Tag: Hindi GECs

  • Top 5 Gamechangers on Hindi GECs in 2013

     

    By Shailesh Kapoor

     

    For the television industry, 2013 will be best remembered as the year of digitization. Similarly, we hope to remember 2014 as the year of a ratings system overhaul, with the industry shifting to the new system being developed by BARC. We are evidently in a period when technology and not content is emerging as the gamechanger.

     

    Yet, there were gamechangers that stood out on the content side in Hindi GECs too. Here’s a look at my list of Top 5 such shows. Established successful shows like Diya Aur Baati Hum, Saathiya and Balika Vadhu are not a part of this list, as their ongoing success is simply a continuation of what they promised in the last few years.

     

    5. 24

    The much-hyped 24 did not deliver high ratings. But it makes it to this gamechangers list for simply trying. As the Indian television market matures, we are bound to see fiction experiments beyond the regular family-based shows that currently rule the roost for the right reasons. When one such idea clicks, the floodgates will open. But 24 on Colors will always be remembered as the pioneer that brought this change. Here’s hoping for a more-Indianized second season.

     

    4. Qubool Hai

    Launched in late 2012, Qubool Hai scaled great heights of popularity in early and mid 2013, before losing some of the steam towards the end of the year. Driven by good casting that combined eye candy with solid performances, this Muslim social offered cultural variety, but with a contemporary and youthful treatment that had the college girls asking for more. Along with Sapne Suhaane Ladakpan Ke, it gave Zee TV a younger audience base that in turn helped the channel grow during the year, and sizably so.

     

    3. Mahabharat

    Star Plus challenged the status quo on production of daily fiction shows this year. After a rather half-baked attempt with Saraswatichandra, Mahabharat saw a real shift of scale. The show is easily the best-mounted fiction show ever in the history of Indian television. Its perspective on the epic tale is applause-worthy too, with considerable focus on the grey, than just the black and the white. Uneven pace and language comprehension issues may have limited its viewership in the early period, but the serial is now set for a creditable finish in 2014.

     

    2. Jodha Akbar

    Zee TV’s Jodha Akbar is a live case study on how to make a historical theme engaging by giving it a contemporary treatment. Story-wise, the programme uses the tried and tested elements of family and romantic dramas, exploited earlier to hilt in shows like Pratigya and Saathiya on Star Plus. It keeps the language simple, allowing for easy, fun viewing of what could have been an otherwise-overbearing show. Yet, the period look makes the show stand out in the crowd, offering the best of both worlds.

     

    1. Comedy Nights With Kapil

    This has to be a one-horse race if there ever was one. The success of Comedy Nights With Kapil on Colors cannot be measured by its ratings alone. Its consistently top-notch and flawless execution, combining fiction with live entertainment, has left me amazed episode after episode. How can you get something so right, I have often wondered. The show delivers two popular genres, which were beginning to look a bit jaded on television, in a refreshing avatar – Comedy and Bollywood.

     

    The comedy stays away from being crass or lowbrow at all times, yet manages to focus on popular culture and mass themes. The celebrity interaction is nothing we have seen before. It is audience-indulgent, not celebrity-indulgent. By now, it is common knowledge in the industry how celebrities aspire to be on the show and nervously prepare for it, so that they can match up to Kapil’s wit and timing.

     

    Comedy Nights With Kapil is the unifier show we have missed since KBC in 2000 – a show that various sections of the family and the society have an equal appeal towards. Thankfully, its success is not replicable, so we may not see too many clones coming out. Meanwhile, another 100+ delicious episodes await us in 2014.

     

  • Ormax to forecast Hindi GEC launch viewership

    By A Correspondent

     

    Media insights firm Ormax Media announced the launch of OWA, India’s first scientific launch viewership forecasting model for Hindi GECs. OWA stands for Opening Week Average. The model forecasts the opening week average viewership of all weekday launches across six Hindi GECs (Star Plus, Zee TV, Colors, Sony, SAB & Life OK) from two weeks before launch till the week of launch.

     

    The OWA model takes into account a series of input parameters. These include inputs from Ormax Media’s Hindi GEC awareness tracking tool Ormax Showbuzz, which tracks the performance of new Hindi GEC launches for more than four years now. Ormax Showbuzz covers 14 cities across India, with an annual sample size of over 42,000 Hindi GEC viewers. Other OWA model inputs include slot competition, audience profile and channel equity, on which normative data has been built by Ormax Media over the last five years.

     

    Shailesh Kapoor

    Speaking about OWA, Shailesh Kapoor, CEO, Ormax Media said: “The forecast will be available upto two weeks before launch, giving the broadcasters enough time to take corrective action in their creative and media strategies. The forecast model that has self-learning built into it, guaranteeing progressively better results with time.”

