Tag: GRPs

  • Bindass goes Rest Less, for good

    By A correspondent

     

    It’s perhaps a brand that’s far ahead of its time and is known for taking generational leaps to adapt to new market dynamics. It was thus natural on its part to undergo a makeover exercise once again what with the youth of today having undergone a radical transformation in their habits.

     

    Being the third such makeover for the company, youth brand Bindass has announced yet another repositioning exercise that’ll see them don a new garb in everything that they do. Effective April 16, Bindass will present itself in a new and refined avatar to the world with a focus that’ll be even more skewed towards the youth of today. The new change would read: Bindass – Rest Less.

     

    Elaborating on the proposed switchover, Keith Alphonso, Business Head, Bindass said: “April 16 is the switch-on date where you’ll see Bindass in a new packaging, new promos, new music, new logos & graphics, new shows and every other touchpoint as well.”

     

    Delving into the specifics of the makeover exercise, Mr Alphonso said that the entire exercise kicked off in October 2011 where a few important points were taken up for analysis. “The first was we took a long hard look at our business and committed to our stated business intent that we wanted to broadbase Bindass into a youth brand and not just exist as a television channel. The idea was to get Bindass to a position where it was relevant to young people and fulfil a very visible need-gap. We thus went back to the market and for three months did a fair amount of research with Ormax and MarketGate and we zeroed in on a position which we are going to craft Bindass as a brand to occupy.”

     

    Explaining the positioning that the brand sought to occupy, Mr Alphonso said: “The position is something that celebrates success and was based on two trends that we observed over a period of time. One trend was the super-confidence that the Indian youth of today boast about where they see opportunity in everything that they do. But if you scratch a little below the surface, you will notice a certain amount of fragility as well. That’s because of the kind of competition that has been created in the marketplace. As we put it, it’s called ‘fragile invincibility’ – as confident and invincible as they seem they are also plagued with problems and they look for a brand as a touchstone. So what we are doing now is to craft Bindass as the brand that gets you there. The brand that holds your hand on that journey and not to be confused with a career and competition brand, so to speak. That’s because for the young person, success has many connotations. This was the value proposition that we latched on to.”

     

    Having shortlisted on the value proposition, the next move was to get help on the communications front and search for options on how to sell the concept to the desirable TG. That’s where they approached Taproot co-founder Agnello Dias, who has been associated with the brand in its previous makeover exercise as well. Mr Alphonso affirmed: “We got Agnello Dias of Taproot onboard who suggested the tagline Bindass -Rest Less. The idea was that it celebrates constant perpetual energy of the youth of today. So the brand value is about celebrating the people who rest less and succeed. As for the communication, it will happen across multiple mediums, including mass media, print, and so on, but importantly, however we are perceived we will ensure that the spirit of Bindass – Rest less will be embedded there.”

     

    Mr Agnello Dias, Chairman and Co-founder, Taproot India, added: “A key trait that marks youth behaviour today is a sense of constant motion; everyone is either going somewhere or doing something all the time. This non-stop motion, well-channelized is the new objective ideal. Settling down is fast going down the priority list. The bubbling undercurrents of discovery, exploration, invention, challenge, action seem to top that list. The new brand campaign for Bindass captures precisely this, that the youth today are ‘Rest Less’ and actually rest even lesser. We had earlier worked on Bindass’ immensely successful ‘What I am’ campaign as well which really caught on with the youth and this time around with Rest Less we hope to continue connecting with them yet again.”

     

    On how these changes would be reflected on the channel and other properties,  Mr Alphonso stated: “We will be launching two new shows – Live out Loud and Fear Less – in April and July, which will reflect the new change that we are talking about. LOL will let individuals say the one thing they always wanted to say with 250 people from Bindass supporting them in their stance. Fear Less is a gang of friends coming together to help one of their own overcome a debilitating fear. With these shows and more we are moving to a stage where we want to aid in transformation.”

     

    In fact that’s not all, as part of its efforts to be seen as an integrated brand Bindass would be tapping the medium of YouTube in a big way. “We would be launching a new channel on YouTube where we will be releasing short-form programmes only for that space. That medium has its own unique consumption patterns and parameters. We will be creating exclusive content for users on YouTube and not rehash content from somewhere else. Even our Facebook page will go under a radical new layout where you’ll have newsletters giving you information on movie deals, contests, tickets for matches, and so on. The idea is everything that we do is going to be about helping young kids get to their goal faster,” assured Mr Alphonso.

