in general. They also bring uniqueness to the channel, which simply means that at any given point of time you will not see more than one channel programming or treating a particular genre, cast, theme or local festival in the same fashion. This ‘exclusivity’ is an attractive proposition to not only the viewers, but also the sponsors.

     

    How has been the response on this from viewers?

    Our viewers often write to us about how unique they find PIX – whether it’s our titles, promotions or even hoardings. The response from the market too has been good, since sponsors know they will get a good response by choosing our programming festivals as a media vehicle for their brands. Our viewers between the ages of 15 to 25 years are most vocal about their feedback, which we often get to know through our Facebook community and our youth community called the PIX Movie Club.

     

    How do you chalk-out the plan for a year? And when?

    At the start of the fiscal, we set out goals for ourselves, but we are not rigid and are always open to making changes as per evolving viewer needs.

     

    Which has been the most successful festival package, so far? Why?

    Over the past few months, Sunday Breakout and Hot Summer Collection have performed very well in terms of numbers and viewer engagement. Sunday breakout is a slot programmed on Sundays from noon to early evening wherein two tiles with a single break are scheduled, targeting the entire family. Another successful slot has been Hot Summer Collection which was programmed during summer vocations and was directed toward school and college students.

     

    What else can we expect from the channel?

    We will be showcasing the biggest animation movie of the year next month for which we are all very thrilled! Going forward you will see many big ticket properties of the creme de la creme of Hollywood.

     

     

  • Indian film trade to benefit from partnering Hollywood: E&Y

    By Nandini Raghavendra

     

    India’s film industry will benefit from an increased collaboration with Hollywood in the areas of film entertainment, education, VFX and tourism, according to Ernst & Young in a report issued for an initiative launched by the LA Film Council.

     

    The report, ‘Film Industry in India: New horizons’, has also said that with Hollywood already contributing Rs850 crore to Rs900 crore, or 10-12 per cent of the overall box-office revenue in India, the Indian film industry will witness an accelerated growth than competition from countries like China, Japan, Russia and Brazil.

     

    There has been 42 per cent increase in the number of Hollywood movies shot in India between 2010 and 2011, and that number is expected to grow, the report said. At least five big-ticket Hollywood productions, including the next James Bond, will be shot in India, while Fox is looking at two more films.

     

    The Indian film industry is projected to grow from $3.2 billion in 2010 to $5 billion by 2014 at a CAGR of 14.1 per cent. With close to a 1,000 films produced a year, India’s filmed entertainment industry is the largest in the world coupled with its theatrical admissions at around $3 billion.

     

    A greater collaboration between India and US will result in increased film tourism, cultural and technological exchanges and boosting local talent, and most importantly serve as a showcase on the global stage for India art, culture, history and talent. Perhaps, this is a beginning of a revolution similar to the one we witnessed in the IT industry at the beginning of this millennia,” Rakesh Jariwala, partner and segment champion, filmed entertainment at E&Y, said.

     

    According to estimates, there are more than 40 major domestic VFX companies catering to domestic and international clients. Currently, India accounts for only around 10 per cent of the total animation and VFX outsourcing pie. However, there is room for growth and the amount of work coming to India from Hollywood is on the rise.

     

    Of late, the VFX industry has been shifting toward higher-end assignments. India has well developed post-production facilities available at low cost. A foreign producer who comes to shoot in India can complete his entire movie here, from shooting to post production to cut costs. Industry players are also tying up with film and entertainment companies on dedicated projects.

     

    As far as India’s travel and tourism industry goes, it contributed $1.7 trillion (or 2.8 per cent of the global GDP), which is expected to rise to 4.2 per cent ($2.9 trillion) by 2021. Furthermore, investments in the global travel and tourism industry are expected to grow at a CAGR of 5.4 per cent to reach $1.5trillion by 2021 from $0.6 trillion in 2010.

     

    Many US states such as California, New York, Michigan, Nevada and Utah offer incentives to film and television production companies from India. Canada also offers incentives to producers of film, television, animation and visual effects from India and has attracted many Bollywood producers, who have shot movies in the country.

     

    Source: The Economic Times
    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • UTV Action gets set for growth

     

    By Rishi Vora

     

    This January will see UTV group’s Hindi movie action channel UTV Action’s second anniversary. The channel was launched in January 2010 with an aggressive marketing and distribution push. The TG was predominantly male in the age group of 15 years and above.

     

    The channel’s plan was to cash in on the increasing popularity of action films, primarily Hollywood films for an audience that preferred Hindi viewing as against English. The company had conducted a preliminary research prior to the launch of the channel which stated that out of 10 movies watched, seven to eight are action films.

     

    So UTV Action offered English films dubbed in Hindi. As a result, the trend picked up and many other players, including other entertainment channels, started doing the same.