     

  • Anil Thakraney: Lack of imagination

    By Anil Thakraney

     

    Even a kid will tell you that there are just toooo many TV channels inIndia. Both, entertainment and news. And even as talks of a shake-out have been doing the rounds for years, more channels are waiting to start operations! Like everything else inIndia, it’s a mad house out there.

     

    Quite obviously, there can be place for only so many brands. The advertising pie is limited, and it cannot be shared by so many hungry mouths. And in the Indian context, a vast majority of a channel’s revenues come from advertising and not through subscriptions. In such a scenario, Imagine’s closure does not surprise me at all… in fact, I wonder what took them so long.

     

    As for the many other struggling channels, they are fortunate to be run by very deep pocketed suits. But those deep pockets, like Turner’s, will dry up at some point. It’s a matter of time.

     

    Imagine came on to the scene in 2008, when the Hindi GECs market was already divided between Star, Zee and Sony. Each had already established itself, and all three channels enjoyed viewer loyalty. To break into this extremely capital intensive and crowded house, Imagine’s only chance was to unleash kickass, totally offbeat programming. ‘Shock and awe’ ought to have been the mantra. 2008 was also the time when the nation had begun showing early signs of tiring of Ekta’s traditional saas bahu sagas, and there was a huge opportunity for Imagine to be the game changer that the market wanted.

     

    Alas, it was not to be. Imagine’s fictional shows were completely me-too, and most of their reality stuff was a huge disaster. ‘Swayamwar’ was perhaps the only ‘hatke’ programme, but in the GECs biz model, reality shows and movies are, at best, jam servings, laid out to entice viewers to the bread and butter fiction shows. And if the latter is a thakela and done-to-death fare, the channel is sunk. Which is exactly what happened with Imagine.

     

    Make no mistake about this: Imagine’s problem wasn’t funds or staying power or distribution or even talent. It was very simply this: Lack of imagination.

     

    * * *

     

    PS: This is a memo Shri David Ogilvy sent out to his employees way back in 1982.

     

    On how to write. It’s fantastic. You will notice that his suggestions, in this day and age of micro blogging and short attention spans, are more valid than ever before.

     

    Link: http://www.listsofnote.com/2012/02/how-to-write.html

     

  • Colors dominates Ormax Media’s list of most effective launch campaigns in 2011

    By A Correspondent

     

    Colors delivered the best fiction launch campaigns in 2011 across Hindi GECs, while Kaun Banega Crorepati (KBC) on Sony was the top non-fiction launch campaign of the year, according to Ormax Media.

     

    The ranking of the best launches of fiction and non-fiction Hindi GEC shows has been derived from Ormax Media’s awareness tracking tool Showbuzz, which measures the awareness levels of new shows across various Hindi GEC channels. This ranking is a measure of the effectiveness of the campaign, irrespective of how the content fared thereafter.

     

    In the fiction shows ranking, Colors controls the top three positions and a total of four spots in the top 10. Listed below are the top 10 fiction launch campaigns of 2011:

    Rank Program Channel
    1 Phulwa Colors
    2 Mukti Bandhan Colors
    3 Sasural Simar Ka Colors
    4 Parvarish Sony
    5 Diya Aur Baati Hum Star Plus
    6 Parichay Colors
    7 Kuch Toh Log Kahenge Sony
    8 Hitler Didi Zee TV
    9 Mahadev Life OK
    10 Dharam Patni Imagine TV

     

    In the non-fiction list, Sony has three shows in the top 10, including KBC at the top spot. Bigg Boss Season 5 (Colors) is a close competitor to KBC, in terms of their launch impact. Listed below are the top 10 non-fiction launches of 2011:

    Rank Program Channel
    1 Kaun Banega Crorepati Sony
    2 Bigg Boss Colors
    3 Zor Ka Jhatka Imagine TV
    4 Sach Ka Saamna Life OK
    5 X-Factor India Sony
    6 Khatron Ke Khiladi Colors
    7 Ratan Ka Rishta Imagine TV
    8 Just Dance Star Plus
    9 Maa Exchange Sony
    10 Wife Bina Life Star Plus

     

    Research and consulting firm Ormax Media (www.ormaxmedia.com) specializes in the media and entertainment industry, working with India’s leading broadcasters, film producers, radio networks, print publications, media agencies and DTH service providers in the areas of qualitative research, quantitative research and consulting.

     

    Ormax Media is also the owner of 19 proprietary research products that are being used widely across the media industry. Set up in 2008 by Vispy Doctor and Shailesh Kapoor, the company partners with 81 leading media brands.