     

    When asked on the need for undertaking continuous makeover exercises, Alphonso reverted: “It has been a deliberate move to undergo repositioning again. When we launched in 2007 we were about Bindass – TV, Web,Mobile- that was a time when other channels were yet to discover multiple content. From there to 2010, we came out with a very attitude-based positioning which was Bindass – What I Am. There was a prevalent thought among young people at that point in time that they just wanted to be themselves. We reflected this non-judgmental spirit of theirs by saying it is an attitude. That was successful for us because it pushed us into a branded play. As of today, because we wanted to broad base our brand, because we wanted to be seen as more than a television channel, to become a new touchstone so that new business opportunities can be explored – for that to happen, brand Bindass had to have a call to action. And, therefore, the new positioning of Rest Less.”

     

    While the first two repositioning exercises did wonders for Bindass in terms of acceptability and attracting GRPs, the idea going forward would be to move beyond being just a channel and move into a space where it could become a huge brand by itself. Affirmed Mr Alphonso: “Probably in a year or two, I could launch Bindass range of jeans and get into doing other such activities; that is what our focus would be going forward. At the end of 18-odd months, you will see the emergence of umbrella youth brand Bindass that will also have a television channel, an events division, branded services, digital, and so on.”

     

  • What TV viewers watched in 2011

     

    By A Correspondent

     

    Digital viewing of television grew a phenomenal 63 per cent in 2011, indicating the shape of things to come in 2012 and forthcoming years. This and various other results are part of TAM Media Research’s third annual report on television viewing patterns inIndia.

     

    Titled ‘Impatient Generation’, the report was launched by Union sports and youth affairs minister Ajay Maken at the Indian Merchant Chamber’s ‘Fusion 2012’ conference. Ms. Bhavna Doshi, President, Indian Merchant Chamber and Mr LV Krishnan, CEO, TAM, were also present on the occasion.

     

    “We conduct such a study every year. The study, ‘Impatient Generation 2011’, is a quick, reader-friendly compilation of TV viewing trends in 2011. It gives a patient update of the impatient world of audiences consuming TV content. This annual feature attempts to update all advertisers, marketers and other stakeholders on how to reach out to their target groups,” said Mr Krishnan.

     

    Here are some of the highlights of the report:

     

    The TV Viewing Universe

    • C&S at All India level is currently 126 million Households, Digital Households (42 mn) have grown at 63 per cent.
    • C&S and Digital grew by 5 per cent and 61 per cent respectively in TAM reported markets.

     

    Viewing trends in key genres

     

     

    • Hindi General Entertainment Channels (GECs)
      1. Viewership of Hindi GECs genre has seen a 6.5 per cent dip.
      2. Viewership share of Hindi GECs is 38 per cent of all TV viewing and Top 6 GECs account for 90 per cent of the audience shares gained by the genre.
      3. In 2011, Hindi GEC genre has shown a consistent growth in 1-hour special fiction episodes during Prime Time on Weekends.
      4. Delhi, Maharashtra, UP & Gujarat have been the Top performing markets for Hindi GECs genre across years and the viewership returns from Metros have seen a slight drop.

     

    • Hindi Movie Channels
      1. Hindi movie genre holds about 15 per cent of total TV viewing.
      2. Number of unique movies aired in 2011 has decreased by 10 per cent.
      3. Both airtime and viewership of South-dubbed movies has seen a clear growth in 2011.

     

    • Hindi General News
      1. Share of Hindi News genre has witnessed a 10 per cent growth in 2011 after decreasing in 2010.
      2. Returns from News Bulletins has witnessed an appreciable increase while viewing proportion from telecast of Review/Reports has witnessed a decline across years.

     

    • English Entertainment
      1. Overall GRPs have increased by almost 50 per cent with Reach & Time spent contributing to the gain.
      2. Digital penetration increasing in key Metro markets has led to greater access for the channels.
      3. The growth in Consumption led by Time Spent is showing a 15-20 per cent increase.

