Tag: Harley-Davidson

  • Democratising luxury

     

     

    By Avik Chattopadhyay

     

    On July 3, Harley-Davidson launched the x440 motorcycle in India at a starting price of Rs.2.27 lakh, in partnership with Hero MotoCorp. Two days later, in partnership with Bajaj Auto, Triumph, yet another luxury motorcycle badge, launched the Speed 400 at a starting special offer of Rs.2.23 lakh.

     

    While the auto-journalist fraternity had been expecting competitive offers by both luxury brands on their measured re-entry into the Indian market, they were sure taken aback by the price points. This was in Royal Enfield territory, they unanimously exclaimed. For a moment, the RE stock price also dipped, the boffins at Dalal Street taken aback by the aggressive posture two traditionally legendary luxury brands had taken.

     

    Two quintessentially exclusive brands had taken the decision to ‘democratise luxury’!

    It was almost as if they were paying a tribute to a man who had disrupted the haute couture world a few decades ago by democratising fashion and making his label affordable to millions of aspirants. Pierre Cardin’s birth anniversary was on the July 2.

     

    A flurry of questions come to mind.

     

    What makes a traditional luxury brand go democratic?

    Is it driven by the left or the right brain? Is it to primarily increase market share or to endear oneself to a larger base of customers?

     

    In the implementation of the decision to democratise, does the brand remain the same or a new one is created? If the brand is retained, does the promise and experience remain the same? If a new brand is created, does it operate independently of the mother brand, or is there an umbilical cord?

     

    Lastly, has it worked?

     

    First and foremost, one must be clear about the ethos of the word “luxury” before we even make an attempt at finding answers. Does luxury mean the experience or the exclusivity or the price point? Or is it a combination of all? Or does being luxurious not necessarily mean it is only meant for a few and comes at a commensurate price point to ensure exclusivity? I remember an interaction I had with my boss Frederic Fabre in Peugeot. We were working on a new car for India, way back in 2011, against a very competitive price point. When the prototype was shown I was taken aback by its styling and luxurious interiors. Frederic smiled and said, “Whatever is cheap does not need to look and feel cheap!”

     

    Luxury, according to me is a state of mind, at any price point. For, the benchmarks are different for different socio-economic strata. If a brand decides to address only one stratum, so be it. If it wishes to address multiple strata, it is most welcome.

     

    Mercedes-Benz offers the A-class alongside the S-class, at two different price points, with different performance characteristics and creature comfort features, but with the core luxurious experience remaining intact in both. The A-class offers an experience unmatched by others in the same price band. The experience keeps getting enhanced as one goes up the ladder. The moment Mercedes-Benz took the strategic call to explore a segment at a lower price point than the A-class, it realised it had to compromise with its experiential promise. Hence it created a new brand called “Smart”.

     

    BMW and Audi too stretched the brand downwards with their X1 and A1 respectively.

     

    Similarly, when Louis Vuitton decided to experiment with a new consumer segment of the young and the restless which was not an advocate of traditional luxury, it created a separate brand called ‘Trash & Soul’. Though the brand did not last for long, it was surely a bold step of a talismanic luxury brand to think outside the box, literally.

     

    Pierre Cardin tried the same with mixed results. He wanted to make his label accessible to people down the socio-economic chain. For this, he franchised his name across product categories, right from perfumes to ballpoint pens and even keyrings. His logic was that millions across the world wanted a piece of his creation, so what if they could not afford his couture. They could certainly belong to the global Pierre Cardin family by even owning a keyring.

     

    Does it always work? For Mercedes-Benz it did. For Pierre Cardin, it did not. For the simple reason that the former was intent on not compromising with the ownership experience while the latter, sadly, lost the plot there. Cardin had a terrific idea terribly executed. I would want to definitely own a pen carrying his famous logo and signature at Rs 1000 but would not want to buy it from the local stationery store. I would aspire to walk into a Pierre Cardin store that houses all his creations and rub shoulders with someone buying a Rs.10,000 linen shirt, carrying the same logo. I become part of the same family and I walk out feeling as exalted as the other gentleman.

     

    Brands like Armani and TAG Heuer possibly learnt from this blunder and got the implementation right. The Formula 1 watch, though eight times cheaper than the Link, was available at the same store, as were the spectacle frames, rubbing chain-links.

     

    Democratising luxury allows the brand to engage with the aspirational customer into encouraging gradual upgrades through the brand ladder…from the Formula 1 to the Aquaracer after 5-7 years finally to the Link. The customer basks in the ownership journey while the brand grows in profits, without diluting the brand essence which Cardin ended up doing.