     

    Sameer Ganapathy

    The channel has grown in the last two years and is currently clocking between 40-50 GRPs in the male set. This viewership, as claimed by Business Head Mr Sameer Ganapathy, is scattered across markets in India. “In the initial phases, we expected more viewership from a select few markets. But, quite surprising we noticed that the viewership was coming from all the Hindi speaking markets in India. The channel surpassed our expectation as far as ratings were concerned. Apart from the metros, we saw a lot of traction from markets like Gujarat, UP, MP etc. And that’s how we started to build our viewership,” he said.

     

    On their major rivals in the TV space, he said, “We mostly look at the Hindi movie belt as competition. But if you take the male audience, there are multiple genres that come to mind. If you look at the market, and it is fairly large, we’re bigger than the infotainment set, we’re bigger than any Hindi news channel.”

     

    For the past one year, the channel has tied up with international studios; the biggest of the lot is the tie up with Warner Brothers. These international tie-ups helped the channel to significantly reduce the window gap between the telecast of a movie on an English movie channel and its dubbed version on UTV Action.

     

    Manasi Sapre

    Programming head Manasi Sapre explained the viewership pattern: “Though we see a fair degree of viewership on the weekends, if you look at the overall numbers, they’re quite evenly spread.”

     

    Recently, the channel underwent a revamp, with a new tagline: “Home of the Warriors”. Ms Sapre believes the new look is on the lines of the titles acquired by the channel: “It is a more modern, high-tech and a sci-fi kind of a look which goes well with our TG.”

     

    It may be recalled that a Telugu version of the channel was launched in July this year. This is a clear indication that regional is the way to go in the future. UGBL CEO MK Anand has been quoted stating that the channel will look to expand its offering in Malayalam and Bengali.

     

    However, Mr Ganapathy said, “Our immediate task at hand is to build our viewership. We have seen the channel make good progress, and now is the time to further expand our base in the existing markets before launching or expanding our offering to other languages.”

     

    The channel, in the next three quarters, will look to increase its market share by 25 per cent. If that does happen, UTV Action will leap forward into the 60 GRPs bracket (CS 15 + Hindi Speaking Markets). The strategy, as Mr Ganapathy explained, is to justify investments made on content acquisition and marketing activities in the next three quarters. “In the next three quarters, our aim is to consolidate and build our position.” He added, “UTV Action will become the single largest non-sport male viewership destination in the country.”

     

    After two years in the business, new look, more titles, the plan to expand to regional markets (the channel’s conscious call to start with the southern belt with Telugu), what’s in store next year? It’s a wait and watch affair.

     

  • WB to light up TV screens this Diwali

    By A Correspondent

    WB has a line-up of Hollywood movies throughout the month, packaged as a series of specials to help families celebrate the Festival of Lights. Titled Festival of Lights, the specials are running for four weeks under four themes commencing October 3 until October 27, every Monday to Thursday at 9pm. The line-up showcases Hollywood’s best in action, sci-fi, and adventure.

     

    Festival of Lights will kick off with the action-adventure genre movies such as The Tuxedo, Enter the Dragon, Blade II, Tekken and Superman II and also includes a line-up of movies in the ‘monster’ genre —Scooby Doo 2: Monsters Unleashed On, the fantasy genre — Harry Potter and the Goblet of Fire and action-packed films such as Torque and Speed Racer. Festival of Lights is co-presented by Nokia and Axe, in association with Airtel, Nivea, Tata Sky, Reebok.

     

    Viewers will also get to see some of WB’s best action movies featuring mind-boggling gadgets, explosions, kung fu, and adventure as part of its Diwali Heat special Fridays to Sundays at 9pm and 11pm.

     

    Ms Monica Tata, General Manager, Entertainment Networks, South Asia, Turner International India, said, “We are happy to be showcasing the best of international film content to our audiences.”

  • Star’s Hollywood Blockbusters aims to thrill

    By A Correspondent

    Star Movies, India’s leading English movie channel, presents Star Movies Hollywood Premieres; an initiative that brings exclusive screenings of Hollywood titles for their fans a day prior to their official theatrical release by leveraging the strength of their studio tie-ups.

    To be a part of this experience viewer will have to participate in a simple contest and answer questions that will be broadcasted on Star Movies and their India Facebook fan page. Lucky viewers will get a chance to attend the exclusive premier screening of the latest upcoming movie titles by Star Movies Hollywood Premieres. Star Movies kickstarts the initiative with its inaugural movie premiere of The Three Musketeers on October 14 at select theaters in Mumbai, Delhi, Bengaluru and Kolkata.

    The channel also holds the exclusive rights to premiere other Hollywood biggies like ‘In Time’, ‘Twilight Saga- Breaking Dawn’ and ‘The Darkest Hour among others.