     

    • Kids Channels
      1. The overall genre with 18 per cent share seems to be on a growth path with new channel launches in 2011. Today, 14 channels constitute the genre.
      2. The Reach levels for 10-14 years age band has improved in 2011.
      3. With the increase in number of channels, Kids genre witnessed a continuous increase in viewership share since 2008.
      4. Homes with Kids are faster in adopting to Digital TV platforms with growth rate touching almost 60 per cent in 2011.

     

    • Sports Genre
      1. Sports genre witnessed 200 million unique viewers in year 2011.
      2. There has been 18 per cent rise in Sports content on TV during 2011.
      3. Live sports coverage continued to garner over 50 per cent of the viewing for any sports content.
      4. 2011 saw 35 per cent growth in advertising volumes, but 70 per cent of volumes continued to be garnered by cricket.

     

    Launch_of_Impatient_Generation_by_Mr.Ajay_Maken, Hon’ble Minister of State for Youth Affairs and Sports, Ms. Bhavna Doshi, President, Indian Merchant Chamber and Mr. LV Krishnan, CEO, TAM Media Research

     

    Viewing trends in select regional markets


    • Tamil Nadu
      1. Digital penetration increased by 17 per cent in Tamil Nadu market.
      2. Increase in viewership is because time spent levels increased by 3 per cent in Tamil Nadu market.
      3. Tamil GECs, Music and Sports also witnessed increase in viewership.

     

    • Andhra Pradesh
      1. Digital penetration has just touched 8 per cent in AP market.
      2. While overall Time Spent on TV is high (over 3 hours daily), its growth is just 1 per cent over 2010.

     

    • Karnataka
      1. Kannada GECs, News are primarily on a growth track in viewership.
      2. While serials provided almost 3 times ROI, the growth in viewing for this genre has continued to be excellent with an average of almost 20 per cent in 2011.

     

    • Kerala
      1. Fall in Time Spent by 6 per cent has resulted in overall TV viewing coming down in 2011 but the introduction of new channels has resulted in a growth in viewing again the last few weeks of 2011.
      2. Malayalam GECs dominate with a lion share of 50 per cent with news, movies and music following.
      3. Malayalam Kids Content pick viewing with launch of New channel – Kochu TV.

     

    • West Bengal
      1. Viewership of Bangla regional has witnessed a steady and fast growth from 5 per cent share in the year 2000 to 43 per cent as of 2011, eating into Hindi channels’ share.

    There has been a growth in ratings for regional movies and events as compared to Hindi movies and events.

     

    • Maharashtra
      1. Although total TV viewing remained steady, viewership of Marathi yegional has seen a growth over last year.
      2. The growth is seen maximum on Digital TV platforms (31 per cent), as compared to Analog set of viewers (13 per cent).
      3. Unlike 2010, the Marathi GEC genre had prioritized the airtime mostly for the higher ROI generating contents like fiction, movies and reality shows.
      4. Chat shows/ Interviews (on Marathi news channels) now constitute about 12 per cent of airtime, contributing about 14 per cent of total viewership.

     

    According to Mr Krishnan, the study provides a useful perspective to TV broadcasters and production houses of the where, when and how TV audiences are changing in their tastes and preferences, what content they are rejecting or accepting. “The dynamics that shape an average Indian household viewer’s relationship with TV each day starting from morning to evening is another block that this TAM feature attempts to throw light on,” he said.

     

    MxMIndia will bring you more viewership trends over the next week.

     

  • Meteoric rise for UTV Stars

    By A Correspondent

     

    The recently launched channel UTV Stars – The Official Channel of Bollywood, which went on air on August 19, 2011, has garnered a phenomenal response from audiences nationwide in a very short span of time. In just 4 weeks, UTV Stars has acquired the No1 spot in the Bollywood genre.

    Within four weeks of its launch, the channel is ahead of its competition in the Bollywood Entertainment genre, with 23.5 GRPs (HSM 1MN+ 15-24), which makes it the leader in the genre as per the TAM data for Week 38. From the time of launch, the channel has enjoyed a robust audience loyalty (derived from the TSV measure) which is already 30 per cent above the competition.

    Chalking the achievement up to superior content on the channel, Nikhil Gandhi, Business Head, UTV Stars said: “We got the formula right and implemented it bang on. Right from the brand campaign to the shows, to the eclectic programming mix, we planned meticulously and were therefore confident of becoming leaders.”