     

    This is exactly what both Harley-Davidson and Triumph are attempting in their re-entry into the world’s largest two-wheeler market. Earlier, they were way too exclusive. Now they are within the reach of thousands who wish to own a piece of motorcycling legend. The rider on the x440 will be rubbing shoulders with the rider on Softail and feel the same pride in being a HOG family member. The day the x440 customer is treated like a Hero customer because of the price point, thee shall be a re-exit soon.

     

    And yes, I simply hate the word “masstige”. Whoever has coined it has the same sense of warped humour as the one who coined the word ‘phygital’. What H-D or Triumph or M-B or TAG have done do not make them masstige brands. They remain iconic luxury brands. Just that they have democratised the luxurious experience to reach out to many more aspirants. And prove that Monsieur Cardin was conceptually right, after all!

     

  • Jaldi 5 with Martin da Costa: Time is perfect to roll out ticketed IPR events

    While the last two years have been rough for the Events & Experiential domain in India, it has been smooth sailing for 70EMG that has managed to beat the odds and register good growth. According to Martin da Costa, CEO, 70EMG, the growth has been possible due to its focus on IPR development and experiential investment.

    Martin da Costa opens up to MxMIndia on what was the year 2012 like for his company and what is in store for 2013.

     

    01. As 2012 draws to a close, how would you define the growth journey for Seventy EMG this year? Anything you were particularly proud of?

    We’re looking at 15-20 percent growth over last year. Nowhere near the 50 percent plus levels we experienced up to 2010. The last two years have seen the Events & Experiential business largely flatline – a trend 70 EMG’s been able to beat through IPR development and experiential investment.

     

    The development and launch of the India Bike Week Festival brand with Fox TV as a major new festival for India’s huge community of bikers and bike fans was a unique experience.

     

    As for the business, it has performed more or less as expected. The IPR development business has exploded into action this year. We’re seeing a dramatic increase in paid experiential & entertainment activity.

     

    02. What are your expectations from India Bike Week that’s scheduled for Feb 2013?

    The biker profile today is wildly different from the late 90s. Harley-Davidson has changed the face of Indian leisure biking. The Superbikers, the Ducati dudes, the Japanese speed fans, and the Vintage bike collectors are growing at an incredible rate. And when you add in the 80 odd Bike Clubs that we’ve contacted so far, together with the astonishing fact that there’s over 30 bikes on the road per 1,000 Indians, that’s when the spectacular idea of a bikers festival hit us hard and you can agree that we have got something of a winner on our hands here.

     

    Basically, IBW will be a ton of fun, and a festival which we think will grow and grow in India.

     

    There are many elements to the weekend – a Vintage Bikes Concours, Superbike & Customization Stages, Stunt Arena, 3 Music Stages, great F&B, MMA Fight Stage, Open Gym, Cigar & Whiskey Club, a non-commercial Bike & Biker Flea Market, Speakers Corner, Biker Journey Cinema, Pimp My Bike & The Fixer Zone, Brand Exhibitor Zone, Men of Steel Parade & Ride of the Heavies (650CC plus bike parade through the center of IBW).

     

    As for the plans of taking it forward, we are hoping to see an exponential increase over the next 3-5 years as the festival matures and develops. And in future there will be plans to extend the Bike Week concept to other Asian markets but not before the brand have been established over three years in the Indian market.

     

    03. What are some of the hurdles that crop up while organizing large events in India?

    Venues, infrastructure, government licenses, local licenses – all the usual culprits. However, they’re tempered somewhat by the fact that 70EMG has had over 15 years of experience in this field. That we’re perhaps the largest festival planners in the country (Goafest, IndiaFest, The Kala Ghoda Art Festival). And finally, that there are so many areas of entertainment and cultural experience that are still untapped for live, ticketed events.

     

    04. How does the Events industry look like in India? Do you think the market is cluttered or is there scope for more growth?

    It’s looking increasingly robust. Unsurprisingly, given its relative youth. There’s scope for growth in almost every field of the Indian event and experiential business I believe, and whilst in the short term margins will be squeezed, this year and next will be the perfect time to roll out ticketed IPR events and experiences that will then reap the advantages that the eventual upturn will create.

     

    05. What is the current market share you occupy in India so far? What is the growth spike (in percentage) you hope to see for 2013?

    We’re not in the game of assessing market share – we don’t compete on the btl activation business for example, and we’re very circumspect about both the business we do, and the clients we work with. We’re very firmly a Festival and Special Events business – with the accent being on large format, high-end, well produced, well planned execution. We’re certainly large enough to be placed in the country’s top ten experiential agencies – but it’s probably not a fair comparison given the limited type of high-end / large format events and brand experiential work we like to do, and the fact that most of the other nine agencies in the top 10 compete in the BTL & Activation space.