    The channel is the sixth addition to UTV’s bouquet of channels in the entertainment space, and aims to bridge the gap between superstars and their fans.

    With Preity Zinta hosting one of the prime shows of UTV Stars ‘Up Close and Personal’ and fans getting to live a starry life on ‘Live my Life’, UTV Stars has caught viewers’ fancy.

  • Can Sony be GEC #1?

     

     

    By Dhara Salla

     

    It could well be time for Multi Screen Media CEO Man Jit Singh and COO N P Singh to get Sony Entertainment Television Channel to reach the numero uno spot. Sony has been giving a consistent performance over the past five weeks by being No 2 with 271 GRPs this week. With this success they plan to be No 1. Says Ms Sneha Rajani, Senior EVP and Business Head, SET, “It’s heartening to see the growth numbers and we are thrilled to see the amazing audience response to Sony.”

    SET is ahead of Colors with a difference of 52 GRPs and is coming close to the No 1 slot with a difference of 21 GRPs. SET remains on top in the primetime with 165 GRPs, leading by 27 GRPs over Star Plus which scored 137 GRPs. The four-day week primetime average is 153 GRPs, 17 GRPs better than the next best Colors with 133 GRPs.

    According to TAM data, Sony claims their dream run to continue with KBC being the No 1 show on Indian television with an average TRP of 5.4 followed by Bade Achhe Lagte Hain as the slot leader with 3.9 TRPs, Saas Bina Sasuraal averaging at 2.3, CID with 3.1, Crime Patrol at 3.2 and the recently launched Prayaschit averaging at 2.1 GRPs.

    Is Sony’s content beyond KBC now fully capable to lead them to the top spot? Mr Danish Khan, Senior Vice President, Marketing, SET, explains, “Our growth is not only because of KBC; it started before that and it is across all categories. KBC has definitely boosted the growth but other shows have also been on a continuous upward performance.” He further adds, “I can see a steady growth of the channel with the current lineup of shows and also adding to it our new show, Kuch Toh Log Kahenge.”

    What do industry pundits feel about Sony’s eye on the top spot? MXM finds out.

     

    Ms Anita Nayyar, CEO, MPG South Asia, says, “Yes definitely Sony can be on the number one position but for how long they sustain it is a questions to ask. Star has been there since ages and Colors had taken over but then Star took a great leap ahead of Colors again. Sony has proved that audiences can be won over with the content but for how long, that time will only tell.”

    Ms Anamika Mehta, COO, Lodestar UM, is in agreement with Ms Nayyar, “As we have seen in the last couple of years, positions change hands in the GEC war very often and a couple of good shows can play a significant role in the weekly ranks. Yes Sony is gearing towards the No 1 slot on the back of KBC’s mass appeal and a few other soaps that are favoured by the audiences. Among the top 10 programmes in the GEC space it’s a stiff fight amongst Sony, Star Plus, Colors. What’s working in Sony’s favour is KBC, the old favourite CID and Bade Achhe Lagte. And now with another prime time launch of the famous Dhoop Kinare in two weeks, Sony is a strong contender for the top slot. However what will be tough is to sustain the ratings and position once KBC goes off air and other players come up with their quarter lineup like Bigg Boss etc.”

    Mr Uday Mohan, Vice President, MPG, also feels that KBC is the winner as far as Sony is concerned: “Sony has adopted a very smart strategy of using KBC as a launch platform to introduce/ promote shows which are contextual and more relevant to urban Indians (shows like Bade Achhe Lagte Hain, Saas Bina Sasural). This seems like the current genre of interest and as long as Sony ensures that their other new shows also have the same level of freshness, they should be able to maintain this momentum.”

    After reaching this kind of success, the advertisers’ perspective has definitely changed, Ms Mehta says, “Sony with its programming (eg CID) always enjoyed a certain loyal audience base and therefore advertisers; however with KBC and the success of other soaps it will soon become a part of more media plans.”

    Mr Mohan remarks, “With the healthy numbers that Sony is currently showing, it will definitely be in the high-consideration set in the GEC space.”

    It certainly seems that Sony has set its sights on the top. The channel certainly seems unstoppable – whether it can sustain the momentum is still to be seen.

    File photograph of KBC4 launch by Fotocorp

    From l to r: N P Singh, Amitabh Bachchan, Man Jit Singh